by Tim McMahan, Lazy-i.com

The weekend went like this…

From all reports, I missed the best show of the weekend by about an hour. Head of Femur opened the Sydney Saturday night showcase and I wasn’t able to get there in time for their set but was told it was an absolute scorcher from four people who were there. I got to the bar just after it ended and walked into a crowd that looked like a scene from Sokol Underground circa the early 2000s. Head of Femur goes way back with a lot of the Saddle Creek crew. 

Lincoln emo-punk band The Obsurants were up next and played a solid set of high-energy emo-punk songs performed seamlessly one after the other with no break in between. Frontman Eric Maly has the right voice for these anthemic power-punk tunes. A few times during the set when he wasn’t playing his guitar he appeared to be doing America Sign Language while he sang, which was strangely affecting. 

Headlining band Dead Letters, who were celebrating the release of their new album, Songs from Center, were slightly Omaha’d (hey, that’s what you get when you let a legend like Femur open for you). All three members of the band yelled out their lead vocals while the other two yelled out harmonies on these endearing, short, sharp jangle-punk songs that had as much in common with Violent Femmes as they did R.E.M. And when I say short songs, the album’s 9 songs only span a total of 19 minutes — so do the math. You never have a chance to get tired of any of them. 

The best part about this band is that, unlike so many acts I’ve seen lately, it’s obvious all three members were having the time of their lives, and so was the audience.

Sunday night it was off to Reverb Lounge. Less than a dozen people were in the audience when Water from Your Eyes began their set at 8 p.m. sharp. The duo of vocalist Rachel Brown and guitarist Nate Amos were joined by a third person on guitar and were backed by some thumping rhythm tracks. If you’d fallen across the duo’s past recordings, like 2019’s Somebody Else’s Song (Exploding in Sound Records) or even 2021’s artier Structure (Wharf Cat) you would have been ill-prepared for the sound barrage of last night’s set. 

At the heart of it was deep, blaring pre-recorded synths joined by Amos’ acidic, feedback-drenched guitar that interlaced with Brown’s untouched, unprocessed vocals that sounded like your little sister singing along to art-damaged post-punk. Harsh, throbbing sonic textures repeated trancelike with the second guitar providing counter riffs. 

The evening’s highlight was a brittle interpretation of “Adeleine,” a track from Somebody Else’s Song, reinterpreted with rough synths and guitar, barely recognizable compared to the original, but a better fit in what turned out to be one of my favorite sets I’ve seen this year. 

I wasn’t sure how closely headliner Palm would follow the song structures heard on their new album, Nicks and Grazes. Would they change it up like Spirit of the Beehive did when they played at Slowdown earlier this year? The answer was no. 

The new record is rife with odd time changes, hard-to-grasp repeated musical structures, and flat, atonal vocals that are more accoutrement than melody. Call it modern indie prog for lack of a better description, well played (a fantastic rhythm section) but hard to listen to if you’re someone who enjoys melodies. It didn’t help that both vocalists were buried in the rhythm-dense mix. At its best, Palm is an intricate rhythmic puzzle box that can be fun to try to solve… for awhile, and then gets tiresome. That said, the 40 or so on hand for their set were into it. 

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Yes, it’s rare for me to go out on a “school night,” but I knew this would be among the last touring indie shows coming through town until next spring. In fact, the only upcoming One Percent Productions show on my radar is the Feb. 23 Unsane show at The Admiral. Virtually no indie shows are currently booked on the 1% calendar. 

The Dec. 15 Bartees Strange show at The Slowdown is that venue’s last touring indie show until the Feb. 25 Rural Alberta Advantage gig, and then Titus Andronicus way out on March 28. 

Yep, it’s slim pickings if you’re an indie music fan. I’ll talk more about that when I post my Year in Review column in The Reader (get a sneak peek in the printed edition, which is already on newsstands). Looks like it’s going to be a long, cold winter…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Welcome the the weekend. It all kicks off in Benson tonight with Benson First Friday, which in the coming months will become even more special (more on that mystery later). Get to Maple Street tonight and check out the art scattered throughout the shops.

The Sydney in Benson is celebrating BFF with a heavy-ass show headlined by Lincoln’s FACE, Omaha scream-metal band Living Conditions and Jack McLaughlin’s synth-powered project, Specter Poetics. $10, 9 p.m.

Saturday night, Dead Letters, the new project by Koly Walter, Brian Byrd (both of Well Aimed Arrows) and Mark Johnson (Places We Slept), is celebrating the release of their new album, Songs from Center, at The Sydney. The album art is a photo of The Center Shopping Center, Omaha’s first shopping mall and once home to The Sky Lanes and where I went to see Santa Claus once upon a time. Walter says The Center is a block away from the band’s practice space/studio. The band released a second song from the album in Spotify (but alas, not in Bandcamp, where you can pre-order digital album, here.

Opening for Dead Letters is Head of Femur. Koly said his old band, legendary ‘90s act The Protoculture, used to play with Head of Femur frontman Matt Focht’s former band, Opium Taylor, back in the day. Kicking things off at 8 p.m. is Lincoln act The Obscurants (Eric Maly of Slow Pioneers). $10.

Sunday night, Saddle Creek Records act Palm plays at Reverb Lounge. Signed to the label this past July, Palm is a Philadelphia-based four-piece that’s been together for a decade. Their last LP was released in 2018 on boutique label Carpark Records. Their rep is for playing inventive art-rock, and they live up to it on Nicks and Grazes (2022, Saddle Creek). Lots o’ progressive / dissonant moments on this album, very similar experience to listening to label-mate Voice of the Beehive’s last album, a band who’s live set earlier this year at The Slowdown was stellar. Like VOB, will Palm bring a different approach to their live set? We’ll have to see. The Reader has a fresh Q&A with Palm (by Chris Bowling!), which you can read here.

Opening is Brooklyn duo Water from Your Eyes (Nate Amos of This is Lorelei and Rachel Brown), who’s last studio album was 2021’s Structure (Wharf Cat Records) $18, 8 p.m.

Lest I forget, today is also a Bandcamp Friday — if you buy your albums today from Bandcamp, the service will pass along its fees directly to the bands/artists (and some labels are following suit), so it’s the best time to buy new music, like that new Dead Letters album!

As for shows, that’s all I got. If I missed yours, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Wild Pink headlines tonight at Reverb Lounge.

The New York band’s latest, ILYSM (2022, Royal Mountain), was co-produced by Justin Pizzoferrato, whose credits include work with Pixies and Speedy Ortiz, and Peter Silberman of The Antlers, and includes guest spots from J Mascis, Julien Baker and Ryley Walker, among others. Pitchfork gave it a 7.0 and called it “a richly detailed and expectedly sentimental album that wrestles with all the life and death that exists in the midst of a cancer diagnosis.” Eek.

For the most part, it’s a quiet, meditative collection that reminded me of Nick Drake, with frontman John Roth’s quiet, breathy vocals. The album’s title track is among the highlights, rising to a blazing crescendo before coming back down.

Opening band Trace Mountains is a project led by Dave Benton formerly of Sub Pop band LVL UP. Their latest, House of Confusion (2021, Lame-O), has that dreamy early Jackson Browne lilt that goes down easy, especially on tracks like “If You Do.” This would be the perfect concert for a warm summer evening instead of a frostbitten last night of November. Early show: 7:30. $15.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

I’m not, nor have I ever been, a Ryan Adams fan. I just never cared for his music. So I wouldn’t have gone to tonight’s Ryan Adams show at the Holland Center regardless of the controversy that surrounds him (and for some, always will). That said, if I had been listed for this show, I might have gone just to see if he mentioned the controversy from stage (or to hear what Bright Eyes song he’ll be covering). 

Certainly Adams will be surrounded tonight by people who either have forgiven his past abuses or have looked beyond them because, regardless, they still like his music. Incidentally, if you want to know where I stand on Adams, you can read my column in The Reader from 2019, here. When I wrote it, Adams was clocking in with 1.4 million monthly Spotify listeners. Today, that number has risen to 1.5 million. Where that number stood before The New York Times is anyone’s guess, but rest assured, it was probably higher. BTW, Adams has self-released four digital-only albums this year alone.

I have no doubt, had this concert been scheduled before the Times article was published, the Holland would have sold out. Today, there are still plenty of tickets available on the Ticket Omaha website. 

Moving on… Who’s up for an Arcade Fire concert?

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Very much like every other year was last Wednesday’s holiday concert at The Waiting Room, the eighth such event (according to Criteria frontman Stephen Pedersen, who celebrated this winning streak from stage). Lots of old, familiar faces were on hand to wish glad tidings as well as they could through the 100+ dB din (even between bands, it was loud).

Uh Oh kicked it off with a solid set and what appeared to be the evening’s largest crowd (a crowd that slowly, slightly waned throughout the night). The more I hear Joe Champion live the more I’m reminded of Tim Quirk of Too Much Joy, thought Uh Oh’s music is played straightforward lyrically vs. TMJ’s snarky humor, and that’s OK. While the entire band is solid, lead guitarist Mari Crisler is a standout on solos that leave the histrionics for the fretboard (which is a nice way of saying the band doth not emote much on stage, but few indie bands do).

Little Brazil followed with their best performance in recent history driven by frontman Landon Hedges. Always solid instrumentally, for me LB shows depend on how well Landon handles those high notes. Get him on a bad night and your best best is to lean back and enjoy guitarist Shawn Cox’s amazing fretwork. Get Landon on a good night (or in this case, a great night) and you’re flying above the crowd alongside him on that vocal tight rope.

LB has been kicking it for decades but their latest album, Just Leave, is a career highlight thanks to risk taking on song structures and the guitar interplay between Cox, Hedges and the rest of the band, held down firmly by a rhythm section of LB co-originator Danny Maxwell on bass and larger-than-life drummer Austin Elsberry. That said, Hedges’ unique, high vocals make LB a standout in a city full of standouts.

There were times Wednesday night when I cringed waiting to hear if Landon was going to make that note. He almost always did, though a couple times he seemed to forget the words at the beginning of songs. No matter. He always caught up in the end.

Finally there was Criteria. What to say that I haven’t already said the last seven times I’ve seen them play this holiday show or all the other times in between? The band continues to wield the ridiculous guitar-fueled power that made them an indie-music staple in the emo-powered aughts when Omaha was a global music brand. I am here to report that frontman Pedersen can still shred the high notes as well on songs that are nothing less than endurance tests for any vocalist over the age of 30 (which he most definitely is).

The band is sheer power at every position, tight as a tick and tour ready as they’ve ever been, though they’re unlikely to play again until next November. No doubt some of the reasons for that involve the three little boys who ran around stage prior to the set — Pedersen’s personal roadies (the youngest of which wore sound-dampening headphones and ran wild in the crowd during the set). In just a few years maybe they’ll be opening for dad’s band, at a show held sometime around Thanksgiving at The Waiting Room…

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The holidays cavalcade of local shows rolls on this weekend.

Tonight at Reverb Lounge, Saddle Creek Records band Twinsmith headlines with up and comer Bug Heaven who I’m told is a must see (though I somehow keep missing them). This one starts at 9 p.m. and is $12.

Also tonight, singer/songwriters Stathi and Mitch Gettman are playing sets at The B. Bar, 4330 Leavenworth (right next to Barrett’s Barleycorn). Mitch goes on at 8, Stathi at 9 and then headliner, Sweetstreak, who describe themselves as East Omaha garage Rock, at 10. No price listed for this one, so you’re on your own.

Tomorrow night (Saturday) our old friends Las Cruxes headlines a free show at fabulous O’Leaver’s. Joining them are (kind of) new band The Rare Candies (Josh Medlock, Mitch Gettman, Ryan Menchaca and a fourth dude who’s probably pissed because he’s not listed anywhere on the band’s websites) and Kelroy. Just like the old days, this one doesn’t start until 9:30.

Also Saturday night, The Waiting Room is hosting a reunion of Omaha ska band Jimmy Skaffa. Joining them is Stick Figures and Plastic Presidents. $15, 8 p.m. Lotta people will be at this one (including on stage, if I remember this bands properly).

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Every year it’s the same thing — Criteria and Little Brazil at The Waiting Room. And this year is no exception.

These holiday shows are sort of Omaha music scene get-togethers. I honestly don’t know what Criteria has been up to for the past year. Will there be new music or just another evening of their greatest hits? Who knows?

On the other hand, Little Brazil started out the year releasing a new album, Just Leave, on Max Trax Records. Expect to hear songs from that one along with a few of their greatest hits.

Opening the festivities is Omaha indie band Uh Oh who’s last album was 2021’s Good Morning. It all gets rolling tonight at 8 p.m. Always one of the best shows of the year. $12. Don’t be a turkey. Take part in this festive holiday tradition…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Welcome to Ice Station Zebra. Parkas are optional, but they’re a pain in the ass at the club. 

Couple shows tonight…

The Legendary Pink Dots are, in fact, legendary, though I hadn’t heard of them until this show was listed on the Reverb Lounge calendar. Formed in London in 1980, the band’s central dude is keyboardist Edward Ka-Spel. According to All Music, their high-water album was The Maria Dimension in 1991, released on PIAS Records, an album that AM said is the influence for their most recent album, The Museum of Human Happiness, which came out just this past spring. 

Their sound is goth electronic Dieter music kitschy old-school Euro. That said, they’ve been influential to such acts as Dresden Dolls, MGMT and Skinny Puppy. Opening is moody Denver performer Orbit Service a.k.a. Randall Frazier, who has collaborated with LPD in the past. 8 p.m., $27.

Also tonight, down the street at The Sydney, it’s Wichita post-punk band TF BUNDY (which, as any purveyor of the Urban Dictionary will tell you, stands for Totally Fucked but Unfortunately Not Dead Yet. Local heroes Pagan Athletes and Jeff in Leather open at 9 p.m. $10.

Tomorrow night (Saturday) is, of course, the big Black Lips show at The Slowdown. These ‘00s indie legends are still kicking after all these years. The Atlanta quintet is touring in support of Apocalypse Love (2022, Fire Records). According to Wiki, “The Black Lips are noted for provocative theatrics – including vomiting, urination, nudity, electric R.C. car races, fireworks, a chicken, flaming guitars and other un-predictable antics.” What will they do Saturday night? Opening is Omaha legend Solid Goldberg! Also on the bill is Bloodshot Bill, who film director John Waters describes as “like Roy Orbison with a head injury.” 8 p.m., $20 (worth it just for Goldberg).

And that’s all I got. If I missed your show, put it in the comments section, and have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

An addendum to The Reader column about Saddle Creek Records recent releases…. there are a few artists off their recent roster who weren’t mentioned because they’ve been relatively dormant. Among them is Black Belt Eagle Scout, the project of Swinomish Indian Tribal Community-based multi-instrumentalist Katherine Paul. Creek released a new single by BBES yesterday, “My Blood Runs Through This Land,” and announced a new LP out Feb. 10, 2023, which you can pre-order now. Psst… I actually like the second track, “Don’t Give Up,” (not to be confused with the Peter Gabriel song (but wouldn’t a cover of that be something)), more. Nothing like closing out your LP with a strong track. 

Saddle Creek’s most recent signing, Pittsburgh’s Feeble Little House, just got a review of the re-release of their debut album, Heyday, at Pitchfork, which said, “The Pittsburgh rock quartet’s newly reissued debut is a relentless, intentionally chaotic document of twentysomething existential dread.” Chaotic? Maybe not so much. Definitely a throw-back sound to ‘90s indie acts like Helium or even Chavez (yeah, I said it). The Pitchfork rating was 7.4, btw, which is high for a Saddle Creek release, but I’m finding that Pitchfork likes this era of Saddle Creek a whole lot more than they liked the first wave (and definitely the second Saddle Creek wave). 

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Tonight at Reverb Lounge Aussie indie act The Murlocs headlines. The band has been recording and touring for a decade. Their latest, Rapscallion, was released in September on ATO Records.  Their sound has been described as “neo-psychedelia” but is closer to straight-on jangle-pop. Montreal singer/songwriter Paul Jacobs, who has been compared to Kurt Vile, opens at 8 p.m. $17.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Here comes the weekend. Try as I might, I couldn’t find a single thing to do tonight show-wise, though Saturday is packed. It’s usually the other way around. So, here’s the line-up.

Friday night is a wasteland. Go to a movie.

Saturday you’ve got options. 

Our old pals Oquoa are headlining at fabulous O’Leaver’s Saturday night, no doubt still playing songs from they 2019 LP Timesquares. It’s indie awash in shoe-gaze awash in frontman Max Holmquist’s brassy tenor voice. Joining them on the bill are Steady Wells featuring Jordan Smith of Twinsmith. Singer/songwriter Alexis DeBoer, whose vocal style is more than a little reminiscent of Angel Olson, opens the show at 9 p.m. $10.

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Meanwhile, across town at Reverb Lounge in Benson, Violenteer headlines a three-band bill Saturday night that includes the band Glow and Max Trax Records artist Leafblower.  $10, 9 p.m. 

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Just around the corner at The Waiting Room, gothy industrial instrumental band Lucida Dark headlines a bill that includes Minor Movements, metal monsters Living Conditions and hot new indie sensation Bug Heaven. 8 p.m. $15.

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And now for something completely different…

Sunday night, The Slowdown is hosting Kenyan-Ugandan industrial grindcore/noise act Duma. Their music is brutally heavy, downright punishing. Just listening to the below track makes me jittery and anxious. Imagine how it’ll sound live. Opening is Masma Dream World, the solo recording project of multi-disciplinary artist/healer Devi Mambouka. Kicking things off is Nebraska’s own leather-clad noise gimp Plack Blague. $20, 8 p.m. In the front room.

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If noise ain’t your thing, our old pals Guster are back in town, this time at The Admiral (a.k.a. Sokol Auditorium). I still remember seeing them play at the old Ranch Bowl back in 1999 when they were just getting going (Here’s a fun Lazy-i interview from back in the day). Not sure what brings them back to Omaha as they don’t have new material coming out (that I know of). Still, should be a great show. Chicago band Ratboys opens at  7 p.m. $30 or $75 balcony.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

This month’s column in The Reader is a look at the latest wave of releases from Saddle Creek Records. Our hometown label keeps stretching, and the results can be quite impressive. Read the column online here or in print at newsstands around town (Hy-Vee, LaCasa, etc.).

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Chicago post-punk band Meat Wave is playing a free show tonight at fabulous O’Leaver’s. They just released a pummeling new album, Malign Hex, on Swami Records and are about to hit the road opening for The Bronx. They’re longtime pals and tour mates with local heroes Cursive and haven’t been back through Omaha since their stint headlining Day 1 of O’Leaversfest before the pandemic. Omaha band Nowhere opens the show at 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.