Sucettes120917
Sucettes at Pet Shop Gallery Dec. 9, 2017.

Welcome to Lazy-i, an online music magazine that includes feature interviews, reviews and news.

The focus is on the indie music scene. Yes, there’s a special emphasis on the best original bands in the Omaha area, but Lazy-i also offers interviews, stories and reviews about national indie bands.

Most of the feature stories and columns in Lazy-i will have previously been published in The Reader, Omaha’s monthly alternative newspaper.



Is GoFundMe the new Kickstarter? Ask Brad Hoshaw and Kerry Eddy…

Category: Blog — Tags: , , — @ 1:57 pm December 17, 2018

A picture of Brad Hoshaw taken from his Go Fund Me campaign page.

by Tim McMahan, Lazy-i.com

Is GoFundMe the newly accepted way for bands to generate money for their recording projects? I ask because over the past week, two new GFM projects have scrolled past my Twitter feed from two local musicians.

Omaha singer/songwriter Brad Hoshaw is trying to raise $5,000 via a GoFundMe campaign to support his upcoming recording project.

“On January 9th I will begin recording my new album and I need help covering the initial costs,” he wrote on his GFM campaign page. “I’ll be working with producer Nicholas Frampton (Field Division, The River Monks) as well as four world-class musicians who have recorded with the singers from Band of Horses, Travis, Franz Ferdinand, Grandaddy and Midlake. We’ll be spending five days at Redwood Studio (Denton, TX), recording this new batch of songs.”

Hoshaw says funds raised will partially cover costs associated with paying musicians and the producer as well as studio, mixing and mastering fees. “Everyone who donates will be invited to a private concert and listening party, where you can hear the new recordings before anyone else,” he said.

Lincoln band EddyMink — the project of singer/songwriter Kerry Eddy — launched a GoFundMe campaign for its debut album, Open Container Heart Surgery — a collaborative effort between Eddy, guitarist Patrick Hargon, bassist Darryl Rivers and drummer Ben Armstrong.

We are very proud of this album and can’t wait to get production completed,” Eddy said on her campaign page. “We just have to finish mixing, mastering, pressing some records, and producing promotional materials. We’d like to wrap up production and get this record out to you by March, so we need to have funds together by the end of December.”

They’re seeking $3,000, and though GFM campaigns don’t typically offer premiums to donors, Eddy is, including “a hard copy of the record, cool stickers and a sweet t-shirt” for a $30 donation.

I’ve always associated GoFundMe with money-raising efforts to help people cover ungodly medical bills or for a memorial fund for a dead family member. It never dawned on me you could use it to raise funds for recording projects, but I guess it really isn’t much different from Kickstarter. The diff may be in the premiums situation, or the fact that GFM campaigns don’t have to meet goals — i.e, there are no “all or nothing” requirements.

I’ll likely give to both. I’ve followed Brad for years and would love to see what he does working with a new band. I’ve never met Kerry Eddy, but I dig the track included on her GFM page.

So is GFM the new Kickstarter? Regardless of the crowdfunding channel, how bands can afford to put our records barring landing a record deal, saving up cash from gigs for years to come or taking on huge debt?

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

DROSS, Cloud Feeder tonight; Ocean Black, Pro Magnum at The Brothers Lounge…

Category: Blog — Tags: , , — @ 12:49 pm December 14, 2018

Pro Magnum at O’Leaver’s, March 9, 2013. They’re playing Saturday night at Brothers Lounge.

by Tim McMahan, Lazy-i.com

It’s beginning to look a lot like another Brothers Lounge pre-Christmas weekend…

I’m at a bit of a loss about tonight’s show at Brothers. I couldn’t scrimp together any info on the headliner, DROSS. Is it the Lancaster, California, trio with the five-song punk EP that came out in 2017? Is it the Phoenix grindcore metal act? UPDATE: I’m told DROSS is a couple dudes from Noah’s Ark Was a Spaceship. Who knows. I’m hoping it’s the former rather than the latter. Joining them are Omaha rockers Cloud Feeder, which has a 2-song 2017 EP recorded, mixed and mastered by Bryce Hotz at Archetype Recordings. Finally, there’s opening act Chase the Ghost, another band that’s a real head-scratcher of which I could find virtually nothing about.

So, it’s a bit of a wild card, but then again, isn’t every night at The Brothers a bit of a wild card? $5, 10 p.m.

This track may by one of ISN’T one of the bands playing tonight at The Brothers…

Tomorrow night’s show at The Brothers is a lot easier to explain — Omaha sludge-metal stoner-rock masters Ocean Black headlines a show with punk-metal phenoms Pro Magnum (Max Trax Records). This will be frickin’ dark and loud, leave your Santa hat at home. $5, 10 p.m.

And that’s about all I’m seeing for this weekend. This being the holidays, the clubs are rife with cover bands and DJs. The exception are Matt Cox out at Growler USA and Kris Lager at The Waiting Room Saturday night with Ally Peeler. The Slowdown has two cover/tribute acts this weekend. O’Leaver’s is showing no events on their calendar at all this weekend, which is odd.

Anyway, if I missed your show, put it in the comments section. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

2019 Maha Music Festival Aug. 16-17 at Stinson; new Faint track, album in March; the return of Serial (ex-Ritual Device/Cellophane Ceiling) Dec. 22…

Category: Blog — Tags: , , — @ 1:11 pm December 11, 2018

A screen cap from The Faint’s latest video, “Child Asleep,” directed by Nik Fackler.

by Tim McMahan, Lazy-i.com

Some news nuggets that have been sitting in the in-box…

Today the fine folks at the Maha Music Festival announced that the 11th annual festival will be held Aug. 16-17, again at Aksarben’s Stinson Park (Why mess with a good thing?).

No word on who will be performing, but it’s pretty early for that sort of an announcement. Last year the headliner was Weezer, which marked a shift to a more, shall we say, Stir Cove-style concert. Here’s hoping they return to their indie roots. There are plenty of big-name indie bands that could fill the park, not the least of which are Tame Impala, Courtney Barnett, Arcade Fire, Wilco and The National, to name a few off the top of my head.

In addition, Maha announced the continued support/production of Big Omaha as part of Maha week. The Big Omaha portion kicks off Aug. 14.

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Last Friday The Faint not only dropped a tasty new track, “Child Asleep,” but also announced their new 11-track LP, Egowerk, will be released March 15 by Saddle Creek Records (pre-order here).

The album takes on the dark side of social media, a theme frontman Todd Fink is quite familiar with. Says Todd in the press release: “Egowerk’s focus is on the current social state of the Internet: an amazing world of free knowledge, communication, and opportunity is proving to be a toxic battleground. One where the people most sure of their opinion are quick to take a stand and destroy anyone who doesn’t agree with them.

Egowerk marks the first studio album by The Faint in four years and only one completely self-produced by the band. Omaha filmmaker Nik Fackler created the head-spinning video for “Child Asleep,” below. If the rest of the album is this good, look out world, The Faint are back…

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What’s become a diabolical holiday tradition, Omaha heritage-punk supergroup Serial announced it’s fourth annual holiday appearance at Brothers Lounge Dec. 22 with Rusty Lord opening.

Serial is Tim Moss, John Wolf, Lee Meyerpeter and Jerry Hug — four royalty from Omaha’s golden age of punk rock, having performed in such stellar ’90s acts as Ritual Device, Cellophane Ceiling, Bad Luck Charm, Cactus Nerve Thang and Men or Porn.

Expect a night of heavy rock favorites performed by four guys who helped define the Omaha indie rock/punk scene. More info here. Plan accordingly.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Live Review: Middle Kids at The Sydney, Protomartyr, Preoccupations at The Waiting Room…

Category: Reviews — Tags: , , , — @ 2:21 pm December 10, 2018

Middle Kids at The Sydney, Dec. 8, 2018.

by Tim McMahan, Lazy-i.com

Great weekend of shows. Let’s start with Middle Kids at The Sydney Saturday night and go from there…

The show was a curiosity in itself in that The Sydney isn’t your usual venue for rising, nationally touring indie rock bands. Instead, the club has a reputation for being a Benson neighborhood bar that occasionally hosts local bands (specifically on First Fridays).

But this past summer One Percent Productions, the fine folks who own and book The Waiting Room and Reverb Lounge as well as book the bands at the annual Maha Music festival, bought The Sydney. They had no initial intention of making it another One Percent venue, rather they left the booking in the able hands of Zach Schmieder, who has been booking the club for quite awhile.

However, I have to assume that when One Percent was offered Middle Kids, a band whose music is a staple on Sirius XMU and has been a regular on college music charts, they took it even though their other venues already had been booked that night for the annual Pine Ridge Toy Drive concert. Why not move Middle Kids to The Sydney, after all, the band is from Sydney Australia — makes perfect sense.

Well, within the months that One Percent purchased The Sydney and this concert, the venue has seen a number of adjustments to its sound system. Even the sound board had been replaced (at least for Saturday night) with something more high-tech and ready to handle what ended up being a sold out show.

Since The Sydney isn’t exactly a huge club, I expected the room to be crushed, but instead, the audience was simply cozy. I was told by the woman at the door that “sold out” meant 150 tickets were sold. There was plenty of room to move around, in fact you could walk pretty close to the stage. I took my position off stage left against the wall next to a massive subwoofer on the floor that acted as a perfect barrier to keep the crowd at bay.

But while the sight lines were good where I stood, the sound was bass-heavy and muffled because I was situated behind the overhead amps. Halfway through the set I moved back by the bar, where the sound was primo but the sight lines were for shit because The Sydney only has a short platform a few inches high for a stage, keeping the band essentially at crowd level (though my 6-foot-2 frame still gave me a view of most of the band). With that the sound system vastly improved, one hopes they install if not a proper stage, at least something that lifts the band a foot or more above the crowd.

One last technical note: The Sydney still uses old-fashioned — as in not digital — spotlights, which provide warm, gorgeous tones on stage. Here’s hoping they don’t swap them out for a digital lighting system, which is cold, harsh and photographs poorly (yeah, I know those digital light rigs are cheaper, so I’m not holding my breath here…).

OK, so what about the band? Middle Kids played as a four-piece with an added guitarist (“Kyle”) that gave their sound a much-needed boost. Front woman Hannah Joy was in great voice, standing on point belting out every song the band knows — literally (at the end of the encore she said they had virtually no other material to perform).

I’ve compared these folks to a number of acts, but the one they really reminded me of most was 10,000 Maniacs; Joy’s voice having a similar Natalie Merchant tone and quiver. The mostly younger crowd (lots of big X’s on the back of hands) stood close and sang to the hits, especially on “Edge of Town,” which became a room-filled sing-along.

Protomartyr at The Waiting Room, Dec. 7, 2018.

Backing up a night to Friday at The Waiting Room…

This was sort of a shared headliner affair, with Protomartyr sandwiched into the second slot. I’ve seen Joe Casey and company three or four times. There he was up front again, dressed like an insurance salesman or someone’s dad, barking out lines like a snapping turtle taking bites out of a dead body, while the rest of the band did their usual crushing performance.

I went to the show with a pal who hadn’t seen either band before and only became familiar with their music a few days prior (thanks to my prodding). Music-wise, he said he preferred Preoccupations more than Protomartry, but after the show, he changed his tune, saying he much preferred Protomartyr live if only for Casey’s brackish charisma. He couldn’t take his eyes off him.

I’d already seen his act, which is maybe why I was so enamored with the band, specifically guitarist Greg Ahee who absolutely ripped. If there’s a minus to Protomartyr it’s that their songs sound the same — Casey doesn’t so much sing as yell words into the microphone. So it’s up to the rest of the band to provide the depth, variety and dynamics to the music, which we got in spades.

Preoccupations at The Waiting Room, Dec. 7, 2018.

As good as Protomartyr was, Preoccupations was next level. Playing mostly songs off New Material (2018, Jagjaguwar) as well as a few older tracks, the band came out with guitars blazing before working in synths three songs into the set.

Compared to Casey, frontman/bassist Matt Flegel is a virtual opera singer, channeling Ceremony’s Ross Farrar on post-punk New Wave-esque songs that would fit in rotation on Sirius’ First Wave station. While Scott Munro shined on guitar, it was the duo synths working along with drummer Mike Wallace that raised the bar on New Material tracks like “Disarray” and “Espionage.” It was dance music… for people who don’t dance.

It was a great weekend of shows  and a great way to send off 2018, as I don’t see any other national touring indie bands coming through for the balance of the year…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

Protomartyr, Preoccupations, #BFF tonight; Middle Kids, Pine Ridge benefit Saturday…

Category: Blog — Tags: , , , , — @ 1:06 pm December 7, 2018

Protomartyr at 2014’s South by Southwest Festival. The band plays tonight at The Waiting Room.

by Tim McMahan, Lazy-i.com

After a rather dead week for shows, we got back-to-back hummers tonight and Saturday.

Tonight at The Waiting Room is a double-bill featuring Protomartyr and Preoccupations. Protomartyr has been through Omaha a few times, including a couple gigs at The Slowdown. The Detroit-based punk band is fronted by Joe Casey, a guy who looks like an insurance salesman complete with a sensible haircut and full-on business attire but who has a singing style akin to Husker-era Mould or The Fall’s Mark E. Smith. Deadpan anger, straight-faced disgust, like an upset father with anger-management issues and a back-up band that is pure Gang of Four post punk. Alone worth the price of admission.

Preoccupations — the artist formerly known as Viet Cong — is another post-punk rock act. Their latest is New Material (2018, Jagjaguwar), whose opener “Espionage,” sounds like ‘80s Gary Numan synth rock crossed with Interpol. On the other hand, “Antidote” is Eno-esque modern and dissonant while “Solace” sounds like re-imagined New Order. You’re gonna love it.

Opening act, Rattle, is a U.K. double-drum duo. The fun starts at 8 p.m. Tickets are $17.

While you’re in Benson, take in some visual art because it’s Benson First Friday (#BFF), which includes (as always) a reception at The Little Gallery.  Tonight’s opening is the 4th annual “Little Show,” wherein artists show works 12″ x 12″ or smaller priced under $100. Artists include: Kitty Brougham, Rhonda Bruggerman, Amanda Caillau, Vivian Caniglia, Debbie Cunningham, Rachel Cunningham, Rachel Droppers, Emily Jordan, Linda Hatfield, Keri Hedrick, Robert Kenny, Courtney Kenny Porto, Shawnequa Linder, Debbie Martin, Christina Nelson, Sophie Newell, Ricky Powell Jr., Cindy Rae, Jean Regan, Erik Rincon, Fredy Rincon, Jill Rizzo, Torrey Smith, Jen Solberg, Susan Stevens, Trudy Swanson, Tyler Swain, Kate Swinarski, Brian Tait, Katie Temple, Melvin Usher, Holly Vander, Lynda Vik, Brian Wetjen, and Haley Whitesel.

Come on buy and have a beer on me. Reception runs from 6 to 9 p.m. The Little Gallery is at 5901 Maple Street, in the east bay of the Masonic Lodge building. See you there.

Also part of #BFF is tonight’s show at The Sydney headlined by Lincoln’s Laughing Falcon with The Natural States, and Bogusman. 10 p.m., $5.

Tomorrow night (Saturday) it’s back to The Sydney for Middle Kids. You read their Ten Questions interview right here (and if you didn’t, get to it!). Joining them is NYC duo The Shacks (Big Crown Records). 9 p.m. Tickets are $13 today, $15 DOS. This one could be a crush mob!

Also Saturday night is the annual Toy Drive for Pine Ridge concert at The Waiting Room and Reverb Lounge. The lineup is particularly good this year, with your host Lash LaRue & Hired Guns, Matt Whipkey, A Late Fall, 24 Hour Cardlock, Wagon Blasters, BandRanch Outlaws and Scott Severin. Admission is $10 per venue or a new toy ($15 for both venues or two toys). All benefit the Toy Drive for Pine Ridge’s toy delivery and heating fund for the Pine Ridge Indian Reservation in South Dakota. 8 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

Ten Questions with Middle Kids (at The Sydney Dec. 8)…

Category: Interviews — Tags: , , — @ 12:00 pm December 6, 2018

Middle Kids play at The Sydney in Benson Saturday, Dec. 8.

by Tim McMahan, Lazy-i.com

Middle Kids’ debut LP, Lost Friends (Domino, 2018) is one of the funnest, hookiest, prettiest records of the year. I point to the band’s Australian roots (they’re from Sydney) for their music’s sheer golden-sun tunefulness, because in my experience, those Aussies know their way around a beautiful melody (And as Exhibits A, B and C I give you Courtney Barnett, Tame Impala and Wolfmother, all past winners of Australia’s highly coveted Triple J award for album of the year, just like Middle Kids was this year).

The trio’s origins go back to 2014 when frontwoman Hannah Joy met bassist Tim Fitz through mutual friends and began making beautiful music together, both the kind you listen to and otherwise (as in they’re married now). Drummer Harry Day filled out the combo on their self-titled EP in 2017. 

The follow-up full-length, Lost Friends, is a buoyant ride of anthemic indie rock that shuffles and shimmers in a style that fits right alongside acts like Alvvays, First Aid Kit and Oh Pep! — bands that aren’t afraid to put melody above all else. 

I caught up with Middle Kids’ Tim Fitz and gave him the Ten Questions treatment. Here’s what he had to say: 

1. What is your favorite album?

Middle Kids’ Tim Fitz: Pretzel Logic by Steely Dan

2. What is your least favorite song?

“Aja” by Steely Dan

3. What do you enjoy most about being in a band?

The joy and community that comes with mutual experience and creation.

4. What do you hate about being in a band?

Continually trying to work with others and love them is a terribly painful blow to the ego.

5. What is your favorite substance (legal or illegal)?

Cheetos

6. In what city or town do you love to perform?

Too many! Philadelphia comes to mind. Also played a great show once at Stubbs BBQ in that great Texan city known as Austin.

7. What city or town did you have your worst gig (and why)?

Had a terrible gig in Portland once that involved a sound guy who was definitely affected by some substances, to the point where he didn’t know how to get any sound out of the speakers. They called in another guy to help, who was also out of his mind, and together they drunk drove that sound-desk for the duration of the show.

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

We all do a few things in music, a few little fingers in a few pies. We get by with a little help from our friends. It took a while but once you get that first Porsche you never look back. You gotta diversify, hustle and follow your gut. You gotta buy low and sell high. That’s how we do it anyway.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

We would love to open a Boulangerie in Paris. We would hate to run a Lawn Mower Shop.

10. What are the stories you’ve heard about Omaha, Nebraska?

We hear that the people are good souls. We’ve heard their skies are cold and gray but their hearts are warm and their eyes are bright.

Middle Kids plays with The Shacks Saturday, Dec. 8, at The Sydney, 5918 Maple St. Tickets are $13 Adv./$15 DOS. Showtime is 9 p.m. For more information, go to onepercentproductions.com.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

Bokr Tov, Thick Paint, Smoking Popes, Those Far Out Arrows tonight; the return of Bloodcow Saturday…

Category: Blog — Tags: , , , , — @ 1:34 pm November 30, 2018

Bloodcow at Reverb Lounge, March 7, 2015. The band returns to Lookout Lounge Saturday night.

by Tim McMahan, Lazy-i.com

Pretty hot Friday night line-up and one show on Saturday. Let’s get to it.

Tonight at Reverb Lounge Omaha act Bokr Tov celebrates the release of their new album Nothing Is Immune. The five-piece plays a laid-back style of indie folk that kind of reminds me of acts like Susto and Whitney. The album was produced by Nate Van Fleet and engineered by Matt Carroll, both of See Through Dresses. Opening is red hot local act Thick Paint and Bed Rest. $10, 9 p.m.

Also tonight, Lookout Lounge is hosting ’90s punk rockers Smoking Popes. The band blew up in ’95 with their debut, Born to Quit. Their new album, Into the Agony, was released in October on Asian Man Records. Opening is KC band Company Retreat, Omaha’s Wrong Pets and A Summer Better Than Yours. $15, 8:30 p.m.

Meanwhile, tonight over at fabulous O’Leaver’s, High Dive recording artist Those Far Out Arrows opens for KC garage/psych-rock act Momma’s Boy. Omaha’s Magu headlines. $5, 9 p.m.

Tomorrow night (Saturday) it’s back to Lookout Lounge for the return of Bloodcow. I thought these guys hung it up, but it turns out they’re only on hiatus and have dusted off their instruments for one night as a tip o’ the hat to headliner Super Moon who is calling it quits after this show. Trench and Night Push open at 8 p.m. $5.

Finally, if you miss tonight’s Bokr Tov show at Reverb, the band is opening Sunday night for Minneapolis singer/songwriter Nick Costa at Reverb. Minne Lusa opens this one at 8 p.m. $8.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

Phoebe Bridgers and Jackson Browne cover McCarthy Trenching; new Taylor Janzen features Nate Van Fleet, Mike Mogis…

Category: Blog — Tags: , , , , — @ 1:31 pm November 29, 2018

Phoebe Bridgers covers McCarthy Trenchings’ “Christmas Song” with some help from Jackson Browne.

by Tim McMahan, Lazy-i.com

Red hot indie phenom Phoebe Bridgers today dropped her version of McCarthy Trenching’s “Christmas Song,” with ’70s superstar Jackson Browne singing background vocals. The song was first released on McCarthy Trenching’s Calamity Drenching album released on Team Love back in 2008.

Said Bridgers in Pitchfork: “The first time I heard this song it hit me like a ton of bricks. A lot of McCarthy Trenching songs do that. It’s not that often that I hear a Christmas song that doesn’t make me want to quit music.”

She went on to say that Jackson Browne heard her perform the cover at an LA show “and he came up to me after the show to tell me how much he loved the song.” A couple days later Jackson Browne bought a copy of Calamity Drenching on Bandcamp for $50. I’d love to hear Browne’s take on “Roasting Song.”

I have to think Bridgers first heard the song when her pal Conor Oberst, who she’s both recorded and toured with, played it for her. Total speculation. Maybe Conor and Dan can talk Phoebe into moving to Omaha…

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In other news involving up-and-coming singer-songwriters with an Omaha connection, Nylon Magazine yesterday dropped a new song by Canadian Taylor Janzen called “New Mercies,” which features Omaha’s Nate Van Fleet (See Through Dresses, Little Brazil) on drums. The track was produced and mixed by world-renowned producer and poll worker (he was working my polling site during the mid-terms) Mike Mogis of ARC Studios.

The track is Janzen’s first release with a full band. No word in the Nylon piece if this track is part of an album, but I wouldn’t be surprised. BTW, the song is gorgeous.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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New Bob Mould track, behind-the-scenes video; The Artisanals, Bokr Tov listening party tonight…

Category: Blog — Tags: , , — @ 1:56 pm November 28, 2018

by Tim McMahan, Lazy-i.com

I know it’s not local; I know he’s not coming to Omaha on this tour; I just like Bob Mould. And because of that, I had to share that this morning Bob released the song “What Do You Want Me To Do” from his new full-length album Sunshine Rock (out February 8 on Merge Records).

Sunshine Rock is the project of Bob spending the past three years in Berlin, Germany. “Almost four years ago, I made plans for an extended break,” Mould said in the press release for the single. “I started spending time in Berlin in 2015, found an apartment in 2016, and became a resident in 2017. My time in Berlin has been a life changing experience.”

Not only did Bob share the new track, but he also shared a video that shows him and his band working in Tiny Telephone studio in Oakland. Check both out below and pre-order the new album here.

Tonight at Reverb Lounge has Charleston, SC, folk-rock act The Artisanals apparently all night as there’s no opener listed for this show on the One Percent Productions website. 8 p.m., $7.

Also tonight, Omaha post-punk band Bokr Tov is having a listening party for its debut album Nothing Is Immune at Hi-Fi House. Listening starts at 7 p.m. and it’s free.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

The Rev. Horton Heat, Big Sandy, The Blasters, Junior Brown tonight at The Waiting Room…

Category: Blog — Tags: , , , — @ 1:53 pm November 27, 2018

The Rev. Horton Heat at Maha 2011. The band returns tonight at The Waiting Room.

by Tim McMahan, Lazy-i.com

Quiet times news-wise, which I guess is to be expected in this post-Thanksgiving per-Christmas holiday black hole…

I’m just now noticing how bad the above photo is from the Maha Music Festival in 2011. I completely forgot that The Rev. Horton Heat had played on the small stage that year, and can’t remember a lick about the performance. RHH has been an Omaha staple for as long as I can remember. My earliest noted appearance was when he and his band came through way back in March 2007 to play Sokol Underground with Murder by Death (but I’m sure they played here even before that).

The RHH is headlining tonight at The Waiting Room with Big Sandy, Junior Brown and The Blasters for something they’re calling Horton’s Holiday Hayride. The Rev has a new album coming out this Friday on Victory Records called Whole New Life. No doubt you’ll be getting an earful of it tonight. $40, 7:30.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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