Musicwise, we continue to flounder deep in the the heart of the the holiday doldrums. No big “reunion” shows this year as we had in the past (last year it was Icky Blossoms). Oh well, them’s the breaks.
However, there are a few local shows worth checking out this weekend (though nothing tonight).
Saturday night, the sax-swinging combo Magü opens for Bad Self Portraits and headliner Cable Network at The Waiting Room. The last time I saw Magü was at Petfest way back in 2021. We were at the tail end of the pandemic and everyone was freaking out about the Delta Variant, except for those sunning on the white-rock Petshop parking lot.
Back then, I described Magü this way: “Stylistically they describe themselves as psych rock / shoe gaze, but I’d peg them as modern indie with touches of classic rock. I loved the sax player’s tone and style, which merely augmented the songs and didn’t get in the way.” Ah, but that was three years ago. What do they sound like now?
Cable Network is fronted by familiar sound engineer Charlie Ames; and everyone knows Bad Self Portraits by now. Just like old-school rock shows before the pandemic, this one only costs $5. Starts at 8 p.m.
Speaking of old-school rock shows, the holidays will be in full effect Saturday night at fabulous O’Leaver’s where local shit-kickers Lightning Stills headlines a show with Lincoln electronic duo Vempire and Spurney’s Hawk. Expect lots of Santa/elf hats donned by leather-clad drunks. What more could you ask for? How ’bout it’s FREE and starts at 9 p.m. (O’Leaver’s Time).
Sunday night is the long-awaited (by me, anyway) performance by Carver Jones and the American Dreamers at Reverb Lounge. I interviewed Carver back in early November upon the release of his single, “Hit the Road (Jack),” wherein I asked if he could be the “next big thing” out of Omaha. Below is his latest single, released just a couple weeks ago. I dig his music, but can he bring it on stage? Penny and the Dimes opens this one at 8 p.m. $12.
And that’s all I got. If I missed your show, put it in the comments section.
For those wondering, I’ll post my annual Year in Review round-up (recap, favorite albums, favorite shows) early next week.
In life – and in rock ’n’ roll — timing is everything.
There was no way Dream Ghoul singer/songwriter Max Holmquist could have known when he booked his band’s show for tonight at Reverb that an ice storm would be rolling through town. And yet, here we are with one of the only interesting shows of the weekend happening during the first act of Ice Station Zebra.
However, since the show has three openers (Valley Street, Western Haikus and The Ivory Claws), there’s an outside chance the ice will have melted by the time Dream Ghoul takes the stage (as temps are suppose to warm up slowly after 10 p.m., but I’m no weather man). Check road conditions before you head out. The show is slated to begin at 8 p.m.; tickets are $10.
The ice should all be gone by tomorrow morning (Saturday), making it safe to go to Scriptown’s 10th’s Anniversary celebration. To mark the occasion, Those Far Out Arrows returns to the stage with Haunted Gauntlet, starting at 3 p.m. Fun and Free!
Tomorrow night, local pop-punk band Light Speed Highway has an album release show for their latest, Maybe Tonight Could Be Different, at fabulous O’Leaver’s. An “unplugged” version of Uh Oh opens this show at 8 p.m. No cover!
And that’s it for the weekend. You can certainly tell we’re deep in the holiday doldrums. Slowdown’s stage is dedicated entirely to tribute/cover bands through the balance of the year. In fact, you’ll have to wait until the end of January for the next touring indie band to come to town (Pile at Slowdown Jan. 28). We’re in for a long, cold winter.
In the radio business, doing anything for 20 years is remarkable, but hosting a music-focused radio show for 20 years is almost unheard of. But that’s exactly what David Leibowitz has done. His radio show on 89.7 FM The River, New Day Rising, will celebrate its 20th anniversary with its Dec. 22 broadcast.
The origin of the radio show is chronicled in the following column, published in The Reader and on this website 20 years ago. It features an interview with Leibowitz’s co-host, Eric Ziegler. Ziegler would end up leaving the show after only a few months, leaving Leibowitz to continue it for all these years.
“I actually know what I’m doing after all this time!” Leibowitz said about New Day Rising, which airs from 2 to 4 p.m. Sundays on 89.7 FM in Omaha. “I understand what I want to present, and how to go about doing it.”
A glance at the show’s Dec. 9 playlist indicates he’s kept the program’s indie focus and continues to blend new indie releases with classic tracks. But Leibowitz goes beyond the indie genre on his podcast, The Dark Stuff, available exclusively on YouTube. “The Dark Stuff just expands what I can cover,” he said. “Having the radio experience definitely affects how I operate on YouTube.”
For the special Dec. 22 New Day Rising broadcast, Leibowitz said he will be playing classics from the last 20 years, interview clips and “some other surprises.” Tune in.
As I wrote in the following column, the hope was New Day Rising would encourage The River to incorporate more indie music into their regular play lists, but it never really happened. A glance at the station’s November playlist shows the same selection of alt/grunt rock staples, like Sum 41, Sick Puppies and Return to Dust alongside pop punk/emo bands and, yes, the occasional indie track from Father John Misty and St. Vincent. It’s disappointing, but does it really matter? People discover new music a lot differently than they did 20 years, thanks to satellite radio and streaming services.
Still, radio continues to be more popular than podcasts and streaming services, according to this Forbes article from earlier this year that stated while younger people are shifting to on-demand options, 45% of their listening time remains dedicated to radio. And, of course, old people still love radio, but mainly because of shitty talk radio.
Anyway, on this Throwback Thursday, here again is the column announcing the launch of New Day Rising from Dec. 9, 2004:
Dec. 9, 2004: New Day Rising: Indie Music Returns to Omaha’s Air Waves
It always seemed somewhat ironic that Omaha has become this so-called “center of the indie music world,” yet none of the music from that world can be heard on the radio waves within its borders. Important national touring indie bands come through town all the time and draw respectfully well without an ounce of radio support. The only way anyone finds out about these shows is through articles in The Reader, websites (lazy-i comes to mind), word of mouth and show posters and fliers.
All that will likely change Sunday, Dec. 19, at 11 p.m., when Omaha’s only college rock station, 89.7 FM The River, launches a new, locally produced two-hour radio show whose focus will be, believe it or not, indie music.
Omaha’s had indie radio shows before, most recently “Pirate Radio,” hosted at the same 11 to 1 a.m. Sunday night time slot on 93.3 KRCK — the grunt-rock station that became The Dam and now spins “legendary American country.” Hosted by Saddle Creek main man Robb Nansel and Good Life drummer Roger Lewis, Pirate Radio was a laid-back (some would say unstructured) two hours of indie rock, where you were bound to hear a couple songs by Cursive or Bright Eyes. My fondest memory of Pirate Radio was being a guest host and hearing callers requesting Korn, Metallica and Limp Bizkit songs throughout the entire two hours. Typical call: “Dude, something’s wrong with your station. Turn this shit off and play ‘Freak on a Leash!'”).
Now comes “New Day Rising” (For you younguns, that’s a tip o’ the hat to Husker Du), hosted by Eric Ziegler, manager of Homer’s Old Market store, and Dave Leibowitz, former head of Mafia Money Records out of Madison, Wisconsin, who just moved back to the Big O.
Ziegler says their show will plow similar ground as Pirate Radio, with a play list derived from the College Music Journal charts. CMJ has become the defacto bible of college radio stations all over the country, and indie music is at its very core. Just don’t use the “I” word around Ziegler. Call it “College music” or “Underground” or even “Alternative” (though that word was bastardized long ago by the likes of Creed and Matchbox 20, who are about “alternative” as Britney Spears).
Ziegler says the term “Indie” turns people off. It’s at once too broad (What is indie, anyway?) and too confining (Like “emo,” no one wants the term applied to their music), with baggage that conjures images of pasty scenester kids squeezed into youth medium-sized T-shirts, with dyed-black hair and thick, clunky glasses.
Instead, the show’s play list will be all over the map, even beyond CMJ. “We’ll play anything from Bauhaus to The Replacements to My Life with the Thrill Kill Kult to The Smiths and Pavement.”
Isn’t that oldie indie? “The thing is to play newer music — the stuff the kids are into — and also keep listeners our age (i.e., in their 30s) intrigued. We want to throw in a couple gems to educate people. Half the kids today don’t know who Joy Division is, but will listen to all the bands that were influenced by them.”
The key, Ziegler said, is variety — underground metal next to underground hip-hop, a Shins song followed by the new one from Mastodon. Expect local music, too, but no Saddle Creek artists. “We might stay away from Bright Eyes and The Faint,” Ziegler said. “That stuff’s already on The River’s regular play list.” They’ll also avoid music heard on The River’s local-music show, Planet O.
Could the show’s success influence The River’s regular play list? Ziegler hopes so. “I would suffer through Slipknot to hear TV on the Radio.” But considering the success of the station’s current goon-rock format, any change seems unlikely. – Originally published in The Reader and Lazy-i.com Dec. 9, 2004.
While still recovering… from throat problems, Conor Oberst has been lighting up the internet with news. On a recent Broken Record podcast, Oberst talked about trying to convince Alan and Diana Meltzer of Wind-Up Records to not sign proto-grunge band Creed to their label way back in the mid-’90s. Oberst was in Commander Venus, which was then signed to Wind-Up. Conor must have been 16 or 17 at the time. Read all about it here in Exclaim. Said Conor about the Creek record: “And then, sure enough, they put it out, and it’s the biggest thing in the world. So [that’s] another reason not to ever trust my judgement.“
Bright Eyes also just announced that Christopher Owens will be their supporting act when they kick off their North American Tour Jan. 16 in Phoenix. Owens was formerly in the S.F. duo Girls. He opens for Bright Eyes through Feb. 7, then hands the opener chores to Hurray for the Riff Raff, who eventually hands it over to Cursive in April. Those Bright Eyes/Cursive shows could be a real time machine.
Still no make-up date announced for that “postponed” Steelhouse date….
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Speaking of time machines, tomorrow night (Thursday) at 7:30 p.m., Nebraska Public Media will re-air the next installment of its 33rd Street Sessions series featuring archive performances from Mercy Rule, The Millions and Floating Opera. The old concert clips are interspersed with recent interviews with Mercy Rule’s Jon Taylor, Heidi Ore and Ron Albertson, and The Millions’ Lori Allison. Fun stuff and the recording quality is top-notch. And if you watch via the embedded player below, you can skip over all the NPM fund drive pitches!
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Finally, Dream Ghoul just dropped another track from their upcoming album, A Forgotten Future, which is being released this coming Sunday. Dream Ghoul is the latest project from Max Holmquist (Oquoa). The album was recorded and mixed by Jim Schroeder, of Mesa Buoy and David Nance Band. No doubt you’ll hear most of the album’s songs when the band performs this Friday at Reverb with Western Haikus and The Ivory Claws…
It’s the first Friday of the month, and that means Benson First Friday. Local artists will be showing their wares in art openings up and down Maple Street tonight, including at Ming Toy Gallery, 6066 Maple Street, where we’re hosting the 2024 Dragon Invitational Open House featuring the works of a whopping 25 artists. Full list of participating artists is right here. I currently am busy this morning baking cookies for this event (Chinese Almond Cookies, Classic Toll House). The opening runs from 6 to 9 p.m. Drop by, have a glass of wine (or whine) and say hello. See you there.
It’s also Bandcamp Friday, which means it’s the best time to purchase music from your favorite artists as today Bandcamp is waving all fees and passing your hard-earned rubles directly to the bands. So whether it’s the Violenteer debut or the latest from Simon Joyner or this groovy new track from Max Holmquist’s Dream Ghoul, now is the time to buy and download.
And, though not a ska fan (except for The Specials, of course), there’s a three-band ska show happening tonight at fabulous O’Leaver’s. They’re calling it “A Plastic Holiday Special,” featuring Omaha skacore band Plastic Presidents, Minneapolis ska/punk/jazz fusion act Runaway Ricochet and Omaha ska/rocksteady act The Bishops. It’s free and has a published 8 p.m. start time. Wear a checkered neck tie and your top-siders!
Saturday night is the big Violenteer EP release show at Reverb Lounge. I wrote about the album here. The four-band bill also includes Dance Me Pregnant, Lodgings and Bad Bad Men. It’ll be a crowded room fer shure. $12, 8 p.m. start time.
Meanwhile, just down the street at The Sydney, Dave Goldberg’s new(ish) metal band Prolapse is headlining a show with Blood Tower and GLOW. $10, 9 p.m. (Sydney Time).
That brings us to Sunday and Simon Joyner’s album release show for Coyote Butterfly. As mentioned in yesterday’s write-up, this will likely be the only time the album is performed in its entirety. It’s also a seated show, so get there early to both get good seats and hear opener Megan Siebe. This early show (6:30 p.m. start time) could be a gut-wrencher. $15. PS: The Waiting Room will be featuring an NA-only special menu. All the profits from the tickets will be donated to the Arch Alumni Association, a non-profit organization whose mission is supporting former members of the Arch Halfway House.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
A week after the news broke in Lazy-i, the folks at the Maha Music Festival today made it official: The Maha Festival returns Aug. 2, 2025, to RiverFront Park in downtown Omaha.
With the headline: Maha Festival Returning in 2025, Combining Forces with Outlandia, the press release also announced Maha’s original four founders are once again involved in the festival — Mike App, Tre Brashear, Tyler Owen and Mike Toohey. And as reported earlier, 1% Productions is both booking and producing the show.
“As Maha grew and found new leadership, the foursome worked with Omaha-based 1% Productions to start another music festival, Outlandia, in 2022,” said the press release. “They have decided to end Outlandia and recombine efforts with Maha.”
Also back for the 2025 festival is former Maha executive director Emily Cox. And let’s not forget MECA, the organization who oversees The RiverFront, who no doubt will also be playing a key role.
Maha Festival Board President TJ Twit said expect announcements on performers and other details about Maha 2025 in the coming months. I’m told they already booked the headliners.
In a time when we seem to hear almost daily of a long-running music festival either being postponed or cancelled (I’m looking at you, Chicago’s Pitchforkfest), it’s great to see Omaha’s keynote music festival is alive and well and will be back, hopefully bigger and better than ever….
A not-so-last-minute show is happening tonight down in the Old Market…
Nashville trio Styrofoam Winos is passing through town and making a stop at the Grapefruit Records stage. The trio of Joe Kenkel, Trevor Nikrant and Lou Turner released their latest, Real Time, via Sophomore Lounge Records this past September. They also appeared on MJ Lenderman’s 2023 album And the Wind (Live and Loose), which makes perfect sense since they have a similar indie folk-rock sound.
Opening for Styrofoam Winos tonight is our very own David Nance and Pearl Lovejoy-Boyd. Expect some sweet, sweet harmonies.
This gig was announced two weeks ago via the Grapefruit Records Instagram and somehow escaped my attention. It starts at 7 p.m. and is $10. Grapefruit Records is located at 1125 Jackson St., Suite 5 (enter on the 12th St. side)…
Tonight, Minneapolis indie punk all-female trio VIAL headlines at Reverb Lounge. Maybe you were lucky enough to catch them this past summer at GRRRL Camp Festival. Their new album, Grow the Fuck Up (2024, Trout Hole Records), drops today, so this is sort of an album release show! Eight songs in under 18 minutes. Fun! Richmond punkers Destructo Disk is in the center slot, whole Omaha phenoms UN-T.I.L. opens the show at 8 p.m. $17.
Tomorrow night (Saturday), Criteria returns to The Waiting Room. Last time through, just a month or so ago, they played a ton of new songs. As a headliner, expect a brisk mix of old and new. Joining them is Omaha indie legends Little Brazil and Prospect Avenue. 8 p.m., $10.
Meanwhile, down the street at The Sydney, Nashville’s Thelma and the Sleaze play a return engagement. Spotify describes them as “an all-female, queer, southern-rock and roll band.” Their latest is the self-released Ain’t Country. Western Haikus open at 9 p.m. (Sydney Time). $15.
Finally, no one enjoys the holidays quite like fabulous O’Leaver’s, where Saturday night they’re hosting a free show with Cupholder, Pagan Athletes and Your Own Knife. No start time is listed, but they never get rolling until at least 9 p.m. at The Club.
And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.
I used to call them “Omaha alt-country band” Clarence Tilton, but these days the band has all but swayed away from the “alt” moniker altogether and is merely “Omaha country band Clarence Tilton.” You can certainly hear it in their music and by the artists they’re now working with.
Tilton recently announced via an embargoed press release that their latest single, “Flyaway Cafe, released last Friday, is a duet with Presley Tucker, daughter of country music legend Tanya Tucker.
For those who don’t pay attention to country music or who were born in the 21st Century, Tucker was a staple on C&W radio stations throughout the ‘70s, thanks to hits like “What’s Your Mama’s Name?” and “Texas (When I Die),” but is most well known for her mega-hit “Delta Dawn,” which was on constant rotation on KFAB-AM back when KFAB played music.
The press release doesn’t say how Clarence Tilton landed Presley Tucker to perform on this duet, only that Tucker said the first time she played with the band, “it felt like I’d know them all along. Their music gives you that nostalgic feeling, like you’ve been there and done that. Grateful to be part of it.”
This is the second time Clarence Tilton landed a big-name guest on one of their songs. In October they released the single “Fred’s Colt,” which features country music icon Marty Stuart on vocals and guitar. Both songs will be included on the band’s new LP, Queen of the Brawl, slated for a 2025 release.
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Conor Obert and Shudder to Think’s Craig Wedren dropped a new song last Wednesday, “Justice to a Scream,” that also is the end-title track from documentary short Alok, from executive producer Jodie Foster.
The film is a portrait of non-binary author, poet, comedian Alok Vaid-Menon. From the press release:
“I am a longtime admirer of ALOK,” said Oberst. “Their powerful writing, art and advocacy for transgender people and all people who suffer from the lunacy of ignorance and bigotry that permeates our society is inspirational. So when the opportunity to work on this song with Craig Wedren came along I was thrilled. I am also a big time, lifelong fan of Craig – from the amazing Shudder to Think records through his various projects and solo work. He possesses a truly one of a kind musical mind and a voice as unique and iconoclastic as he is. He has also been a great and treasured friend of mine for many years. This is all to say I loved working on this project with these two incredible pioneers.”
The track already is on heavy rotation on Sirius XMU.
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We’re entering the Thanksgiving countdown and thus, the more-intense portion of the holiday season, which means we’ll be sadly lacking for shows (specifically, touring indie-rock shows) for the balance of the year and into next February. Instead, prepare for the usual annual locals-reunion gigs, assorted album release show and tribute performances, such as the one happening tonight.
This evening, Reverb Lounge is hosting Stigmata Martyr, a tribute to Bauhaus. The band features Randy Cotton and Mike Saklar, former members of ’90s legendary Omaha punk bands Ravine and Ritual Device, and Benn Sieff of Bennie and the Gents fame in the Peter Murphy role. Joining them are 138: A Tribute to Misfits, and Abscence+Alchemy. 9 p.m., $12.
Meanwhile, down the street at The Sydney, Denver-based electronic/industrial performer Sell Farm performs. No opener listed for this 9 p.m. show (Sydney Time, that is…). $10.
One last-minute gig of note: Los Cruxes is headlining a gig at The Tavern, 514 So. 10th St., tonight. Joining them are Megadestroyer, Trees with Eyes and Neva Dinova’s Jake Bellows. 9:30 star time, no price listed, so you’re on your own…
If I don’t run into you before tomorrow, have a happy Thanksgiving.
The biggest news over the weekend is that the Maha Music Festival is alive and well and could be bigger than ever next year.
Maha will return as a one-day event Aug. 2, 2025, at its new Omaha RiverFront location. In fact, I’m told by two reliable sources that the headliners already have been booked. Among the big changes for 2025: One Percent Productions once again is involved in the festival’s booking.
No doubt the festival wouldn’t be possible unless Maha (a 501(c)(3) organization), was able to line up the necessary sponsors. Will that include Union Pacific? I was told Medical Solutions, who was the main sponsor in 2023, withdrew its sponsorship, which was part of the reason last year’s festival was cancelled.
As of 10 a.m., I’ve yet to have any of this confirmed by a member of the Maha Festival Board, despite reaching out to two board members over the weekend, so take this information for what it’s worth.
One other bit of news: The Outlandia Festival, held at Falconwood Park in Bellevue, will not return in 2025. I’m not sure the specifics, though low numbers at last year’s festival likely played a role in the decision.
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The Speed! Lightning 500 album release show Friday night at Reverb Lounge was a crowded rock ’n’ roll gathering of Speed! Nebraska Records fans, both old and new. How do I know this? Because no other label (local or otherwise) has offered such a wide variety of merch over the years, and still does.
Right when you walked into Reverb, you were hit by a wall of Speed! Nebraska-branded merch, ranging from T-shirts to hats to jackets, not to mention a wide selection of the label’s music released in all formats. Folks in the crowd proudly wore their Speed! Nebraska gear, including me in my Monroes T-shirt.
You see, Speed! Nebraska is more than a record label; it’s a local punk-rock co-op whose members are treated like family by the label’s major domo, Gary Dean Davis. Every band testified from stage how proud they are to be part of a record label that’s been so core to the Nebraska music scene since the late ‘90s.
Some highlights from Friday’s show (sorry, UN-T.I.L., I missed your set this time):
Pagan Athletes at Reverb Lougbe, Nov. 22, 2024.
The synth-and-drums duo of Pagan Athletes continues to hone its sound and has come a long way since the first time I saw them perform five years ago at Almost Music’s farewell in-store. Vocalist/keyboardist Griffin Wolf and brother, drummer Nathan Wolf, have evolved their primitive digital noise-rock into a hard, rhythmic, punk wall of sound that must be seen and heard to be believed. Check them out this Saturday at O’Leaver’s.
The Broke Loose at Reverb Lounge, Nov. 22, 2024.
The Broke Loose, a four-piece fronted by guitarists/vocalists Glenn Antonucci and Matt Evans, with Corey Randone on bass and Doug Kabourek on drums, plays indie power-pop with a throwback flair that reminded me of something you’d hear on a Titan Records compilation. Antonucci has a distinctively nasal vocal style sort of like Too Much Joy’s Tim Quirk that compliments the jangle-pop goodness. Standout moment was a solid take on their song “Just Like I Told You,” that was an evening highlight.
Wagon Blasters at Reverb Lounge, Nov. 22, 2024.
I’ve seen Wagon Blasters at least a hundred times (OK, maybe more like a dozen times) and Friday night’s set was one of their best performances. Proud frontman Gary Dean Davis, decked out in trademark necktie and Speed! Nebraska trucker cap (which you, too, can buy at their Bandcamp site), was at his high-flying best, yelling above guitarist Will Thornton’s tractor-punk power chords. Imagine how these folks would be received at something like Gonerfest or Coachella… or Maha!
Bad Bad Men at Speed! Lighting album release show, Reverb Lounge, Nov. 22, 2024.
Finally, Bad Bad Men closed out the night with another blistering set of psych-fueld punk rock. The power triad of Wolf, Siebken and Hug are Nebraska music scene elder statesmen who have created a natural extension of the heavy sound they’ve created all their lives, fronted by Wolf’s snarling vocals and ripping guitar riffs.
All-in-all, it was a very satisfying rock show performed in front of a crowd of adoring fans featuring just a few of the label’s newest talent. There could have been six more bands on stage who contributed to the new Speed! Lightning 500 compilation (which you can buy at Homer’s, Grapefruit, Recycled Sounds or online at Bandcamp). Without a doubt, the label’s future is as bright at lightning.
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