Blondshell at 7th St. Entry, July 11, 2023.

by Tim McMahan, Lazy-i.com

When you think of First Avenue and 7th St. Entry what immediately comes to mind is the iconic club scenes from Prince’s Purple Rain; this venue was voted among the top 3 in the country (according to their signage). But that’s First Ave you’re thinking of, not 7th St. Entry. 7SE is a tiny shithole of a venue located in the same building as First Avenue, and really that’s its only connection.

That said, the room wasn’t without its charm. After showing your ticket you pass through a thick velvet curtain into a room that is shockingly small, with a small bar tucked into one corner adjacent to a tiny stage. The all-black room feels like it slopes down to the stage, but that may just be an illusion. Capacity couldn’t be more than 100 (wiki says it’s 250, but that cannot be right), though there were at least 150 in there last night.

Knowing the show had sold out, we purposely arrived late to cut down on the amount of time we’d have to suffer in what I assumed (correctly) would be a crush mob of people in a tiny space. In the end, it didn’t matter because the opening act, an NYC trio called Hello Mary, started 45 minutes late — which meant standing in the hot hellhole of a stink zone for a half an hour, shoulder-to-shoulder, listening to a drone pre-set track on the PA. It was ungodly uncomfortable, and I started to consider skipping the gig altogether except for the fact that we were literally surrounded by people who were years (decades) older than us who were gutting through the experience. Here I thought I’d be the oldest person in the room. Whoda thunk that Blondshell would attract such a geriatric audience?

Hello Mary at 7th St. Entry, July 11, 2023.

Well, just before giving up, on came Hello Mary. As shabby as 7SE is as a club, the sound was pristine, driven in part by a talented band of players who really knew their way around their instruments, especially the rhythm section. The bass player, Mikaela Oppenheimer, was particularly awesome, working her hands up and down the fretboard, all the time looking bored out of her skull. Maybe it was because of the songs, which were pure ‘90s indie girl rock (everything from The Spinanes, Squawl to Helium came to mind) powered by That Dog-style vocal harmonies between guitarist Helen Straight and drummer Stella Wave. Despite going on 45 minutes late, the band played an excruciatingly long set, which only got better the longer it went.

After a quick equipment swap out, on came Blondshell, playing as a four-piece with frontwoman Sabrina Teitelbaum standing alone instrument-less, behind the microphone backed by a super-tight band that had me thinking they must be hired studio musicians who’ve come in to handle the tour or who played on the record. You never got a sense that they’re actually her band, though they killed on every note of these hook-filled indie tunes. I wish I could tell you Teitelbaum did as well. Throughout the set, her vocals were a mere facsimile of what’s heard on the album, which is a studio-produced masterwork. Live, the voice is there but it’s nowhere near as powerful.

What Teitelbaum does have is a solid set of songs, which the crowd spent most of the set singing back to her. While most of her album is downcast, she wisely brightened the set with a couple covers, including a tasty take on Le Tigre’s “Deceptacon.” The night’s highlight was a sterling rendition of “Kiss City,” the best performance of the night, though she struggled to pull off the high notes during the song’s intense last chorus. Don’t blame road fatigue; this was only their third night.

Despite a luke-warm performance in a smelly, tiny venue, the trip was worth it if only to say I’ve been to this legendary club next to the one Prince made famous.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Welp, tonight is first in what is likely to be a series of out-of-town travel concerts — i.e., the new normal if you’re a fan of modern indie music and live in Omaha. 

I bought the tickets to tonight’s Blondshell concert in early March after I discovered her music via an article that listed the most anticipated acts at this year’s South by Southwest festival in Austin. Blondshell topped Brooklyn Vegan’s list. After listening to the singles she’d released, I checked out her tour schedule and saw that her closest pass to Omaha would be tonight’s show at 7th St. Entry. 

A somewhat unknown entity at the time, tickets were easy and cheap ($15), and I figured if anything came up that prevented me from making the drive, I could just ditch them. Four months later and Blondshell, a.k.a.  Sabrina Teitelbaum, has released her debut album on Partisan Records, had a successful week at SXSW, and made her network television debut on The Tonight Show with Jimmy Fallon. And, of course, tonight’s concert is now sold out.

Since she announced this tour, she’s also announced that she’ll be the chief support for Liz Phair’s upcoming national tour, which also is skipping over Omaha. It’s a potent combination, as Blondshell’s confessional rock was heavily influenced by Phair as well as Hole, PJ Harvey and Patti Smith, among others. 

Is she an LA product act? Probably. When that Brooklyn Vegan mention first happened there wasn’t much about her on the inter webs. Now her Wiki entry is voluminous. Turns out her first shot at music was a pop act called BAUM, which released songs used for Target ads. She’s no poor indie upstart. She (reportedly) attended The Dalton School. No doubt she comes from $$$. Now, apparently, she’s trying the indie thing. I don’t care; her debut album is among my favorites so far this year. 

Anyway, I’ll be writing a full report on the trip and live review, probably tomorrow sometime, so look for it…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Her Flyaway Manner at Scriptown, July 8, 2023.

by Tim McMahan, Lazy-i.com

Scriptown in the Blackstone District again hosted bands this past Saturday as part of the district’s Second Saturday event wherein performers performed in venues along Farnam Street. 

Her Flyaway Manner was already set up and playing to a good-sized crowd at Scriptown when I arrived after 3 p.m. Like last time, the trio was set up in the back corner of the bar near the door that leads to the their back patio, where a small team of personnel was busy stuffing hotdogs and sausages into buns, the smoke from the barbecue wafting through and into the venue – it looked and felt like a Fourth of July picnic, except for the music, of course.

HFM, out of Lincoln, has been around for well over 20 years, powered by frontman/guitarist Brendan McGinn, drummer Boz Hicks and bassist Adam2000. In all that time, their sound hasn’t budged much from its initial brittle, post-punk recipe, and that’s a good thing. The crowd formed a circle around the band as the barkeeps tried to keep everyone’s glasses filled.

Leafblower at Scriptown, July 8, 2023.

They were followed by Omaha band Leafblower, each member of the four-piece adorned with their trademark rubber, old-man-in-a-gray-ponytail mask, which they only wore for the first song (and last). Fronted by guitarist/vocalist Danny Maxwell and bassist/vocalist Craig Fort, with Jahn Clark on second guitar and Tab Tworek on drums, this really was the first time I soaked in what they were after sonically. I’ve seen this band at least a half-dozen times but never paid much attention to what they were doing because I was always derailed by whatever gimmick they were using for their stage show (giant leafblower smoke machines, old-dude mannequins, etc.). Not so Saturday afternoon, as they tore into a set of good old-fashioned heavy metal. 

I’m not now, nor have I ever been, a metal fan; on the other hand, I dig Heavy Metal. The difference: HM is slower, has better hooks, better grooves, is just funkier than metal’s “need for speed,” which usually translates (for me, anyway) into insect-noise fronted by the Cookie Monster. Heavy metal music has more nuanced vocals (or at least better yelling) and is just more fun. And this was, indeed, fun. 

Like all good heavy metal, the proof is in the riffs, which power everything, and that was certainly the case here. The vocals, unfortunately, were next to non-existant from my vantage point behind the speakers (since there was nowhere else to stand), and the fact that Fort’s mic seemed to  only be working half the time. And, goddamn, was it loud. I was happy I had earplugs. 

Good times. Scriptown needs to host bands more often. They could corner the market on live indie rock if they wanted to, as no other business in Blackstone seems so inclined to host these kinds of shows.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

No touring indie artists this weekend. Let the draught continue. 

If you’re in Benson tonight, take in the art at Benson First Friday #BFF. You know the drill, art in venues up and down Maple Street (including at the Ming Toy Gallery, 6606 Maple St., which is open until 8 p.m.). Full list of events and map of the stars is here. Musicwise, The Sydney is hosting Benson Soul Society tonight starting at 10 and it’s free…

Not to be outdone, the Blackstone District is hosting its Second Saturday event this Saturday with music all day in venues throughout the district. You can see the full line-up here, but the highlight is Scriptown’s Summer Smash with Omaha punk band Leafblower and Lincoln’s Her Flyaway Manner. Music starts at 3 p.m. and is free. I went to this Scriptown show in the past and it was a blast (though it looks like they’re foregoing the goats this time). 

Saturday night, Brooklyn-by-way-of-Limerick, Ireland, band Cinemartyr is playing at The Sydney in Benson. Among their (stated) influences are The Mars Volta, Nine Inch Nails, Fugazi and Swans. Could get weird. $10, 9 p.m. 

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Brookyn rock band Pons plays at The Sydney in Benson tonight…

by Tim McMahan, Lazy-i.com

The Maha Music Festival will look a lot different this year — its last year at Stinson Park in Aksarben Village. Food vendors will not be allowed within the festival compound. That means you’ll be on your own to get grub from the local restaurants located outside the festival grounds. 

“There will be four new exit-only gates along 67th Street, opening right at the doorstep of several eateries — some even offering special Maha menus,” Maha said in a press release. “You can reenter the festival at any time; just keep your ticket handy to scan out and in.”

And don’t bring your food with you. Maha has set up picnic tables outside the main entrance so you can scarf down your dinner before going back inside. 

Is this a bad thing or a good thing? Well, I’ve never partaken from Maha’s food vendors in the past (other than the beer vendors, that is, and they’ll still be on festival grounds), so I guess I don’t know what I’m missing.  This could introduce a whole new crowd to Inner Rail Food Hall, which is somewhat hidden if you don’t know what you’re looking for. So in the end, it may be a good thing, that is if these restaurants staff up to handle the (potentially) larger patronage…

And in case you missed it, Maha is moving down to the Riverfront for 2024. I suspect the food trucks will be back for that one…

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Tonight at The Sydney in Benson it’s Brooklyn “premier speed rock band” Pons. According to their bio: “Known for their dynamic swing and thunderous pulse, word of the band has quickly spread due to their unconventional and controversial approach to live performance, known as ‘body connection.’”

I see an affront on your personal space in your future… if you go. Also on the bill are Omaha’s premier speed rock band, Cat Piss. Western Haikus open the show at 9 p.m. $12.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.

Fleet Foxes at Steelhouse Omaha, July 2, 2023.

by Tim McMahan, Lazy-i.com

I’m unsure where Fleet Foxes fits on the spectrum of today’s popular music. They are indie for sure, releasing records on Seattle super-indie label, Sub Pop Records, and their music is anything but radio friendly, or is it?

Standing in the shoulder-to-shoulder crowd at Steelhouse Omaha Sunday night as the band rolled into their fourth song, the mid-tempo pumper “Can I Believe You,” I was reminded if only for a moment of ’70s feel-good FM-favorite Chicago, thanks to the ensemble’s mini-brass section.

A trumpet, trombone and sax player, all of whom did double duty providing harmony vocals or playing assorted other instruments, was part of an 8-person ensemble that was far from crowded on Steelhouse’s enormous stage. The sax player was particularly versatile, swapping out tenor sax with stand-up bass, flute and tambourine. 

At other moments, I was reminded of CSNY, Cat Stevens and, yeah, Air Supply. Hey, I love two out of three of those bands. The evening’s high point was a pretty rendition of one of Fleet Foxes’ most familiar songs, “White Winter Hymnal” from their 2008 self-titled debut, sounding like an indie barber shop quartet building layer upon layer of glimmering harmonies.  

The performance was a rote set of mostly older music. Fleet Foxes have done just about everything they can with this style of Americana-inflected indie folk and could keep riding the wave to larger and larger audiences I suppose, though I have to believe it’s going to get boring for them after awhile. They’ve already rereleased their debut in a sort of omnibus collection with an early EP and B-sides, and frontman Robin Pecknold released yet another version of these old songs on A Very Lonely Solstice. Where they’re headed next is anyone’s guess…

A few side notes…

• – I’m forever astounded by the need of some concertgoers to carry on full-blown yell-conversations during concerts like this one. Fleet Foxes’ music is somewhat delicate, and having three women yell to each other about their day while standing right up by the stage is the height of self-centeredness. And is just plain weird. Look around, folks. People are trying to enjoy a concert that cost them $$$. Take your convo to the prison-yard patio.

• – Speaking of which, after fielding complaints from patrons, Steelhouse security is now segregating smokers out in the prison yard patio. Smokeheads were pushed all the way to the far fence by an imposing dude with a walkie talkie. He told me Steelhouse is looking for ways to better utilize the enormous outdoor space. Maybe more tables and chairs; maybe use it for wedding receptions (!). 

• – One beer and one vodka lemonade. Cost w/tax and tip: $41.48. These are Broadway bar prices, folks, which I guess Steelhouse can get away with in their early days, but if they want to continue to attract large crowds, they’re going to have to offer more reasonably priced drink options or drop their prices (highly unlikely). 

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Melissa Etheridge tears it up at Memorial Park June 30, 2023.

Speaking of cheap nights of music, I strolled up to Memorial Park Friday night to catch the last half hour of Melissa Etheridge and was pleasantly surprised at how good it sounded – like a real rock concert. Nice job, audio people (whoever you are); it must be a real challenge to make a large field situated next to a highway sound like a concert hall. 

Etheridge was in good voice, no surprise there, as she ended the evening with her “hits” from 30 years ago, though instead of closing out on a grand high note, she drew out a song with a drum solo(?) followed by an extended end-play that just sort of petered out. Kind of weird, especially with a crowd salivating for their fireworks to begin…

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Tonight at The Blind Spot, Bar None recording artist, San Francisco’s Pardoner, who All Music (accurately) describes as “Noisy slacker pop quartet that marries angular heaviness with indie rock catchiness.” On their just released album, Peace Loving People (Bar None), they remind me a lot of early Parquet Courts mashed with early low-fi Pavement. 

The Blind Spot is a new all-ages venue in / near downtown Omaha around where The Cog Factory used to be. The organizer asks that you DM Morgan Goldsberry for the address, though the address is clearly stated on the Nebraska DIY Facebook post (click through the post’s images to event “Vintage Clothes and More!!!,” where you’ll find the address). 

Hey folks, I realize DIY is all about keeping things on the down-low to control your audience, but you’re a venue now. Just print the freakin’ address on your flyers. 

Based on past and future bookings, The Blind Spot will be the home for hardcore and metal shows. Such is life. The fact that they’ve let this indie show sneak in is a positive sign. We need another place for young touring indie bands to perform besides Reverb, which these days is only booking breadcrumbs. Tonight’s show is a four-band bill with Fire Sign, Glow and Western Hairus, and kicks off at 8 p.m. $10. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2023 Tim McMahan. All rights reserved.