Caroline Rose at Reverb Lounge, June 7, 2018.

by Tim McMahan, Lazy-i.com

The whole time I was watching Caroline Rose last night at Reverb Lounge I’m thinking, “Man, she looks just like Buddy from the ‘70s TV show Family.” I mentioned this to someone after the show who had no idea who I was talking about, hadn’t heard of Buddy or the show. When I said the star’s name was Kristy McNichol, the guy asked, “Wasn’t she one of Charlie’s Angels?” Right decade, wrong show.

It doesn’t matter I guess as long as you catch the ‘70s reference, because Caroline Rose’s music sounds like something from that era. Not “Rock 100 FM ‘70s Classic Rock,” but sort of bubble-gum rock with some punk/new wave overhang sung in a voice that’s as cute as it is fetching in a Courtney Barnett sort of way.

The set was dominated by songs off her current album, Loner (2018, New West) that are fun, sarcastic and witty with dark overtones peeping through the edges. It’s an infectious album, and she performed the tunes with the goofy energy that they deserve, backed by keyboardist/guitarist and a tight rhythm section who looked like they were having as much fun as the audience.

Rose’s between-song patter was almost as entertaining as her music, cracking wise and telling stories and introducing each number by saying, “This is my favorite song. No, this really is my favorite song.” I guess they all were. And to tell the truth, each song was its own little high point (though I especially loved hearing “Bikini” and “Money” and “Jeannie Becomes a Mom”).

Cardioid at Reverb Lounge, June 7, 2018.

Opener, Portland band Cardioid, was a surprise. They started out sounding like your typical indie band in an Angel Olson sort of way, with a lead singer whose voice I couldn’t quite put my finger on. I was thinking Rosanne Cash, but another person pointed to Roy Orbison, which was much more on target. As the set progressed their style became almost proggy with unique, unorthodox arrangements, chord changes and great harmonies, you never knew where they were going next. Sublime.

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Let’s get to the weekend…

O’Leaver’s is hosting its a two-day Mid by Midwest mini festival that combines comedy and music. Tonight’s music, which starts at 10 p.m., features a rare performance by Jason Steady (Talking Mountain, Wolf Dealer). Joining him is Dorsia. Your $10 ticket gets you in for the two hours of comedy leading up to music, starting at 8 p.m.

On day 2 of Mid by Midwest (Saturday) Nik Freitas headlines the music with Miwi La Lupa kicking off the jams at 10 p.m. As I mentioned yesterday, Freitas’ new album, Day & Dark, is stunningly good. Like the prior night, your $10 cover gets you into the two-hour comedy show that leads up to the music. More info here.

Let’s back up… Also happening Friday night is a rock show at Brothers Lounge featuring The Ramparts, Narco States and Bad Bad Men (Wolf/Siebken/Hug). $5, 9 p.m.

And Scott Severin (who’s celebrating a birthday today) opens for Jack Hotel tonight at The Harney Street Tavern. 9  p.m. and free.

And lest I forget, City Councilman Pete Festersen and a band that includes guitarists Vic Padios and Mark Weber plays a show tonight at the Benson B-Side (next to the Benson Theater). The show is $5 and starts at 8. Come see how a politician plays the drums.

Saturday night Okkervil River returns to Omaha, this time to The Waiting Room. Here’s a band that’s played just about every performance space in the city, from The Junction to O’Leaver’s to Slowdown. This was the last time I interviewed Will Sheff way back in 2005 when Black Sheep Boy was released, wherein he had this golden quote: “The fact is, it’s hard to spend seven months a year on the road making less money than a 7-11 clerk and still have a satisfying life.” That doesn’t seem to have stopped him.

The band has a new record out called In the Rainbow Rain (2018, ATO). Sheff’s voice still has that same pretty, sad lilt heard on all their music. Star Rover opens at 8 p.m. $18 DOS.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Brad Hoshaw at The Shark Club, March 19, 2016. Hoshaw plays tonight at Reverb Lounge.

by Tim McMahan, Lazy-i.com

Tuesday is becoming mail-bag catch-up day…

Speedy Ortiz’s third album, Twerp Verse, came out last week on Carpark Records. As part of the media blitz, Speedy’s Sadie Dupuis did an interview with The 405 where she declares her undying love for ARC’s Mike Mogis, who mixed the new album.

From the interview:

You worked with Mike Mogis on this album, how did he come into it?

Dupuis: Yes! We’ve been in touch with Mogis for years about doing a record. We became friends, probably three years ago, and I obviously am such a big fan of his. Maybe that’s not an obvious thing, but my holy trinity when I was in 9th and 10th grade were Bright Eyes, Cursive and Rilo Kiley, and I would order by mail Saddle Creek records. He was the first producer that I remember knowing the name of, so it was really very cool that we found out he was a fan of Speedy, and had invited us to come see his studio, and now every time we go through Omaha we stay with him.

So we’d been wanting to do this record for a few years and the timing didn’t really work out for him to record it, but we were able to carve out some time for him to mix it. It’s the longest time I’ve ever spent in Omaha, normally I’m there for one or two nights, and we were there for close to three weeks. He’s obviously a thorough producer, but working with him as a mix engineer was so much more involved than any mixing process we’ve gone through; he really pays attention to the tiniest thing. For me, someone who’s an aspiring producer, it was really educational to see what kind of things he picks up on. Lyrics really matter to him in a way that I don’t think they always do to producers, especially when they’re strictly focused on the mixing. He’s automating every word so that everything’s audible, and just thinking very hard about the tone choices we made and how he can improve upon them. He has such an amazing assortment of gear that he’s collected over his however-many years of producing stuff, so that was really fun, to see what cool toys he’d be putting my guitars through on this particular track or day. So, yeah, only amazing things to say about Mogis, I really hope that we get to do a record from start to finish with him, maybe next time around. And what a childhood dream accomplished it was to do anything with him.

There’s more at The 405.

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Mystic Valley Band member Nik Freitas dropped his first single, “What A Mess,” from his upcoming solo album Dark & Day out June 29. Among the guests on the record is Azure Ray’s Maria Taylor.

Freitas is also slated to play at fabulous O’Leaver’s June 8 with Miwi Laupa.

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Former Omahan Mike Jaworski’s latest project SAVAK dropped a new video from their sophomore album Cut-Ups (out now on Ernest Jenning Record Co.) called “Christo’s Peers (Soon We’ll Be Floating).” The band is headed to Europe next week for a handful of dates.

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As you may or may not know, Brad Hoshaw is moving away to the West Coast. I’m not sure of the dates or reasons, just that he’s leaving. Which makes tonight’s opening gig at Reverb Lounge for Charlie Parr all that more important. Get yourself some Hoshaw while you can. $10, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.