Live Review: Middle Kids at The Sydney, Protomartyr, Preoccupations at The Waiting Room…

Category: Reviews — Tags: , , , — @ 2:21 pm December 10, 2018

Middle Kids at The Sydney, Dec. 8, 2018.

by Tim McMahan, Lazy-i.com

Great weekend of shows. Let’s start with Middle Kids at The Sydney Saturday night and go from there…

The show was a curiosity in itself in that The Sydney isn’t your usual venue for rising, nationally touring indie rock bands. Instead, the club has a reputation for being a Benson neighborhood bar that occasionally hosts local bands (specifically on First Fridays).

But this past summer One Percent Productions, the fine folks who own and book The Waiting Room and Reverb Lounge as well as book the bands at the annual Maha Music festival, bought The Sydney. They had no initial intention of making it another One Percent venue, rather they left the booking in the able hands of Zach Schmieder, who has been booking the club for quite awhile.

However, I have to assume that when One Percent was offered Middle Kids, a band whose music is a staple on Sirius XMU and has been a regular on college music charts, they took it even though their other venues already had been booked that night for the annual Pine Ridge Toy Drive concert. Why not move Middle Kids to The Sydney, after all, the band is from Sydney Australia — makes perfect sense.

Well, within the months that One Percent purchased The Sydney and this concert, the venue has seen a number of adjustments to its sound system. Even the sound board had been replaced (at least for Saturday night) with something more high-tech and ready to handle what ended up being a sold out show.

Since The Sydney isn’t exactly a huge club, I expected the room to be crushed, but instead, the audience was simply cozy. I was told by the woman at the door that “sold out” meant 150 tickets were sold. There was plenty of room to move around, in fact you could walk pretty close to the stage. I took my position off stage left against the wall next to a massive subwoofer on the floor that acted as a perfect barrier to keep the crowd at bay.

But while the sight lines were good where I stood, the sound was bass-heavy and muffled because I was situated behind the overhead amps. Halfway through the set I moved back by the bar, where the sound was primo but the sight lines were for shit because The Sydney only has a short platform a few inches high for a stage, keeping the band essentially at crowd level (though my 6-foot-2 frame still gave me a view of most of the band). With that the sound system vastly improved, one hopes they install if not a proper stage, at least something that lifts the band a foot or more above the crowd.

One last technical note: The Sydney still uses old-fashioned — as in not digital — spotlights, which provide warm, gorgeous tones on stage. Here’s hoping they don’t swap them out for a digital lighting system, which is cold, harsh and photographs poorly (yeah, I know those digital light rigs are cheaper, so I’m not holding my breath here…).

OK, so what about the band? Middle Kids played as a four-piece with an added guitarist (“Kyle”) that gave their sound a much-needed boost. Front woman Hannah Joy was in great voice, standing on point belting out every song the band knows — literally (at the end of the encore she said they had virtually no other material to perform).

I’ve compared these folks to a number of acts, but the one they really reminded me of most was 10,000 Maniacs; Joy’s voice having a similar Natalie Merchant tone and quiver. The mostly younger crowd (lots of big X’s on the back of hands) stood close and sang to the hits, especially on “Edge of Town,” which became a room-filled sing-along.

Protomartyr at The Waiting Room, Dec. 7, 2018.

Backing up a night to Friday at The Waiting Room…

This was sort of a shared headliner affair, with Protomartyr sandwiched into the second slot. I’ve seen Joe Casey and company three or four times. There he was up front again, dressed like an insurance salesman or someone’s dad, barking out lines like a snapping turtle taking bites out of a dead body, while the rest of the band did their usual crushing performance.

I went to the show with a pal who hadn’t seen either band before and only became familiar with their music a few days prior (thanks to my prodding). Music-wise, he said he preferred Preoccupations more than Protomartry, but after the show, he changed his tune, saying he much preferred Protomartyr live if only for Casey’s brackish charisma. He couldn’t take his eyes off him.

I’d already seen his act, which is maybe why I was so enamored with the band, specifically guitarist Greg Ahee who absolutely ripped. If there’s a minus to Protomartyr it’s that their songs sound the same — Casey doesn’t so much sing as yell words into the microphone. So it’s up to the rest of the band to provide the depth, variety and dynamics to the music, which we got in spades.

Preoccupations at The Waiting Room, Dec. 7, 2018.

As good as Protomartyr was, Preoccupations was next level. Playing mostly songs off New Material (2018, Jagjaguwar) as well as a few older tracks, the band came out with guitars blazing before working in synths three songs into the set.

Compared to Casey, frontman/bassist Matt Flegel is a virtual opera singer, channeling Ceremony’s Ross Farrar on post-punk New Wave-esque songs that would fit in rotation on Sirius’ First Wave station. While Scott Munro shined on guitar, it was the duo synths working along with drummer Mike Wallace that raised the bar on New Material tracks like “Disarray” and “Espionage.” It was dance music… for people who don’t dance.

It was a great weekend of shows  and a great way to send off 2018, as I don’t see any other national touring indie bands coming through for the balance of the year…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Protomartyr, Preoccupations, #BFF tonight; Middle Kids, Pine Ridge benefit Saturday…

Category: Blog — Tags: , , , , — @ 1:06 pm December 7, 2018

Protomartyr at 2014’s South by Southwest Festival. The band plays tonight at The Waiting Room.

by Tim McMahan, Lazy-i.com

After a rather dead week for shows, we got back-to-back hummers tonight and Saturday.

Tonight at The Waiting Room is a double-bill featuring Protomartyr and Preoccupations. Protomartyr has been through Omaha a few times, including a couple gigs at The Slowdown. The Detroit-based punk band is fronted by Joe Casey, a guy who looks like an insurance salesman complete with a sensible haircut and full-on business attire but who has a singing style akin to Husker-era Mould or The Fall’s Mark E. Smith. Deadpan anger, straight-faced disgust, like an upset father with anger-management issues and a back-up band that is pure Gang of Four post punk. Alone worth the price of admission.

Preoccupations — the artist formerly known as Viet Cong — is another post-punk rock act. Their latest is New Material (2018, Jagjaguwar), whose opener “Espionage,” sounds like ‘80s Gary Numan synth rock crossed with Interpol. On the other hand, “Antidote” is Eno-esque modern and dissonant while “Solace” sounds like re-imagined New Order. You’re gonna love it.

Opening act, Rattle, is a U.K. double-drum duo. The fun starts at 8 p.m. Tickets are $17.

While you’re in Benson, take in some visual art because it’s Benson First Friday (#BFF), which includes (as always) a reception at The Little Gallery.  Tonight’s opening is the 4th annual “Little Show,” wherein artists show works 12″ x 12″ or smaller priced under $100. Artists include: Kitty Brougham, Rhonda Bruggerman, Amanda Caillau, Vivian Caniglia, Debbie Cunningham, Rachel Cunningham, Rachel Droppers, Emily Jordan, Linda Hatfield, Keri Hedrick, Robert Kenny, Courtney Kenny Porto, Shawnequa Linder, Debbie Martin, Christina Nelson, Sophie Newell, Ricky Powell Jr., Cindy Rae, Jean Regan, Erik Rincon, Fredy Rincon, Jill Rizzo, Torrey Smith, Jen Solberg, Susan Stevens, Trudy Swanson, Tyler Swain, Kate Swinarski, Brian Tait, Katie Temple, Melvin Usher, Holly Vander, Lynda Vik, Brian Wetjen, and Haley Whitesel.

Come on buy and have a beer on me. Reception runs from 6 to 9 p.m. The Little Gallery is at 5901 Maple Street, in the east bay of the Masonic Lodge building. See you there.

Also part of #BFF is tonight’s show at The Sydney headlined by Lincoln’s Laughing Falcon with The Natural States, and Bogusman. 10 p.m., $5.

Tomorrow night (Saturday) it’s back to The Sydney for Middle Kids. You read their Ten Questions interview right here (and if you didn’t, get to it!). Joining them is NYC duo The Shacks (Big Crown Records). 9 p.m. Tickets are $13 today, $15 DOS. This one could be a crush mob!

Also Saturday night is the annual Toy Drive for Pine Ridge concert at The Waiting Room and Reverb Lounge. The lineup is particularly good this year, with your host Lash LaRue & Hired Guns, Matt Whipkey, A Late Fall, 24 Hour Cardlock, Wagon Blasters, BandRanch Outlaws and Scott Severin. Admission is $10 per venue or a new toy ($15 for both venues or two toys). All benefit the Toy Drive for Pine Ridge’s toy delivery and heating fund for the Pine Ridge Indian Reservation in South Dakota. 8 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend!

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

No questions with Protomartyr tonight; House Fest II, St. Patrick’s Day Saturday; Titus Andronicus, MilkShopFest Sunday…

Category: Blog — Tags: , , — @ 1:02 pm March 16, 2018

Protomartyr at Slowdown Jr., Aug. 12, 2016. They return to Slowdown Jr. tonight.

by Tim McMahan, Lazy-i.com

I intended to do a Ten Questions interview with Joe Casey from Protomartyr, who plays tonight down at Slowdown Jr. I got in touch with the press people at Domino Records (Protomartyr’s label) and sent them the survey. The Domino guy immediately wrote back and said he could, indeed, send the questions but didn’t think I’d get the interview responses I was expecting.

He included a yet-to-be-published question-and-answer snippet with a reporter named “Leo.” Casey responded with about 100 words of pure venom.

I told Domino never mind. Fact is I don’t have time do a real interview with Casey — scheduling, research, writing the questions, doing the actual interview, transcribing then writing the story takes hours of time I don’t have for an endeavor that doesn’t pay a penny.

I don’t know who Leo works for but I’m guessing he’s not getting paid for being lambasted by Casey. He was just trying to help out the band, which is what I’m trying to do when I do Ten Questions interviews. They’re relatively painless, take little time to write, but at least give readers 1) a head’s up that the band’s coming through town, 2) a brief description of their sound/music/style, and 3) some feedback from a musician about some very basic questions: What do you like, what don’t you like, what’s it like to be a musician, how do you manage to make it happen in the era of a decomposing music industry.

A few days ago I had a brief discussion about music with a 21-year-old. I asked her what kind of music she buys. Her response: She’s never bought music in her life. She listens to everything on YouTube. “Why would anyone buy music?” That’s where we are, or certainly where we’re going.

In retrospect, I should have told Domino to go ahead and send Casey the questions and damn the torpedoes. But I wasn’t in the mood at the time, so…

That said, I’m planning on heading down to The Slowdown tonight for Protomartyr. I’ve seen these guys about a half-dozen times — they put on a good show. It’s worth it just to see Casey do his thing, in a sportcoat, looking like an insurance salesman, spitting out the words to their latest awesome album, Relatives in Descent. Check out some tracks below. Detroit proto-punk instrumental band Hydropark opens at 9 p.m. $15.

Also tonight, Brad Hoshaw is hosting a benefit for NAMI (National Alliance on Mental Illness) at fabulous O’Leaver’s. Joining him are Jack Hotel and Clarence Tilton. Bring your cowboy hat. $5, 9:30 p.m.

Also starting tonight and going on tomorrow is We’re Trying Records Presents: House Fest II. The location is Lucy’s Public House, 8932 Blondo St. They’ll have two stages going, with bands from all over the midwest and beyond. Ten bands slated for tonight starting at 6:30 p.m.; 19 bands starting tomorrow at 1:40 p.m.  $10 per day. This is a pretty big deal. Get details and set times right here.

Dicey Riley Band at The Dubliner, March 17, 2013. They’re back this St. Patty’s Day.

Tomorrow, of course, is St. Patrick’s Day — never a good day for live indie music. Everyone has their own traditions; many just stay home and avoid the amateurs. We always go to The Dubliner for St. Patrick’s Day, and have for years. This year, Dicey Riley (ex-Turfmen) is handling the music, which makes the Dubliner the only place to be. Music starts at 2 p.m. and runs til 6, then an hour break, and then they’re back from 7 to 11 p.m. See you there.

Sunday night is the Titus Andronicus show at Slowdown Jr. I wrote about a couple days ago. Again, this is an acoustic-duo version of Titus, which is promised to be more laid-back. We’ll see. Opening is Rick McGuire from Pile. Tickets are $13 Adv/$15 DOS. Show start at 8 p.m.

Also Sunday is MilkShopFest at Petshop Gallery in Benson. We’re talking five touring bands (including Kid Chrome) and two locals, including the mighty BIB. $5, 7 p.m. Full line-up and other details here.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

Bits and pieces from the in-box (Robert Plant, Protomartyr, Ty Segall, Courtney Barnett/Kurt Vile)……

Category: Blog — Tags: , , , , — @ 12:54 pm September 26, 2017

by Tim McMahan, Lazy-i.com

No updates since last week because there ain’t a whole helluva lot happening. No indie shows last night or tonight and not much on the horizon until the weekend (which is very crowded indeed).

A few things from today’s inbox…

Robert Plant announced his U.S. tour dates. His closest pass to Omaha is Chicago Feb. 20 and Minneapolis Feb. 22. I’d definitely go see him if he played Omaha. Plant has a new album out Oct. 13 on Nonesuch called Carry Fire.

Protomartyr today shared a new track off their Relatives in Descent album, upcoming on their new label, Domino, a song called “Don’t Go to Anacita.”

Ty Segall dropped a new single today called “Alta,” recorded at Electrical Audio with Steve Albini during a break on tour this past spring.

And Courtney Barnett and Kurt Vile today released a new single, “Continental Breakfast,” off their upcoming joint album Lotta Sea Lice, which drops Oct. 13 on Matador.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Live Review: Protomartyr; Maha Festival ED explains how the line-up was chosen (in the column)…

Category: Blog,Reviews — Tags: , , — @ 11:52 am August 15, 2016
Protomartyr at Slowdown Jr., Aug. 12, 2016.

Protomartyr at Slowdown Jr., Aug. 12, 2016.

by Tim McMahan, Lazy-i.com

Protomartyr brought the big noise with them Friday night at Slowdown, Jr.  The four-piece, fronted by nattily dressed Joe Casey, who looked like a young, slim version of John Goodman (get ready, Joe, you’re going to look just like him when you’re in your 60s), belted out at least 45 minutes of pure indie punk, gliding on Greg Ahee’s amazing guitar tone (and skill) and Casey’s barking vocal delivery.

Those vocals: Call them atonal, call them simply yelling, the closest we’ve got is Gary Dean Davis’ enthusiastic bark. Or maybe Craig Finn’s talk vocals, but that’s not quite right. Finn always sounds like a college guy snottily reading slam poetry when he fronts The Hold Steady, whereas Casey’s bark vocals seem more like someone scolding you about what’ll happen if you don’t start paying attention. And whereas Hold Steady songs play like ironic pictures of hipster America, Casey’s vision is darker, psychologically dystopian, not so much lacking in hope as providing a warning. But fun nonetheless.

Casey sold it all with his visual cues — a sort of sarcastic glare or look of indifference — as if none of it matters because you’re not listening, anyway. You’re just trying to dance. Which they did. Friday night’s crowd (of around 75?) was one of the youngest I’ve seen at an indie punk show, with mainly of young women crowding the stage. Mark Kozelek would have been envious.

* * *

You’re going to be hearing a shit-ton about the Maha Music Festival this week, seeing as it happens this coming Saturday. I’m adding to the din with this month’s Over the Edge column in The Reader wherein Maha Executive Director Lauren Schomburg explains how they came up with this year’s line-up, which features electro-dance headliner Passion Pit. Read the column here.

Apparently Ryan Adams was in the running. So were a lot of other acts, but in the end, this line-up made the most sense both fiscally and for their target audience (a younger crowd than in year’s past).

I asked Schomburg what her “dream line-up” would be. Her answer: “Probably some combination of Florence and the Machine, Arcade Fire and LCD Soundsystem.” Yes, that would be impressive. It also would cost a bazillion dollars and would have to be held somewhere much larger than Aksarben Village.

At the time of the interview, Schomburg said Maha’s ticket sales had been slower than last year’s festival. She pointed out that festivals have taken a hit this year across the board nationally. Bonnaroo 2016 was the least attended year in that festival’s history, with attendance down 45 percent since its 2011 peak. Attendance at the 80/35 Festival was down as well versus the previous year.

Schomburg said the election year could be playing into the attendance decline as well as the fact that we seem to be saturated with festivals these days. That said, Maha’s line-up appeals to a younger audience, an audience that waits longer to purchase tickets. Expect a solid run-up in sales this week and the day of event. “The community is always supportive,” she said, adding that sponsorships “have been phenomenal.”

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Lazy-i

About that Tommy Stinson event; Protomartyr, Channel Pressure tonight; Bummers Eve Saturday…

Category: Blog — Tags: , , , , — @ 11:01 am August 12, 2016
Protomartyr at 2014's South by Southwest Festival. The band plays tonight at Slowdown Jr.

Protomartyr at 2014’s South by Southwest Festival. The band plays tonight at Slowdown Jr.

by Tim McMahan, Lazy-i.com

A brief comment about last night’s Tommy Stinson (of The Replacements) interview/performance at Hi-Fi House. Someone asked why I didn’t write about the event in Lazy-i yesterday. The reason: To my knowledge, the event wasn’t a “public event.” You had to be “invited” to attend. So writing about it would have been like presenting you with a shiny coin and then snatching it away at the last minute.

How does one get invited to Hi-Fi House events? I’m not sure. You can become a member of Hi-Fi House for an annual fee, which is applied on a sliding scale depending on if you’re a musician, a member of the local music industry, or a civilian. One assumes members are automatically invited to these kinds of events. I received an invitation, but was unable to attend due to a prior engagement.

I’m told that one of these days in the very near future I or some other member of the media will be granted an interview with the folks who run Hi-Fi House and explain their services and fees. Until then, the music clubhouse on Farnam remains a mystery, though you can always drop in and ask someone about how to get involved.

* * *

My above-mentioned “prior event” that kept me from Stinson was supposed to keep me in Chicago all weekend, but my plans changed overnight, which means I’ll be able to go to tonight’s Protomartyr show at Slowdown Jr. This is one of the highlight concerts of the summer, in my opinion. Here’s how I described their performance at South By Southwest a couple years ago:

“The Detroit-based punk band is fronted by a guy who looks like an insurance salesman, complete with a sensible haircut and full-on business attire, but who has a singing style akin to Husker-era Mould or The Fall’s Mark E. Smith. Deadpan anger, straight-faced disgust, like an upset father with a controlled rage and a back-up band that is pure Gang of Four post punk.” 

Their last album, The Agent Intellect (2015, Hardly Art) topped a lot of year-end best-of lists last year, and received a whopping 8.2 on the Pitchfork meter. Yeah, these guys are still pretty red hot. No Thanks and Shrinks opens. Show starts at 8 p.m., tickets are $12. I wouldn’t be surprised if this one sells out.

If it does, you can always go see Channel Pressure, a project featuring Todd Fink of The Faint and Graham Ulicny of Reptar (and The Faint), perform at House of Loom tonight. It’s part of a party they’re calling Flesh Danse, which also features DJ sets by members of The Faint. $5, 8 p.m.

Saturday night over at fabulous O’Leaver’s its Bummers Eve, described by writer Art Fin as “Simple, fun surf punk trio from Cincinnati with lots of reverb and distorted vocals that reminds me of Wavves, early Crocodiles, maybe Terry Malts and going back to one-chord wonders like the Ramones.” Check out “I Want Your Drugs” below. Also on the bill are The Sunks and Ridgeways. $5, 9:30 p.m.

That’s all I have. If I missed your show, put it in the comments section. Have a great weekend.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Lazy-i

New Orenda Fink 8/19; new vids (HERS, Rig 1) Protomartyr tonight; the MF-ing Food Express (in the column)…

Category: Blog,Column — Tags: , , , — @ 1:04 pm May 15, 2014
Protomartyr at this year's South by Southwest Festival. The band plays tonight at Slowdown Jr.

Protomartyr at this year’s South by Southwest Festival. The band plays tonight at Slowdown Jr.

by Tim McMahan, Lazy-i.com

Orenda Fink, Blue Dream (2014, Saddle Creek)

Orenda Fink, Blue Dream (2014, Saddle Creek)

The always amazing Orenda Fink yesterday announced that her new album, Blue Dream, is coming out Aug. 19 on Saddle Creek Records. The first released track off the album, “Ace of Cups,” is being streamed at Soundcloud here.

The press release calls the new album “a year-long meditation on death” that started with the death of Fink’s dog of 16 years, Wilson. I’m already feeling bummed out.

The album truly came together at ARC in Omaha, NE with the help of producers Ben Brodin and Todd Fink (The Faint), along with drummer Bill Rieflin (Ministry, Swans, R.E.M., King Crimson),” says the release. Sounds enticing.

* * *
Speaking of new releases, a few new videos from bands with local ties (and new albums) have been released in the past few days.

Former Omaha Melissa L. Amstutz, and her band. HERS, debuted a new video for “Please,” a track of her forthcoming album Youth Revisited. The vid was directed by filmmaker Lindsay Trapnell.

Also, Desaparecidos keyboardist Ian McElroy’s Rig 1 project has a new video for “Duality,” the first single off the new album North of Maple (Team Love Records).

* * *

One of my favorite discoveries from this year’s South By Southwest Festival, Protomartyr, headlines a show tonight at Slowdown Jr. The Detroit band’s post-punk sound has been compared to The Fall, Pere Ubu and Wire. Their new album, Under Color of Official Right (Hardly Art) is already on my best-of list for 2014.

Opening for Protomartyr is Coaxed, Worried Mothers and Telepathy Problems. This is a big one, folks. $10, 9 p.m.

* * *

In this week’s column, a rant about the Omaha World-Herald‘s litter distribution system called “Food Express” and how the paper is reacting to the public uprising against it. You can read it in this week’s issue of The Reader, or online right here.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.

Lazy-i

Random Notes: New Rig 1 record 5/13; Protomartyr does The Stooges; Whipkey/Hoshaw, Desert Noises tonight…

Category: Blog — Tags: , , , , — @ 12:52 pm April 23, 2014
Rig 1, a.k.a. Ian McElroy, has a new album coming out in May.

Rig 1, a.k.a. Ian McElroy, has a new album coming out in May.

by Tim McMahan, Lazy-i.com

A few bits from the in-box.

Rig 1, a.k.a. Ian McElroy of Desaparecidos fame, has a new record coming out May 13 on Team Love. Titled North of Maple, the album includes contributions by Clark Baechle, Jacob Thiele and Dapose from The Faint, Nate Walcott (Bright Eyes) and Orenda Fink; and is produced by Andy LeMaster (Now It’s Overhead). The album release show is May 14 at Bowery Electric in NYC, so get your plane tickets now. The first single, “Duality,” is below:

* * *

Protomartyr is a band I (luckily) fell across a couple times this year at SXSW, and it turns out, was one of my favorites. Much to my surprise (and pleasure) I notice they’ve been booked to play Slowdown Jr. May 15 (It’s an Eyeball Production). If you have even a passing interest in post-punk, you need to attend this show.

Anyway, yesterday Protomartyr was featured in AV Club‘s “Pioneering” series where they were interviewed about The Stooges and performed a cover of “Down on the Street” at the Michigan Union Ballroom (why that location is significant requires watching the video). Check it out below:

* * *

I considered Matt Whipkey’s and Brad Hoshaw’s split 7-inch release party to be Record Store Day, specifically their performance for hundreds of line-waiters outside of Homer’s before the shop opened last Saturday.

Instead, they’ll both be performing tonight at Whipkey’s weekly Wednesday night performance at the Harney Street Tavern (Whipkey Wednesday), and are calling it their record release show for “I Miss You” b/w “Sorry,” which will be available for purchase at the show. 9 p.m., free.

Also tonight downtown, Provo band Desert Noises (SQE Music – yep, that’s The Faint’s label) plays with John Klemmensen and the Party at The Hive, 1207 Harney St. $7, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.

Lazy-i