by Tim McMahan,  Lazy-i.com

Before we get to the review of last night’s show at Slowdown, a head’s up that tonight, The Reader’s patriarch, John Heaston, is being honored by the Omaha Press Club with the 178th “Face on the Barroom Floor.” I can think of no one more deserving. I’ll be there and will try to snap some pictures or at least get a photo of the drawing. Speaking of The Reader, there’s news about the future of that publication, which I’ll pass along next week…

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The band Wednesday ended its North America tour last night at The Slowdown, and as you might expect, there was a mad-cap looseness to the performance.

Frontwoman Karly Hartzman was particularly chatty throughout the set (and said so), proudly declaring it was their first time headlining in Omaha (They opened for Beach Bunny at The Waiting Room back in May 2022). With guitarist MJ “Jake” Lenderman by her side providing beautiful harmony vocals along with his snarly lead guitar licks, Hartzman and Co. played all the hits off last year’s Rat Saw God album, including a wonky, intentionally sloppy version of indie hit “Quarry.”

That song’s zany performance was driven by an introduction where-in Hartzman said folks in Denver (where they played a couple nights earlier) had told her people in Omaha don’t know how to mosh. She egged-on the crowd to form a mosh pit and the resulting “hop-and-jump” pit bounced around for the rest of the set. That’s one way to get people in Omaha to “dance.” 

I wasn’t aware Wednesday loved punk and/or metal, but it became obvious when Hartzman provided some genuinely throaty metal screams, especially during the night’s encore, which sounded like something by Destruction Unit. 

The night felt like an all-star performance with Hartzman’s versatile vocals that ranged from a soft coo to that growly scream, but the other heavy hitters were Lenderman, who carried the lead vocals on a cover of Drive By Truckers’ “Women Without Whiskey” — a highlight — and lap-steel guitarist Xandy Chelmis, who can turn any song into a twangy country ballad. In fact, the set also swung between quiet alt-country-esque ballads and gritty shoegaze noise rockers. In the end, the softer stuff won the day (for me, anyway). 

Opener Draag showed extremes – between metal/industrial and seamless, ambient shoegaze. Frontman/guitarist Adrian Acosta is a vocal chameleon shifting between Dean Wareham/Galaxie 500 crooning and all-out metal screaming. Fellow vocalist Jessica Huang was the contrast with her cool, purring voice. 

Draag opened with the hard stuff and settled into the rich shoegaze halfway through their set, hitting their obvious sweet spot. I could see these folks opening for any of the major shoegaze bands as they continue to develop their own flavor of the genre. 

Wednesday has been selling out shows on this tour, but only managed to draw around 250 last night at the Slowdown, which made for a comfortable-sized audience for the big room (with the balcony closed). That said, it underscored indie’s weak appeal in the Omaha market and continues to explain why a lot of the heavy-hitting indie acts are bypassing our little town.

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Speaking of which, onto another rather sparse weekend for indie shows….

Tonight at Pageturners, Breakers headlines. The trio of Chris Yambor, Robert Little and Matt Focht play a jazzy form of indie, sounding like a lounge version of Pavement or GBV. Very cool. Our old friend singer/songwriter Stephen Bartolomei opens at 8 p.m. No cover, but $10 suggested donation for the artist, please.

Then Saturday night Milwaukee noise-punk band Spoy headlines at Reverb Lounge. In the old days we’d call this math-rock – fuzzy guitar speed that sounds influenced by acts like Chavez and At the Drive In whereas they site US Maple and Black Midi as influences. Opening is Ivory Daze and Pagan Athletes. $12, 8 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan ,Lazy-i.com

Asheville 5-piece Wednesday, who plays tonight at Slowdown, was one of the dominant bands in indie rock last year with the release of Rat Saw God (Dead Oceans), a collection of story songs that keenly encapsulate North Carolina trailer-park life in tones of Southern shoegaze. 

You couldn’t switch on Sirius XMU on your car satellite radio last year without hearing the album’s single, “Quarry.” That was fallowed by “Chosen to Deserve” and the booming “Hot Rotten Grass Smell.” Frontwoman Karly Hartzman has a voice reminiscent of Big Thief’s Adrianne Lenker, though the band’s sound is closer to acts like Momma and Horsegirl. 

You may recognize Wednesday guitarist MJ Lenderman, who’s had a pretty successful solo career, signing to Anti- records after the release of his second album, Boat Songs. Lenderman has played on albums by Indigo De Souza and Waxahatchee.

This show has been on the radar since it was announced late last year. Draag, who I wrote about yesterday, opens the show in Slowdown’s main room at 8 p.m. $25. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Despite their shoegaze collar, Los Angeles band Draag sonically reinvents a number of nostalgic influences to emerge with something wholly modern.

Fronted by singer/songwriter Adrian Acosta, the five-piece is rounded out by Jessica Huang (synth, vocals), Ray Montes (guitar), Nick Kelley (bass), and Eric Fabbro (drums). Their latest EP, Actually, the Quiet is Nice (2024, Julia’s War), is a sonic blur amidst a curtain of strobe lights, like a being wrapped in a warm blanket that has random needles woven into the fabric.

What makes Draag stand out amongst the current army of shoegaze bands is their reliance on breakneck, white-knuckle percussion. Sure, there’s plenty of drone (especially with the vocals, which are mostly indecipherable on first listen), but the tracks’ hammer beats owe as much to industrial and metal as the shoegaze masters who obviously influenced their sound, like My Bloody Valentine, Lush, etc. 

Draag should be a welcome contrast to tour headliner Wednesday – both bands play at The Slowdown tomorrow night (May 30). We caught up with Acosta and the rest of Draag and gave them the Ten Questions treatment. Here’s what they had to say.

1. What is your favorite album?

Currently: The Land of Rape and Honey by Ministry  (1988, Sire)

2. What is your least favorite song?

I’d rather not say. Too close to home. I think some people we know personally are friends with this band whose music I hate. 

3. What do you enjoy most about being in a band?

Making people feel something real.

4. What do you hate about being in a band?

The business side. It kind of sucks the fun out of it. Touring is chill, but the long drives in between can be very mentally challenging at times. 

5. What is your favorite substance (legal or illegal)?

Caffeine &  micro-dosing psilocybin.

6. In what city or town do you love to perform (and why)? 

Seattle, Missoula & Chicago. Couldn’t pick one  – those cities have very good energy to feed off of and everyone we met was polite. 

7. What city or town did you have your worst gig (and why)? 

Probably Portland, OR. The energy was off. It was more than likely our fault. 

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

Absolutely not. We all have day jobs. Jessica is an occupational therapist, Ray is the manager for a weed company, Nick works for the post office, Eric is a graphic designer and I (Adrian) run a construction company. 

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Adrian: Would love to work in production or coach a High School Basketball team. I don’t want to be a contractor anymore. 

Ray: Carpentry. Would hate to work in parking enforcement. 

Nick: A cobbler. Would hate to work at Home Depot.

Eric: Probably would want to attempt to be a zoologist cause I love animals and want to understand their intelligence and communication more.  And would hate to be an advertising executive for a failing fast food company.

Jessica: Painter and interior designer. Job I’d hate to do would be in investment banking. 

10. What stories have you heard about Omaha, Nebraska? 

The Murder at Mystery Manor. I also hear the food is good, the people are great, alongside some very dynamic weather. 

Draag plays with the band Wednesday at The Slowdown May 30. 8 p.m. start time, $25 DOS. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan,Lazy-i.com

The folks at Undertow (the living-room concert promotion company booked the show) said Eric Bachmann would arrive at our gallery at around 6:30 to begin his “load in,” but here we were at a quarter past 7 and still no Bachmann. About a half-dozen patrons had already arrived, three of them Undertow concert veterans who had brought small, fold-out chairs and a small foam-sided cooler, the stuff you see at the Memorial Park concerts. One of them asked where in the room Bachmann would be performing so he could set up his chair. 

I began to worry. Should I text my contact at Undertow? Ah, but my concern was unfounded, as there was Bachmann, his hulking, 6-foot-7 frame standing by the open back door looking like a fit over-the-road truck driver. He quickly specked out the narrow room and decided the best place to “set up” was in the middle along the wall. I helped hump in equipment and he chatted-up early arrivers while arranging his stuff.

A few guests looked mildly confused when they realized there were no chairs and had to either stand or sit on the oak floor, having not read the website’s instructions suggesting they bring a cushion to sit on. I felt sort of bad for the few who clearly looked uncomfortable — the audience’s mean age was probably around 35 — but what could I do? By 8 p.m. – the show’s official start time – everyone had arrived and everything was ready. 

A charming, funny southern gentleman (but without a twang), Bachmann proceeded to give a 90-minute performance that included songs from Crooked Fingers and Archers of Loaf catalogs as well as solo work and new material. If you had a favorite Bachmann song, he played it last night, taking requests from the crowd throughout the set. 

Without a PA, Bachmann’s rich, reedy voice was amazing, filling our small gallery while he switched from steel-stringed and nylon-stringed acoustic guitars and an electric keyboard. 

He filled in the blanks between tunes with stories about past performances, road life and what inspired certain songs, like the woman who pulled up alongside his white van in an SUV after a Vegas show who inspired new song “Spray Tan Speed Queen (in a German Car)” – a track no doubt destined to be on his next album. 

Afterward, many patrons thanked us for hosting, and Bachmann said he had a good time, loved the room, and thought it would be a great spot for other touring Undertow artists. So, this first attempt at hosting an Undertow show at Ming Toy Gallery was, for the most part, a success.

A few take-aways:

• – The room is too small to host anything but acoustic shows.
• – Comfortable crowd capacity for the gallery is 40.
• – Some how, Undertow has to get the message to ticket buyers that we don’t provide seating and to bring a cushion or folding chair. But frankly, I don’t know how they could make the point more clear on their website. 

After this successful test run, we’ll continue to offer the gallery for future Undertow shows. While we don’t make a penny hosting them, they’re fun and they get new people into the gallery to see local art. And maybe most importantly, they provide an option for these touring musicians who no doubt are looking for ways to eek out a living doing what they love – a difficult task in this digital age…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Eric Bachmann is tonight at Ming Toy. I mention this because there’s one ticket left out of the 40 originally made available. I’d love to see this (possibly) inaugural show sell out.

You could be that lucky person who snags the final ticket. It’s $25 and available only from the Undertow website, right here, where all the information about the show is available. There are NO tickets available at the door. The location is Ming Toy Gallery, 6066 Maple Street, right next door to Legend Comics and Coffee in downtown Benson. Doors at 7, show at 8 with no opening acts. I’m excited and a little bit nervous, but isn’t that the recipe for every success? 

I’ll let you know how it went tomorrow. 

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Also tonight on this busy Memorial Day, Kansas City slowcore trio Flooding plays at Reverb Lounge. Fronted by guitarist/vocalist Rose Brown, the band’s music gives a nod to Bedhead’s somber guitar jangle before inevitably exploding into sound. Opening for Flooding are Omaha noise-punk bands Western Haikus and Size Queen. 8 p.m., $12. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

It’s a freaking log-jam of great shows tonight (Friday).

Top of my list is an old-school combination – Lincoln power-punk trio Domestica and Gary Dean Davis’ tractor-punk sensations Wagon Blasters at The Sydney in Benson. Who remembers when Mercy Rule and Frontier Trust played shows together in Omaha and Lincoln back in the mid-‘90s? Well it should be just like that except completely different. Both are opening for Glenn Antonucci’s alt-country-rock band The Broke Loose (think midwestern Centro-matic). $10, 9 p.m. Bring your earplugs…

Meanwhile, down at Grapefruit Records in the Old Market (1125 Jackson St.), Memphis post-punk trio Optic Sink plays an in-store show with local heroes David Nance and Mowed Sound. Fronted by Natalie Hoffman (NOTS) with Ben Bauermeister (Magic Kids) and Keith Cooper (Jack Oblivion & The Sheiks), Optic Sink is a synth-heavy First Wave-style dance-punk riot whose latest, Glass Blocks, was released last September by Feel It Records (Their 2020 debut was released by Goner). David Nance and Co. should be red-hot, having been on the road supporting their Third Man Records full-length debut. DJ Justis Brokenrope kicks things off at 7:45 p.m. $15.

Also tonight… did you know that The Jewell in the Capital District just reopened? Well it did, and in addition to jazz, the new Jewell is supporting local acts of all genres. F’r example, tonight the have The Matt Whipkey Duo (which features guitarist Mike Friedman). It’s a free show and starts at 7:30.

Sunday night, Oakland, California, noise-punk trio Facet headlines at Reverb Lounge. Clearly inspired by ‘90s acts like Unwound and Unsane, their sound is hard, angular, post-hardcore. Joining them on the bill is Omaha noise band Living Conditions and post-punk monsters Leafblower, who kicks things off at 8 p.m. $10. 

Just a head’s up – we’re down to five tickets remaining for Monday’s Eric Bachmann show at Ming Toy Gallery. Snag one while you can from The Undertow Website. More info about that show is right here.  I also may or may not have an interview with Bachmann going up on the site tomorrow – it depends on if he gets in touch with me today. 

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

The funny part is there weren’t a lot of tickets to begin with… 

Of the 40 tickets, only 8 remain available for next Monday’s (May 27 – Memorial Day) solo performance by Eric Bachmann (Crooked Fingers, Archers of Loaf, solo genius) at Ming Toy Gallery, 6066 Maple St., the art gallery owned and operated by my wife, Teresa, and me. 

I wrote about this show a couple weeks ago. Read about it here. Tickets are $25 and only available through the Undertow website – in other words, there will be no tickets at the door. You’re either on the list or you’re not. This is a general admission show with floor seating or standing, so bring a pillow or cushion or just stand around like I do. 

This show will be a first for us at Ming Toy and if it goes well, we’ll try to do more via Undertow. I would love to see you there!

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You’ll notice I’ve stopped whining about all the nationally touring indie bands and musicians who no longer come through Omaha. I wrote a long piece marking the one-year anniversary of Steelhouse Omaha and how I got Omaha Performing Arts’ non-profit mission all wrong. But didn’t post it. What would be the point? 

Instead, I’m looking for opportunities to help bring the bands I love here, to put Omaha back on indie touring maps. I’m not sure what that entails and am open to suggestions. This Ming Toy/Undertow concert is part of that effort.

I will, however, continue to point out when amazing bands are coming through nearby cities (Kansas City, the Twin Cities, Chicago, Denver) for those with the means to travel. I get dozens of tour announcements daily in my email. For example, PJ Harvey is playing at St. Paul’s Palace Theater Oct. 2.  

Life’s too short to complain about what we don’t have in Omaha. Embrace what we do, and seek out what we do not elsewhere, because it will never be 2001-2015 here again. 

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Speaking of shows, ‘90s LA punkers Social Distortion are playing at The Astro tonight. Their 1990 debut album was a staple in my youth (who remembers “Story of My Life” and “Ball and Chain”?). I lost track of them after the ’92 follow-up, Somewhere Between Heaven and Hell, but hey, they’re still kicking, releasing Mommy’s Little Monster last year on Concord Records. Joining them tonight is up-punk band The Love Bombs. This is an early show – 6:30 p.m. – and GA standing tickets are $40.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

The Sydney in Benson recently started to rev up its show calendar. They have rock shows every night this weekend, starting tonight with modern-day grunge band Museum of Light, straight from Seattle. If you were into the heavy grunge sound of the ‘90s, you’re in for a treat. Opening is our very own Healer, who brings the heavy on its own sonic terms. $10, 9 p.m. 

Then tomorrow night (Saturday) at The Sydney, long-time Omaha rock band Vago celebrates both an album release show and their “final” show (according to the Sydney website). Singer/songwriter Jeremy Mercy open at 8 p.m. $10. 

Meanwhile, across town at fabulous O’Leaver’s, Iowa City singer/songwriter Samuel Locke Ward headlines Saturday night. SLW has a long and storied career that includes performances with and alongside such acts as Violent Femmes, Mike Watt, Jad Fair, Joe Jack Talcum and local hero Simon Joyner. SLW released 2023’s Happy Hearts, a collaboration with Jad Fair, released on Kill Rock Stars. Opening this show is the debut of A/C Drips, a new local combo that includes Sean Pratt and Megan Siebe. This one is FREE and starts at 9 p.m. 

Finally Sunday night, Aussie punkers The Chats headlines in The Slowdown’s main room. Hailing from Sunshine Coast, the trio of Eamon Sandwith, Matt Boggis and Josh Hardy sound clearly influenced by the likes of Iggy Pop, Buzzcocks, The Ramones, you know the drill. The band records on their own Bargain Bin Records, which is actually a boutique label under the Universal umbrella, which explain why they get a half million monthly listeners on Spotify. Their latest is 2022’s Get Fucked (how very punk indeed). 

Also on the bill is Brooklyn’s Dirty Fences, whose last full-length was 2017’s Goodbye Love (Greenway Records). Influences: Redd Kross, The MC5 and Johnny Thunders, their new stuff sounds more rock than punk. Opening the fun at 7 p.m. (early show!) is Charlotte, NC’s Paint Fumes. Their latest, 2023’s Real Romance, was released on Dig! Records. All this for a mere $30. Can you think of a better way to spend your Sunday night?

One last show: The Sydney is rounding out its weekend with a metal show featuring Cali noise band CNTS. Omaha noisemakers Nowhere and Oregon’s The Kronkmen also are on the bill. 9 p.m. $10.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

By Tim McMahan, Lazy-i.com

After Conor Oberst wrapped up his bi-coastal “Conor and friends” residencies speculation began as to what’s next for Mr. Oberst. His musical output used to run in cycles between Bright Eyes, solo work, Desaparecidos and other projects (Monsters of Folk, Better Oblivion Community Center, etc.). Well, a couple clues sprung up in the past few days. 

First, there was a casting call on the official Bright Eyes Instagram account for volunteers to appear in a Bright Eyes video, apparently to be shot in or around Omaha on May 23 and 23. The posted graphic included three sets of dice and faux casino lights, which leads one to believe they’ll be shooting it somewhere over on the boats (our local slang for the Council Bluffs casinos). 

You had to be 19 or older (or with a legal guardian) and also sign an NDA. Well, as quickly as the offer went up, the offer was closed due to having received enough “entries.” Of course, people speculated that this is a pre-cursor to a new Bright Eyes release, but I suspect it may have something to do with a rerelease of older material. Time will tell.

And then this past Tuesday a press release went out announcing the release of a 15th anniversary reissue of the Monsters of Folk debut album. Monsters of Folk consisted of Oberst, Jim James, M. Ward and Mike Mogis. 

First released in 2009, the rerelease includes the original 15-song album joined by five additional studio tracks from a previously unreleased 2012 session featuring “Fifth Monster” Will Johnson (Centro-matic).

From the press release: “Those five tracks – which include ‘Disappeared’ and the moody folk epic, ‘Museum Guard’ – were initially meant to accompany a dystopic sci-fi film based on a screenplay penned by Oberst, a project that was eventually shelved.”

A dystopic sci-fi film written by Conor? I would have loved to have seen that. And they could have shot it over on the boats and saved money on building dystopian-looking sets. 

The album drops June 14 on ATO Records and can be preordered here. Check out the Springsteen-esque newly release track, “Disappeared,” below. 

A Monsters of Folk tour to accompany this release would be pretty cool. So would new MofF material. Ah, but I’d still rather see that sci-fi movie. Come on, Conor!…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

By Tim McMahan, Lazy-i.com

Tonight, LA-based indie band Local Natives headlines at The Admiral. They’ve been around nearly 20 years recording first for FrenchKiss and now for Loma Vista Records (since 2016). Who remembers their sold-out show at The Waiting Room in 2010? Were they going to be the next Arcade Fire? Not quite, but they haven’t done bad for themselves. Uwade, just in town last June opening for Fleet Foxes at Steelhouse Omaha, opens tonight at 8 p.m. $40.

Speaking of shows, One Percent Productions just announced the return of punk band X to The Waiting Room July 7, which got me thinking about the rest of the upcoming touring indie calendar. Here’s what I got through the summer months. Who am I missing?

• May 14 – Local Natives @ The Admiral
• May 18 – Samuel Locke Ward @ O’Leaver’s
• May 19 – The Chats @ The Slowdown
• May 22 – Social Distortion @ The Astro
• May 26 – Facet @ Reveb Lounge
• May 27 – Eric Bachmann @ Ming Toy Gallery
• May 27 – Flooding at Reverb Lounge
• May 30 – Wednesday @ The Slowdown
• June 4 – Cloud Nothings @ Reverb
• June 5 – Dead Horses @ Reverb
• June 9 – Lucinda Williams @ The Admiral
• June 10 – The Mars Volta @ The Admiral
• June 25 – French Cassettes @ The Slowdown
• July 7 – X @ The Waiting Room
• July 8 – The Baseball Project @ The Waiting Room
• July 15 – Etran de L’Air @ The Waiting Room
• July 19-20 – Grrrl Camp @ Falconwood
• July 31 – SNÕÕPER @ Reverb
• Aug. 3 – Orville Peck @ The Admiral
• Aug. 7 – Cults @ The Waiting Room
• Aug. 9-10 – Outlandia Music Festival @ Falconwood
• Sept. 12 – Soft Kill @ The Slowdown
• Sept. 21 – Built to Spill @ The Waiting Room
• Oct. 1 – Jungle @ The Astro
• Oct. 5 – Fontaines D.C. @ The Slowdown
• Oct. 17 – Superchunk @ The Waiting Room
• Oct. 26 – Porches @ Reverb

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.