The biggest news over the weekend is that the Maha Music Festival is alive and well and could be bigger than ever next year.
Maha will return as a one-day event Aug. 2, 2025, at its new Omaha RiverFront location. In fact, I’m told by two reliable sources that the headliners already have been booked. Among the big changes for 2025: One Percent Productions once again is involved in the festival’s booking.
No doubt the festival wouldn’t be possible unless Maha (a 501(c)(3) organization), was able to line up the necessary sponsors. Will that include Union Pacific? I was told Medical Solutions, who was the main sponsor in 2023, withdrew its sponsorship, which was part of the reason last year’s festival was cancelled.
As of 10 a.m., I’ve yet to have any of this confirmed by a member of the Maha Festival Board, despite reaching out to two board members over the weekend, so take this information for what it’s worth.
One other bit of news: The Outlandia Festival, held at Falconwood Park in Bellevue, will not return in 2025. I’m not sure the specifics, though low numbers at last year’s festival likely played a role in the decision.
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The Speed! Lightning 500 album release show Friday night at Reverb Lounge was a crowded rock ’n’ roll gathering of Speed! Nebraska Records fans, both old and new. How do I know this? Because no other label (local or otherwise) has offered such a wide variety of merch over the years, and still does.
Right when you walked into Reverb, you were hit by a wall of Speed! Nebraska-branded merch, ranging from T-shirts to hats to jackets, not to mention a wide selection of the label’s music released in all formats. Folks in the crowd proudly wore their Speed! Nebraska gear, including me in my Monroes T-shirt.
You see, Speed! Nebraska is more than a record label; it’s a local punk-rock co-op whose members are treated like family by the label’s major domo, Gary Dean Davis. Every band testified from stage how proud they are to be part of a record label that’s been so core to the Nebraska music scene since the late ‘90s.
Some highlights from Friday’s show (sorry, UN-T.I.L., I missed your set this time):
Pagan Athletes at Reverb Lougbe, Nov. 22, 2024.
The synth-and-drums duo of Pagan Athletes continues to hone its sound and has come a long way since the first time I saw them perform five years ago at Almost Music’s farewell in-store. Vocalist/keyboardist Griffin Wolf and brother, drummer Nathan Wolf, have evolved their primitive digital noise-rock into a hard, rhythmic, punk wall of sound that must be seen and heard to be believed. Check them out this Saturday at O’Leaver’s.
The Broke Loose at Reverb Lounge, Nov. 22, 2024.
The Broke Loose, a four-piece fronted by guitarists/vocalists Glenn Antonucci and Matt Evans, with Corey Randone on bass and Doug Kabourek on drums, plays indie power-pop with a throwback flair that reminded me of something you’d hear on a Titan Records compilation. Antonucci has a distinctively nasal vocal style sort of like Too Much Joy’s Tim Quirk that compliments the jangle-pop goodness. Standout moment was a solid take on their song “Just Like I Told You,” that was an evening highlight.
Wagon Blasters at Reverb Lounge, Nov. 22, 2024.
I’ve seen Wagon Blasters at least a hundred times (OK, maybe more like a dozen times) and Friday night’s set was one of their best performances. Proud frontman Gary Dean Davis, decked out in trademark necktie and Speed! Nebraska trucker cap (which you, too, can buy at their Bandcamp site), was at his high-flying best, yelling above guitarist Will Thornton’s tractor-punk power chords. Imagine how these folks would be received at something like Gonerfest or Coachella… or Maha!
Bad Bad Men at Speed! Lighting album release show, Reverb Lounge, Nov. 22, 2024.
Finally, Bad Bad Men closed out the night with another blistering set of psych-fueld punk rock. The power triad of Wolf, Siebken and Hug are Nebraska music scene elder statesmen who have created a natural extension of the heavy sound they’ve created all their lives, fronted by Wolf’s snarling vocals and ripping guitar riffs.
All-in-all, it was a very satisfying rock show performed in front of a crowd of adoring fans featuring just a few of the label’s newest talent. There could have been six more bands on stage who contributed to the new Speed! Lightning 500 compilation (which you can buy at Homer’s, Grapefruit, Recycled Sounds or online at Bandcamp). Without a doubt, the label’s future is as bright at lightning.
First things first — it’s the first Friday of the month, which means tonight is Benson First Friday (#BFF). That’s the night when galleries and businesses up and down Maple Street support local art through art openings and showings. Among them is our very own Ming Toy Gallery, 6066 Maple St., which is celebrating the opening of William Holland’s “Linear” ink and watercolor works. The opening runs from 6 to 9 p.m. Drop by and say hi.
The only other show of note tonight is the return of Zepparella to The Waiting Room. The four-woman band plays Led Zeppelin songs as only they can. Opening the show is indie-punk power trio Bad Bad Men (Wolf, Siebken, Hug). $22, 8 p.m.
Saturday night has a couple non-indie shows around town. LA fuzz-pop band Alyeska plays at The Waiting Room with Virgin Mary Pistol Grip. $20, 7:30 p.m. Ska pioneers Burning Spear are playing at The Admiral with Kabaka Pyramid; $65, 7 p.m.
Sunday night rootsy singing-songwriting superstar Lucinda Williams headlines at The Admiral. It’s being marketed as “An Evening with…” and all tickets are reserved seats. Prices range from $54 to $99. Show starts at 8 p.m.
Also Sunday night, Grand Rapids indie folk band The Crane Wives headlines at The Slowdown. They’re supporting the pre-release of their next album, Beyond Beyond Beyond, out Sept. 6. Hannah Laine opens this main room show at 8 p.m. $25.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
That headline is a like a movie trailer that gives away the whole movie, except there are little bits and pieces missing that you must know to enjoy your weekend.
First in line is Speedy Ortiz at The Slowdown tonight. You read the interview with Sadie Dupuis on Wednesday, right? You didn’t?Well what are you waiting for? Tour mates Spacemoth is a tuneful post-punk project by Maryam Qudus. Their latest, No Past No Future, was released last year by Wax Nine Records, and is just dandy, as the kids say (They say that, right?). Omaha Girls Rock product UN-T.I.L. opens this show at 8 p.m. and is definitely worth getting there on time for. This one’s tonight in the front room and will run you $20. See you there.
Also tonight, Brooklyn alt rock band Slothrust headlines at Reverb Lounge. They came through town back in 2019 (at O’Leaver’s!) and just dropped a new album last month called I Promise (on Dangerbird Records) that further galvanizes their cred as the second coming of Garbage. It’s just a matter of time before alt-rock stations discover a banger like “Maybe Maybe” and ascend Slothrust to FM stardom (if such a thing exists anymore). Fellow Broolynites Pronoun (self-proclaimed emo-pop auteur Alyse Vellturo) opens the show at 8 p.m. $20.
Tomorrow night (Saturday), Omaha punk power trio Bad Bad Men headlines at Reverb for their final show of 2023. Two KC bands join them — The Utilitarians (w/Omaha’s Billy Guifoyle on drums) and Dan Jones & The Squids (with Season to Risk’s Steve Tulipana on bass). 8 p.m., $10. Come on, go to the show. The last thing you need to do is stay at home and watch the Huskers lose again.
Finally, Sunday night sees the return of Township & Range (featuring the talented Travis Sing), with Willoughby (Corey Stroud of 89.7 The River). But opening the gig is none other than the legendary Fizzle Like a Flood, one of my all-time favorite local singer/songwriters who the dang lemmings at Saddle Creek Records should have signed back in 2000. Will Doug play “Believe in Being Barefoot”? Show up at 7 p.m. at Reverb Lounge (this is an early show) and find out. $10.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
Another busy weekend for shows. Here’s where you need to be if you’re ready to rock…
Tonight at Slowdown Jr. Melbourne proto-punk band Civic headlines. Their latest, Taken by Force, was release this past February by ATO Records. Big riffs, precise guitar interplay, snarling Stooges vibe, it’s been awhile since I’ve seen a new touring act just straight-out rock, and these guys bring the fire. Also on the bill is our own power-rock trio, Bad Bad Men, which (in my humble opinion) is a perfect fit for this gig. Bliss opens the show at 8 p.m. $20, front room so get tix if you can.
Competing directly with this Civic show is Bad Religion at The Admiral. Greg Graffin, and the boys have been doing it since the early ‘80s, defining the Epitaph sound and paving the way for acts like Green Day and Offspring, who “acquired” their sound and ran with it. No doubt this show will steal much of Civic’s ticket-buying thunder (Imagine if both bands were on the same bill…). Adding to the show’s fire power at The Admiral is Dwarves, who bring their own unique punk energy. Speed of Light opens at 7:30. $45.
Your Saturday activities start early with Farnam Fest in the Blackstone District, or should I say pre-Farnam Fest activities as Ground Floor Guitar is hosting its first in-store performance ramping up to Farnam Fest. Omaha singer/songwriter/sensation Mike Schlesinger performs in the shop followed by the C&W stomping of Lightning Stills (Craig Fort and his band of punk cowboys). This gig begins at 2 p.m. and is free, though you may want to buy a guitar while you’re in the shop, which is located at 4009 Farnam Street, just west of Noli’s.
Then comes Farnam Fest ’23 kicking off at 4 p.m. I’m not sure where they’re going to have the stage set up this year, though it’s probably somewhere along 40th and Farnam. The line-up is pretty solid with some of Omaha’s best:
– Bad Self Portraits
– David Nance Band
– M34N STR33T
– The Real Zebos
– BIB
$10 at the door.
David Nance is one busy dude, because he’s also playing at Pageturners Saturday night with DJ Trolli and The Mighty Vitamins. 8 p.m., no cover but $10 donation is suggested. I’m now told this show has been cancelled (see comments).
Nance and friends will also be backing Rosali at Grapefruit Records Saturday night. The singer/songwriter (who just played at Pageturners herself a couple weeks ago) is playing in the Old Market record store with Chicago indie singer/songwriter Fran, a.k.a. Maria Jacobson, whose latest, Leaving (2023, Fire Talk) is a real beaut. 7 p.m., $10.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
No touring indie shows this weekend, but a couple local album release gigs worth your attention:
Tonight at Reverb Lounge it’s the album release show for the debut album from Bad Bad Men. The power trio consists of Omaha rock ’n’ roll legends Chris Siebken on drums, Jerry Hug on bass and frontman/guitarist John Wolf. The album, Messed Up, is a 10-song scorcher that recalls the gritty, bluesy punk style Wolf brought to classic ‘90s-‘00s act Bad Luck Charm, sung with his distinctive snarl/growl that will have you breaking bottles and starting fights. Siebken and Hug are so tight they sound like they’re attached at the hip, while Wolf’s guitar flies high above it all.
Recorded over two days at ARC Studios with Adam Roberts, it’s the first new release on Speed! Nebraska Records in recent memory. As a result, the album release show is a pseudo showcase, as label executive Gary Dean Davis’ own band, Wagon Blasters, will kick off the evening. Also on this crowded bill are Omaha garage rock titans Those Far Out Arrows and Pagan Athletes — the prog-noise duo of Griffin and Nathan Wolf, who are, yesss, The Sons of John Wolf (now there’s a band name for you)(Waitaminit, does that make Bad Bad Men “dad rock”?).
Then tomorrow night (Saturday) it’s the vinyl release show for R.A.F.’s No Salvation album, which was released this past July. The punk band’s line-up is Paul Moerke, Tim Cox, Dereck Higgins, Dan Stewart and Kelley RAF. At least one of the band’s members is traveling in for this special one-off gig. Also on the bill are punk band Cordial Spew and “2 special guests,” according to the flyer. $15, 8 p.m.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
If you’re wondering what those searchlights are all about downtown, tonight is the big Grand Opening of Steelhouse Omaha, 1100 Dodge St., featuring alt rock band The Killers. The concert literally sold out in minutes and I’ve yet to talk to anyone who was able to buy a ticket.
That said, I’ll be at Steelhouse tonight, courtesy of the band’s publicist (if all goes well at Will Call). No photo pass, so something tells me we’re going to see some sort of “no photography” policy tonight as the publicist said he’ll provide photos for use with the review after the fact. Still, I’ll try to capture the evening as best I can with my iPhone.
I interviewed Omaha Performing Arts President Joan Squires and Erika Hansen, who is responsible for booking Steelhouse, for an article that appears in this month’s issue of The Reader. That story, which is online here, covers booking policies, including the decision to use Live Nation and Ticketmaster as exclusive booking and ticket agents. It also addressed The Killers ticket sales situation and lots of other stuff. I’ve also posted the article at the end of this post (captured for posterity’s sake).
As a fan of modern indie music, I’m keeping my fingers crossed Steelhouse will book at least one show a month that will coax me into buying a ticket. Two shows a month would be gravy. But I’m not naive. I know that indie music is a niche genre, and while it’s wildly popular along the coasts and in large cities, I’m not so sure how popular it is in Omaha these days. Instead of Book It and They Will Come, the story’s headline should have been Book Acts that will Bring Them In.
I thought, being a non-profit, that Steelhouse and O-pa could take more risks on acts that are breaking through in other parts of the country — really introducing them to the Omaha area — and that profitability would come second to cultural enrichment. We’re talking bands that would draw 300 instead of 3,000. Squires added some clarification:
“We have to raise money every year as a nonprofit organization so I don’t take that as a given that we don’t still have to watch our bottom line just like everybody else,” she said. “We do have a responsibility to make sure we are being fiscally responsible. We want to make (Steelhouse) the right experience and the right fit. Those bands would not be a great fit for Steelhouse because you’ve got a small band and a small audience and you sit in a space that could have 3,000 people. It is not the kind of scene you want for either the artist or the audience.”
Let’s face it, no one want to play in front of a mostly empty auditorium.
Hansen did go on to say that the venue is flexible and there are adjustments that can be made for certain acts. For example, the upcoming Elvis Costello concert will be a seated event with chairs and a capacity of 1,500 total.
“3,000 isn’t always a success measure,” Hansen said. “It might be a band that would be a thousand and that’s great and that’s a success. So the capacity of the venue is not a measurement of success.”
Both Squires and Hansen pointed to the future. Although many of the shows currently scheduled for Steelhouse cater to an old(er) crowd, both said those shows don’t represent what will eventually be booked at Steelhouse. Hansen said, essentially, what ’til you see what they have booked for this fall. Their October already is mostly booked.
If you want to check out Steelhouse, the venue is hosting a free Open House on Sunday. It will include tours and a performance by the Central High School Jazz Band, Nebraska All-Star Rock & Roll Band, Omaha Girls Rock, Salem Baptist Church Choir and Enjoli & Timeless. For more info about this and other community events, as well as the latest concert lineup, go to steelhouseomaha.com.
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OK, what else is going on this weekend?
Tonight over at art-space Project Project, 1818 Vinton St., it’s Noisefest, featuring 20 “local and touring noise musicians,” including from Omaha: Lonnie Methe, Dereck Higgins, Alex Jacobsen, Cole Kempke, Smith & Jensen, Bovinae, and Quiz The Machine Elf. I don’t know most of those acts, but you might. The full list of performers is here. This free show starts at 5 p.m.
Meanwhile, downtown at The Slowdown tonight, Omaha rockers Garst is hosting its album release show with punk super-group Bad Bad Men and BB Sledge. 8 p.m., $12.
Tomorrow night (Saturday), Matt Whipkey is playing two shows at The Jewell in celebration of the release of his new album Gummi Soul: Another Rubber, his reimagining of The Beatles’ Rubber Soul album. The performance will include a reunion of Whipkey’s band The Movies and special guests including the incomparable Stephen Sheehan of Digital Sex and The World fame, and newcomer Kristen Buell. Expect a mix of the Beatles songs and Movies chestnuts. Two shows: 6:30 and 8:30; $15.
That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
With Its Opening May 12, Steelhouse Hopes to Put Omaha Back on the Tour Map
By Tim McMahan
Everything about the new Steelhouse Omaha music venue, operated by Omaha Performing Arts (O-pa), will be state of the art — the lights, the sound, the overall experience. The 3,000-capacity downtown venue, which is designed for standing concerts (mostly, there are also balcony seats), will celebrate its opening night May 12 with a performance by alt-rock band The Killers, a show that, despite its $75-plus ticket price, sold out in minutes.
The quick sellout proves more important than state-of-the-art facilities is booking quality acts. Last January, O-pa President Joan Squires was interviewed by local media saying one of the project’s motivations was to attract young patrons, specifically between the ages 18 and 45. “The entire venue is going to be an experience that will really help this city attract people this age,” she was quoted as saying.
I was a little bummed. After all, I’m in my mid-50s, well outside that target range. I envisioned a constant stream of TikTok-style pop acts playing in front of a huge, squirming crowd of squeaky-clean youngsters, all holding up cell phones for one giant Instagram moment.
However, after a few weeks of Steelhouse show announcements, it turns out I might be at the lower end of the target age. Among the acts announced so far: ’90s alt-rock legends Counting Crows, hair-metal bands W.A.S.P and Cinderella’s Tom Keifer, ’70s funk icons Parliament Funkadelic, 68-year-old singer/songwriter Elvis Costello, and The Flaming Lips performing an album released more than 20 years ago. In fact, all the above performers’ heydays were more than 20 years ago.
Oh, it’s not all legacy acts. Steelhouse is also hosting “fresh” hip-hop performer $not (pronounced Snot), Japanese novelty Babymetal and indie darlings Fleet Foxes, whose breakthrough debut was released 15 years ago, but that’s it for new-ish artists. So, what exactly is the venue’s booking strategy? Squires and Erika Hansen, director of booking for Steelhouse, said these early bookings are just that: early bookings.
“We’re just starting, Tim,” Squires said. “We’re certainly going to continue to move in a younger direction. This just happens to be who’s got opportunities to come to Steelhouse right now.”
Hansen, 48, who hails from Sioux City and has been booking gigs for 20 years, agreed, saying booking summer months was a challenge, because many acts had already been booked for festivals and outdoor gigs. “Not that this lineup is anything to be down about,” she said, “but it is a different type of crowd that we’re probably looking at for the first few months, and then we’re really going to start to get into the diversity that we’ve been talking about. If I showed you everyone who’s holding dates at Steelhouse, it’s a much different look than what you’re seeing right now on sale.”
Working with Live Nation
To power booking efforts, Steelhouse via O-pa signed an exclusive contract with Live Nation, the country’s largest concert promoter. “We felt they could work with us to ensure we get bands as they route them across the country,” Squires said, pointing out Omaha falls in the gap between Denver, Chicago, Kansas City and Minneapolis.
Headquartered out of Beverly Hills, the publicly traded company boasts “bringing 40,000 shows and 100-plus festivals to life” per year and works with just about every successful pop artist, from Alice Cooper to the Zac Brown Band.
Hansen said she’s in contact with Live Nation multiple times a day. “They definitely will suggest artists they know are touring that they think might be a good fit for Omaha and will work with the venue space,” she said. “It’s a two-way street, though. We definitely have suggested to them, ‘Hey, can you check out this artist or can you look for more artists that are within this genre and see who’s out there?'”
Steelhouse’s real goal isn’t putting on shows that target a specific age group. “(Steelhouse) was built with philanthropic dollars and really is open to everybody,” Squires said. “The target is to attract the bands that have been missing our city because there was no venue of this size.”
“We are absolutely looking at artists that have never played Omaha before or that maybe have played much smaller venues in the market and are now getting to the size where they could fill a venue like Steelhouse,” Hansen added. “I think the purpose is really to add to the music scene in general in Omaha. We want Omaha to be a destination for artists so that all of the agents looking at tour stops think of Omaha as a hot music scene.”
Building awareness is one of the challenges. Squires said Hansen and Live Nation have been busy telling agents and artists that there’s a new kid in town. “Part of it is just getting the word out,” she said. “And the more we book, the more we’ll book.”
What about Indie Music?
As an indie music fan, I had to ask if the venue’s 3,000 capacity will prevent booking important up-and-coming indie artists who draw fewer than 1,000. Squires said the space may not be appropriate for those shows, which would be a better fit for small O-pa-operated venues like the Holland Music Club. However, Hansen said Steelhouse is flexible and has options, including the use of retractable risers.
“We’re playing with the space,” Hansen said. “I think we will be able to do some smaller shows in there and make it feel full and really cool for the artist and the fan.” But, “we’re not wanting to step on anyone else, either. If some other venue in Omaha has a great opportunity to book a show and it’s a better fit for their room, by all means.”
What about local acts? I suggested local bands could be great openers for larger touring acts. O-pa has done this in the past. Local singer/songwriter Matt Whipkey, for example, opened for the band America at the Holland Center last year. Hansen said artists typically decide who will open their shows, not the promoter, but “if there’s an opportunity, we’ll absolutely do that.”
Ticketmaster ‘the right choice’
I couldn’t let them go without talking about Ticketmaster, a subsidiary of Live Nation that has been embroiled in controversy concerning ticket-selling practices. Just ask Taylor Swift, who appears to be fighting a one-woman battle against the company. Squires said it was O-pa’s decision to use Ticketmaster because “we felt Ticketmaster was the right choice for the marketing, for the fans, for the experience.”
The almost immediate sellout of The Killers concert left many fans venting their frustrations on social media. Squires said they expected a very quick sellout because The Killers play 20,000-capacity arenas. “We were sorry people were frustrated,” she said. “It was a demand question. We just hope people will stay with us to come back and try something else.”
“I think sometimes Ticketmaster takes kind of a rap for ticketing issues in general,” Hansen said. “Demand is always going to be a problem if you have an artist that has a demand that’s greater than the number of tickets available. That’s not necessarily a Ticketmaster thing.”
Squires and Hansen were both eager to hear my list of bands I’d like to see play Steelhouse, a list that includes Lana Del Rey, Yo La Tengo, Shame, Gorillaz, Boygenius, Yeah Yeah Yeahs, Alex G, M83, The Strokes, Beck, Angel Olsen, Wet Leg, Everything But the Girl, Ladytron and Nation of Language — all touring acts that as of now do not have Omaha as a stop.
They promised to share the list with Live Nation. They’re looking for your suggestions, too. You can provide them by following Steelhouse on social media, the best place to see the latest announcements.
“This is going to evolve,” Squires said of Steelhouse Omaha’s bookings. “We’re just getting open. We’re going to continue to reinvent and reevaluate. It’s going to keep moving.”
Over The Edge is a monthly column by Reader senior contributing writer Tim McMahan focused on culture, society, music, the media and the arts. Email Tim at tim.mcmahan@gmail.com.
After a busy a week, a busy weekend, (or at least a busy Friday night).
Tonight at fabulous O’Leaver’s, former KC singer/songwriter now Brooklyn singer/songwriter Scout Gillette performs. Her new album No Roof No Floor (2022, Captured Tracks) vacillates between Mazzy Star dreaminess and Angel Olsen rock and is quite good. Opening is Omaha’s own dreamy singer/songwriter, Anna McClellan. $10, 10 p.m.
Also tonight… every so often out of the blue Yayo from Las Cruxes drops me a private track of something the band has been working on. I got three tracks last Sunday via Soundcloud, all produced by superstar producer/sound engineer/raconteur Ian Aeillo and all three pretty awesome. And all performed in Spanish, I have no idea what they mean, but they rock. The new records is due Aug. 5. No doubt Las Cruxes will be performing some of those tracks tonight at The Sydney where they play with NYC’s Sky Creature, Omaha’s Bad Self Portraits and Trees with Eyes. What’s it cost? No idea, probably $10. Starts at 8:45.
Also happening in Benson tonight at The Waiting Room, the return of all-female Led Zeppelin tribute band Zepparella, featuring Clementine in the John Bonham role. I saw them when they came through back in 2014 and they were lots o’ fun. Opening is rough-hewn all-male band Bad Bad Men. $20, 8 p.m.
Finally, Saturday night at The Waiting Room is a tribute to the late Lawrence Deal, who was a member of such notable local acts as Glow in the Dark and Civicminded. This five-band evening kicks off at 7:30 and is $12, with all proceeds going to a trust fund for Deal’s daughter (gofundme). More info here.
That’s all I got. If I missed your show, put it in the comments sections. Have a great weekend.
Was it the first-time novelty of the event or a reflection of an actual thirst for Saturday afternoon rock shows? Whatever the reason, Saturday’s GoatFest was a marvelous success judging by the crowd and the good times. When I arrived at a little past 3 p.m., punk-trio Bad Bad Men was already playing in the back corner of Scriptown Brewery, hidden behind a crowd that ran along both sides of the enormous bar all the way to the entrance. From the looks of it, as many people were there to sample a pint of Scriptown’s tasty, just-released Goatsmack Helles Bock as enjoy the music.
Like I said last week, GoatFest had the potential to provide that same warm party vibe as I remembered from South By Southwest day parties. Anyone who’s been to SXSW will tell you the day parties are the best part of the festival – super laid-back events where you can listen to great bands while enjoying some much-needed day drinking. The only difference: It’s usually 80 degrees and sunny at SXSW, whereas it was 30 degrees and snowing in the Blackstone. But that didn’t slow anyone down.
Someone told me that Blackstone was considering more daytime rock shows on weekends. It’s something the district could become known for — or that Scriptown could corner the market on if so inclined. Would the crowds continue to show up if they hosted rock shows every weekend?
To me, it depends on the bands. SXSW day shows, for example, involve the best original indie bands in the country. I wouldn’t go if it featured cover bands or blues acts. Still, plenty of serious beer drinkers like both of those “genres,” and regardless of the band I could definitely see a regular weekend afternoon series catching on, especially if another venue in Blackstone also got into the act — part of SXSW’s appeal is stumbling from one venue to another and back again to listen to bands all afternoon.
And Blackstone is tailor made for hosting weekend day shows, more so than Benson, whose stages are dedicated to supporting that district’s robust nightlife, or the gentrified Dundee and its vibrant restaurant scene, or the Old Market that despite its hip brick buildings still feels like a tourist scene.
Bad Bad Men at GoatFest, March 11, 2023.
What more to say about Bad Bad Men that I haven’t already said? They’re a super-fun hard rock band that verges on post-punk, fronted by Omaha legend John Wolf, whose rapid-fire guitar riffs scorch above a rhythm section powered by a Siebken/Hug powertrain. I don’t know what John was singing through that PA and it didn’t matter. Folks not used to this style of music had to wish they brought their ear plugs (as I always do).
The music only got louder when Those Far Out Arrows took over shortly after 4. They stand side-by-side with David Nance Group as the best full-on psych-rock guitar band in this region. Both bands have a knack for finding a deep, guttural groove and playing it out for all its worth. The differentiator is how the Arrows stand closer to traditional, pure ‘60s garage rock, taking that sound and modernizing it in their own midwestern way.
The goats of GoatFest.
Amost forgot to mention — what would a GoatFest be without real goats? Two were stabled out back in a small trailer parked near the patio area, no doubt wondering who all these drunks were stumbling out of the building, gawking at them.
Tonight’s Cat Piss show at Reverb Lounge – easily the biggest show of the weekend – is also a vinyl release show for the band’s latest album, Cat Piss Rides Again, which was actually released way back in June, a time that seems like forever ago, when we all wore T-shirts outside and complained about the humidity. You won’t be doing that tonight.
That it takes more than six months to get vinyl pressed should be no surprise to anyone who’s followed the Great Post-Covid Vinyl Shortage. As I said back in June at the original album release show: “Cat Piss is releasing their debut album, Cat Piss Rides Again, on Boise, Idaho label Mishap Records, and the two singles I’ve heard are like an homage to the ‘90s Nebraska punk sound (i.e., bands like Mousetrap, Cellophane Ceiling and Sideshow come to mind). Cat Piss is Casey Plucinski on guitar/vocals, Nathan Wolf on drums/vocals and Sam Lipsett on bass/vocals. The new album was recorded by Ben Brodin and mastered by Carl Saff. Get ready for this one.”
And if you were going to buy it, there is no better way to do it than at tonight’s show, but if you can’t make it for some reason, today is also Bandcamp Friday, which means Bandcamp will wave its fees and send all the money from sales directly to the bands.
Tonight’s opening act, Bad Bad Men, yesterday released a brand-spanking new song on Bandcamp. The bruising, gut-punch called “Wrist Action” is but a taste of what’s to come from the power-trio of Wolf/Siebken/Hug, but oh, what a taste it is. Recorded this past October at ARC Studio by Adam Robert, the track will have you slapping on the pink handcuffs and succumbing to a necessary rock interrogation. Buy it today at “The Right Price” of one crisp dollar.
This one starts at 9 and is $10. Be there or be square.
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And it’s also Benson First Friday! Tonight’s a special BFF because my wife’s new art gallery, Ming Toy Gallery, opens at 6066 Maple (right next door to my favorite restaurant, Au Courant). The gallery is named in honor of my grandparents’ restaurant, Ming Toy Cafe, which once resided at 45th and Military Ave. It’s a group show that features non-traditional artists, and in some ways, a soft opening, as the first solo art show (by Denise Levy) is next month. Still, stop by and check out the new place, have a beer and say hello.
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Also tonight, right down the street at The Waiting Room, Satchel Grande headlines a show with Josh Hoyer and the Soul Colossal. $10, 8 p.m.
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Finally, hardcore band Nowhere headlines a show Saturday night at The Sydney with Hussies and Local Ponzi Scheme. 9 p.m., $10.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend!
Three shows this weekend, all featuring local acts. Don’t worry, there’s a boatload of tours coming through in the coming months.
Tonight at Reverb Lounge it’s a 4-act bill headlined by Cat Piss, a noise rock trio featuring Nate Wolf (Pagan Athletes), Sam Lipsett and Casey Plucinski. I’ve yet to catch these “cats.” Maybe tonight. Opening is Nate’s dad, the legendary John Wolf, and his latest heavy rock project with Chris Seibken and Jerry Hug called Bad Bad Men. Also on the bill are Nowhere and DJ Beatlebitch. 9 p.m., $10.
Tomorrow night (Saturday), Specter Poetics a.k.a. Jack McLaughlin, headlines at The Sydney in Benson with Rare Candies and Thee Bots. $5, 9 p.m.
And finally on Sunday, the one-man party machine of Solid Goldberg (a.k.a. Dave Goldberg) opens for Ghanian hip-hop artist Ata Kak at Reverb Lougne. 8 p.m., $15.
That’s it for shows. In the new music category, former Omahan now LA dude Nate Van Fleet (who you remember from See Through Dresses) released a new track today under his Big Nope moniker called “Golden.” The track’s sound was influenced by Big Star and early Matthew Sweet (as well as Teenage Fanclub). Check it out and have a great weekend.
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