New tracks from Cursive, Depressed Buttons, Bad Speler…

Category: Blog — Tags: , , — @ 1:55 pm January 3, 2012

by Tim McMahan,

I’ve still yet to receive my first preview/review CD for 2012, but while I’m waiting, here are some new tracks that became available online to start off your new year.


Cursive, “The Sun and The Moon” — from the forthcoming album I Am Gemini, slated for release on Saddle Creek Feb. 21, if the rest of the new record sounds like this, Kasher and the boys may have another hit on their hands. Check it out here. The album is now available for pre-order here at the Saddle Creek online store, where it’ll ship Feb. 7. Buy it now and get access to a second track from the new album, “The Cat and Mouse,” instantly.

Depressed Buttons, “Dance with Me (Brianski)” — The electronic/dance/DJ triumvirate of Todd Fink, Jacob Thiele and Clark Baechle drop this new acid-themed jam designed to get your rump shaking. Also at SoundCloud.

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Bad Speler: Darren Keen is giving The Show Is the Rainbow the year off so he can concentrate on his other projects: Bad Speler and Touch People. Yesterday he posted the following new Bad Speler tracks at SoundCloud. Says Keen: “This is the stuff I’m going to be doing at my monthly at House of Loom.” His “monthly” is a residency at Omaha’s newest dance club every 4th Wednesday of the month, starting Jan. 26.

“Throw Ya Guns”
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“Pistols, ETC.”
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“My Intentions”
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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


Column 341: More Questions (and Answers) with The Faint; Deleted Scenes tonight…

Category: Blog,Column,Interviews — Tags: , , , — @ 12:40 pm September 15, 2011

The Faint press photo

Column 341: More Questions (and Answers) with The Faint

by Tim McMahan,

This week continues last week’s interview with Todd Fink and Jacob Thiele of The Faint, who, along Clark Baechle, also make up Depressed Buttons. DP had its world premier at House of Loom last Friday night.

I figured while I had Fink and Thiele on the line, I might as well ask a few questions that have been burning in the back of my mind for a long time. Questions like:

Why did it take so long — sometimes between three to four years — for The Faint to put out a record? Will writing music for Depressed Buttons be faster than writing music for The Faint? 

“Yes,” Fink said, “but anything would be faster, absolutely anything. Writing a symphony would be faster.”

The story goes that The Faint has always been run like a democracy — nothing gets done without unanimous consent from every band member, which also includes guitarist Dapose and former bassist Joel Petersen. And as we all know by watching our own government, democracy can bring progress to a grinding halt.

“We could bang out a song quickly,” Thiele said, “but then a couple months later, we would decide that we should probably do a version with a different bass line, and then do a whole new version.”

“The fact that we were too democratic was a problem,” Fink said. “There were too many people who were full of themselves. If there was a bully in the band, it was probably me. Making records is tough if you want them to be any good. Having a record done is always so awesome, but it started to become more work than it was worth. It got harder each time, and less fun.”

Fink, who wrote The Faint’s lyrics, also said coming up with the words could be tough, especially since he has a rather random thought pattern. “It’s kind of hard for me to write songs that make linear sense,” he said. “I don’t think the words themselves are hard if you have something to say, but I don’t like to write when I don’t have anything on my mind.”

So why not simply tour with old material? Are you afraid you’d be milking your past success?

“When you go on tour and don’t have a new record, you lose momentum,” Fink said. “Your name is not out there as much, and you’re not in people’s consciousness. It’s inevitable that you’re attendance will go down. And that could be fine, but that is milking it, and eventually you end up with no more milk.”

Still, Fink and Thiele said you’re more likely to see The Faint on stage before you hear a new Faint album. “We love playing shows,” Thiele said. “At this point, we’re putting our efforts into Depressed Buttons. But I’m guessing someday something will come up and someone will want (The Faint) to play a show.”

“It’ll probably be a festival tour,” Fink added. “It’s a big deal for us to get to the point where our show is ready to go. There’s a lot more involved than anyone understands. If we’re going to do a show, were going to do a tour; it would be a huge cost time-wise to do just one show.”

In fact, Fink said The Faint may never make another album. “It seems more likely that we’d just play shows and record a couple songs, because albums… I don’t know about albums,” he said. “It would be cool if you could put them out on vinyl, but otherwise I don’t know why everyone has to put out a collection. We knew when we made the last CD that it would be our last CD, even though we weren’t planning on breaking up.”

If recording is now going to take a back seat to performing, then what about Enamel, the 100-year-old brick building renovated as a state-of-the-art recording studio in downtown Omaha, owned and operated by The Faint?

Thiele said Enamel was always former member Joel Petersen’s idea. “It was sort of his project, his idea to spend our money on it,” Thiele said. “He was recording and mixing bands there for awhile. But he didn’t want to stick around and do it.” Petersen, as mentioned last week, has moved to Los Angeles.

Thiele said the band now uses Enamel for personal projects, including Depressed Buttons, and also rents the space to other bands — a process that resulted in one band’s engineer blowing up some of their sound equipment. Fink said once the studio is back up and running, bookings will resume “and maybe (we’ll) get someone in there that takes it on full-time. We’ll use it when it’s not being used.”

Finally, whatever happened to Goo, the off-the-hook dance party series that launched at The Slowdown shortly after the club opened in 2007?

Fink said Goo parties were hugely successful, that is until Slowdown decided to make the parties 21-and-over. “We thought that room would be too big to do without (the under-21 crowd),” Fink said. “That’s where the energy is — the kids that show up early and start dancing. We were worried that it would become a crappy party, so we only do Goo for holidays and special events, which has been awesome. We’ve decided not to do anymore at Slowdown for now, and are going to try restarting it at Loom on Oct. 28 for Halloween.”

The Halloween connection makes sense, since costumes have always been a part of Goo, whose DJs also included Derek Pressnall (Tilly and the Wall, Icky Blossoms) and Nate Smith. “The difference between Depressed Buttons and Goo is that Goo is kind of a dress-up party centered around themes,” Fink said. “We play classic stuff, some ridiculous things, some indie remixes, some hip-hop, even some commercial-type stuff. Goo is the gateway to actual electronic dance music.”

“For Goo, we’ll play whatever it takes to make a great moment, even it’s the theme song from Team America or MC Hammer,” Thiele said. “We kind of live to see who can play the craziest shit sometimes.”

“Depressed Buttons is more of an artistic expression,” Fink said. “We listen to hundreds of thousands of electronic producers and come up with the best things on the planet (according to us) and share that vision and sound.”

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And though this is getting rather long in the tooth, there’s still more with The Faint that I couldn’t get to in this column or Pt. 1:

What do you think of the Loom concept?

Fink: I think Loom is great. I think Brent (Crampton, one of the founders of Loom) really is good for Omaha, bringing people together, creating awareness for art and music, cultural diversity issues, I think it’s cool that he has a hub at House of Loom to host all this kind of stuff. We’ll see how it is as a dance club. I’ve really only been dancing there once so far. It’s kind of weird to me because it’s a bar, but I think we can turn it into more of a club feel.

With The Faint on hiatus, how do you guys make a living?

Fink: I married a successful musician (Orenda Fink, whose projects have included numerous solo records, O+S, Art in Manila and, of course, Azure Ray), so I’m kind of really lucky in that way. We’re doing fine, but at the same time, we’re living in a house that I bought from a friend 12 years ago and really don’t have much mortgage to pay.

We make a pretty decent living going around DJing; it pays well. It’s on par with what we made with The Faint, which was not much. We never made much money because we bought that building, and then the studio.

So Todd, how did  you end up back in Omaha after moving so many times?

Fink: The last place I lived was Athens, Georgia. I like it there, and it’s no secret that it’s great. We looked at houses there, but all the good places in town are expensive. You don’t get much at all. A tiny house (in Athens) costs twice what it costs here. And we’ve bought enough houses to where we’re really picky. We really want the location to be right and we want the house to be right. It’s prohibitively expensive to get everything you want in Athens. Orenda wanted to move back, and the master plan was to live in this house and never worry about money, and we could leave during the winter and enjoy the summers here.

That’s it for now. If you missed Pt. one of the interview, check it out here. To find out more about Loom, check out their website.

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Tonight at O’Leaver’s, it’s the return of Deleted Scenes. Their latest album, Young People’s Church of the Air, was released Sept. 6 on Sockets Records and already has garnered a 7.8 rating at Pitchfork (right here). The band describes itself as “something like the Dismemberment Plan playing under water.” With their dreamcore arrangements and heavy use of delay throughout the recording, I’m more apt to compare their sound to Beach House. Check out their latest video (produced by Love Drunk) and decide for yourself. Also on the bill is Betsy Wells and The Benningtons. $5, 9:30 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


You don’t have to dance if you don’t want to (The Faint’s Todd Fink on the politics of dancing)…

Category: Blog,Interviews — Tags: , , , — @ 12:50 pm September 13, 2011

by Tim McMahan,

I received some lively feedback (mostly on my Facebook page) from yesterday’s blog entry regarding House of Loom and Depressed Buttons, which made me want to share the following from last week’s interview with Todd Fink and Jacob Thiele that didn’t make it into the column due to space constraints.

I asked Todd and Jacob if people need to dance to enjoy Depressed Buttons’ music. Todd provided this rather profound response that cuts at the heart of people’s apprehension to dance in public:

“I just acquired a small couch or loveseat for the studio of my home where I just lie and listen to music. I have an awesome sound system in here with a sub woofer so you can make it sound just like a club. I’ll just lie on that thing and play dance music as loud as I can, louder than playing rock music — you can’t listen to rock music that loud because it just turns into noise.

“So no, you don’t have to move your body at all, but it’s physically cathartic, and it’s a good exercise for your ego to dance, even if you think you’re terrible, because you’re saying, ‘I don’t care. I’m getting to know my body enough to know I don’t care what anybody thinks about how I look.’ That’s a hard place to get to. We’re not conditioned to do that automatically. I’m proud of hippies when they dance — they’ve gotten above worrying about their dance moves. It feels good to connect with the rhythm of sound to the larger movements of your body instead of just the inner workings of your brain. I listen to dance music all the time, but I don’t dance all the time.”

There’s a ton more from this interview — including why it took The Faint so long to write and record songs (and the roll of band democracy), lyric writing and future Faint recording projects, what’s happening with Enamel recording studio, and the difference between Goo and Depressed Buttons. It’s all in this week’s column, which goes online (and in print) Thursday.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


Depressed Buttons, Skypiper CD release show tonight; Tim Kasher, Dim Light Saturday…

Category: Blog — Tags: , — @ 2:01 pm September 9, 2011

by Tim McMahan,

Depressed ButtonsI have never been to House of Loom. Scratch that. I have never been to a Loom event. Scratch that. I have never been to any Omaha “dance” event (Loom, Goo, Gunk).

Nothing against these sorts of comfabs. Nothing but respect for the DJ culture. I just don’t dance; at least not outside of wedding receptions and goofing off. Ironic, considering how much I like dance music, electronic or otherwise. But I prefer to enjoy it with my headphones on, dancing in my head, rather than in a club. Hence, why I haven’t been to Loom/House of Loom/Goo, etc.

That might change tonight.

House of Loom presents the debut of Depressed Buttons, a.k.a. Jacob Thiele, Todd Fink and Clark Baechle of The Faint creating electronic music to dance to (or whatever you want to do while listening, including just closing your eyes). You read about DB yesterday. Tonight you can see and hear them live. I have been told that House of Loom, located at 1012 So. 10th St., is not a very large space, so if this show attracts fans of the Faint, it could quickly reach capacity. I recommend you arrive early and then drink heavily. The show starts at 10 p.m., though I’m not sure when Depressed Buttons actually gets behind the wheel. BTW, the trio will be a man down as Clark is on the road with Bright Eyes. You’ll just have to make due. Hopefully he’ll be back for next month’s “performance” (tonight is the debut of DB’s monthly residence at HoL). Cover is $5. Just added: Guest DJ – D.A.M.B. of DJs Are Not Rockstars. They’re not?

Also tonight, local indie band Skypiper has its CD release show tonight at The Waiting Room for their self-titled self-released sophomore effort. Opening is Anniversaire and Minneapolis band Tarlton. $7, 9 p.m.

Meanwhile, over at O’Leaver’s, Celeritas and Lonely Estates open for Bazooka Shootout. The usual $5, the usual 9:30 start time.

Tomorrow night’s big shoe is the return of Tim Kasher to The Waiting Room. Kasher has been on the road supporting his latest EP release on Saddle Creek Records. Joining him on tour has been Aficionado, who will be opening Saturday night along with local heroes Dim Light. $10, 9 p.m.

Finally, Sunday night Brad Hoshaw, Fine, Fine Automobiles (Landon Hedges of Little Brazil), Justin Lamoureux (of Midwest Dilemma), and Kyle Harvey will be kicking off a new Songwriters Showcase series at Little Italy restaurant Q Consumables, 1228 So. 6th St. Show starts at 7:30 and is free (though you can tip the bands). Find out more about Q Consumables and check out their menu at

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


Column 340: Todd Fink on the future of The Faint and the rise of Depressed Buttons; Bon Iver tonight…

Category: Blog,Column,Interviews — Tags: , , , , , — @ 12:33 pm September 8, 2011
Depressed Buttons, from left, Jacob Thiele, Todd Fink, Clark Baechle.

Depressed Buttons, from left, Jacob Thiele, Todd Fink and Clark Baechle.

Column 340: He Disappeared: The Rise of Depressed Buttons

by Tim McMahan,

It’s not possible to talk about the debut of Depressed Buttons at hot new dance club House of Loom on Sept. 9 without first talking about the apparent demise of The Faint.

Three members of The Faint — frontman Todd Fink, keyboardist Jacob Thiele and drummer Clark Baechle — make-up Depressed Buttons. So before we talked about the new project, Fink and Thiele set the record straight on The Faint, who haven’t released an album since 2008’s Fasciinatiion or performed live since their appearance at the 2010 MAHA Music Festival. Is the band kaput?

“I would say that it’s not happening,” Fink said last week via a phone call that included Thiele. “It could happen again, but it’s not happening and there are no plans for it to happen at this point. Joel moved to California, and I guess he quit.”

Joel is The Faint’s bass player, Joel Petersen. “He doesn’t want to do the band,” Thiele said. “He really kind of lost interest a while ago. He doesn’t really want us to do the band without him because he wouldn’t like the music we’d make. This way he’s not embarrassed by The Faint’s music.”

“He quit the band and assumes the band was over when he quit,” Fink added. “But we’re not just characters in his life. We all have invested the same amount of energy into the band, and felt like we could do it. His quitting is just that, and if we did do some more shows, we would consider checking with him to see if he wanted to do it, but assume he would not.”

Fink said the remaining members of the band talked about doing a Faint tour next year in conjunction with a possible rerelease of Danse Macabre, The Faint’s career-defining album, released 10 years ago this past Aug. 21. The record sold 147,000 copies, making it the band’s all-time bestseller and among the best selling Saddle Creek Records releases. A new live show would be center on Danse Macabre “and maybe Blank-Wave Arcade,” Fink said. “I’d like to see those two remastered. I think they could be improved a lot.”

If Petersen declined an invitation, Fink said, “We could do it with four of us. There’s plenty of people in the band, or we could find someone else, too. I’d rather just do it with the four of us.” The band is rounded out by guitarist Dapose.

As for Petersen, Fink said his quitting was the right thing to do if he didn’t want to be in the band. “I don’t have any hard feelings about it,” Fink said. “People are just complicated.”

Through Fink, Petersen said he didn’t want to comment for this article. There’s more to The Faint story and everything surrounding it, which will appear in next week’s column.

Fink said Depressed Buttons grew out of Faint after parties DJ’d by Fink, Thiele and Baechle. “One thing led to another and we ended up doing that a lot,” Fink said. “We found ourselves wanting music that we couldn’t find, and thinking we should just make our own tracks, what we want to play.”

The trio soon began taking more bookings outside of the after parties. Fink said Petersen, who doesn’t like DJs, didn’t want the events to be listed as “The Faint DJs.”

“So we thought of a new name, Depressed Buttons, to kind of make fun of electronic music,” Fink said.

Last December, Depressed Buttons released its first EP, QWERTY, on Mad Decent, an L.A.-based label owned by Thomas Wesley Pentz, a.k.a. Diplo, the Grammy-nominated producer of “Paper Planes,” by M.I.A. “We plan to keep releasing our originals through them,” Fink said.

Depressed Buttons also has remixed such acts as Of Montreal, Boy 8-Bit, Boys Noize, Shinichi Osawa, Teenage Bad Girl, Herr Styler, CSS, LOL Boys, Para One, Reset!, Felix Cartal, Tony Senghore, Tommie Sunshine, O+S, Autoerotic, Beataucue and Crookers.

The trio’s DJ stints have included NYC’s Webster Hall, Moscow’s Solyanka Club, shows in Vienna, Nottingham, Berlin, and a headlining gig in front of thousands at the mammoth Avalon Hollywood.

Fink said Depressed Buttons wasn’t made for Faint fans. “The point of it is different,” he said. “The Faint was songs. You could dance to them if you like the song. Depressed Buttons may have words, may have lyrics, does have samples, but think of it as instrumental music. If there are voices, they are used as other instruments.”

As for the upcoming Loom performance, which is part of a monthly residency at the club, “This is a dance party with club music,” Fink said. “There’s no performance aspect to it unless you like watching people tweak knobs and faders and press buttons. The point is to have fun and to dance and to expose Omaha to the type of things that are happening in the world in the electronic club scene. It’s some futuristic stuff; it’s not really for Faint fans, but we are people from The Faint.”

“Depressed Buttons is forward thinking, it’s one second ahead of the rest of the club scene,” Thiele added. “It’s sort of about the science of music. There’s a lot of new music being made that couldn’t have been made until now because the technology didn’t exist. If you’re in the right mindset, in the right club with the right vibe and sound system, it can be a really enlightening experience. I think some people prefer not to dance, but to close their eyes. It’s avant-garde.”

“You can’t go too crazy,” Fink responded, laughing. “It’s still dance music.”

Depressed Buttons performs Sept. 9 at House of Loom, 1012 So. 10th Street. The 21+ show starts at 10 p.m., cover is $5. For more information, go to

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Bon Iver, whose self-titled album (4AD/Jagjaguwar) received a whopping 9.5 by Pitchfork, and which now sits at No. 14 on the CMJ Radio 200 list, plays tonight at Stir Concert Cove. Tickets are still available at $35 a pop. Opening is Canadian alt-country singer/songwriter Kathleen Edwards (MapleMusic). Show starts at 8 p.m.

Also tonight, Ft. Worth dreamcore band Burning Hotels returns to Omaha, this time at O’Leaver’s. The four-piece opened for Thunder Power and Mynabirds a year ago last May at TWR (read the review here). Wonder if they’ll have room for those fluorescent light fixtures… With Rock Paper Dynamite (headlining) and The Big Deep. 9:30, 5 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


Missed opportunities; The Hold Steady tonight; Depressed Buttons’ ‘Ow!’…

Category: Blog — Tags: , — @ 6:26 pm November 16, 2010

by Tim McMahan,

Apologies to whomever I spoke to Saturday night at the Digital Leather show at O’Leaver’s for not sticking around. I showed up at around 10, in time to catch Peace of Shit, but began to feel sick after downing a beer. It must have been something I ate. Regardless, I missed DL and POS, and hopefully will get a chance to catch both bands again in the very near future.

Good shows are becoming more and more rare these days, probably due to the onset of winter, so it’s a real bummer whenever I miss a chance to see any band. That said, tonight at The Bourbon Theater in Lincoln it’s The Hold Steady with Company Of Thieves and Omaha’s own Filter Kings. I’m not a huge Hold Steady fan, but if I were in Lincoln I’d still probably go to this one. $16, 8 p.m.

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Depressed Buttons, the new project featuring Baechle, Fink and Thiele of The Faint, is giving away its latest single, “Ow!” on Facebook and Pitchfork. Their debut EP, QWERTY, comes out Dec. 7 on Mad Decent. Check it out.

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So I see iTunes now sells Beatles songs. Why is this news?

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Tomorrow, right here at Lazy-i, another in a series of interviews with Tim Kasher. Be there.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2010 Tim McMahan. All rights reserved.


A quiet weekend, looking ahead; Depressed Buttons online; Lala no more; Pizza night at TWR…

Category: Blog — Tags: , , — @ 1:42 pm June 1, 2010

I saw a grand total of zero bands this weekend. Zero, as in none. I wanted to see music, but there just wasn’t anything going on except karaoke and tribute acts. Hopefully that’ll change in the coming weeks, though the list of just-announced shows in the One Percent monthly e-mail seems to indicate that we’re only going to get about one “important” out-of-town show per week moving forward. Sure, there’s always the usual CD release parties and the plethora of local-band showcases around Benson, but only a few nationals stood out on the list of just-scheduled gigs, including One EskimO (June 21), Maps & Atlases (July 7), Rogue Wave (July 18), and Tokyo Police Club (Aug. 1). In the “already announced” category is Blitzen Trapper next Monday, The Mountain Goats July 13, Deerhoof and (in a separate show) Mates of State June 25, The Hold Steady July 6, MAHA Festival July 24, Miniature Tigers Aug. 5, and The Black Keys Aug. 9. Missing from the list is that DEVO show that was rumored all over town and even posted on the Anchor Inn website (but never announced on the One Percent site) — that show is in limbo as far as anyone knows.

One other show 1% announced today:  The next MAHA festival play-in round June 24 at The Waiting Room. Those competing for a spot on the festival’s small stage are The Matt Cox Band, Midwest Dilemma, Honey & Darling, Tim Wildsmith and Landing On The Moon. Seeing as I’m 0 for 1 in the predictions department (I predicted Noah’s Ark Was a Spaceship would win the last battle of the bands at Slowdown, while generic rockers Betsy Wells took the prize), let me add to my abysmal average by saying that had I a vote to  cast, it would go to either Honey & Darling or Landing on the Moon, but that Tim Wildsmith will win the contest. Place your bets…

Speaking of MAHA, the organization posted a comment on Facebook the other day implying that The Faint’s performance at their festival would be the band’s last: “Given the most recent post on their Facebook page, fans of The Faint had better savor the performance at MAHA,” it said. The comment is in reference to Depressed Buttons, who I talked about in this blog back in April (here, to be exact). The new “band” (their terminology) features Clark Baechle, Todd Fink and Jacob Thiele, and has been busy building a blog — located at — and putting tracks online at a soundcloud page, located here (They’ve also got a Twitter page, here). It’s electronic, it’s DJ, it’s remixing, it’s a party. I’m not sure that it’ll be anything beyond their version of Daft Punk (Will there be helmets?). Does Depressed Buttons spell the end of The Faint? I’m doubtful, even though Dapose is working on projects of his own and Joel Petersen is busy at Enamel Studios. Time will tell.

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Just as it was announced, closed its online doors for good yesterday, offering credit for iTunes to those with a balance on their lala account. All those awesome lala imbeds on reviews sites like Pitchfork have disappeared. Now we wait to see what Apple decides to do with the service. There was a rumor that they intended to use lala as a base for offering iTunes “in the cloud,” but now I’m hearing that might not happen due to ongoing contract/rights negotiations/disputes with various record labels. It would be a drag if Apple bought the service only to shut it down.

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Cass Brostad, Blue Sharks and Matt Cox are performing at tonight’s Pizza Review event at The Waiting Room. $10 gets you all the pizza you want from 20 different pizza vendors, with proceeds going to the food bank. It starts at 6 p.m.

Also tonight, Philly punk band The Menzingers play at Slowdown Jr. with Cheap Girls, La Casa Bombas and Speak Easy. 8 p.m., $10.


The Faint’s Depressed Buttons…

Category: Blog — Tags: , , , , — @ 5:38 pm April 27, 2010

Like everyone else, I like to keep up on the weekend party plans in San Francisco, which is how I stumbled upon this item about members of The Faint’s new “Euro-friendly DJ/production team” called Depressed Buttons. According to the SF Weekly blog, the team consists of Clark Baechle, Todd Fink and Jacob Thiele, who they refer to as “the three Omaha-based bandmates” — though last I heard, Todd and Orenda still lived in El Lay. The writer goes on to say they’ve “upped the distorted synths and head-knocking dance beats of their previous gig, The Faint.” Previous gig? So who’s that playing at the MAHA Festival this year? “There isn’t much music to hear from the act online, but we’d wager Depressed Buttons bring it like The Faint conducting a rave.” Hmmm… where did I leave those glow-sticks…

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Tomorrow: Jeremy Messersmith…