Fuzz at The Waiting Room, Nov. 21, 2015.

by Tim McMahan, Lazy-i.com

The last time Ty Segall came through town there was maybe 50 people at the show. Last Saturday night The Waiting Room was packed for his return in the guise of his heavy metal psych-rock trio Fuzz. Not sure what happened between that first Fuzz album and his second, but things have certainly blown up.

Walter at The Waiting Room, Nov. 21, 2015.

Right before Fuzz, fellow So Cal garage rockers Walter played a set of refined psych metal. Refined in that these guys were as tight as any touring blues or jazz band. Frontman Patrick Noland was an absolute beast on his left-handed Fender electric, effortlessly playing riffs and fills like the second coming of Stevie Ray Vaughan but with his own special brand of sass.

But like any great power trio, no one piece is stronger than the next. Bassist Misha Lindes was rock solid and drummer Ross Chait put on a clinic, right down to a Whiplash-quality drum solo toward the end of their set.

I went home afterward and downloaded Get Well Soon,

the trio’s latest (available from the Bandcamp link below this entry). Great record but nowhere near as precise or powerful as what was heard on stage. It’s as if these So Cal garage bands go out of their way to make their recordings sound dirty, which I guess is exactly what they do, but in this case it merely blurred the lines when they should remain laser sharp. I left a fan.

Next came Fuzz. Before I go on, let me point out how much time went into their (and Walter’s) pre-set soundcheck, much more than most touring indie acts who walk up to their instruments, play a couple notes and give a thumbs up. Segall and Co. were meticulous, spending at least 10 minutes adjusting different things in their monitors, their mics, etc. And as ironic as it seems considering this is a heavy-metal garage band, it made perfect sense. They we’re going for a specific sound that required everything be just right to sound authentic.

More Fuzz.

In the end, the Fuzz’s futzing was worth it. The Waiting Room once again proved Saturday to be the best sounding rock concert room in Omaha. Fuzz blazed right out of the starting gate, blowing out a style of rock with a simple formula centered around Chad Ubovich’s rugged, bluesy bass lines made all the more majestic by Ubovich’s bronze face paint — he looked like a golden tin man beneath a shoulder-length shag. Despite guitarist/vocalist Charlie Moothart’s solid riffs or Segall’s blazing stickwork, it was those bass lines that mattered most with these songs.

From an old-school perspective I was reminded of Sabbath, Deep Purple and Robin Trower; modern-day comparisons include John Dwyer and the dreaded Jack White, two long-time garage-rock veterans who you must acknowledge whether (certainly in White’s case) you admit  liking their music or not.

By mid-set much head-banging ensued; there was even a small mosh pit in front of the stage and a few folks tried crowd-surfing. If there’s a downside to Fuzz music it’s that it all sounds very similar, especially when songs evolve into extended heavy-metal jams. But who gives a shit when you’re lost in the moment (or in the pit)?

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Thanksgiving week is always slow music-wise and this year is no different. There’s virtually nothing going on until See Through Dresses return to Reverb Lounge Wednesday night with La Guerre, and then Miwi La Lupa and Landon Hedges Thanksgiving night at fabulous O’Leaver’s. I guess it makes it that much easier to catch up with the relatives…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Ty Segall at Sokol Underground, Feb. 10, 2013. His other band, Fuzz, plays at The Waiting Room Saturday night.

by Tim McMahan, Lazy-i.com

We knew this f***ing weather had to arrive eventually, right? It was only a matter of time.

No doubt crappy weather will hamper this weekend’s musical festivities, of which there are many. Dig out your winter coat and your ice scraper and give one (or two) of these a shot.

Tonight at The New BLK at 1213 Jones St. it’s the Bigger than Beef Book Party. The event is essentially a book launch and signing for the book Omaha Food: Bigger Than Beef

(The History Press/Arcadia Publishing, 2015) by Omaha’s very own Rachel Grace. I have not seen or read the book, but I’m making a guess that it focuses on Omaha food, something we’re all familiar with.

But even if you can’t read (which means you’re probably not reading this) you’ll want to drop in on this free event because the always unpredictable garage band Worried Mothers is playing, along with Dojorok and Black Jonny Quest. Plus free food (from Noli’s and Kitchen Table) and free booze from Brickway Brewery. Reception at 7 p.m., music at 8.

Also tonight, The Derby Birds headline at fabulous O’Leaver’s. Also on the fight card are Wichita band The Travel Guide and The Brigadiers. $5, 9:30 p.m.

Tomorrow night garage-rock kingpin Ty Segall returns to The Waiting Room in the guise of his psychedelic/stoner/garage band Fuzz. Their latest album, Fuzz II, came out last month on mighty In The Red Records. This will be a noise dreadnought. Opening is Walter and local heroes Sucettes. $12 today/$14 tomorrow, 9 p.m.

Also Saturday night, The Lupines return to O’Leaver’s. Joining them will be KC band Berwanger and Des Moines’ North of Grand. It’s a tri-city rumble! $7, 9:30 p.m.

Finally, down at Slowdown Jr., Flight Metaphor celebrates the release of their self-titled debut CD. Joining them are Rock Paper Dynamite, Through the Stone and Pelican Rodeo. $8 today, $10 tomorrow. Starts at 9.

That’s what I got. If I missed your show, put it in the comments section. Have a frigid weekend…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

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Rendition of the Benson Theatre, revealed last night.

by Tim McMahan, Lazy-i.com

Based on the presentations made last night at PS Collective and a quick walk-through of the building, the Benson Theatre could become another impressive option for rock shows.

The organization behind the renovation of the theater, located next door to the Pizza Shop in Benson, reviewed blueprints of the facility, artist mock-ups of the floor plan and played a virtual-tour video that showed how the theater will look once it’s open.

Rendering of the interior of Benson Theatre, on display last night inside Benson Theatre.

With a capacity of around 225, tiered seating and booths as well as room on the floor in front of the stage, the theater reminded me of a smaller version of the Rococo in Lincoln. And despite plans for having a full performance calendar, the theater will have some capacity for other programming; one would assume that would include rock shows.

But any grand opening is likely years away. Organizers say that so far the non-profit has raised half of the $2.5 million budget that would cover all construction expenses plus six months of operating costs. Among the list of supporters were some big names, including Conor Oberst and Alexander Payne.

How long will it take them to raise the other half of the needed cash? Who knows. Organizers said construction wouldn’t begin until their goal amount is raised. Find out more about the Benson Theater project (and get involved) at bensontheatre.org

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Tonight at fabulous O’Leaver’s Chicago band Bellum Boca headlines. The band recently played with Cursive. Bed Rest opens. $5, 9:30 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Mark Kozelek at Central Presbyterian Church during SXSW March 15, 2014. Kozelek plays tonight at Vega in Lincoln

by Tim McMahan, Lazy-i.com

Another wave of live recordings just hit the Live at O’Leaver’s

servers. Check out the tracks below. I’m told things really blew up after Stereogram wrote about the website last month. Wide the wave…

Check out the awesome Giant Claw tracks here.

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Classic ’90s Chicago act My Life with the Thrill Kill Kult headlines tonight at The Waiting Room. They’ve been called electronic-industrial-disco-rock, which I guess is pretty much spot on. Ruby Block opens. 9 p.m., $15.

Also tonight, Mark Kozelek returns to Vega in Lincoln. I’m sure there’s a very good reason why Kozelek has passed over Omaha for Lincoln the last two times through Nebraska, preventing me from seeing him perform. As I’ve said before, his set during SXSW 2014 was a highlight, where he played most of the songs off the amazing Sun Kil Moon album Benji. Expect songs off the latest SKM album, the rather verbose Universal Themes. $20, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Crooked Fingers at Frank, SXSW, March 16, 2012. The band announced a forthcoming reissue of their first two albums.

by Tim McMahan, Lazy-i.com

Sleepy Monday after a sleepy weekend. I’ll use my time today to share some email/press release stuff that just hit the in-box.

— Our old friend Eric Bachmann today announced that Merge will reissue the first two full-length Crooked Fingers albums Jan. 29. We’re talking Crooked Fingers’ 2000 self-titled debut (featuring a swan on the cover) on vinyl with six bonus tracks, and 2001’s Bring on the Snakes, also on vinyl plus bonus demos of each track. Wonder if a tour will be announced?

— Today Press Here PR announced that Eleanor Friedberger has a new album coming out called New View on Frenchkiss Jan. 22 and is headed out on a tour, whose dates include a Feb. 27 gig at Reverb. She’s pretty fantastic in concert, so this will be one you’ll want to put on your calendar. Check out the first single from the new album, below:

— Kind of old news but interesting nonetheless: ’90s chamber-folk band Tindersticks has a new album coming out Jan. 22 on City Slang called The Waiting Room. I lost track of these guys a decade ago, but the memory of their ’93 debut album still haunts me. They’ve put out a record as recent as 2013, which flew completely under my radar. Based on this first track from the album,  their sound hasn’t changed much in 22 years.

— BTW, I’m currently absorbing new releases by Drakes Hotel, Anna McClellan and Flight Metaphor, among others, and will report back with reviews in the near future. With fewer shows going on these days, I’ll have more room in Lazy-i to do album reviews. Keep watching.

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Tonight at fabulous O’Leaver’s it’s Team Love Records artist iji. Opening is Crypt Kid and Ebony Goddess Wanted. $5, 9:30 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Walking into Reverb at just after 9:30 the show still wasn’t sold out, but it was close. Only a few tickets remained, and they likely got sold before Low took the stage at 10 p.m. So yes, it was a sold-out show (probably). And easily the most crowded show I’ve attended at Reverb.

Once through the sound-room door I was met by a dense crowd watching as opening singer/songwriter Andy Shauf was seated performing his set with an acoustic guitar. His singing style was a cross between Elliott Smith and a hearing-impaired Russian sailor. At first I thought Shauf was singing in a different language, until I listened more closely and picked out a few familiar words in English, words like “love” and “death.”

Still, I figured Shauf must be a visitor in our country, until he spoke between songs with a clear North American accent, which quickly disappeared as he began his next song, returning again to his affected, foreign, nasal croon. His songs were pretty, and I’ll be checking out Shauf’s recordings later (hopefully they’re in English).

Low came on right at 10 — Alan Sparhawk standing with guitar stage right, bassist Steve Garrington stage left seated behind a keyboard, and Mimi Parker seated behind a trap set. Sparhawk and Parker have aged only a little since the last time I saw them play, about 10 years ago at Sokol Underground. Their pitch-perfect intertwining vocals still carry the same amount of heart-break and dread as they ever did.

The set-list was identical to what they played at First Ave. the night before (where they kicked off this leg of their current tour). “Monkey” from The Great Destroyer was an early set highlight, only surpassed by a dark, ominous version of “Pissing” (also off Great Destroyer) that built from Low’s usual quiet stance to a crashing sonic nightmare that ended with Sparhawk screaming into his guitar pushed overhead against his face. Intense.

The majority of the set consisted of songs from new album Ones and Sixes (Sub Pop, 2015), including a rich take on album favorite “Lies.” The new stuff sits seamlessly with the old stuff. Over the course of two decades Low has added more noise, more guitar, even pop-fueled moments (How else to describe the uptempo rock of “Part of Me,” also off the new album?), but ultimately retained their patented “slowcore” style — stripped down, simple, stark and at times beautifully dreadful.

The only deviation from the First Ave. set was the encore. After a crashing version of “Landslide” (also from the new album), the band left the stage and came back for a two-song encore (instead of four the night prior) that included a gorgeous take on “Sunflower” (from Things We Lost in the Fire) and favorite “When I Go Deaf.”

Startling stuff, enhanced by the fact that it was performed in such a small space. Maybe too small, as I spent the evening crushed against one of Reverb’s new drink rails that are mounted along the stage-left wall, forced to shift from one foot to the other to see around a fat-headed dude standing in front me. Whattaya gonna do? Last night also was the first time that I noticed noise bleed coming from The Waiting Room, where Roger Clyne and the Peacemakers were playing — a steady thump-thump-thump that cut into the silent moments of Low’s set. Sparhawk and Co. struck back as only they could — with the full force of their instruments during the encore, leaving me wondering if the poor saps at the Clyne show were getting a taste of what we were hearing…

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After a couple solid shows this week, we’re left with a pretty quiet weekend.

Tonight Stardeath and White Dwarfs headlines at The Sydney. The four-piece psych-rock band from Norman, Oklahoma, includes none other than Wayne Coyne’s nephew Dennis Coyne on lead vox. Surf-rockers Sub-Vectors open. $10, 9 p.m.

Also tonight State Disco headlines at Reverb Lounge with AZP and Rothsteen. $10, 9 p.m. BTW, Reverb now hosts all-ages shows, if you didn’t know (I didn’t until last night).

Meanwhile, at fabulous O’Leaver’s, it’s Fitness 000010, featuring Bus Gas, Big Slur and Ridgelines. $5, 9:30 p.m.

Tomorrow night (Saturday) it’s back to O’Leaver’s for Christopher the Conquered, with Bazile Mills and Tenenbaums. $7, 9:30 p.m.

Also worth mentioning for you musicians , Hear Nebraska is hosting a free workshop called Protect Yourself and Your Music: Legal Advice for Musicians, Saturday afternoon from 1 to 2:15 p.m at the TipTop Building. U of N Law students will talk and take questions about such things as copyright law, licensing, contracts, streaming services, performance rights, in other words, all the things you should know if you’re going to be a working musician. If friggin’ free, so go! More info here.

Finally, indie-folk singer/songwriter Mason Jennings headlines at The Slowdown Sunday night. S. Carey opens. $27 Adv/$30 DOS. Starts at 8 p.m

And O’Leaver’s ends the weekend with Fort Collins dream-pop band Sound of Ceres, along with The Sunks, Chalant and Little Ripple Sunday night at 9. $7.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Low, filmed last week on Later with Jools Holland.

by Tim McMahan, Lazy-i.com

Is it a surprise or just a sad reflection of the current state of our indie music scene that tonight’s Low concert at tiny Reverb Lounge has yet to sell out (at least not at the time of this writing)? I bought my tickets the moment the show was announced, assuming that it would sell out in, oh, a few days. But here we are on the day of the show and it’s still not sold out. How can that be possible?

Here are five good reasons why you should go to tonight’s Low show at Reverb:

1. They’re Living Legends — The Duluth trio is one of the best, most influential indie bands of all time (Sigur Ros, Pinback, Cat Power are among those whose sound can be traced back to them). They invented a style of rock that emphasizes the emptiness between notes, with slow, deliberate tempos and hushed, spare melodies. The result is intense and darkly dramatic, both chilling and heartbreaking, but yes, they also rock. Hard. Frontman/guitarist Alan Sparhawk knows how to shred a guitar like no other.

2. Their new album rocks. Ones and Sixes (Sub Pop, 2015) is another classic collection of songs that epitomizes Low’s simple, dramatic style. Pitchfork gave it a 7.8, and compared it to one of their all-time classics, The Great Destroyer (Sub Pop, 2005). It is, indeed, gorgeous. For long-time fans, the biggest difference on this new album is the addition of electronics — sometimes just static, sometimes merely tones — that add another layer to their music’s dark sheen.

The breakdown by album of last night’s setlist performed at First Ave.

3. The set list will be epic —  Check out the setlist from last night’s show at First Ave. No doubt we’ll get something similar tonight. In addition to being front-loaded with songs off Ones and Sixes, Low played songs from six of their classic albums.

4.  The Venue — This is happening within the intimate confines of Reverb Lounge, a room that holds slightly over 100 people but has one of the city’s best sound systems. You will be engulfed by this band’s amazing music and close enough to see the love sparks between Sparhawk and his wife and band co-vocalist Mimi Parker.

5. They are absolutely amazing live — I’ve seen this band three or four times, and can guarantee that those who are in attendance tonight are in for a concert they likely will remember for the rest of their lives. No doubt it will land on your list of “shows of the year’ for 2015.

I wouldn’t be surprised if this show sells out eventually. Get your tickets now before it does. $20. Andy Shauf opens at 9 p.m. Don’t miss it.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

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Dilly Dally at Reverb Lounge, Nov. 7, 2015.

by Tim McMahan, Lazy-i.com

More proof that a high rating from Pitchfork doesn’t necessarily equate to big crowds, PF darlings Dilly Dally played to a grateful crowd of around 50 Saturday night at Reverb Lounge. The band’s latest album, Sore, scored a massive 8.0 on the Pitchfork meter which doesn’t matter if no one’s heard your music.

Dilly Dally front woman Katie Monks channeled Courtney Love’s gravel-growl throughout the 45-minute set that included a lot of songs off that new album. But maybe more than Courtney, Monks reminded me of a younger version of Thalia Zedak of bands Come and Live Skull, but playing music that isn’t nearly as stark an desolate as either of those bands. Dilly Dally’s sound is a hybrid of ’90s post-punk mixed with some modern-day touches. The song “Get To You,” for example, carried a funky-grungy bassline that was pure Breeders territory.

Monks sounded younger on stage than what we hear on the record, probably because she looked like a teenager on stage wearing a sideways ball cap covered in bedazzle-bling. After seeing the songs performed live, I love the record even more.

It dawned on me that Monks is among a galaxy of young women punk performers who are making the biggest mark on indie these days. Why haven’t we seen a modern-day punk Lilith Fair featuring Dilly Dally, Bully, Hop Along, Savages, Speedy Ortiz, Courtney Barnett, Sleater-Kinney, etc.? Or maybe it’s time we got away from organizing gender-specific festivals.

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A couple big shows happening on a Monday night (more proof that we’re not the destination, we’re the drive-through on the way home).

Pure Bathing Culture sans drummer at The Waiting Room Nov. 5, 2014. The band plays tonight at Reverb.

Top of the list is Portland band Pure Bathing Culture at Reverb Lounge. I’ve seen this band on three separate occasions and have been underwhelmed three times, but maybe it’s a personal thing, as people who were in the same audiences raved about the band’s performance. Opening is fellow Portlanders Wild Ones (Topshelf Records). $12, 9 p.m.

Meanwhile, over at fabulous O’Leaver’s, NYC band BOYTOY hits the stage. They’re on the road supporting a new EP called Grackle. Also on the bill are Bien Fang and The Morbs. $5, 9:30 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

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McCarthy Trenching at Reverb Lounge, Jan. 17, 2015. The band celebrates the release of their latest album tonight at O’Leaver’s.

by Tim McMahan, Lazy-i.com

Crazy frickin’ weekend for shows and stuff.

Let’s get the big one out of the way first: McCarthy Trenching celebrates the release of their new album, More Like It (Sower, 2015) tonight at fabulous O’Leaver’s. You’ve already read about the record here, now check out the band. I’m told a few folks may join Dan and his partner in crime James Maakestad on stage. Find out who. I can tell you for sure that Sower labelmates Bud Heavy and the High Lifes will be opening the extravaganza. $5, 9:30 p.m.

Also tonight, it’s another Benson First Friday. Of note is the first annual “little show @the little gallery,” the gallery Teresa and I run at 5917 Maple Street, right across the street from The Sydney. All works, created by local artists, are 6” x 6” or smaller and retail for $100 or less. Think about giving the gift of locally produced art this holiday season! If you get there early, you might even be able to buy a piece by yours truly — one of my old-time-style classic cassette covers, which comes with a recorded cassette of my faves from 2015 (featuring lots of local and national acts). The reception runs from 6 to 9 p.m. Booze provided.

Tomorrow night is the grand opening of Milk Run, 1907 Leavenworth, the new all-ages music venue run by the guys behind Perpetual Nerves Productions, Chris Aponick and Sam Martin. You read about the club here (and if you haven’t, go read now). The bands honored with opening what is bound to be a legendary venue are American Cream (featuring STNNNG’s Nathan Nelson), David Nance Band, Robust Worlds and Church of Gravitron. Show starts at 9. Entrance in the back of the building, where there’s also some parking. $5, BYOB.

Also tomorrow night, a show that seems to be flying under the radar (or at least I haven’t seen a word about it yet) — Toronto punks Dilly Dally headline at Reverb Lounge. Their new album, Sore (Partisan, 2015) got a massive 8.0 rating from Pitchfork. Frontwoman Katie Monks sounds like the second coming of Courtney Love on songs that Hole would have killed to have written.

Dilly Dally, Sore (Partisan, 2015)

The album’s artwork is kind of gross, so much so that I asked Monks to explain it to me. Here’s what she said, via email:

“The album cover relates to our music in many different ways, but I would rather not spell it out. That would spoil the fun. Listen to the record and if you still don’t get it, feel free to enjoy the image based on the fact that’s pretty badass lol.”

It’s badass alright. No Thanks opens. $10 9 p.m.

Also tomorrow night (Saturday), Londoners Holly Golightly and the Brokeoffs (Transdreamer Records) headline at O’Leaver’s. Opening is Simon Joyner and the Ghosts and Those Far Out Arrows. $7, 9:30 p.m.

Then along comes Sunday…

Folk rocker Laura Stevenson and her band headline at Slowdown Jr. She’s on the road supporting her just-released album Cocksure (Don Giovanni, 2015). Opening is a slew of acts: The Ridgways, No Getter and Crypt Kid. 8 p.m., $10 Adv./$12 DOS.

Also Sunday night, O’Leaver’s is rolling out another night of the hard stuff with Tallahassee band Ex-Breathers, Gnarwhal Peace of Shit and FLAK. $7, 9 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Celebrating Throwback Thursday…

Hard to believe this was 12 years ago. Dulli is still at it. He recently announced an “intimate solo tour,” which will see him make stops in 11 different countries for a total of 32 shows beginning on February 6, 2016, in Galway, Ireland and wrapping with a two-show engagement on April 1-2 at the Preservation Hall in New Orleans.

BTW, The Afghan Whigs are currently in the studio working on a new album for Sub Pop Records, which will be released later in 2016.

#TBT: Live review: The Twilight Singers, Marianas at Sokol Underground – Nov. 7, 2003

It will go down as arguably the best live show of 2003, and even more precious for the true Dulli/Whigs fans in the crowd (and there were plenty among the 165 on hand, judging by the age and the patter, the constant ongoing arguments over which was his best album, Black Love or Gentlemen or ’65). A handful of people had been there an hour earlier to hear the soundcheck, Dulli apparently was rife with comments about buying cocaine and playing pick-up cover songs. Afterward, Dulli and his band wheeled off to Gorat’s to get themselves a few platters of steak, prepping for a gut-wrenching night (I know those big fat steaks took their toll when, halfway through his set, Dulli said, “I need a nap.”).

While they were gone, Marianas played their set. The Lincoln 5-piece that prides itself on meticulously arranged ambient songs seemed a strange match for a white-knuckle gutter bluesman like Dulli and Co. It ended up being an interesting contrast. Marianas’ music is multi-layered, with two keyboardists, a guitarist, drummer and bassist/trumpeter. If they sounded like Tristeza on their debut CD, they sounded even more so live, like a blend with The Album Leaf and The Mercury Program. There were some obvious problems with their gear that the band must not have noticed from the stage — the guitar was either out of tune or (as one person told me) had a problem with its pedal. The low-end was overpowering, either from the bass or from the keyboard/synth/drum machine, occasionally drowning out the rest of the band. While the drummer did a good job keeping in the middle of everything, I so wanted him to let go and really punish his set. Their best songs featured the bassist on trumpet, and a unique cover of The Velvet Underground’s “Sunday Morning.” I like this band, and would love to see them open for someone like Low or Her Space Holiday.

TBT: Greg Dulli of Twilight Singers at Sokol Underground, Nov. 7, 2003.

Five minutes after their set ended, Dulli and his band walked in and within minutes The Twilight Singers lifted off.

Dulli looked like a lean, sweet, young Jake LaMotta, decked out black-on-black, his gleaming jet-black hair framing a face that is pure Italy by way of Greece, like a thin, fit John Belushi standing short beneath a microphone that was too high on purpose, forcing Dulli to squeeze upward with every note, while at the same time pulling down on his electric guitar.

There’s not much to say about the set other than it was as pure an hour and forty-five minutes as you’re going to hear from any performance. Dulli was in perfect voice; as if time had stood still since the day Gentleman was released 10 years ago. He was obviously having a good time, grinning at the crowd, at his band, at his guitar-tech who stood off to the side of the stage and poured him a plastic cup of Maker’s Mark, constantly feeding him cigarettes between songs. The whole band was tight as a tic, the drummer was especially flamboyant and acted as a perfect foil to Dulli’s wide-open front-man pose.

TBT: Greg Dulli of Twilight Singers at Sokol Underground, Nov. 7, 2003.

I’ve always liked the Afghan Whigs, and own Gentleman and Black Love, but I couldn’t tell you the name of one of his songs. I recognized a few old Whigs tunes, and the tunes off the most recent Twilight Singers CD, which blended seamlessly together, along with a barrage of covers inset within the songs themselves, covering everything from Prince to Derek and the Dominos to Skip Spence (Moby Grape) to The Zombies. Regardless, I knew the purist would be disappointed without a set list, so I swiped one from the stage after the band finished its encores. Here it is, copied letter-for-letter:

Esta Noche
Teenage Wristband
Twilite Kid
That Bird Sings
Cloud Busting
Decatur Street
Love
Annie Mae
Papillon
Dixie Peach / Ying for Yang
Martin Eden
King Only
Jail
Black is the Color/Time of The Season
The Killer/Rhiannon/Layla
________________________
Uptown
66
Faded

Throughout the set, Dulli referenced Council Bluffs at least a half-dozen times, asking the crowd to join him there for a drink after the gig. He deserved it. We all did after that set. I left thinking that Dulli has one of the most distinct and awesome voices in the history of rock, the perfect instrument that can make you cower or cry or stand up straight right alongside him, wanting to testify to love both good and bad and every which way, a dark love that Dulli has seen and wants you to see with him. — Lazy-i, Nov. 7, 2003

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Back to the present…

Kevin Coffey of the Omaha World-Herald just posted another interview with Dan McCarthy in support of tomorrow night’s album release show at O’Leaver’s. You can read it here, and if you haven’t yet, you can read my interview with Dan in The Reader, online here

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Speaking of fabulous O’Leaver’s, there’s a great show happening there tonight. Cursive’s favorite (recent) tour mates, Beach Slang returns to the club for what should be a rowdy night of rock. Also on the bill is Philly band Lithuania featuring Dominic Angelella and Eric Slick of Dr. Dog. Brooklyn punk band Worriers, whose debut full-length was produced by Laura Jane Grace of Against Me!, kicks things off at 9. This one’s $7.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.