Social Resonance is live streaming tonight at 9:30 from The Sydney.

by Tim McMahan, Lazy-i.com

Think about all the rock shows we had to choose from just a year ago from this week. Phoebe and Conor’s Better Oblivion Community Center was playing a sold out show at The Slowdown; Wild Powwers was playing at O’Leaver’s, Black Moth Super Rainbow was at The Waiting Room as was The Nadas, ADULT. was at Slowdown Jr., and a slew of local bands including Gerald Lee Jr., Minne Lussa, The Natural States and Death Cow were playing clubs all over town.

This weekend all we got is a bunch of live streams and our record collections to keep us going. Look, this COVID thing isn’t going to last forever, right?

Well, one thing to look forward to is happening tonight in your living room. Social Resonance is a live streaming project coming at you tonight at 9:30 from a closed-up Sydney in Benson. Produced by Ian Aeillo with the help of some local technical wiz kid, the show will include performances from singer / songwriters Rebecca Lowry and Mike Schlesinger and probably a few other surprises.

It’s streaming via YouTube from this link: https://youtu.be/xPa5hWnBKkQ If you click on the link in the YouTube app you can send it to your SmartTV, which Ian implores you do for maximum viewing pleasure. If you don’t have a SmartTV (or a TV) just watch it below:

I plan on sitting back with an ice cold Rolling Rock and some of my favorite take-out and enjoying the whole show in my living room. I’d love it if performers and venues were able to do more of these kind of scheduled streamed rock shows, at least until things get back to normal…

Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Bright Eyes today premiered “Persona Non Grata,” the first new song by the band in nine years.

by Tim McMahan, Lazy-i.com

Just under 2,000 people listened in live to the world premiere of the new Bright Eyes song, “Persona Non Grata,” on YouTube this morning.

To me, what sets Bright Eyes songs apart from other Oberst-related music is the dense, fog-lit production by way of master craftsman Mike Mogis — keyboards, drums, bag pipes and Oberst at his quivering-voice best singing about heartbreak of one kind or another to a waltz-time beat. And is that Phoebe Bridgers I hear adding harmonies? Maybe, maybe…

The band said in a letter via the press release that they will be releasing a new album “this year no matter what,” though they are now reassessing touring plans. COVID-19 strikes again, eh?

All in all, it was a pretty successful song premiere. But they did have a captive audience, as we’re all trapped at home with nothing better to do. Dead Oceans (or whoever was behind the premiere) did it right by pre-announcing the exact time and sending out links via social media. There’s a lesson to be learned there.

A lot of artists are now live-streaming performances via Facebook, Twitch, YouTube, etc., but in a lot of cases (for me, anyway), people trip over them after the fact. It’s not a big deal if you’re someone like Bright Eyes, who has a fan base looking for the song, but for the rest of you, well, a little head’s up would be kind of nice.

And it’s as simple as treating your live streams like any other live show performance — i.e., create a Facebook event invitation. It’s how a lot of us keep track of upcoming performances, just like we used to for live shows (Anyone remember live shows?).

For example, the fine folks at The Sydney created a Facebook event invitation for this Friday night’s live stream featuring Mike Schlesinger and Rebecca Lowry. Now the gig will show up on my Facebook events list, just like any other live event. Take a look.

While it’s nice that folks are creating lists of live performances, like this one from NPR, who remembers to go back and look at those?

Yes, I know we’re all home anyway (as someone told me who was arguing against the idea), but the fact is even at home we’re bombarded with a million things to do. Make your live stream performances “appointment watching.”

AND, if I catch wind of your live stream – and you create a Facebook Event listing for it – it’s very likely I’ll also list it in the daily Lazy-i update. Just sayin’…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

The reissue of Silkworm’s In the West are among the recordings available from Bandcamp.

by Tim McMahan, Lazy-i.com

This is usually the spot where I tell you who’s playing where this weekend and which shows you absolutely, positively shouldn’t miss. It may be a long time until I get to do that again.

Last night I watched Kurt Vile on the Luck Reunion ‘Til Further Notice live Twitch stream. Live streamed performances are about all we’re going to get for the time being. A lot of local musicians already are getting into the swing of live streaming, judging by the number of people on Facebook sitting in their basements or bedrooms with guitars in their laps.

There are a couple of sources for lists of these live music performance streams. Kevin Coffey at the Omaha World-Herald has compiled a list, which you can find right here on the OWH website. And L. Kent Wolgamott of the Lincoln Journal-Star also has compiled a list, available somewhere on the Journal-Star website (though I can’t find it) and also here on Facebook. Check them out and put money in the digital money boot/hat to help keep these musicians going until COVID-19 goes away.

What else…

I got an email from FDH Records (the label put out a number of Digital Leather recordings, among other things) that said both FDH and Suicide Bong tapes are halting production of physical copies of new releases.

“We hope that once the dust settles we will be able to pick operations back up and get back to our main love of physical copies of music on vinyl and tapes. In the meantime we still plan on working with artists to keep new music coming digitally in these uncertain times.”

Just how bad are labels getting smacked in these Days of COVID? If their bands can’t be on the road selling albums, does it make sense to keep pressing? And how are record stores doing when entire states (California, for example) are now on lock down?

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Which makes this a good time to remind you that today (March 20) Bandcamp is waving its revenue share on sales. And a ton of labels are also giving 100 percent of revenue to the artists. “For many artists, a single day of boosted sales can mean the difference between being able to pay rent or not,” says Bandcamp. Check out the list of Artist and labels offering donations, special merch and more for this COVID-19 Fundraiser. (BTW, it appears to be a popular promotion – the Bandcamp servers are slooooow and keep locking up, Keep trying).

Among the recordings:

Mal Blum, Pity Boy (Don Giovanni) – They were slated to play at Reverb in the coming weeks. It was while doing research for that show that I first discovered them, and they’ve become one of my recent favorites. Here’s hoping they can reschedule their Omaha gig.

Porridge Radio, Every Bad (Secretly Canadian) – Some folks classify it as shoegaze but it’s poppier and in a lot of ways reminds me of Garbage. This record is going to be a classic.

Lantern on the Lake, Spook the Herd (Bella Union) – Newcastle band’s latest is sweet and haunting and pretty.

Silkworm, In the West (Comedy Minus One) — This is the definitive reissue of the beloved Chicago band’s second album, remixed from the original 2″ tape by Steve Albini, who engineered the original recording.

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And that’s all I got. Stay in this weekend and listen to some music. Before you know it, this will all be over…

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

I’ve got a few musician / fan resources to pass along, but first…

Simon Joyner released a new album today. Some Only Let the Jukebox Hear Them Weep (Live in Phoenix 2014) is an 11-song collection recorded in a living room with professional equipment. On this recording Simon’s band, The Ghosts Trio, consists of Kevin Donahue, Megan Siebe and Michael Krassner. You can buy a limited edition CDR of the set, in a screenprinted sleeve, right here via Bandcamp.

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BTW, Bandcamp is waiving its share of revenues on purchases made at the site tomorrow, March 20, so you may want to wait to order your copy or anything else via Bandcamp.

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From Saddle Creek Records: “We have gotten a lot of questions about how you can support artists who are being directly impacted by the current pandemic. One way to support artists is purchasing physical releases.”

To help, through the end of March Saddle Creek is offering a 15 percent discount on all orders (except preorders) with the code SUPPORT. Check it out here. That info came in an email that included links to organizations that help musicians in need. Here’s the list. Donate if you can.

— Musicares – https://www.grammy.com/musicares/get-help
— Sweet Relief – https://www.sweetrelief.org/covid-19-fund.html
— American Federation of Musicians – https://www.afm.org/covid-19/

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Seattle radio station KEXP has a handy Guide for Artists and Fans to Support Music During the COVID-19 Outbreak. Lots of good resources, lots of tips for what you can do to help. Check it out.

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Kevin Coffey has a story in today’s Omaha World-Herald on COVID 19’s impact on local venues that includes some words from Slowdown’s Jason Kulbel and 1%’s Marc Leibowitz, check it out here.  Says Jason Kulbel in the story: “It’s just thing after thing after thing. We can’t wrap our heads around it. We’re just scrambling.”

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Stay home, order take-out, help out if you can. We’ll get through it.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Sign o’ the times?

by Tim McMahan, Lazy-i.com

You know shit’s getting real when they close down O’Leaver’s. That’s exactly what the club announced on its Facebook page today, and what choice did they have if they’re limiting gatherings to 10 people?

Slowdown already cancelled shows through the month of March, though all indications are the venue is still open (for now). One Percent Productions’ clubs still appear to be open as well, though their next scheduled event isn’t until March 24. No doubt you’ll continue to see show cancellations as bands cancel tours.

The Brothers also appears to still to be open. Their next scheduled event is the big March 28 Bad Bad Men gig. But The Sydney has closed its doors for the time being.

And that about does it for live music, at least for awhile. How long it’ll really last, who can say? It’ll definitely be longer than the end of this month and probably well into next month and maybe the month after that.

Next up is enforced curfews. Social distancing is kind of like what happens when the power goes out. The first night it’s fun; it’s like camping out! You discover new and interesting things to do in the dark. The second night without power, it becomes somewhat annoying. By the third night you’re ready to kill someone.

It’s going to be tough to expect folks in their 20s to be good little girls and boys, especially as the weekend rolls around. If the bars are closed (or limiting occupancy), that just means someone else is going to have to host the party. And that’s when the cops get involved.

Not being able to go out on St. Patrick’s Day — my favorite holiday — definitely hurts. But I have plenty of Guinness at home and my favorite Waterboys album to keep me in the Irish spirit.

We’ve got enough doom and gloom online to go into any more other than to say this too shall pass. And the rock shows that happen on the other side are bound to be epic.

Meanwhile, I just heard this on The Current. Next level?

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Destroyer at The Waiting Room, Feb. 3, 2018. The band returns to The Waiting Room Sunday night.

by Tim McMahan, Lazy-i.com

The million dollar question: Will rock shows currently scheduled still happen this weekend? That’s what everyone’s wondering. Top of mind is the Destroyer/Nap Eyes show at The Waiting Room. There’s no indication the show is (or will be) cancelled, so one assumes it’s all systems go. (Wrong: Destroyer just CANCELLED).

The next question: Will anyone be at the Destroyer/Nap Eyes show? Omaha is a notorious walk-up city — as in a lot of people buy their tickets day of show (because with fees, there’s no advantage to buying advanced tickets unless you think the show will sell out in advance). I know people who have tickets and are on the fence about going, so afraid are they of COVID-19.

I had another person who works at a different club ask if I thought his venue should cancel shows for public health reasons. I said I thought the problem would solve itself — if no one goes to shows because of fear, it’s only a matter of time before venues temporarily shut their doors just to save operating expenses. And there’s the issue of bands cancelling their tours…

Anyway, as of now, the shows I’m listing below for this weekend are still on. Will they be an hour after you read this? Who’s to say?

The folks behind the Midtown Art Supply two-day closing festival have said their shows will go on tonight and tomorrow, and I have no doubt they will. Ten acts are scheduled to perform starting at 6 p.m. tonight at the venue, located at 2576 Harney St., including Effluvium, Las Cruxes and Histrionic. Sixteen bands are slated to perform tomorrow starting at 3 p.m., including Conny Franko and Digital Leather.

Tickets are $7 per day or $10 for a 2-day wristband. For more information, check out the invite at Facebook.

Tonight The Slowdown has its big sold-out Thundercat (of Flying Lotus fame) concert. Joining them are Guapdad 4000. 8 p.m.

Meanwhile, back in Benson tonight, punk trio Radkey is headlining at Reverb Lounge. Joining them are The Many Colored Death and Gallivant. $12, 9 p.m.

Nothing is holding back the fine folks at The Brothers Lounge, which currently has shows booked tonight and tomorrow night. Tonight’s show features Matt Whipkey’s poli-punk project Unexplained Death, who opens the show at 10:30. Laughing Falcon also is on the bill. $5.

Then tomorrow night (Saturday) Silversphere headlines at The Brothers. Our old friend Darren Keen (of The Show is the Rainbow fame) also is on the bill along with a tba. 9 p.m., and no price listed (but probably $5).

Finally, Sunday night is the aforementioned Destroyer show at The Waiting Room. Nap Eyes, who you read about yesterday, opens the show at 8 p.m. $22. THIS IS CANCELLED!

Now as I said, cancellations can happen in a moment’s notice. The only way to know for sure if the gig is still happening is to call the venue or check their website. If I hear of a cancellation, I will update this page with strikeout text over the listing and the word CANCELLED, so check back if you wanna.

Will I be at any of these shows?

Have a great weekend and WASH YOUR HANDS!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Nap Eyes plays at The Waiting Room Sunday, March 15.

by Tim McMahan, Lazy-i.com

The Halifax, Nova Scotia, four-piece Nap Eyes, fronted by singer/songwriter Nigel Chapman, has been playing its brand of laid-back indie since 2011. Their PR folks compare them to Silver Jews and Daniel Johnston, “but the new sheen and maturity also now brings to mind the wide-angle appeal of The Jayhawks and the addictive brightness of Green Day’s Kerplunk!”

The Jayhawks I can see, Green Day not so much (and that’s a good thing). While their earlier releases were looser and more free-form (think Pavement meets Wilco), their latest, Snapshot of a Beginner, is a more-tightly produced collection of indie rockers. The band went to The National’s upstate New York Long Pond Studio and worked with producers Jonathan Low (Big Red Machine, The National) and James Elkington (Steve Gunn, Joan Shelley). The end result sports some of that National grandiosity, with a touch of new frontier drama brought back down to earth by Chapman’s nasal croon.

I caught up with the band and gave them the ol’ Ten Questions treatment. Here’s what they had to say:

1. What is your favorite album?

Nap Eyes: Curtis Mayfield – Curtis

2. What is your least favorite song?

“A Man Needs A Maid”

3. What do you enjoy most about being in a band?

Eating at restaurants.

4. What do you hate about being in a band?

Eating at bad restaurants.

5. What is your favorite substance (legal or illegal)?

Legal: silk. Illegal: lsd.

6. In what city or town do you love to perform?

Boise, ID

7. What city or town did you have your worst gig (and why)?

Nanaimo, BC, because a guy grabbed the mic and started rapping (though perhaps this was also the best gig simultaneously because of this fact?)

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

None of us have other jobs right now which is probably extremely short sighted. We just eat beans and rice and live monkish lifestyles.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Love to attempt: Ben and Jerry’s quality control. Hate to do: bathroom attendant at an all you can eat buffet.

10. What are the stories you’ve heard about Omaha, Nebraska?

Heard the water tastes like wine.

Nap Eyes plays with Destroyer Sunday, March 15, at The Waiting Room, 6212 Maple St. Showtime is 8 p.m., tickets are $22. For more information, go to onepercentproductions.com.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

No, it’s not the cover of the new Luna album…

by Tim McMahan, Lazy-i.com

My lack of updates has more to do with having little to write about than my general laziness. That said, with Cononavirus COVID-19 boiling on the horizon, I’m afraid I’ll have even less to write about in the very near future.

We all know SXSW has been deep-sixed and Coachella is being “postponed” until the fall. Forget about the festivals. The next obvious question is: When will COVID-19 result in cancellation of rock shows coming our way, and how squeamish will people be about being crushed hip-to-hip at any of our local venues?

There are still skeptics who say the whole thing is being overblown. COVID-19 will really hit home for skeptics 1) when someone they know gets it, 2) when they’ve been forced to work from home or are self-quarantined, or 3) when something they really like is taken away.

They’re talking about playing the NCAA basketball tournament in empty arenas. Isn’t it only a matter of time before more bands follow Pearl Jam’s lead and cancel their spring and summer tours? Even small indie acts?

In a time when artists — specifically indie artists — no longer make significant money from CD sales and depend on touring and merch sales for income, COVID-19 could be a real financial knee-capper. Or imagine being on tour only to have the venue reach out on the road to say it’s no longer hosting shows due to COVID-19. Now what?

Imagine you’re a brand new act like Disq, who just released a great record on Saddle Creek, with plans to tour the country and play festivals all summer. What happens if COVID-19 craters your tour? Touring by itself is a financially risky venture; even more so when three or four dates are cancelled.

On top of that, think about the medical risks bands take playing crushed venues in different towns every night? Forget about foregoing handshakes, what do you do about hugs at the merch table?

And how will music venues be financially impacted by COVID-19 from either a downturn in business, cancelled tours or cancelled shows? Will they be able to keep the lights on if they lose a few months’ worth of revenue?

So yeah, worst case scenario it could be a long, boring rock-show-free summer, and that would be a bummer, but also think about everyone in the rock ‘n’ roll food chain who will be impacted by COVID-19, and pray there are no serious long-term impacts.

Get out to the clubs while we’re still getting rock shows. Just make sure you wash your hands.

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Speaking of rock shows, our old friends in Neva Dinova have been added as the opening act to the sold out May 23 Bright Eyes concert at the Hollywood Palladium. Isn’t that a kick in the head. Maybe if we’re lucky, Jake Bellows and the boys will make a trip out to play at an Omaha Bright Eyes show (which, btw, is still non-existent).

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Omaha’s favorite Latin-language garage-punk rockers Las Cruxes did a live in-studio performance for latinalt.org. Check it out.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Digital Leather at The Sydney, Sept. 6, 2019. The band returns to The Sydney tonight for #BFF.

by Tim McMahan, Lazy-i.com

It’s a surprisingly busy weekend musicwise.

Tonight at The Sydney in Benson, Digital Leather headlines the monthly Benson First Friday program. Find out what Shawn Foree and Co. have been up to. Joining them are Universe Contest and DJ Wafflez. Featured art artist is Finn Bainbridge. 10 p.m., $5.

Since you’re in Benson anyway, might as well drop over to The Little Gallery, 5901 Maple St. (the east bay of the Masonic Lodge storefronts) where we’re featuring the art of John Stillmunks for an opening that runs from 6 to 9 p.m. Come by and say hi! I’ll be there sometime after 7 p.m., likely with beer in hand.

If it weren’t for Benson First Friday I’d be down at The Slowdown tonight for the big Kamasi Washington concert. His 2015 album The Epic is a modern jazz odyssey. Tickets are still available for $35. Mesonjixx opens at 8 p.m.

There’s also a Guster show going on tonight at Scottish Rite Hall, but it’s SOLD OUT. By the way it’s “an evening of acoustic music and improv,” whatever that means (but it can’t be good). Starts at 8 p.m.

The red hot show tomorrow night (Saturday) is veteran garage punk band Black Lips at Slowdown Jr. I’m kind of surprised this one hasn’t sold out yet. Joining them are Poppy Jean Crawford and Omaha’s And How. 8 p.m., $20.

Maybe it’s not sold out because everyone is planning on seeing Omaha’s favorite Spanish-language punk band Las Cruxes at The Brothers Lounge. Joining them are I Hear Thud and Mere Shadows. BTW, this is a Burger Revolution show! $5, 10 p.m.

Then suddenly it’s Sunday…

Everyone’s favorite wandering poet / retired musician Kyle Harvey will be in town at the Omaha Film Festival Sunday afternoon for the screening of his documentary It’s Nice to be With You Always: A Film about Neeli Cherkovski. The film screens at 12:15 p.m. at Aksarben Cinema #6, with a soundtrack that includes music from our old friend Jake Bellows and Neva Dinova. For more information, go to omahafilmfestival.org

Also Sunday, the folks in Relax, It’s Science are hosting a listening party for their new album Now It’s Your Problem at Hi Fi House. Drinks start at 4 p.m. followed by listening at 5 and Q&A at 5:45. And it’s free!

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend and WASH YOUR HANDS!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

PUP at The Waiting Room, March 4, 2020.

by Tim McMahan, Lazy-i.com

My friend Paul emailed to say I needed to show up early at The Waiting Room last night for Screaming Females, which he’d seen a number of times, including a show a few years back at the Sweatshop Gallery.

“If you haven’t caught them yet, they are a force — Marissa Paternoster made SPIN’s list of top 100 guitarists a few years back.  I thought she would have caught on as a gunslinger for a major touring band by now, but Sam told me she’s loyal to her bandmates.”

“Sam” is Sam Parker, once of Omaha now of Nashville who booked the band here once upon a time. Well, Paul wasn’t exaggerating. Paternaster was a force of nature on the guitar, a true throwback rock virtuoso.

How to describe her? She looked like a mop-headed 15-year-old Gilda Radner, no more than 5 feet tall. She never smiled, or at least not on stage. And when she played, she looked like a person possessed — amazing rock arpeggios that Jimmy Page or Jack White would most certainly bow down to.

Screaming Females at The Waiting Room, March 4, 2020.

A New Jersey power trio, their style was reminiscent of Seattle grunge with a hint of metal (by way of that guitar). The songs were powered by Mike Abbate’s base lines that laid the groundwork for Paternaster’s fretboard gymnastics.

When she wasn’t playing (or when she was) she sang with an affected style that sounded like Grace Slick channeling Eddie Vedder on melodies that weren’t terribly memorable. It’s her guitar work that I’ll remember. Why isn’t this band headlining yet?

PUP came on right at 10 p.m. to a near sold-out crowd, about as packed as I’ve seen The Waiting Room. From the opening chords the audience erupted in a group sing-along, which I sort of expected. PUP’s anthemic music lends itself to crowd participation, and the band certainly got it all night long. But unlike say, a Dashboard Confessional concert where the crowd singing shtick is constant and annoying, last night’s audience was a nice accent to the overall power of the performance.

Frontman Stefan Babcock said because the band hadn’t been through Omaha in a number of years they were going to play songs from all their albums, and in fact reached way back to their 2014 debut with “Dark Days” and set highlight “Reservoir” (though they didn’t get to my personal fave, “Guilt Trip”). There also were a lot of songs off their last album, Morbid Stuff, including perfect set-closer “Scorpion Hill.”

Halfway through the hour-long performance Babcock remarked that the set was a disaster but it sure sounded great from where I stood, and certainly the fist-pump-fueled crowd was loving it, including the requisite crowd surfers. Babcock’s between-song repartee included calling Oklahoma City (the town they played previously) the City of Enemies. Not sure what that was all about. He also said he was having more fun last night than he expected to — take that for what it’s worth.

There was no encore, and no band has ever made such a big deal about it. Babcock not only warned the crowd they weren’t playing one “because they’re stupid” (and, he said, merely an excuse for bands to go backstage and do coke (which they don’t do)), but also encouraged the crowd to chant “No More Songs!” after the set closer, which is exactly what they did, though they had to know we would have loved a couple more…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.