by Tim McMahan, Lazy-i.com

My bit of advice to you, the indie music fan: If you have a chance to go to a show when it’s happening, you better go. It’s no secret that, despite having more music venues than ever, fewer indie rock tours are coming through Omaha these days. If you don’t go to one of them happening tonight, who knows when you’ll get another chance.

Tonight’s pretty loaded for shows. The best of the bunch is at The Waiting Room where The New Pornographers return. The band’s latest, Continue as a Guest, is their Merge Records debut and includes contributions from A.C. Newman, Neko Case, Kathryn Calder, John Collins, Todd Fancey and Joe Seiders. New Pornos regular Dan Bejar only provides “co-writes” on this one, which means you won’t be seeing Bejar on stage with the band tonight. 

Judging from Wednesday night’s setlist for their Oklahoma City show, expect a healthy dose of the new album along with some non-Bejar chestnuts from the catalog going back to 2005’s Twin Cinema.

Opening the show is dreamy NYC band Wild Pink, whose latest LP, ILYSM, was released last October on Royal Mountain. Really pretty stuff that reminds me of Nick Drake or early Iron & Wine. 8 p.m., $35.

Also tonight, Brooks Nielsen, former lead singer to So Cal indie band The Growlers, headlines tonight at The Slowdown. The Growlers was one of the surf bands caught up in the whole Burger Records controversy in 2020. Nielsen’s solo work is more synthy but still has some sunset California touches. No opener listed. Starts at 8 p.m. in the big room. $35.

Meanwhile, down at The Sydney in Benson tonight (Friday), Specter Poetics headlines a show that also includes New Obsessions and Jeff in Leather. $10, 9 p.m. 

As for the rest of the weekend, well, like I said, get it in tonight because who knows when you’ll get another chance to see a live indie music. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

First off, I thought The Hard Times only published Onion-like parody articles about the indie and punk lifestyle. Then last week these two article showed up, both well written, though their content (and opinions) were a bit sketchy. 

The first was “Every Bright Eyes Album Ranked.” At the bottom is A Collection of Songs Written… the collection of very early Bright Eyes tracks, many written and recorded when Conor was in middle school (or younger), and they sound that way. I can’t quibble with this opinion. The collection was for completists only.

At the top of the list: 2000’s Fevers and Mirrors. Says writer Corey Montgomery, “If anyone ever tells you this album isn’t the best one, politely tell them to eat shit and die. Just be sure to turn around before they see the single tear running down your cheek.” So yeah, maybe this article was a joke after all, though Corey certainly has listened to these records before. 

Of course his ranking is wrong, imho. He has Lifted… listed in the six hole, saying it “feels overcooked and desperate to please.” In fact, along with I’m Wide Away It’s Morning, ranked No. 2, will stand as Bright Eyes’ magnum opus(es).

A few days later, Mr. Montgomery ranked “every Cursive album” and while he got No. 9 correct (2012’s I Am Gemini is, uh, a difficult listen), he ranked 2007’s Happy Hollow No. 1, and with a straight face said “Not enough can be said about this record’s accidental timelessness.” While I can get behind this pick — Happy Hollow is a great record — everyone knows The Ugly Organ is the top classic, followed closely by Domestica, which most others would place in the first spot. 

If you’ve never heard Domestica performed live, btw, you’ll get a chance May 16 at The Waiting Room — that is if you have a ticket. The show sold out a long time ago. 

The Hard Times can be pretty freakin’ funny (Check out “Uh Oh! I Butt Dialed Conor Oberst and Now It’s the First Track on His New Album”), but I kind of dig this content, too. There’s room for both, Hard Times! Now where’s your ranking for 3very album by The Faint?

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One of my all time favorite albums is Damien Jurado’s 1999 album Rehearsals for Departure. I think I lucked into it via a random CD promo mailing sent by his label back in the day and for the longest time, the song “Ohio” made it onto my mix tapes. 

Jurado’s latest album, Sometimes You Hurt the Ones You Hate, is pretty good, too. I’m sure you’ll hear songs off this one as well as “Ohio” (which is typically his set-opener) tonight when he plays at Reverb. Opening is Portland singer/songwriter Chris Pureka. $20, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

There are no indie rock shows in Omaha again this weekend. The only event worth mentioning is that this Saturday is Record Store Day. Homer’s, Vinyl Cup and Recycled Sounds are all handling RSD limited-edition merchandise. No idea if Grapefruit is participating, but if you’re out and about buying records, it’s still worth your time. R.I.P. Monster Club.

It was 19 years ago here on this website that I made the following prediction about the future of record stores:

“Independently owned and operated music chains and mom-and-pops will be forced to change their marketing strategy, targeting the high-trend must-have “collectors” and traditional audiophiles who can’t live with mp3-quality sound. Surviving stores will turn into music boutiques, handling hard-to-find limited-edition releases, obscure independent labels, box sets and music fan “gift items” such as T-shirts, posters and assorted memorabilia. And when technology barriers are overcome — eventually allowing for quick, manageable CD-quality downloads — they’ll quit selling pop CDs altogether.”

Well, 19 years later, the prediction is mostly true. With all music readily available online, record stores really are now boutique shops designed to cater to collectors moreso than to people actually trying to discover new music. The last part of that prediction — about the death of CDs — also was true… for awhile. Now CDs — like cassettes — are back as another collectors’ item rather than a necessary vessel for listening to music. 

I’ve always thought RSD was cool if only as a way to bring fans together to celebrate a shared hobby – just like Free Comicbook Day. Get out there and buy some vinyl! Support your local Record Stores! But make no mistake about it – if you really want to support the actual artists and musicians, buy your music online at Bandcamp during Bandcamp Fridays…

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Omaha.com yesterday published a story that reports The Astro Theater in La Vista plans to stage its first outdoor show in late summer. Beyond the headline and the lead paragraph, there’s little if any news about the actual theater in the article, which focuses on the overall development. We used to call that “bait and switch.” That said, this is the first new “news” about the project in months. Here’s some older information about the project, which broke ground back in September 2021.

In other news, Maha announced it “sold out” its “Tier I” tickets to its July 28-29 music festival, effectively raising prices for all general admission tickets by $10 per day. Did they actually sell out or is this just the scheduled end of “early bird” pricing? Who knows. I’ve heard very little about ticket demand. Their Friday night line-up is headlined by Turnstile, while Saturday’s headliner is Big Thief. More info at Mahafestival.com

It’s been another quiet period for news and shows as we’ve appeared to fallen into another dry spot for scheduled touring indie gigs. The next 1% indie show is Damien Jurado, April 26, while the next indie show at The Slowdown is Brooks Nielsen, formerly of The Growlers, April 28. Here’s hoping things pick up in the coming weeks as the weather warms…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

I don’t know what else to call weekends like this, ones where there are no shows to write about or attend. So, take-a-break weekend. In the old days, I’d suggest hanging out at The Brothers, but The Brothers ain’t there no mo’, so fill in the blank with your favorite rock ’n’ roll dive bar.

The weekend isn’t a complete washout. Sunday night New Jersey indie-punk trio Screaming Females headlines at Reverb Lounge. Their latest album, Desire Pathway (2023, Don Giovanni) got a nice write-up from Ian Cohen, the go-to punk/rock guy at Pitchfork, who called the 6.8-rated record “their most consistent album yet,” which doesn’t say anything. A better description: it’s “their most mainstream album yet.” 

Here’s what I said about them when they opened up for PUP at The Waiting Room back in March 2020, the last show I went to before the dreaded COVID shutdown:

“A New Jersey power trio, their style was reminiscent of Seattle grunge with a hint of metal (by way of that guitar). The songs were powered by Mike Abbate’s base lines that laid the groundwork for Paternaster’s fretboard gymnastics. When she wasn’t playing (or when she was) frontwoman Marissa Paternoster sang with an affected style that sounded like Grace Slick channeling Eddie Vedder on melodies that weren’t terribly memorable. It’s her guitar work that I’ll remember. Why isn’t this band headlining yet?“

They are now. Also on this four-band bill are LA Latin American garage rockers Generacion Suicida, Cincinnati’s The Mimes, and Omaha’s Sazcha. 7:30, $22.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Well, I didn’t go to either show last night because I was busy and I’ve seen both bands countless times in the past. Here’s hoping y’all had a good time. The show calendar is looking pretty light over the next couple of weeks…

About tonight’s Black Flag show at The Waiting Room, according to the 1% website: “Black Flag will be performing 2 sets. In the first set, they will be performing their groundbreaking 1984 album “MY WAR” in its entirety. The second set will have the band performing over an hour’s worth of their most classic material.”

The line-up includes founder and only original member, Greg Ginn, on guitar and Mike Vallely on vocals. No Rollins, obviously.

8 p.m., $40, no opener.

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Yesterday, Saddle Creek Records released a new song by Neva Dinova called “Something’s Out There.” Says Saddle Creek: “Temporarily tabling their signature melancholic guitar tones for a twinkling keyboard and drum pairing, their marked shift toward exploration on this track finds its spacey home alongside an otherwise otherwordly experience.”

This track appears to be more of a Jake Bellows solo project, with Jake getting credit for vocals, electric guitar, bass, drums, percussion and keyboards. Adrienne Veerhoeven (The Anniversary, Art in Manila) provides backing vocals and keyboards. Ian McElroy (Desaparecidos, Rig. 1) produced it with Jake, and Mike Mogis mixed it. Not sure why they call this a Neva Dinova track when it’s just Jake, but maybe they just want it to tie-in to Saddle Creek’s recent reissue of the Neva catalog.

Here it is. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Ah, life is filled with difficult choices. Tonight is no exception as you have two blue ribbon indie rock shows to choose from. Which will you choose?

Over at The Waiting Room, Pedro the Lion a.k.a. David Bazan and his band, returns, this time performing two of his classic albums. It’s Hard to Find a Friend is the band’s debut, released in 1998 on Jade Tree records. I honestly have never listened to that record, having discovered Pedro the Lion two years later with the release of Winners Never Quit, but. strangely, Bazan is skipping over that record and instead also performing 2002’s Control tonight. I’m sure there’s a reason behind it and if you’re curious you can ask Bazan yourself as he usually takes questions during his set.

Opening is Seattle singer/songwriter Erik Walters, who has played guitar for a number of artists including Telekinesis!, Perfume Genius and tonight will be performing as part of Pedro the Lion. 

This is the tour kick-off (Hurray!). $28, 8 p.m. 

Also tonight, The Slowdown welcomes back The Mountain Goats. John Darnielle and his band continue to tour their latest studio album, Bleed Out (2022, Merge). There was some question (in my mind, anyway) if this show was going to happen as one of the band members came down with COVID last week, but here they are. Judging by the setlist from their April 4 Baton Rouge show (the last before the break), this will be a greatest hits set with a few songs from the new album thrown in. 

I’ve seen these guys a few times over the years and the band puts on a very entertaining, fast-paced show. Knoxville singer/songwriter Adeem the Artist opens at 8 p.m. $45. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

If it wasn’t a sell out it was the closest thing to it Saturday night at The Slowdown. Water from Your Eyes had just started their set when I arrived at after 9. They played as a three piece – guitarist Nate Amos and vocalist Rachel Brown with a bass player. The drums were prerecorded backing tracks that Amos controlled from a MacBook that sat next to his pedal board — full-on synth tracks and beats, which he cued up throughout the evening. 

Their set was almost identical to what they played at Reverb Lounge late last year opening for Palm, switching between mid-tempo, meandering crooners and harsh, brittle, noise symphonies that saw Amos playing cut-jab guitar riffs over acidic synth tones while Brown either spoke or sang lyrics in beat with the dissonance. Those art-noise experiments were the evening’s highlight, wonky and off-kilter and at times unsettling and/or groovy. I hope this is where they’re headed on their upcoming album rather than the serene tone poems heard on earlier recordings. 

Brown looked like a 13-year-old boy wandering around stage between songs while Amos re-tuned or cued up the next song on the playlist. The seemed like a very young band halfway to figuring out where they want their sound to go. I can’t imagine what Snail Mail fans thought of them.

That said, their set was far more dynamic and interesting than Snail Mail’s, which was low-energy by-the-numbers female-fronted indie rock. Lead singer Lindsey Jordan‘s voice sounded remarkably pedestrian in a mix that only highlighted her limitations. 

Jordan talked about tour bus problems (break-downs, crashes, near-death experiences) and mentioned recently firing a member of the band, which I assume was their guitarist. All this after being on the road for a solid year touring this record. She spoke about having written one song with a difficult guitar part, but thinking “it doesn’t matter because I won’t be the one who has to play it.” I guess the joke was on her. 

A flat performance, but it didn’t matter to the capacity crowd squeezed onto the floor in front of the stage who came to hear these songs and sing along, as they did throughout the night. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Busy weekend! 

It’s the first Friday of the month and that means Benson First Friday! Benson turns into an urban walking art gallery with art openings happening all up and down Maple Street, not the least of which is the opening at Ming Toy Gallery, 6066 Maple St., where Brian Tait has a one-man show. Tait is one of my favorite Omaha artists, with a style that combines street art and abstract, strange, colorful and pure pop. The show runs from 6 to 9 p.m. and refreshments will be available. Come by and say hi.

Later tonight down at The Sydney it’s a 3-band bill headlined by Those Far Out Arrows, with Healer (Dan Brennan’s band that recently opened for Protomartyr at Slowdown) and Jack. $10, 9 p.m. 

Tomorrow night (Saturday) there’s a pair of Matador Records bands playing at The Slowdown. The headliner is Baltimore’s Snail Mail a.k.a. Lindsey Jordan whose debut album, 2018’s Lush, was loaded with dreamy indie pop reminiscent of The Sundays and was an out-of-nowhere smash (and at the tender age of 17). Her follow-up, 2021’s Valentine, is harder and more mature but no less infectious, earning a massive 8.5 on the Pitchfork meter and “Best New Music” accolades. Maybe you remember them playing the 2019 Maha Festival? Joining Snail Mail Saturday night is lablemates Water from Your Eyes, who I wrote about earlier this week. Richmond, Virginia, old-school power pop band Dazy opens the show at 8 p.m. This one’s in the big room. $30.

Also Saturday night, The Sydney is hosting hard punk band Nowhere, Flooding and Omaha prog duo Pagan Athletes. 9 p.m., $10. 

BTW, it’s Bandcamp Friday, so if you were thinking of buying any new music (or old music for that matter) Bandcamp is waiving its fees as it does every first Friday of the month, so do it now.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

A week or so ago a Facebook memory showed up on my timeline – a photo of my laminate from the Flatlander Music Festival – “3 full days of intense musical ecstasy” hosted at Sharky’s at 7777 Cass St. I reposted the image and asked if anyone remembered who played the fest – it was almost 29 years ago after all. Other than a few “likes” and comments, not a word. 

It got me digging through my stack of The Notes, the regional music monthly I wrote for back in the early ’90s published out of Lawrence, Kansas. I faintly remembered The Note was one of the fest’s sponsors and was how I got the laminate. 

Sure enough, in the July 1994 issue, Flatlander Music Festival took out a full-page back-cover advertisement (see above). The fest boasted bringing in “industry representatives” for this “regional music showcase.” 

The line-up was:

Thursday, July 7, 1994: Dashboard Mary, Honey, Ci2i, Stick Figures, Nudie Voodoo, St. Nicklehead, Flatwater Circus, Slowdown Virginia, Heroes & Villains and Sufferbus.

Friday, July 8, 1994: Brian Good, They Came in Droves, Beatkitchen, Fischer, Klass K, Such Sweet Thunder, Lavender Couch, Bartlby, Turquoise Sol and Solefish.

And finally, Saturday, July 9, 1994: Richard Schultz, Cowtown, Scott Laurent Band, Secret Skin, Jimmy Skaffa, Straw Dog, Green Machine, Town Crier, My Childhood and Squidboy. 

Notable among the acts was Slowdown Virginia, a band consisting of Tim Kasher and Matt Maginn who would become half of Cursive, Steve Pedersen who would go on to front The White Octave and Criteria and Casey Caniglia. The band’s name is the namesake for The Slowdown music venue. 

I know I was at this festival, but I don’t remember a minute of it. 

Strangely, the next day Sharky’s hosted Sharkfest ’94. Headlined by The Beat Farmers, the line-up for that one also included The Kind, Ritual Device, Beef Curtains, Mercy Rule, Fischer, Secret Skin, Digital Sex, Shovelhead and Turtle Moon. 

Sharky’s was in the the building that used to be the old Firmature’s restaurant, which if I remember correctly, had been a number of establishements before that. We used to joke that it was a cursed proprety because nothing lasted long there. The building had a rail car attached to it that was one of the first offices of weekly publication Sound & Art, which became The Reader. Local satire publication The Great Red Shark also was officed out of that building. Sharky’s didn’t last long. After it closed, the new Music Box took over that space, but it didn’t last long, either. Eventually the building was torn down to make way for a 24-Hour Fitness, which now is a Genesis Health Club. So there you have it.

Reading through these old issues of The Note is a hoot. Whoda thought a 32-page monthly magazine dedicated entirely to local music and the industries that support it could thrive for a decade?

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.