Digital Leather at The Sydney, Dec. 3, 2011.

Welcome to Lazy-i, an online music magazine that includes feature interviews, reviews and news.

The focus is on the indie music scene. Yes, there's a special emphasis on the best original bands in the Omaha area, but Lazy-i also offers interviews, stories and reviews about national indie bands.

Most of the feature stories and columns in Lazy-i will have previously been published in The Reader, Omaha's weekly alternative newspaper.



New Tim Kasher music video (and free vinyl contest); new Conor Oberst music video…

Category: Blog — Tags: , , , — @ 1:52 pm February 21, 2017

A screen capture from Tim Kasher’s new music video for “An Answer for Everything.”

by Tim McMahan, Lazy-i.com

Someone recently asked me if I saw any value in music videos as promotional tools. My initial response was no, that I prefer to hear preview tracks or receive full promotional releases, that video can be expensive and can degrade the audio quality. Most videos are poorly conceived and do nothing to further the material. Most times I launch a video and then click to something else and listen to it in background.

Still, most artists continue to create videos if only to have a presence in YouTube, which is (strangely) one of the most common ways for people to listen to music online. It’s not that I don’t like music videos, on the contrary I grew up watching them on MTV. A well-made music video can alter how we perceive a song, for better or worse. Acts from the ’80s like Robert Palmer, a-ha and Duran Duran are unfortunately more known for their videos than their music. And it’s hard for me to not think about Robert Plant’s video for “Big Log” whenever I hear the song.

Anyway…

A couple familiar faces today released music videos. Tim Kasher released the second video from his upcoming solo album No Resolution, called “An Answer for Everything.” The album comes out March 3, but if you preorder it from the 15 Passenger website you could win vinyl for life from the label. Who doesn’t want that?

Then there’s Conor Oberst’s new video for the  full band version of “Till St. Dymphna Kicks Us Out” from his upcoming album Salutations. You can pre-order that one from the Nonesuch website. The record comes out on St. Patrick’s Day.

By the way, if you hadn’t notices (as I didn’t) that March 9 Conor Oberst show at The Waiting Room with Felice Brothers is SOLD OUT.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Matthew Sweet album update; Pkew Pkew Pkew tonight…

Category: Blog — Tags: , , , — @ 1:36 pm February 20, 2017

by Tim McMahan, Lazy-i.com

The current state of Matthew Sweet’s new album, Tomorrow Forever.

Matthew Sweet chimed in with a number of updates over the weekend about his forthcoming album Tomorrow Forever.

The record has been mastered at Abbey Road Studios in London and will be a two-disc 17-song vinyl outing. Sweet’s trying to decide if he should use colored or black vinyl, saying black vinyl is better sound quality.

In addition, Sweet said he just signed a deal for his new label, Honeycomb Hideout, through Sony/RED. Sweet’s label will release Tomorrow Forever sometime in late spring. It’s been a longtime coming.

* * *

The OEA Awards were last night at the Omaha Design Center. You can see the list of winners here.

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Reports of Milk Run’s demise in its current location appear to be exaggerated.

I was told last weekend’s shows were the last at the Leavenworth location. Since then, there have been a couple shows at Milk Run, including one scheduled tonight at NEO, the art gallery space next to Milk Run in the same building.

Headlining is Toronto rock band Pkew Pkew Pkew (Royal Mountain Records). I’m listening to their self-titled debut, which very much reminds me of Andrew W.K., but a little less rough around the edges. Opening is Ill Noise, The New Rosenbergs and Gongfermour. $8, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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New Lupines (and more to come); Laughing Falcon, Ocean Black tonight…

Category: Blog — Tags: , — @ 1:34 pm February 17, 2017

Ocean Black back when they were Nightbird at The Sydney, July 18, 2014. The band plays tonight at O’Leaver’s.

by Tim McMahan, Lazy-i.com

This will be a short entry as almost nothing happening musicwise this weekend, which sucks because some of us have Monday off. But before we get to that…

Lupines guitarist extraordinaire Mike Friedman emailed earlier this week to let me know the band dropped its latest collection, Eternal Wax, on Bandcamp. “We did this one by ourselves at home a couple years ago,” Mike wrote. “We wanted to get it out before we release the one we recorded at ARC last year. That one will have a physical release hopefully in the not too distant future.

I’m listening to Eternal Wax now and it’s exactly the kind of grinding, noisy garage-rock goodness we’ve come to expect from Lupines. Check it out below and download your copy.

Wish the Lupines were playing somewhere this weekend. As it stands, there’s only one show on my radar, and it’s tonight at fabulous O’Leaver’s — a heavy rock show featuring Laughing Falcon, Ocean Black and Hyborian. Ocean Black is the newish name for Nightbird, a stoner rock band that features Lee Meyerpeter, Jeff Harder and Scott Zimmerman. They’re the real deal. $5, 9:30 p.m.

Milk Run remains a mystery. I’d heard last weekend’s shows were the last, then I heard they still will have shows at the venue. Tonight Sioux City post-hardcore band Grobe is slated to play according to the Milk Run Facebook page. Jettison and The New Rosenbergs also are on the bill. 8:30 p.m., $5.

And that’s it. Talk about a sleepy weekend. If I missed your show, put it in the comments section. Have a great weekend and get out and enjoy the fine weather…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Ten Questions with Mike Doughty (at The Waiting Room Feb. 15)…

Category: Blog,Interviews — Tags: , , — @ 1:48 pm February 14, 2017

Mike Doughty plays The Waiting Room Feb. 15.

by Tim McMahan, Lazy-i.com

Mike Doughty’s music is deceptively simple but is, in fact, a sophisticated take on modern pop that reaches beyond simple rock and folk genre designations to something smarter, broader and ultimately, genuine.

A brief history: Doughty was the frontman to ’90s alternative band Soul Coughing, a bratty NYC four-piece that combined post-grunge, funk and indie into infectious rock centered around Doughty’s deep, brassy voice and whip-smart lyrics. Contemporaries included acts like Cake, Morphine, Eels and Fun Lovin’ Criminals. After releasing three successful albums on Warners, the band split up in 2000.

Doughty struck out on his own. The story goes that he sold more than 20,000 copies of his self-released EP Skittish out of the trunk of his car. It was none other than Dave Matthews that rediscovered Doughty in 2004 and rereleased his early solo EPs on his own ATO Records. Fourteen years and as many albums later, Doughty released the sublime The Heart Watches While the Brain Burns last year via PledgeMusic.

While his music recalls acts like Mountain Goats, Matt Pond PA, Rogue Wave and Spoon, Doughty’s style is more varied, inventive but no less catchy. We caught up with Doughty and asked him to answer our Ten Questions survey. Here’s what he said:

1. What is your favorite album?

Mike Doughty: What a question! I think the album that changed my life that I’ve been listening to most often of late has been Tom Waits’ Rain Dogs.

2. What is your least favorite song?

“Over the River and Through the Woods to Grandmother’s House We Go.” I mean, to hell with that song.

3. What do you enjoy most about being in a band?

Surprises — when the other musicians on stage do something fascinating and new during the show.

4. What do you hate about being in a band?

When you go back to the hotel and there’s no Law and Order of any variety on any channel.

5. What is your favorite substance (legal or illegal)?

Cheese.

6. In what city or town do you love to perform?

Omaha!

7. What city or town did you have your worst gig (and why)?

I had a terrible show in Amherst, Ohio, in a yoga studio. I don’t know why I was playing a yoga studio. But there were drunks that couldn’t stop babbling in the middle of this very intimate quiet show, and the yoga queen who ran the joint was a total control hippie.

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

Yes. I started being able to not have a job in about 1994.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I’d like to write long-form fiction one day. I worked in a McDonald’s when I was 16 and it was incredibly dehumanizing.

10. What are the stories you’ve heard about Omaha, Nebraska?

I don’t know if I have stories. My best memory is walking from a hotel room to the tour bus on a cold, clear night, and seeing the Woodmen building looming majestically in the distance.

Mike Doughty performs with Wheatus Wednesday, Feb. 15, at The Waiting Room, 6212 Maple St. Tickets are $17. Showtime is 8 p.m. For more information, go to onepercentproductions.com.

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One update on yesterday’s item regarding the move of Milk Run from its Leavenworth location. I mentioned that last weekend’s shows were the venue’s last. Apparently that’s not the case. Lucas Wright of Black Heart Booking pointed out that he still has a show booked at Milk Run this Thursday featuring an acoustic set from Off With Their Heads plus Rackatees, Dummy Head Torpedo and Jeff Miller. I’d hate for people not to go to this show because they read yesterday’s item.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Live Review: Landlady, Thick Paint; Milk Run moving locations…

Category: Column,Reviews — Tags: , , , — @ 1:45 pm February 13, 2017

Landlady at O’Leaver’s, Feb. 10, 2017.

by Tim McMahan, Lazy-i.com

Friday night’s Landlady show will likely go down as my first top-5 music moment of 2017. Fronted by Adam Schatz a.k.a. Brown Sugar of the band Man Man, the five-piece played a striking set of proggy indie rock that recalled Schatz’s other band and, for me any ways, acts like Les Savy Fav and Head of Femur. Landlady’s sound is inventive without being disjointed, melodic but sonically adventurous. And there’s nothing quite like Schatz’ voice, a high, cooing nasal delivery that bounces and jumps along with the acidic, almost afrobeat-style rhythms.

Drummer Ian Chang is one of the best stickmen I’ve seen under O’Leaver’s record collection, a marvel of poly-rhythms, he kept the sound boiling as Schatz and company rifled through a set of tunes off the bands’ last couple of albums. Highlights were a raging version of standout tracks “Electric Abdomen” and “Driving in California,” both off stellar new album The World Is a Loud Place (Hometapes, 2017).

At set’s end, Schatz brought up a small horn section, who stayed for the epic closer, a 10-plus-minute performance of “Above My Ground” where-in Schatz climbed above the crowd, leading them in a chorus of “Always, always, always…” that built to a climatic release. Well, you can see and hear for yourself in the following clip recorded from my phone for Facebook Live.

I’m told this was one of first times that opening act Thick Paint has performed as a full-blown band. Joining Graham Patrick Ulicny was a second guitarist, Icky Blossoms’ Sarah Boehling on bass, and two drummers.

Thick Paint at O’Leaver’s, Feb. 10, 2017.

The product was proggy goodness reminiscent of early Talking Heads. Like Schatz, Ulicny has a unique, high-end voice like no one else around here. The only set-back was that the band only played four songs because they’re so new together. We all want more, Mr. Ulicny.

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More about the above video: I am, again, pleasantly surprised at the audio quality one can capture from a handheld iPhone 7. I figured the mics would be blown out, but this doesn’t sound bad at all.

I had someone tell me I should do these iPhone recordings at every show. I don’t for a number of reasons, the first being it’s probably illegal, at least without the band’s permission. Second is that it’s got to be rather annoying for the band to see some guy holding a camera while they’re playing. And third, I’d rather just enjoy the music. Still, if I can sneak one song onto Facebook Live by bands that I know won’t mind, I will. Follow me at facebook.com/mcmahan.

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Arbor Labor Union at Milk Run May 28, 2016.

Word went out over the weekend that Milk Run is leaving its current location at 1907 Leavenworth. In fact, this weekend’s shows were the last at that specific venue, which hosted its first show Nov. 6, 2015.

Sam Parker, one of the founders of Milk Run, confirmed the rumor, saying the all-ages performance space will move to a new location with cheaper rent.

“It’ll be before the end of of the month. Possibly as early as this week,” Parker said. “It’ll be in the midtown area.”

Tried as I might, I could not pry the new location out of Parker. He said the owners will make an announcement this week “when they’re ready.” He did say the new space will be “roughly the same size” as the old Milk Run space. He also said expect the same sort of progressive, indie-flavored bookings.

Milk Run is one of the few places in town that consistently books out-of-town indie, post-punk and progressive bands. I was hoping the new place would be a tad larger than the crackerbox space on Leavenworth. We shall see soon enough…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Landlady (Brown Sugar of Man Man), Brad Hoshaw tonight; High Up, Wolf Dealer Saturday…

Category: Blog — @ 1:40 pm February 10, 2017

Landlady (includes members of Man Man) headline tonight at O’Leaver’s.

by Tim McMahan, Lazy-i.com

The weekend…

Top of mind is tonight at fabulous O’Leaver’s where Landlady headlines. As mentioned earlier this week, Landlady is a project by Adam Schatz a.k.a. Brown Sugar of the band Man Man. The opening line-up ain’t bad, either: red hot Thick Paint (featuring Reptar’s Graham Patrick Ulicny) and the inimitable Sam Adam Martin. Note $7 cover, starts at 9:30 p.m. Could be packed…

Also tonight, Brad Hoshaw opens for Dan Tedesco Band at Reverb Lounge. $10, 9 p.m.

And Milk Run’s got a busy weekend. Tonight Minneapolis post-hardcore band Infinite Me headlines with No Getter and Wisconsin grindcore act Falter, Minneapolis’ Casual and Lincoln’s Leaves Brown. Couldn’t they get one more act on this bill? $5, 9 p.m.

Tomorrow night, I have no idea who Leopold and His Fiction are, but I do know who High Up is and they’re opening for L&HF at Slowdown Jr. Here’s your chance to buy a copy of their swanky new cassette! Also on the bill is Lawrence act La Guerre. $10 Adv/$12 DOS, this one starts at 8 p.m.

Meanwhile, over at Milk Run Saturday night, Des Moines’ Karen Meat headlines a show that also features Wolf Dealer (Jason Steady’s latest and greatest), Haunted Gauntlet and Iowa City’s Anthony Worden. $8, 9 p.m.

Also Saturday night, Barley Street Tavern has The Clocks, Ultra Violet and Low Long Signal. $5, 9 p.m.

Milk Run closes out the weekend Sunday night with Windor Diets (acoustic project by Mike Hansen of Pass the Flask), Grazing, Jamire Gray, Mad at You and Jeff Miller. $7, 9 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Susto tonight CANCELLED (but listen to their new record)…

Category: Blog — Tags: — @ 1:51 pm February 8, 2017

by Tim McMahan, Lazy-i.com

When I wrote that Ten Questions with Dawes the other day, I researched the band and found a lot of reference to the “Laurel Canyon Sound,” made famous by Joni, CSNY and Jackson Browne. The influence is definitely there.

But nothing sounds more like Jackson Browne than Susto, especially on the band’s new album & I’m Fine Today (2017, Caroline). The Charleston five-piece will be opening dates for Lumineers this summer, where no doubt they’ll break through to the next level of stardom. Frontman Justin Osborne’s voice is at times the spitting image of Browne’s, though musically the band veers between that Laural Canyon sunset rock and more modern indie. It’s a surprising record.

Anyway, I wrote all the above this morning before tonight’s show at Slowdown Jr. got cancelled due to an illness in the band. Still, check out their record, below, and dream about warmer days.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Streaming and repeated listening (in the column); new Wolf Dealer; Landlady is Man Man offshoot; Dawes tonight…

Category: Column — Tags: , , , — @ 1:41 pm February 7, 2017

Is Spotify changing the way we listen to albums?

by Tim McMahan, Lazy-i.com

Finally, my answer to that burning Facebook question: “List 10 albums that have made a lasting impression on you as a teenager, but don’t think too long about it.”

My answer is in this month’s Over the Edge column in the current issue of The Reader, on newsstands now or online right here. Not only do I provide my list, but I talk about why few people under the age of 30 are able to make their own list, and how Spotify is changing the way I listen to records. Read it online here.

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Punk rockers Wolf Dealer made a video for their latest song, “Too Old to Die Young,” featuring skateboards and pizza. It was filmed on a stupid smartphone, says frontman Jason Steady.

Wolf Dealer are playing this Saturday, Feb. 11, at Milk Run with Karen Meat from Des Moines, IA, “who are the best band in the world,” Steady says. “Bradley, their Omnichord player and co-songwriter, used to live in Omaha and was in the best line-up of Talking Mountain in the golden years when we released that vinyl album, but failed miserably.” More on that show later.

* * *

O’Leaver’s sent out their upcoming schedule, and among the shows currently flying under a lot of people’s radars is Friday night’s gig featuring the band Landlady. Turns out Landlady is a project by Adam Schatz a.k.a. Brown Sugar of the band Man Man. Now I’ve got to change my Friday plans…

* * *

Tonight is the big Dawes show at The Waiting Room, which is being promoted as “An Evening with Dawes,” which I guess is an easy way of saying there are no opening acts. If you haven’t already, read my Ten Questions with Dawes’ Taylor Goldsmith before you go to the show. Tickets are $25, starts at 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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Live Review: Dereck Higgins Experience, Wagon Blasters, Big Al Band; Ten Questions with Dawes; Bandcamp results…

Category: Blog,Interviews,Reviews — Tags: , , , , , — @ 1:42 pm February 6, 2017

Dereck Higgins Experience at O’Leaver’s, Feb. 4, 2017.

by Tim McMahan, Lazy-i.com

Dereck Higgins, one of Omaha’s most prolific musicians, unveiled yet another new project Saturday night at fabulous O’Leaver’s. This new four-piece combo, called The Dereck Higgins Experience (or DHX, as he referred to it from stage), continued in a similar jazz fusion direction heard on Higgins’ recent solo album, Flyover Country. In fact, the combo created a live version of  at least one song from the movie soundtrack.

On bass and synths and acting the role of Emcee, Higgins was joined by James Cuato Ballarin on synths/wind instruments, Aaron Gum on synths, and stellar guitarist Jacob Cubby Phillips. All but Gum also are in progressive jazz band Chemicals, a more experimental, free-form combo than DHX, whose set felt split between smoother fusion numbers a la Spyro Gyra, and funky, digital-fueled jazz concepts. Less intricate and less challenging than Chemicals, DHX’s music likely is more accessible to a larger audience.

I’m told this offshoot of Chemicals isn’t a replacement for that band, who according to Higgins has a scheduled gig at the Harney Street Tavern Friday night, while DHX will play the following evening at The Down Under.

Next up was Wagon Blasters who were in particularly fine form, maybe because it was Guitarist William Thornton’s birthday. Gary Dean Davis yelled through a rowdy set of trademark tractor-punk rock songs, doing his darndest to break through O’Leaver’s floor and onto the birthday/karaoke party going on in the basement.

As a lark, I tried streaming Wagon Blasters’ set via Facebook Live through the faux window sills off stage left. You can still view a recording of the performance in Facebook (or below). Scroll to the 23:38 mark in the video to see Gary’s epic punk-rock stage fall!

Finally, Big Al Band closed out the night with his flying V and Holly Pop on the drum kit. Favorite moment of the set — the final song wherein Al swapped out the V for a bass for a go at song called “Jolly Roger.” Nice.

As mentioned, O’Leaver’s now has a basement party room. I snuck (sneaked?) down there Saturday night and was pleasantly surprised at the set-up, which includes a full bar and karaoke stage, all of which is available for rental at a bargain price. Let’s see, sand volleyball, live music, tiki bar, two outdoor beer gardens and now a karaoke party room? What more can O’Leaver’s squeeze into their entertainment complex?

* * *

As you see below, I’m continuing the Ten Questions series both here and in The Reader. I recently got some push back from a publicist, asking if I would be able to do an actual interview with the band he represents rather than the survey. Fact is, I simply don’t have time to interview and write band features for every interesting act coming through town (and considering the pay for these features ($0.00), can’t afford it.). The Ten Questions format allows me to hype a touring indie band’s upcoming show in a way that’s not too time taxing. Let me know what you think of these surveys…

 

Dawes, photo by Matt Jacoby.

LA folk-rock band Dawes epitomizes a style of music I grew up listening to — tequila sunrise ’70s soft rock. You know what I’m talking about — those laid-back groovy bands they used to play on the FM (and AM) stations and still do if you have a classic rock channel in your town (and who doesn’t?).

But somewhere/somehow over the past few years it’s become accepted for snotty, tone-deaf hipsters and hipster wannabes to denigrate (via Facebook) music infused with a peaceful, easy feeling. And that’s a shame, because the new folk rock that they often laud — from the likes of Wilco, Ben Kweller, Jenny Lewis and even our very own Conor Oberst and the Mystic Valley Band — owe much of their sound to those FM giants.

Certainly Dawes does. That classic ’70s El-Lay studio sound is evident on their latest album, We’re All Gonna Die (2016, HUB Records), which, at times, reminds me of One of These Nights-era Eagles (there, I said it). On songs like the title track, the slow burnin’ “Roll with the Punches,” the wah-wah funk of “When the Tequila Runs Out,” heck, just about every track, Dawes frontman Taylor Goldsmith unapologetically puts a modern spin on AOR gold, sounding like the second coming of Don Henley or Glenn Frey, complete with warm-cushion vocal harmonies. And that’s about as cool as it gets.

We caught up with Taylor Goldsmith and asked him to take our Ten Questions survey. Here’s what he had to say:

1. What is your favorite album?

Taylor Goldsmith: Always changing but I often go back to Warren Zevon self-titled.

2. What is your least favorite song?

Even though she’s one of my heroes and maybe the greatest songwriter that ever lived, there’s a song called “Not To Blame” by Joni Mitchell that I really hate.

3. What do you enjoy most about being in a band?

The shows. The songs get to change shape every night and we get to pull out old ones we haven’t played in years sometimes.

4. What do you hate about being in a band?

Being gone from home so much of the year. While I love touring, it’s hard to keep a semblance of a normal life in order by being gone over half the year sometimes.

5. What is your favorite substance (legal or illegal)?

Coffee. I always want more coffee. About to make some.

6. In what city or town do you love to perform?

We love playing at home for our friends and family and also love playing places like Nashville or NYC for the amazing venues and sold out shows, but there is also something special about coming into cities we’ve never been to or rarely play and having those more intimate experiences. It’s fun to still be building audiences in cities. It feels like we’re going into the past and future of the band from night to night depending where we are.

7. What city or town did you have your worst gig (and why)?

An LA show in 2012. I had really lost my voice. I got a steroid shot and it made it a lot worse. By the time we got onstage I could barely whisper. But we couldn’t cancel because everyone was there already and I didn’t want to let the band down. It was rough.

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

Yeah, music pays the bills. We quit our jobs and moved out of our homes the day before our first tour for North Hills. It meant we couldn’t afford places for a while, but we’ve never had jobs since.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

It’d be fun to be a novelist. I really idolize those guys. My brain just doesn’t work that way though. I’d hate to do just about anything that meant I couldn’t go outside during the day.

10. What are the stories you’ve heard about Omaha, Nebraska?

Well our good buddy Conor Oberst lives there so any stories we know are somehow indirectly connected to him and the community he’s introduced us to. After spending some serious time there (more time than we typically can in a city during tour) we’ve really fallen in love with Omaha and have been looking forward to this show for a while.

An Evening with Dawes is Tuesday, February 7, at The Waiting Room, 6212 Maple St. Tickets are $23 Adv./$25 DOS. Showtime is 9 p.m. For more information, go to onepercentproductions.com.

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Bandcamp says it sold nearly a million dollars worth of music on Friday: “With several hours remaining, we estimate that fans will have bought just over $1,000,000 worth of music today, which is 550% more than a normal Friday (already our biggest sales day of the week). All of our share of that (12%) goes directly to the ACLU. The other 88% (less transaction fees) goes directly to the labels and artists…

A lot of those labels and artists also donated their share to ACLU or other charities. If you bought something, good for you. We’re going to see a lot more of these kinds of efforts over the next four years as the current administration continues to do all it can to dismantle the nation’s arts, take away women’s rights and bar immigrants from our borders. Do what you can; it makes a difference.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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New Simon Joyner (and others) for sale for a good cause; BFF, Mitch Gettman tonight; Wagon Blasters Saturday…

Category: Blog — Tags: , , , , , — @ 2:05 pm February 3, 2017

Mitch Gettman at The Waiting Room, May 2, 2014. He plays tonight at The Barley Street Tavern.

by Tim McMahan, Lazy-i.com

Before we get to what’s happening (or what’s not happening) this weekend, let me point you to a special deal from singer/songwriter Simon Joyner. Here’s Simon, via Facebook:

Friends, I’m putting up “The Phoenix Demos: Songs for Upcoming 2017 Album” for exclusive purchase during the Bandcamp fundraiser tomorrow. Nine out of 12 songs I recorded live a couple of weeks ago in Phoenix with just guitar, vocal and Michael Krassner on piano to prepare for the new album we are about to record with the band in Omaha. Get the stripped down sneak peak at songs being considered for a new album.

“I’m only making these demos available for one day at a premium to hopefully raise some money for the ACLU Nationwide, Planned Parenthood, and the Refugee Empowerment Center. You are encouraged to pay more than the asking price if you can, it will all go to these organizations. I’m also making available “Salt Lake City House Show 10-20-16 (with David Nance).” It’s a particularly well-recorded show from the Diss Riptide living room tour we did a few months ago and the only show that David Nance joined me for the entire set!”

The sale is part of #NoBanNoWall, a Bandcamp effort with more than 200 artists and labels donating their Bandcamp profits to the ACLU and other organizations in support of immigrants and refugees. Check out the index and buy some stuff.

Also, Saddle Creek Records is donating the proceeds from its Bandcamp sales today to the Refugee Empowerment Center in Omaha.

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Well, this is about as sparse a weekend for shows as I can remember.

Tonight, of course, is Benson First Friday, and I would be remiss in not mentioning the art show being held at the gallery operated by my wife — The Little Gallery in downtown Benson across the street from The Sydney on the storefront level of the Masonic Lodge. Titled Oscillating Bodies, the show features the work of Torrey Smith and Nadia Shinkunas. Opening hours are 6 to 9 p.m., free and snacks and beer/wine will be available. Swing by and say hello and buy some art. More info here.

The BFF showcase at The Barley Street Tavern features FINO, Lowercase Tres, Ben Jones and singer/songwriter Mitch Gettman. 9 p.m. $5.

That brings us to Saturday night, when you’ve got one of the most eclectic mixes to appear in one night at fabulous O’Leaver’s. It kicks off at 9:30 with Dereck Higgins Experience — the debut of Higgins’ new band project. Dereck is one of Omaha’s most well-known and talented bass players, whose history dates back to ’80s first wave act Digital Sex. Next up is the always entertaining Wagon Blasters featuring tractor-punk legend Gary Dean Davis behind the microphone. The night ends with the two-person heavy-metal grind of Big Al Band. All this for a mere $5.

Aaand, that’s it for the weekend. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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