by TIm McMahan, Lazy-i.com

It was red hot inside Reverb Sunday night (figurative and literally) for Carver Jones and the American Dreamers. Reverb was packed – quite a feat for a local show on a Sunday night by a band that’s never played there before. 

I was easily the oldest person in the crowd from my vantage point standing next to the sound board. A gaggle of mostly late-teen/early-20s patrons – an equal mix of guys and dolls – pushed up front as Jones and his band entered the stage along with a couple photographers who captured images throughout the night from behind them. It was Jones’ first “headlining show,” and no doubt the footage will wind up in one of his future music videos. 

Jones stood tall center stage in a white polo shirt, guitar slung over his shoulders, with drummer Max Soderberg off stage right invisible behind the crowd and bassist Alec Allhijjawi bouncing to his left. I dug Jones’ well-produced, catchy pop songs on YouTube and Spotify (they don’t have a record label). Could they pull it off live?

Well, almost. Jones’s breathy vocals struggled at times to be heard above the rock, but when they broke through they were impressive, jumping from a mid-range croon to funky falsetto. Jones kicked off the set playing two songs on acoustic guitar before strapping on his trusty Fender (named “Rose”) for single “Hit the Road (Jack)” and a couple new songs performed live for the first time. Both leaned toward the Lenny Kravitz-style rock that Jones loves. Halfway through the second song, Jones strolled over and turned up his amp before ripping into a kille solo.

But just as the crowd was getting into the set, Jones shooed his band off stage and played two quiet cover songs solo-acoustic, including a whispery version of Tracy Chapman’s “Fast Car.” The vibe down-shift might have worked in a more formal setting but not in rowdy Reverb, where Jones gentle coo was drowned out by party-level crowd chatter. 

It wasn’t lost on Jones, who quickly waved the band back on stage, switched guitars, and launched into a sweet cover of The Beatles “Come Together” that segued into another original followed by his latest single, “Winter,” and an earlier single. “RU Still Up?,” that was welcomed with squeals from the girls when announced from stage. 

Jones closed out the night with two more bluesy Kravitz-esque numbers, again turning up his amp for some wicked solos. He should have just kept the amp at 10 all night. Upon saying “goodnight,” the crowd burst into an “encore” chant and the band played one more. Hey guys, don’t you know you’re supposed to leave and come back to the stage for the encore?

In our interview last month, Jones said he and his crew have done a lot of street busking, and that seemed evident. The band was, indeed, tight, but I got the sense they’re still learning how to get the most out of a formal stage and would benefit from rehearsing with a seasoned sound man (as well as one of his producers) to get their live show in tip-top shape prior to going out on an inevitable formal tour. Something tells me you’re going to hear a lot from these guys in the future…

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A couple other notes from this past weekend…

I caught Magü’s set at the Waiting Room Friday night.  The band has changed a lot since I last saw them three years ago at Petfest. Once a guitar-heavy rock band whose sound at times bordered on shoe-gaze, Magü no longer has any guitars, and their female vocalist was nowhere to be seen. Instead, Magü consists of a keyboard/vocalist, tenor sax, trumpet, bass and drums playing loungy R&B pop tunes that border on Yacht Rock (but without guitars). Quite a shift in style!

Also, an apology and a “caveat emptor”: Cover charges for both the Carver Jones and Magu shows were more than what I published in Lazy-i. I based my prices on what was posted on the One Percent website. The Magü show ended up being $10 instead of the advertise $5; the Carver Jones show was $15 instead of the advertised $12. Why the prices jumped, I do not know, but it’s something to be aware of the next time you head to a 1% show. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Musicwise, we continue to flounder deep in the the heart of the the holiday doldrums. No big “reunion” shows this year as we had in the past (last year it was Icky Blossoms). Oh well, them’s the breaks.

However, there are a few local shows worth checking out this weekend (though nothing tonight).

Saturday night, the sax-swinging combo Magü opens for Bad Self Portraits and headliner Cable Network at The Waiting Room. The last time I saw Magü was at Petfest way back in 2021. We were at the tail end of the pandemic and everyone was freaking out about the Delta Variant, except for those sunning on the white-rock Petshop parking lot. 

Back then, I described Magü this way: “Stylistically they describe themselves as psych rock / shoe gaze, but I’d peg them as modern indie with touches of classic rock. I loved the sax player’s tone and style, which merely augmented the songs and didn’t get in the way.” Ah, but that was three years ago. What do they sound like now?

Cable Network is fronted by familiar sound engineer Charlie Ames; and everyone knows Bad Self Portraits by now. Just like old-school rock shows before the pandemic, this one only costs $5. Starts at 8 p.m. 

Speaking of old-school rock shows, the holidays will be in full effect Saturday night at fabulous O’Leaver’s where local shit-kickers Lightning Stills headlines a show with Lincoln electronic duo Vempire and Spurney’s Hawk. Expect lots of Santa/elf hats donned by leather-clad drunks. What more could you ask for? How ’bout it’s FREE and starts at 9 p.m. (O’Leaver’s Time). 

Sunday night is the long-awaited (by me, anyway) performance by Carver Jones and the American Dreamers at Reverb Lounge. I interviewed Carver back in early November upon the release of his single, “Hit the Road (Jack),” wherein I asked if he could be the “next big thing” out of Omaha. Below is his latest single, released just a couple weeks ago. I dig his music, but can he bring it on stage? Penny and the Dimes opens this one at 8 p.m. $12. 

And that’s all I got. If I missed your show, put it in the comments section. 

For those wondering, I’ll post my annual Year in Review round-up (recap, favorite albums, favorite shows) early next week. 

Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.