by Tim McMahan, Lazy-i.com

Yet another great live streaming event from The Slowdown Saturday night with Noah’s Ark Was a Spaceship and Little Brazil.

As with last Thursday’s Slowdown show, everything looked and sounded like a network television concert production. Both bands were on point. The COVID shutdown apparently hasn’t dulling these musicians’ chops, as they sounded as good as ever.

Anecdotally — i.e., based on what I saw from the view counter on the screen — just under 100 people were concurrently watching Saturday night’s NAWAS/Little Brazil stream concert vs. around 60 for Thursday’s No Thanks/Marcey Yates stream show. Will we ever get to see these two concerts uploaded to the internet for replay? Who knows.

It’s unlikely that The Slowdown will host any more live stream concerts in the foreseeable future, especially when they’re trying to get the place ready for a (hopefully) late-June reopening.

If you didn’t read the comments from Slowdown’s Jason Kulbel last Saturday about what’s involved in reopening his club, go take a look.

One Percent Productions major domo Marc Leibowitz says Reverb and The Waiting Room also won’t be reopening on June 1, but rather sometime mid-June. He said keep your eyes peeled for a new show announcement that will mark The Waiting Room’s reopening, with Reverb possibly reopening at the same time or soon after.

Obviously all the capacity rules outlined Saturday also will apply to Waiting Room/Reverb unless Ricketts changes rules before they reopen. Again, we’re talking bars at a 50 percent capacity, venues at 25 percent capacity, all with 6-foot spacing between groups, limited numbers allowed in bathrooms, all kinds of fun rules that will be a pain in everyone’s ass but necessary until the pandemic is under control or there’s a vaccine.

I’m still waiting to hear O’Leaver’s plans (maybe we’ll find out later this week?) and also when The Brothers will reopen. You’ll know when I know.

No doubt masks will be part of the dress code anywhere you go. I like to think folks around here are smarter than, say, the idiots in that swimming pool in Branson, MO. Yes, wearing a mask is a drag, but it’s what’s going to get us through this pandemic while a vaccine is developed.

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Well, as one reader quickly pointed out, I got Ricketts’ rules on bar and venue capacities backwards yesterday. My one defense: I wrote it as he said it and had maximum safety in mind.

I reached out to Jason Kulbel who owns/operates The Slowdown and asked for his interpretation. NOTE/DISCLAIMER: Jason is not a lawyer, and this is only his initial interpretation. No doubt things will be further clarified in the coming weeks.

Jason says bars can open just like restaurants with a 50 percent capacity, though all must be seated at tables and can only move around when going to the restroom or ordering food/drinks.

The Slowdown would fall under the “Venues” category — that means 25 percent capacity, with 6-foot spacing between groups. “Groups” and “tables” are interchangeable terms for argument’s sake. So for a 600-capacity rock show at The Slowdown, the current capacity allowed by COVID rules is 150. Again, groups have to be separated by six feet, which will have to be defined somehow by the venue with tape on the floors or something.

Where it gets real tricky: bathroom capacity is three at a time. Expect 6-foot distancing while waiting in line for your booze. And when the show is over, there has to be staggered exiting, which will be just plain weird.

And remember, everyone is wearing masks the entire time. How is the venue going to enforce all these rules?

“All of the above equals 300% of the staff with a max potential of 25% of the business, for us AND the band,” Jason said.

Of course maybe the biggest challenge is just getting people comfortable going to shows amidst all the above regulations and general fear of COVID. Like I said yesterday, I would definitely go to a show under these conditions (especially if I could sit at a table and get table service). But based on comments I’ve heard online and elsewhere, I’m the minority.

He said Slowdown isn’t planning to reopen June 1. Look for an opening later in the month of June at the earliest.

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Well, what did I tell you yesterday? As if on cue a few hours after I posted, Ricketts announced bars and lounges can reopen June 1 with the same rules now applied to restaurants. That is: 25 people allowed in the venue, or 50 percent of the venue’s rated occupancy. Patrons have to be seated at tables that are located six feet apart with no more than six people per table. And there must be six feet between entertainers and patrons.

I got this backwards. See CLARIFICATION posted right here.

If it sounds confusing it’s because it is, but I’m sure it’ll all be spelled out before June 1. For example, does the 25-person cap include employees and bands? Do you include employee/band numbers in the 50 percent occupancy restriction? And so on…

So if I’m hearing this correctly, a venue like The Waiting Room or Slowdown could only host shows with a maximum of 25 people in the audience (if employees/bands are excluded from the overall venue count). and even though they’re much smaller, The Brothers and O’Leaver’s also could host the same body count since their capacity exceeds 100.

Any way you slice it, it’s going to be a giant pain in the ass for venue owners who will be responsible for monitoring all those numbers. Some of them might decide to just stay closed until restrictions are loosened even further, and I can’t blame them.

Would I go to a rock show at any of those venues the first week of June? Yeah, I would, but judging from what I’ve seen in social media, I’m in the minority.

For example, I would have loved to have been among the 25 allowed in to watch last night’s No Thanks / Marcey Yates show streamed live from The Slowdown.

It probably would have been like this: I’d have been seated at a table (probably by myself) and I’d would have worn a mask though I haven’t heard any stipulation saying that’s required. That said, I have no problem wearing a mask as long as I could pull down my gator to drink my Rolling Rock(s).

Last night’s show was outstanding. Technically it was next-level as far as streamed concerts are concerned — terrific sound (by Dan Brennan), and video (from Love Drunk’s Django Greenblatt-Seay and his crew) utilizing at least five cameras.

And the performances were terrific. But the one thing missing was an audience — something even more apparent during No Thanks’ set, which had silent pauses between songs where the crowd usually fills in the spaces. Toward the end of the stream, the crew threw in a few whoops and hollers, which was better than nothing.

Yates was accompanied by a DJ and keyboard player as well as a couple additional vocalists — all of them on point and smooth. You can see why he’s on top of Omaha’s hip-hop ladder.

No Thanks did their usual sweaty set, using the occasion to roll out a couple new red hot numbers from an upcoming album (which, yes, they might as well release right now instead of waiting).

Next up on the Slowdown streaming concert series (of which there are two gigs) is tomorrow night (Saturday), when Noah’s Ark Was a Spaceship plays with Little Brazil. Any other time, this concert would be a sloppy, drunken good time. Can these bands deliver in an empty auditorium? Find out. Tickets are $5 (plus whatever tip you want to add). The show is scheduled to start at 8:15, though last night’s started at 8:30 (You really notice the extra time when you’re staring at a computer screen). Get your tickets here.

Also happening this weekend — tonight to be exact — is a virtual round table with members of Domestica, Mercy Rule and Sideshow. It’s called Nebraska Music History: Episode 1, presented by Nebraska Performing Arts Hall of Fame. I’m sure we’ll be hearing all about the golden age of Nebraska indie rock born in the early ‘90s from two of the bands that were there. Mercy Rule and Sideshow not only recorded and toured around the country, they often toured together. Expect to hear some gnarly war stories. The program starts at 7 p.m. and is being streamed via Facebook from here.

Finally, yesterday we lost a good one. Kyle Tonniges was a friend of mine who I met working at The Reader. He was one of the funniest, most acerbic, smartest people I ever met, and one hell of a great writer. His music criticism was always spot-on — I know he introduced a lot of readers to new sounds. He went on to write reviews for Publishers Weekly (focusing on cookbooks), where he also did a lot of interviews. He battled cancer like the hero he was, but it got him in the end, and we’re all the lesser for it. He will be missed.

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

No Thanks at O’Leaver’s, Aug. 2, 2019. The band plays a live streamed showcase tonight at The Slowdown.

by Tim McMahan, Lazy-i.com

We’re all still sitting around twiddling our thumbs waiting to hear when bars are going to be allowed to reopen, especially after Iowa announced a 50 percent capacity reopening starting next Thursday (May 28).

If you’re like me and you’re watching the various and sundry COVID-19 reports/charts/graphs, the numbers seem to be flattening or headed downwards in Nebraska. Meanwhile, flip through Facebook and you’ll quickly find numbers that say Douglas County is still red hot — cases continue to rise, but so do tests. And yet, I’ve still (luckily) yet to know anyone who has tested positive (or know anyone who knows anyone who has).

With the Nebraska DHM (Directed Heath Measures) proclamation expiring June 1, I foresee we’ll be getting an announcement regarding bars reopening sometime in the next week. If they follow Iowa’s lead and allow for a 50 percent capacity reopening, will you be willing to return that first week of June?

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New music continues to be released even during the shutdown.

The long-awaited new album by Eddy Mink (a.k.a. Kerry Eddy), Open Container Heart Surgery, dropped last week on Spotify and other streaming services.

Recorded at ARC with Ben Brodin in March 2018 with Ben Armstrong on drums/keys, Patrick Hargon on guitar, baritone guitar and pedal steel and Eddy on guitar and vocals, it’s one of my favorite local releases so far for 2020. Eddy has a bright, aggressive voice that’s like hearing one of the Wilson sisters (Heart) fronting a modern indie rock band. The songs gallop on a rhythm section whose bass lines lead the way (see standout tracks “Eaten Alive,” opener “Alarms”).

I’m including a Spotify link below because the band doesn’t have a Bandcamp page (though you can find the entire album here on YouTube).

The Wolf Brothers of Griffin and Nathan are sons of local rock royalty — John Wolf — but that’s not why you should check out their new four-song EP Live at the DN. The drums/synth combo’s recordings are jittery sonic acid trips of rhythm and noise. Call it electro-punk annihilation, or the soundtrack to your personal COVID nightmare.

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The doors are closed tonight at The Slowdown but there’s still a rock show happening on the big stage, and you’re invited to tune in via the internet.

Punk rock show-stoppers No Thanks and hip-hop master Marcey Yates (a.k.a. Op2mus) are the first to be featured in a new live stream experiment at Slowdown. With house sound guy Dan Brennan and renowned videographer Django Greenblatt-Seay behind the controls, this is sure to be a next-level streaming experience.

And it ain’t free. Tickets are $5 (though you can donate more) with the cash going to the talent involved. Ticket holders will receive a link to the event both 48 hours and 10 minutes prior to the event. Performances begin at 8:15 sharp. More info and tickets available here.

It’s the next best thing to going to a rock show. See you there…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

FXTHR^ live streams tonight from Low End at the Bemis.

by Tim McMahan, Lazy-i.com

There hasn’t been a heckuva lot to write about music wise over the past few weeks. At some point we’re going to start to get an idea how the clubs are going to react to COVID in regards to reopening their stages, but who knows when that’s going to happen.

You saw what Slowdown is doing in the interim, and while it’ll be a fun distraction amidst this void in live entertainment, it is by no means a true replacement. BTW, someone asked where the money’s going for those Slowdown shows, and the answer is the bands and crew, according to Slowdown’s Jason Kulbel.

In the meantime, if you haven’t gone to NIVA website and sent a letter to your reps in Washington telling them to get off their asses and help save live music, you should. The link is right here. It’ll take you 30 seconds.

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Speaking of live streams, there is one tonight being brought to you by the Bemis Center for Contemporary Arts, specifically the folks who opened Low End late last year. Tonight they’re hosting a live stream featuring the noise/art/rock act FXTHR^ a.k.a. Dustin Bushon. Joining him is visual artist Alex Myers.

The stream begins at 8 p.m. You can watch live on Instagram: https://www.instagram.com/bemiscenter/ and Twitch: https://www.twitch.tv/bemiscenter . More info here.

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Last but not least, due to a back-office/clerical/editorial error, my Over the Edge column wasn’t published in the May issue of The Reader, which was devoted to writers’ COVID-related experiences. The column is online, however. Read about how I’m adapting to COVID-19 and learn about a 1971 film starring Charlton Heston. Check it out. I should be back in the printed pages of The Reader next month, barring any more snafus…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Ramon Speed at Junkstock #20 at Sweatshop Gallery, Nov. 8, 2014. The band has a livestream tonight at 6 p.m.

by Tim McMahan, Lazy-i.com

The Slowdown announced two upcoming concerts featuring full bands. No, you can’t attend. Both are livestream events.

The first is Omaha punk newcomer No Thanks and hip-hop royalty Marcey Yates (a.k.a. Op2mus), Thursday, May 21 at 8 p.m. (RSVP/tickets here).

The second features two of Omaha’s most beloved punk/indie bands — Noah’s Ark Was a Spaceship and Little Brazil Saturday, May 23 at 8 p.m. (RSVP tickets/here).

These are not free streams. Tickets are $5, and ticket holders will receive a link to the event 48 hours and 10 minutes prior to start time. The shows begin at 8:15 p.m.

No doubt you’ll get your money’s worth. Expect the highest quality stream experience possible, with sound by house engineer Dan Brennan and video production by Love Drunk’s Django Greenblatt-Seay – it doesn’t get any better.

All acts will be performing on the big stage, making them safe from a social-distancing perspective.

I intend to tune in for both, and have to wonder if this livestream approach is successful if it isn’t something Slowdown will continue even after COVID has gone its merry way. Because some nights you just want to stay in, but you don’t want to miss the rock…

Speaking of livestreams… there’s a red hot one going on tonight.

Tonight at 6 p.m. via their Facebook page ( https://www.facebook.com/ramon.speed ) tune in for a performance by Ramon Speed (Unread Records).

Tomorrow night (Saturday) Matt Cox is live from Mars House starting at 7 p.m. Go to Facebook to watch the stream.

While we’re talking streams, Low End, the new performance space that used to be Bemis Underground, is hosting a livestream Thursday, May 14 , featuring FXTHR^, the sound collage art of Dustin Bushon. More info here.

I’m sure there’s more live streams going on this weekend I don’t know about. If I missed yours, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Well, Kevin Coffey is back at the Omaha World-Herald (Yay!), and today reports that Omaha Performing Arts will begin construction of its new $109 million live music venue by the end of summer, according to this article in today’s paper.

“That construction schedule was reaffirmed Tuesday in front of the City Council by an attorney representing Omaha Performing Arts,” Kevin wrote. “The city is considering paying for some of the public infrastructure work related to the privately funded music venue.”

The venue was announced just last November via a press release (see the Lazy-i story here), leaving more than a few people scratching their head wondering if we really needed yet another live music venue when the ones we already have are struggling to drawing audiences.

Now, during these Days of COVID when independent music promoters and venues are just trying to keep the lights on as they wait for the pandemic to subside, the idea of moving forward with another venue seems foolhardy, especially for a non-profit like Omaha Performing Arts, which suspended all performances at its venues since March 14 through at least mid-May. I wouldn’t be surprised if those postponements stretch into the summer months.

Ah, but when you have the donor power that Omaha Performing Arts has, something like a pandemic isn’t going to slow you down. BTW, Kevin pointed out that the organization rebranded itself “O-pa” last fall (an obvious nod to Omaha’s historic Greek roots?).

The City apparently is going to reimburse O-pa for up to $1.1 million of public improvements during a time when the city budget will be suffering a rather massive shortfall due to loss of tax revenue as a result of the pandemic.

I’ve been told that this project is somehow tied to national promoter Live Nation, who could be involved in booking this new venue. No doubt O-pa doesn’t have the in-house firepower to book the kind of artists needed to fill a 3,000-capacity venue when it opens sometime in 2023. By then, COVID-19 should be merely a painful memory (right?)…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

It’s time to write congress and tell them to save the live music industry.

by Tim McMahan, Lazy-i.com

I’ve been waiting for this NIVA thing to take off and maybe this is the week it happens.

NIVA is the National Independent Venue Association (NIVA), a group of more than 1,200 independent music venues and promoters in all 50 states, which I wrote about here.

Today, One Percent Productions joined those venues and promoters nationally urging folks like us — music lovers who go to rock shows — to write Congress and ask them to protect the live music industry and everyone it touches by providing financial support necessary for it to survived and reopen after COVID ends.

“When this crisis began, independent music venues were the first to close, and we will be the last to open. While completely shuttered, we have no revenue, our employees and artists are without jobs, and normal bills keep coming, regardless,” wrote One Percent Productions, which runs Reverb Lounge, The Waiting Room and brings in the best touring indie bands to perform throughout our city.

They’re asking us to go to nivassoc.org/take-action and send a message to our senators and congress people.

“Yell it, scream it, clap your hands, and pound your feet like you’re calling the band back for an encore! Please help us ensure we survive by using your voice now (and tell a friend or 100 friends!). #SaveOurStages.”

NIVA sent out its initial call for legislation a couple weeks ago. I haven’t heard whether it resulted in any actual legislation. But once that legislation is written or added to another bill, it’ll be even more critical for us to lobby our representatives to support it. The first step is to get off your ass and go to nivassoc.org/take-action and tell them to start legislating this sucker…

* * *

Kansas City band Shiner has a new album coming out this Friday called Schadenfreude, their first album in 19 years. Check out the first singles, “Paul P. Pogh,” and “Life as a Mannequin.” Just like old times…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Bandcamp is waving its share of revenue on all purchases at the site today.

by Tim McMahan, Lazy-i.com

The last time Bandcamp waved its cut on all online shares for a day it resulted in $4.3 million in music and merch sales. It also resulted in some pretty sloooow Bandcamp server speeds.

Well, Bandcamp is doing it again today, waving its “revenue share” on all shares at its website today until midnight PDT. In addition, 150 artists and record labels are offering donations and special merchandise (check out the list). It’s kind of like Records Store Day but for online music sales. Among the labels taking part is Saddle Creek Records, which is giving 100 percent of revenue from generated sales to artists.

Actually, most of the good indie labels are participating this way, including Matador, Merge, Captured Tracks, Dead Oceans, Jagjaguwar and more.

With that in mind, here are a few recordings to check out (and buy!):

Big Nope, the new project from See Through Dresses’ drummer Nate Van Fleet, today released the 3-song Back to You EP. Recorded and mixed by Ben Brodin with contributions from Nick Costa and Charlie Finnigan, this is the best Big Nope release yet. Buy here.

Last month’s Live at The Sydney live stream will be remembered as one of the few bright spots from this COVID misery we’re currently suffering, and now you can relive it after the pandemic has subsided, thanks to today’s release of Mike Schlesinger – Live at The Sydney. The six-song EP is one of the best live sets I’ve heard in a long time. Buy here.

Speaking of live sets, Simon Joyner today released Simon Joyner & The Bingo Trappers Oct. 21st 2012, an 11-song LP that features Joyner favorites like “The Only Living Boy in Omaha,” “Three Well-Aimed Arrows” and “Christine,” along with a couple Bingo Trappers covers. Buy here. Also check out Joyner’s Bandcamp merch page that includes a new T-shirt designed by urban folkie Jeffrey Lewis, with all profits today going to Food Bank of the Heartland and MusiCares Foundation.

Seminal ‘90s punk band Poster Children today released a live recording from their 1992 Cabaret Metro show. It’s a scorcher. Buy here.

Finally, released today is a vintage track from Lincoln band The Golden Age, called “Home is a Hotel,” recorded in the first half of the 2000s. The band featured Rob Hawkins on guitar/vocals with Tim Jensen, Alisa Heinzman and Ian Aeillo. Ah, where are they now? Buy here.

Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.