Some bars and venues prepare to reopen (O’Leaver’s, The Waiting Room); it’s Bandcamp Day (again)…

Category: Blog — Tags: , , , — @ 12:26 pm June 5, 2020
O’Leaver’s is back open for business, but no shows yet…

Oh, what a week it’s been. And the last thing that’s probably been on your minds is music and the lack thereof. But here we are with the weekend upon us and still no live music in which to partake.

Though to be honest, even if shows were booked they’d likely be cancelled due to curfews tonight and tomorrow night that will see the city of Omaha close its doors at 10 p.m. I like to think they’re being done in support of Black Lives Matter events rather than out of fear of them.

That said, things are loosening up with regard to bars and venues reopening. Bars, as you know, got the go-ahead to reopen on Monday, June 1.

The first venue to reopen: Fabulous O’Leaver’s. I got word about the reopening Tuesday from Craig Dee, who said both O’Leaver’s and Winchester are now open. They’re obviously following Douglas County Health Department guidelines, which means they have tables set up six feet apart, four to a table. And yes, the outside patio is open.

O’Leaver’s is open today from 3:30 to 9 and tomorrow from 12 to 9. Expect an announcement very soon about the launch of their new grill.

While there’s no drink minimums or charges to enter O’Leaver’s, there’s also no live music. The first show listed on their schedule isn’t until July 18 (but that could always change).

On the other hand, The Waiting Room’s first show is slated for June 19 — Shoot to Thrill, an AC/DC tribute act. Tickets are $15, but you have to buy a minimum of four tickets — which will get you a table. If you want to go alone, you can, but you still have to buy a table. The reason being, regulations require people to be seated at tables, not standing around. Hey, you’ve got three friends to share the freight, right?

Marc Leibowitz, who owns/operates The Waiting Room with Jim Johnson, said if tickets are still available at the door the day of the show (meaning it’s not sold out in advance), then they’ll sell some singles/doubles if possible.

He said the new rules brings The Waiting Room’s capacity down to just 84 people — that’s 21 tables of four.

Reverb Lounge, btw, has no shows scheduled until August, and no plans to reopen this month.

As for The Slowdown, Jason Kulbel could only tell me that the venue will not be reopening this month. And still no word from The Brothers (it’s closed, too).

Today until midnight Bandcamp is once again waiving its share of sales to support artists impacted by COVID-19. Most labels (including Saddle Creek Records) also are sharing 100% of digital revenue with artists.

But artists also are donating to BLM causes.

— SAVAK (Mike Jaworski’s joint) is donating proceeds from sales of a new 7-inch to the Brooklyn Community Bail Fund.

— Simon Joyner is splitting profits among four national and local organizations (including the Union for Contemporary Art and Culxr House).

See the full list here.

That’s all I got for now. Have a great weekend…

Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.


Bandcamp waves fees again today; new music from Big Nope, Mike Schlesinger, Simon Joyner, Poster Children, The Golden Age…

Category: Blog — Tags: , , , , , — @ 12:18 pm May 1, 2020

Bandcamp is waving its share of revenue on all purchases at the site today.

by Tim McMahan,

The last time Bandcamp waved its cut on all online shares for a day it resulted in $4.3 million in music and merch sales. It also resulted in some pretty sloooow Bandcamp server speeds.

Well, Bandcamp is doing it again today, waving its “revenue share” on all shares at its website today until midnight PDT. In addition, 150 artists and record labels are offering donations and special merchandise (check out the list). It’s kind of like Records Store Day but for online music sales. Among the labels taking part is Saddle Creek Records, which is giving 100 percent of revenue from generated sales to artists.

Actually, most of the good indie labels are participating this way, including Matador, Merge, Captured Tracks, Dead Oceans, Jagjaguwar and more.

With that in mind, here are a few recordings to check out (and buy!):

Big Nope, the new project from See Through Dresses’ drummer Nate Van Fleet, today released the 3-song Back to You EP. Recorded and mixed by Ben Brodin with contributions from Nick Costa and Charlie Finnigan, this is the best Big Nope release yet. Buy here.

Last month’s Live at The Sydney live stream will be remembered as one of the few bright spots from this COVID misery we’re currently suffering, and now you can relive it after the pandemic has subsided, thanks to today’s release of Mike Schlesinger – Live at The Sydney. The six-song EP is one of the best live sets I’ve heard in a long time. Buy here.

Speaking of live sets, Simon Joyner today released Simon Joyner & The Bingo Trappers Oct. 21st 2012, an 11-song LP that features Joyner favorites like “The Only Living Boy in Omaha,” “Three Well-Aimed Arrows” and “Christine,” along with a couple Bingo Trappers covers. Buy here. Also check out Joyner’s Bandcamp merch page that includes a new T-shirt designed by urban folkie Jeffrey Lewis, with all profits today going to Food Bank of the Heartland and MusiCares Foundation.

Seminal ‘90s punk band Poster Children today released a live recording from their 1992 Cabaret Metro show. It’s a scorcher. Buy here.

Finally, released today is a vintage track from Lincoln band The Golden Age, called “Home is a Hotel,” recorded in the first half of the 2000s. The band featured Rob Hawkins on guitar/vocals with Tim Jensen, Alisa Heinzman and Ian Aeillo. Ah, where are they now? Buy here.

Have a great weekend.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.


Bandcamp, labels give to Transgender Law Center; Cracker, Julien Baker, John Davis (ex-Folk Implosion), BFF tonight; TFOA Saturday…

Category: Blog — Tags: , , , , — @ 12:32 pm August 4, 2017

by Tim McMahan,

Today, Bandcamp will donate 100 percent of its share of every sale made to the Transgender Law Center, a nonprofit dedicated to transgender equality. From midnight to midnight, money from every album or song you purchase on Bandcamp will go to helping noble endeavors like getting health care for trans veterans, preventing violence and abuse against incarcerated trans people, trans youth outreach and education, trans rights litigation, and more.

Some labels are getting into the swing as well. Saddle Creek is joining the more than 200 labels who also are donating their portion of Bandcamp sales to TLC. So is Simon Joyner. Buy music and help a good cause!

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This weekend is heavily front-loaded for tonight…. lots happening…

Seminal ’90s act Cracker plays tonight at Slowdown Jr. I’m sure you already read my Ten Questions interview with Cracker’s Johnny Hickman. What? You haven’t? Well go forth then, pilgrim. Opening the show is Omaha’s favorite alt-country superstars Clarence Tilton. $32, 8 p.m.

Also tonight, Matador Records’ latest signing, Julien Baker, plays at The Waiting Room. Baker plays somber acoustic ballads. Opening is Luray. $15, 8 p.m.

Meanwhile, over at Almost Music in the Blackstone, Folk Implosion’s John Davis and his band The Cicadas are playing with Simon Joyner and Nathan Ma. $5, 8 p.m.

And lest I forget, it’s Benson First Friday. We’ve got a new show opening at The Little Gallery tonight featuring the art of Carole Waterman and daughters Lisa Kalentjakos and Marie Adams. The show runs from 6 to 9 p.m. and we’ll have some sort of food and booze. The gallery is located in the bottom east bay of the Masonic Lodge building across the street from The Sydney and up east a block or two.

Speaking of The Sydney, they’re hosting a #BFF event with a slew of entertainment including DJ Tyrone Storm, Leafblower and Jump the Tiger. 10 p.m. and probably free.

Wait, there’s more. The Boner Killerz are headlining at fabulous O’Leaver’s with The Morbs and The Natural States tonight. $5, 10 p.m.

That’s a shitload of shows going on the same night. Especially considering there is virtually nothing happening Saturday night.

The only show on my radar Saturday is Those Far Out Arrows at O’Leaver’s. They’re opening for Ojai and Arizona band Kolezanka. $5, 9:30 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.


Live Review: Dereck Higgins Experience, Wagon Blasters, Big Al Band; Ten Questions with Dawes; Bandcamp results…

Category: Blog,Interviews,Reviews — Tags: , , , , , — @ 1:42 pm February 6, 2017

Dereck Higgins Experience at O’Leaver’s, Feb. 4, 2017.

by Tim McMahan,

Dereck Higgins, one of Omaha’s most prolific musicians, unveiled yet another new project Saturday night at fabulous O’Leaver’s. This new four-piece combo, called The Dereck Higgins Experience (or DHX, as he referred to it from stage), continued in a similar jazz fusion direction heard on Higgins’ recent solo album, Flyover Country. In fact, the combo created a live version of  at least one song from the movie soundtrack.

On bass and synths and acting the role of Emcee, Higgins was joined by James Cuato Ballarin on synths/wind instruments, Aaron Gum on synths, and stellar guitarist Jacob Cubby Phillips. All but Gum also are in progressive jazz band Chemicals, a more experimental, free-form combo than DHX, whose set felt split between smoother fusion numbers a la Spyro Gyra, and funky, digital-fueled jazz concepts. Less intricate and less challenging than Chemicals, DHX’s music likely is more accessible to a larger audience.

I’m told this offshoot of Chemicals isn’t a replacement for that band, who according to Higgins has a scheduled gig at the Harney Street Tavern Friday night, while DHX will play the following evening at The Down Under.

Next up was Wagon Blasters who were in particularly fine form, maybe because it was Guitarist William Thornton’s birthday. Gary Dean Davis yelled through a rowdy set of trademark tractor-punk rock songs, doing his darndest to break through O’Leaver’s floor and onto the birthday/karaoke party going on in the basement.

As a lark, I tried streaming Wagon Blasters’ set via Facebook Live through the faux window sills off stage left. You can still view a recording of the performance in Facebook (or below). Scroll to the 23:38 mark in the video to see Gary’s epic punk-rock stage fall!

Finally, Big Al Band closed out the night with his flying V and Holly Pop on the drum kit. Favorite moment of the set — the final song wherein Al swapped out the V for a bass for a go at song called “Jolly Roger.” Nice.

As mentioned, O’Leaver’s now has a basement party room. I snuck (sneaked?) down there Saturday night and was pleasantly surprised at the set-up, which includes a full bar and karaoke stage, all of which is available for rental at a bargain price. Let’s see, sand volleyball, live music, tiki bar, two outdoor beer gardens and now a karaoke party room? What more can O’Leaver’s squeeze into their entertainment complex?

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As you see below, I’m continuing the Ten Questions series both here and in The Reader. I recently got some push back from a publicist, asking if I would be able to do an actual interview with the band he represents rather than the survey. Fact is, I simply don’t have time to interview and write band features for every interesting act coming through town (and considering the pay for these features ($0.00), can’t afford it.). The Ten Questions format allows me to hype a touring indie band’s upcoming show in a way that’s not too time taxing. Let me know what you think of these surveys…


Dawes, photo by Matt Jacoby.

LA folk-rock band Dawes epitomizes a style of music I grew up listening to — tequila sunrise ’70s soft rock. You know what I’m talking about — those laid-back groovy bands they used to play on the FM (and AM) stations and still do if you have a classic rock channel in your town (and who doesn’t?).

But somewhere/somehow over the past few years it’s become accepted for snotty, tone-deaf hipsters and hipster wannabes to denigrate (via Facebook) music infused with a peaceful, easy feeling. And that’s a shame, because the new folk rock that they often laud — from the likes of Wilco, Ben Kweller, Jenny Lewis and even our very own Conor Oberst and the Mystic Valley Band — owe much of their sound to those FM giants.

Certainly Dawes does. That classic ’70s El-Lay studio sound is evident on their latest album, We’re All Gonna Die (2016, HUB Records), which, at times, reminds me of One of These Nights-era Eagles (there, I said it). On songs like the title track, the slow burnin’ “Roll with the Punches,” the wah-wah funk of “When the Tequila Runs Out,” heck, just about every track, Dawes frontman Taylor Goldsmith unapologetically puts a modern spin on AOR gold, sounding like the second coming of Don Henley or Glenn Frey, complete with warm-cushion vocal harmonies. And that’s about as cool as it gets.

We caught up with Taylor Goldsmith and asked him to take our Ten Questions survey. Here’s what he had to say:

1. What is your favorite album?

Taylor Goldsmith: Always changing but I often go back to Warren Zevon self-titled.

2. What is your least favorite song?

Even though she’s one of my heroes and maybe the greatest songwriter that ever lived, there’s a song called “Not To Blame” by Joni Mitchell that I really hate.

3. What do you enjoy most about being in a band?

The shows. The songs get to change shape every night and we get to pull out old ones we haven’t played in years sometimes.

4. What do you hate about being in a band?

Being gone from home so much of the year. While I love touring, it’s hard to keep a semblance of a normal life in order by being gone over half the year sometimes.

5. What is your favorite substance (legal or illegal)?

Coffee. I always want more coffee. About to make some.

6. In what city or town do you love to perform?

We love playing at home for our friends and family and also love playing places like Nashville or NYC for the amazing venues and sold out shows, but there is also something special about coming into cities we’ve never been to or rarely play and having those more intimate experiences. It’s fun to still be building audiences in cities. It feels like we’re going into the past and future of the band from night to night depending where we are.

7. What city or town did you have your worst gig (and why)?

An LA show in 2012. I had really lost my voice. I got a steroid shot and it made it a lot worse. By the time we got onstage I could barely whisper. But we couldn’t cancel because everyone was there already and I didn’t want to let the band down. It was rough.

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

Yeah, music pays the bills. We quit our jobs and moved out of our homes the day before our first tour for North Hills. It meant we couldn’t afford places for a while, but we’ve never had jobs since.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

It’d be fun to be a novelist. I really idolize those guys. My brain just doesn’t work that way though. I’d hate to do just about anything that meant I couldn’t go outside during the day.

10. What are the stories you’ve heard about Omaha, Nebraska?

Well our good buddy Conor Oberst lives there so any stories we know are somehow indirectly connected to him and the community he’s introduced us to. After spending some serious time there (more time than we typically can in a city during tour) we’ve really fallen in love with Omaha and have been looking forward to this show for a while.

An Evening with Dawes is Tuesday, February 7, at The Waiting Room, 6212 Maple St. Tickets are $23 Adv./$25 DOS. Showtime is 9 p.m. For more information, go to

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Bandcamp says it sold nearly a million dollars worth of music on Friday: “With several hours remaining, we estimate that fans will have bought just over $1,000,000 worth of music today, which is 550% more than a normal Friday (already our biggest sales day of the week). All of our share of that (12%) goes directly to the ACLU. The other 88% (less transaction fees) goes directly to the labels and artists…

A lot of those labels and artists also donated their share to ACLU or other charities. If you bought something, good for you. We’re going to see a lot more of these kinds of efforts over the next four years as the current administration continues to do all it can to dismantle the nation’s arts, take away women’s rights and bar immigrants from our borders. Do what you can; it makes a difference.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.


New Simon Joyner (and others) for sale for a good cause; BFF, Mitch Gettman tonight; Wagon Blasters Saturday…

Category: Blog — Tags: , , , , , — @ 2:05 pm February 3, 2017

Mitch Gettman at The Waiting Room, May 2, 2014. He plays tonight at The Barley Street Tavern.

by Tim McMahan,

Before we get to what’s happening (or what’s not happening) this weekend, let me point you to a special deal from singer/songwriter Simon Joyner. Here’s Simon, via Facebook:

Friends, I’m putting up “The Phoenix Demos: Songs for Upcoming 2017 Album” for exclusive purchase during the Bandcamp fundraiser tomorrow. Nine out of 12 songs I recorded live a couple of weeks ago in Phoenix with just guitar, vocal and Michael Krassner on piano to prepare for the new album we are about to record with the band in Omaha. Get the stripped down sneak peak at songs being considered for a new album.

“I’m only making these demos available for one day at a premium to hopefully raise some money for the ACLU Nationwide, Planned Parenthood, and the Refugee Empowerment Center. You are encouraged to pay more than the asking price if you can, it will all go to these organizations. I’m also making available “Salt Lake City House Show 10-20-16 (with David Nance).” It’s a particularly well-recorded show from the Diss Riptide living room tour we did a few months ago and the only show that David Nance joined me for the entire set!”

The sale is part of #NoBanNoWall, a Bandcamp effort with more than 200 artists and labels donating their Bandcamp profits to the ACLU and other organizations in support of immigrants and refugees. Check out the index and buy some stuff.

Also, Saddle Creek Records is donating the proceeds from its Bandcamp sales today to the Refugee Empowerment Center in Omaha.

* * *

Well, this is about as sparse a weekend for shows as I can remember.

Tonight, of course, is Benson First Friday, and I would be remiss in not mentioning the art show being held at the gallery operated by my wife — The Little Gallery in downtown Benson across the street from The Sydney on the storefront level of the Masonic Lodge. Titled Oscillating Bodies, the show features the work of Torrey Smith and Nadia Shinkunas. Opening hours are 6 to 9 p.m., free and snacks and beer/wine will be available. Swing by and say hello and buy some art. More info here.

The BFF showcase at The Barley Street Tavern features FINO, Lowercase Tres, Ben Jones and singer/songwriter Mitch Gettman. 9 p.m. $5.

That brings us to Saturday night, when you’ve got one of the most eclectic mixes to appear in one night at fabulous O’Leaver’s. It kicks off at 9:30 with Dereck Higgins Experience — the debut of Higgins’ new band project. Dereck is one of Omaha’s most well-known and talented bass players, whose history dates back to ’80s first wave act Digital Sex. Next up is the always entertaining Wagon Blasters featuring tractor-punk legend Gary Dean Davis behind the microphone. The night ends with the two-person heavy-metal grind of Big Al Band. All this for a mere $5.

Aaand, that’s it for the weekend. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.