by Tim McMahan, Lazy-i.com

Speedy Ortiz music is a rough-and-tumble ride through indie and punk landscapes, contextualized by strange, unpredictable guitar parts, familiar rhythms and front woman Sadie Dupuis’ intricate, confounded and always clever lyrics about, well, living.

Take perhaps Speedy Ortiz’s most popular song, the waltzing anthem “No Below” from the recently reissued 2013 breakthrough album Major Arcana, where Dupuis sings of youth and isolation and having one friend who, in the lowest times, is looking out for you. Or at least that’s how I interpreted the song over the years (and let’s face it, I’ve never been very good at interpretation):

A decade later and a new album — Rabbit Rabbit — and things have only gotten more complicated. Her friendships seem to have evolved on the waltzing anthem “Plus One,” where Dupuis sings: 

Songs are for telling and records for show
Stole my split necklace half to see where I’d help you go
The other piece, it doesn’t fit where I hoped

Intricate, confounded and always clever, that’s Speedy Ortiz, who is playing Friday night at The Slowdown. It’s also Dupuis, who’s crafted a successful career both with this band and as Sad 13, her solo project. She’s come through Omaha in one form or another throughout her career, playing house shows (at the world famous West Wing) as well as DIY venues (Milk Run in 2016 with — get this — Mannequin Pussy and Vegabon) and regular venues, too. 

I caught up with Dupuis recently for a brief interview in support of this Slowdown show and told her she once made fun of me online when I said I was afraid to go to a house show at my age — places where i’m often mistaken for a cop or an angry father.

“I do feel like house shows should be for everyone,” she said. “I’m getting close to 40, I’m not a teenager anymore. DIY shows, especially as the infrastructure for indie venues has shrunk, have become more important. We had a couple shows on this tour that were more in the DIY realm — like art spaces — and really appreciated it.

“We played The Church, which is a basement of a Presbyterian church, and (the venue) gets the kids and people in their 70s to come to all their shows, and that’s important — to foster that generational connection. We’re all music fans coming from different parts of our lives, but coming to the same place.”

Fine Sadie, I’ll no longer turn my back on house shows. (If you see someone who looks like a cop, come say hello.)

Spanning generations was one theme to our brief discussion. i mentioned that the band UN-T.I.L. will be opening for her Friday night, an all-woman, punk power trio that’s the product of Omaha Girls Rock!. Dupuis was thrilled. Over the years, she and her band have been strong supporters of girl rock camps, even donating tour proceeds in the past to Girls Rock programs. 

“I went to a gender-inclusive summer camp, and I wouldn’t be doing what I’m doing had I not gone to that camp,” Dupuis said. “I went back as an instructor. We meet girl bands that come out of those programs, and it’s always really cool . We’ve played with ex camper bands, and it’s such a positive ethos that comes out of those camps that injects needed love and support into the indie, punk and hardcore scenes.”

No doubt. BTW, if you haven’t seen UN-T.I.L., get to the show on time Friday night — you’re in for a treat.

Final question: Sadie underwent the dreaded 10 Questions treatment back in 2016 in support of that Milk Run show and was asked (as in all 10Q interviews) if she could earn a living with her music. She said she could but, “I’m not really raking it in.” 

Seven years later, things sound like they haven’t changed much. 

“We took many years off the touring, and I did a lot of random gigs,” she said. “We’ve been touring for a few months. But when (the tour ends) I’ll be back to different freelance projects – writing, production gigs. 

“This is part of why DIY and art spaces are more crucial than ever. It’s been hard for independent venues. For the style of music we play, we’ve been warned that rooms are not the same. I came with expectations that live music changed somewhat in the post pandemic and ongoing pandemic world. It doesn’t change our joy to play to people who do come out and meet us. it’s a different feeling and that’s fine for me personally. Some of my favorite shows were played in front of 10 people.”

Make sure Sadie and her band aren’t playing in front of just 10 people by coming out to The Slowdown Friday night. Joining them are tourmates Space Moth and the aforementioned UN-T.I.L. This front room show starts at 8 p.m. and tickets are $20. See you there…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Blvck Hippie plays tonight at Reverb Lounge.

by Tim McMahan, Lazy-i.com

From the in-box… 

Conor Oberst of Bright Eyes fame has signed up for two, month-long “residencies” next spring – one on either coast. Dubbed “Conor Oberst and Friends,” the shows take place each Thursday in March at Teragram Ballroom in LA and each Thursday in April at The Bowery Ballroom in NYC. These will be retrospective sets played with a “rotating backing band.”

“It will be a lot of work putting together a different band and set every week but it’s a challenge I think (that) will be rewarding,” Oberst says. Look for “surprise guests” each night. Sounds exciting, but the announcement would have been even more interesting if one of the residencies took place at O’Leaver’s…

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Speaking of Bright Eyes… that band’s drummer for their recent world tour was none other than Maria Taylor of Azure Ray fame. Well, Maria just dropped the second singles from her new project, HAHA. The duo consists of Taylor and Mike Bloom, who’s worked with Jenny Lewis and Julian Casablancas, among others. The track, “No Promises,” was released on Taylor’s Flower Moon Records. No mention if there will be a full-length in the duo’s future, but something tells me…

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Memphis singer/songwriter Josh Shaw goes by the stage name Blvck Hippie and calls his music “black fronted sad boy indie rock,” and his 2021 debut album, If You Feel Alone at Parties, “the Blackest emo record of all time.” Well, it’s not really an emo record (thankfully) and leans closer to modern up-tempo shoe-gaze. It’s pretty good.

In a recent Alternative Press interview, Shaw says there’s a hidden, untapped community consisting of people of color who would love to perform and attend DIY and punk shows, but naturally feels out of place. From the article:

“People are going to feel safe in those spaces if they see someone on stage that looks like them, and bands on the bills that look like them. There are so many bands composed of people of color, but it’s so hard to break into those scenes – especially since they’re already kind of outcasts in a way. Venues and promoters have to go out of their way to find these Black artists and put them on the bills because just saying, ‘Support Black artists’ isn’t enough. You have to seek out these artists, put together all-Black shows at your venue, and advertise in communities of color because there’s so many weird Black kids in the neighborhoods that aren’t being talked to. You have to go above and beyond the fight against the systemic oppression of Black art in general.”

Right on, Josh.

Anyway, I mention all this because Blvck Hippie is headlining a show tonight at Reverb Lounge. Since this is a Black Heart Booking presentation, it’s a four-band bill that includes opening bands Trees with Eyes, Cupholder, and Jar (Captain Howdy dropped off the bill due to injury). $15, 8 p.m. Too late for little ol’ me but not for you slackers who don’t have day jobs. Get there. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

The future site of the Maha Music Festival looking west from the proposed stage location.

by Tim McMahan, Lazy-i.com

Over the past few months, people have been asking about the future of the Maha Music Festival, and for good reason. The festival’s dynamic duo of co-Executive Directors Rachel Grace and Emily Cox recently resigned from the organization.

Cox has been named Event Manager at Omaha Performing Arts, another Omaha non-profit that is experiencing explosive growth with the launch of Steelhouse Omaha and the recently announced Tenaska Center for Arts Engagement, which is under construction right across the street from Steelhouse.

Rachel Grace also just took a new job as an Experience Strategist at Swanson Russell, the Lincoln-based adverting and marketing agency that has a field office in Omaha.

To say that Grace and Cox were “hands on” when it came to putting on Maha would be a sizable understatement. They basically ran the whole dang thing with the help of an army of volunteers and an active board of directors. That board’s President, T.J. Twit, said there currently isn’t a search under way for a replacement ED.

So how will Maha go on without one (or two), especially with the festival’s announced move from Stinson Park at Aksarben Village to the new RiverFront Park for 2024?

Twit said Maha is going to contract with a production company for 2024 that will run the day-of-show production and festival operation. “We signed a contract with MECA and as of right now plan on having a two-day festival the last week of July,” Twit said.

While Maha saw an increase in attendance last year, Twit said the entire festival industry is experiencing headwinds in terms of talent costs, “which hit us right between the eyes in 2023.”

He said Maha will be more careful in how they book bands in the future, with an eye toward talent costs, bands touring together, and opportunities to book acts that are already being routed through the Midwest.

He said Maha has yet to book any acts for 2024 and doesn’t plan on moving away from the style of bands the festival has historically booked. “We’re going to try to keep the Maha-ness in tact,” he said.

Without an executive director, Twit said the Board is taking a more active role in the booking process. He pointed to board member Missy Hardersen, who has 20 years’ entertainment industry experience, including at Stir Concert Cove. “This is what she did,” Twit said. “We’ve leaned on her and her expertise.”

Twit said the board will eventually look for a new leader to run the festival. “Maha needs a head coach,” he said. “Someone whose full-time job is Maha.”

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Henry Rollins tells stories Sunday night at The Admiral.

by Tim McMahan, Lazy-i.com

Not much to speak of indie-music wise this weekend…

Tonight at The Sydney in Benson, you’ve got Nordista Freeze on stage. Who is Nordista Freeze? Well, he’s a self-proclaimed Nashville psych-pop artist who’s played over 500 shows over the course of five years. Yep, sounds like another Sydney laptop-guy show. E Rawq opens at 9 p.m. $15.

Meanwhile, Omaha pop-rock project The Real Zebos headlines on Slowdown’s main room stage tonight. Beachmont opens at 8. $20.

Sunday, Southern indie metal band Baroness plays at The Waiting Room. The band has been releasing their albums on their own label, Abraxan Hymns, since 2015. Riffs and arena-rock harmonies abound. Wayfarer and Empire State Bastard open at 8 p.m. $35. 

Meanwhile, down at The Admiral Theater, hardcore punk legend Henry Rollins is doing a his spoken word show Sunday night. It’s a comedy set where he tells stories about life on the road.  $40. This is a seated show and starts at 8 p.m. 

That’s all I got. If I missed your show, put it on the schedule. Have a great weekend. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Singer/songwriter Shalom was one of the promising new wave of artists signed to Saddle Creek Records over the past few years — artists signed by the label’s former A&R professional, Amber Carew. I mentioned back in April (here) that Carew had departed from Saddle Creek sometime in May 2022, based on her LinkedIn profile and comments made by Shalom in an interview. 

Well, yesterday Stereogum reported that Shalom also no longer is part of the Saddle Creek family, basing their reporting on comments published on Shalom’s substack blog, Lover Over Fear, where she outlined the reason for the departure. Shalom pointed to Saddle Creek having “fired the person who signed me, never replaced her, and then treated me like shit the rest of my time there.” According to the blog, after demanding and not getting an apology from the label, communications broke down, and Saddle Creek moved to terminate Shalom’s contract. 

Stereogum quotes more of her blog at length. Needless to say, she’s not happy. No mention in the Stereogum piece of Saddle Creek’s response, likely because Creek wasn’t contacted. I highly doubt the label would comment, anyway, as no company comments publicly on personnel matters. And yes, I have just now reached out to Robb Nansel at Saddle Creek for comment and will let you know if he replies on the record…

I dug Shalom’s debut album, Sublimation, released this past March by Saddle Creek. She’s working on the follow-up now. Wonder who will release it?

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Puddles Pity Party is tonight at The Admiral Theater. I normally wouldn’t post about this kind of show as it’s really sort of a novelty / comedy act, but the guy who dresses up in a clown outfit and sings ‘80s power ballads (such as Foreigner’s “I Want to Know What Love Is”) has garnered quite a following partially due to playing smaller venues earlier in his career (he’s been to Omaha a few times, I believe). His star rose after a number of appearances on the loathsome America’s Got Talent.  Reserved seats are $39.50-$45 (before fees). Show starts at 7:30. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Ocie Elliott plays tonight at Reverb Lounge.

by Tim McMahan, Lazy-i.com

In this day and age, one of the best ways to get your music “out there” is to somehow get your songs on a television show. It’s one of the reasons Azure Ray became so popular as their songs were tailor-made for series like Grey’s Anatomy, where they’ve had a lot of pick up.

So has Ocie Elliott. The Canadian soft-rock indie duo of Jon Middleton and Sierra Lundy snagged two spots on episodes of Grey’s Anatomy. How that happened, I do not know, but it doesn’t hurt to have your music released on Nettwerk Music Group. Or the fact that your songs have the somber, lonely melodies that work so well in scenes where the young doctors and nurses are reflecting on either their wrecked lives or the wrecked life of a patient that recently passed while in their care. 

Anyway, Ocie Elliott is playing tonight at Reverb Lounge. Zachy, a dude who really loves Bon Iver, opens at 8 p.m. $20. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Great Lake Swimmers at The Slowdown, Nov. 2, 2023.

by Tim McMahan, Lazy-i.com

The streets of downtown Omaha were lined with cars presumably belong to patrons of the Shania Twain concert being held at that very moment in the CHI arena. Somewhere, rows of middle-aged women in denim skirts, red boots and bedazzled cowboy hats were line-dancing to “Man! I Feel Like a Woman!” 

Meanwhile, inside the dark, cavernous confines of The Slowdown, tables of more hip and no doubt more introspective middle-aged music fans waited for Great Lake Swimmers to take the small stage. What would Shania fans think of their style of rural Americana folk rock? Who am I kidding? They’d be bored out of their minds. Not that any style of music is better than another, but Shania arena concerts (well, like any arena concert) is all about the spectacle and radio hits, and, well the only spectacle at The Slowdown was the musicianship of the five people on stage who looked like they were having the time of their lives playing their music.

Fronted by singer/songwriter/guitarist Tony Dekker, the band — stand-up and electric bass, drums, guitar/banjo, keys/guitar — played a tight set of songs from their new album, Uncertain Country, along with selections from the Great Lake Swimmer’s 20-year-long catalog, Dekker quietly introducing most with stories about their origins and meaning, explaining how happy he was just to be able to tour again after the pandemic kept him locked up in his Toronto home. 

Their style is indie folk more so than “Americana” and has a lot in common with ‘70s soft rock bands like America and Cat Stevens – at times (considering the rural themes) even reminscent of John Denver, though Dekker’s voice leans closer to Neil Young’s in its high timber. 

An evening highlight was born from a calamity — Dekker broke a guitar string right before playing one of the band’s most popular songs, “Your Rocky Spine.” But instead of holding up the performance, he asked guitarist Erik Arnesen to lead off the song. What followed was an extended banjo introduction performed while Dekker kneeled on stage and did his stringing, smiling and nodding his head. The long intro changed the complexion of the song, creating a new drama not heard on the recording that they should make a regular part of their set — in other words, Dekker needs to break more guitar strings. 

That moment was only eclipsed by a gorgeous cover of Kate McGarrigle’s “Come a Long Way” accented by beautiful harmonies from guitarist Colleen Brown, and an epic version of “The Real Work,” from the band’s 2018 album The Waves, The Wake (Nettwerk Music Group). The polite, gracious crowd of around 50 never strayed from their seats, leaving only one oddball standing next to the stage throughout the evening. 

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Not much happening this weekend. Again, no touring indie bands are coming through. In fact, there’s almost no shows at all. Is this the Husker effect?

Tonight, however, is Benson First Friday, which means Maple Street will be abuzz with art lovers taking in openings in galleries throughout the district. Among them is the opening reception at Ming Toy Gallery (6066 Maple Street) for photographer Jeanne C. Langen’s De Herdere Nacht. The exhibition is a benefit for Wings of Hope Cancer Support Center in honor of Jeanne’s parents – Wesley A. and Judith C. Brown (Pittack), with 100% of all sales going to the non-profit. The show runs from 6 to 9 p.m. Come by and say hi.

As part of BFF, The Sydney is hosting LA electro-techno-punk act Cruel Kiss (a.k.a. Dustin Hollenbeck), along with Ex Lover and Nowhere. $15, 9 p.m. 

Saturday night Omaha hardcore band Stronghold is having an album release show at Reverb Lounge with four opening acts: Static Soul, Heavyweight, Healer and Mass Hysteria. $10, 8 p.m. 

And that is it. If I missed your show, put it in the comments section. Have a great weekend. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Great Lake Swimmers play tonight at The Slowdown.

by Tim McMahan, Lazy-i.com

Wainfleet is a town with a population of around 6,400 located in the Niagara Region of Ontario, Canada, on the upper lip of Lake Erie. Nearby cities include Buffalo, NY, just 41 minutes east, and romantic Niagara Falls, slightly north of there. It’s a quiet, rural community, not known for anything much except as being the hometown of Tony Dekker, singer/songwriter and frontman for indie band Great Lake Swimmers, who just happens to be playing at The Slowdown tonight. 

One assumes that frosty northern clime was the primary influence to the band’s ethereal style of folk rock that’s been compared to Nick Drake, Iron & Wine, Will Oldham and Neil Young. The band’s latest, Uncertain Country (2023, Harbour Songs/Fontana), was the product of field recordings made in the Niagara region, according to the one-sheet. It’s a lonely sounding, winter-lit record that should be fun to see reimagined on Slowdown Jr.’s small stage. 

Opening tonight’s show at 8 p.m. is the always entertaining Sean Pratt & the Sweats. Steady Wells holds down the center spot. $20. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

See Through Dresses at The Benson Theatre, Oct. 27, 2023.

by Tim McMahan, Lazy-i.com

The Benson Theatre, located right in the middle of our drunken little townlet, could really be a cool stage for rock shows. The room is, indeed, quite beautiful, well designed, with rows of seating and plenty of room in front of the stage to stand. It’s the best of both worlds, or could be. In my mind I could imagine all those Undertow artists’ shows, like the recent Mark Eitzel show that took place downtown in a brew pub drinking room, performed on the Benson Theatre stage, a room just the right size for tours from past stars who now find themselves nomadically playing people’s living rooms. 

Alas, one assumes the operating costs associated with this “non-profit” theater makes such concerts impossible, which is a shame because there’s woefully little programming taking place in the state-of-the-art facility in the heart of the city. 

But I digress…

Friday night the theater hosted a fundraiser for Omaha Girls Rock, another Omaha non-profit, this one designed to provide direction both musically and ethically to young women from our community. The sold-out crowd consisted mostly of parents of these young rock stars on hand to give moral support, sitting or standing in groups while young kids ran around in costumes or wiggled on the “dance floor” in front of the stage. 

Omaha is currently suffering from a lack of young, up-and-coming indie bands. And as few new or touring Omaha indie bands as there are, there are even fewer bands fronted by women, which is ironic because today’s national indie music scene is dominated by women artists. No need to list them, if you know than you know. Omaha Girls Rock, while not established to fix this problem, could certainly provide an effective remedy. 

In times past when I’ve seen OGR bands play at fundraisers I’ve approached it like just another supportive parent (though I’m not), understanding the girls were only just learning their instruments. Not so Friday night. The two bands I saw were actually pretty good.  Nothing Rhymes with Orange was cute and showed promise, but UN-T.I.L. actually could stand on its own as a functioning post-punk power trio. No idea who’s in the band, but they had some chops, especially on the last two numbers that had more intricate compositions. And if you doubt me, you can find out for yourself as UN-T.I.L. will be opening for Speedy Ortiz at The Slowdown Nov. 17.

They were followed by the return of See Through Dresses, who haven’t played out in a few years. Drummer Nate Van Fleet even made a special trip to Omaha from his new home in LA just for the show. The entire band dressed in matching skeleton costumes a la Phoebe Bridgers’ band, which made it a sort of double costume. 

While the band sounded as good as ever playing music that’s a combination of shoegaze and Dinosaur Jr., the vocals by Matthew Carroll and Sara Bertuldo sounded naked on stage, pulled right out front of everything instead of being properly mixed with the rest of the instruments. I’ve never heard these two so loud and clear, like auctioneers fronting DIIV. Still, despite the poor mix, it was great seeing them on stage again.

In an era in Omaha when we’ve got ginormous new music venues popping up everywhere, here’s a small, well-made smaller alternative venue going mostly unused. It would be a shame if more bands weren’t booked there.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

By default, it’s Halloween weekend, at least as far as bars are concerned. So brush off your Taylor Swift/Kelce costumes and have a good time. It’s also another no-touring-indie-bands weekend. See what’s on the event horizon through next spring as far as touring indie acts in yesterday’s blog post. 

There are a few local shows happening this weekend, not the least of which is the long-awaited return of See Through Dresses. The band is playing a reunion gig tonight at Benson Theatre as part of the 2023 annual fundraiser for Omaha Girls Rock. They’ll be joined by a handful of OGR bands. Tickets are $25 and available at bensontheatre.org. Music starts at 7 p.m., and yes, costumes are encouraged.

No doubt costumes will also be all the rage tonight at fabulous O’Leaver’s as the club hosts a free punk rock show with The Scabby Ghouls, The Shidiots, DSM-5 and Blowing Chunks. The spooky fun starts at 9 p.m. 

Meanwhile, over at The Sydney in Benson, Thick Paint opens for singer/songwriter Anna McClellan. $10, 9 p.m.

Three local shows tomorrow night (Saturday):

Local rockers Garst are headlining at Reverb Lounge with Bad Self Portraits and The Moose & The Public. $12, 8 p.m. 

Las Cruxes is headlining The Down Under Lounge’s 8th annual Halloween show Saturday night. Joining them are Jar, Glue, and Grief Police. $8, 9:30 p.m. Again, costumes.

And finally, Pet Bun and Sputnik Kputnik are playing at Pageturners Lounge Saturday night. No cover but a $10 donation is suggested. Music starts at 8 p.m. 

And then Sunday night Grapefruit Records in the Old Market is hosting a rare Omaha performance by Simon Joyner and the Sirens. It’s a tour kick-off show for the band as they’re headed back on the road. David Nance will be playing a set of brand new material in his opening solo set at 8 p.m. $10. No mention of costumes, but every day is Halloween in the Old Market, right?

That’s it. If I missed your show, put it in the comments section. Have a wild and crazy Halloween weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.