by Tim McMahan, Lazy-i.com

It’s been a crazy week and I’m just now catching up on the news and announcements that hit my mailbox over the past few days.

Tim Kasher of Cursive and The Good Life fame announced his next solo album, Middling Age, is coming out April 15 via his 15 Passenger Records label. This is number four for Kasher, which I guess makes it his “senior release,” and includes some help from Against Me’s Laura Jane Grace, Cloud Nothing’s Jayson Gerycz, Jeff Rosenstock, and Cursive compadres Patrick Newberry and Megan Siebe, and Macey Taylor from Conor’s Mystic Valley Band, engineered by Jason Cupp (American Football, Ratboys).

From the one-sheet: “Middling Age is an existentialist screed on mortality and loss that has inadvertently arrived as the world struggles in kind. Known for his ability to thoughtfully explore complex subject matter with empathy, humanity, and wit, Kasher is now contemplating some of life’s thorniest, yet most universal topics. The fear of losing loved ones, feelings of personal stagnancy and uncertainty, sweeping self-evaluations, and a sense of unrelenting disquietude all unfold across these 11 tracks.”

Sounds lovely. The first single, titled “I Don’t Think About You,” dropped this past Monday a features harmonies by Ms. Siebe. Check it out below and preorder the digital album.

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Speaking of old school Omaha, Saddle Creek Records is releasing a 20th Anniversary Edition of Desaparecidos’ Read Music/Speak Spanish on vinyl May 6. It includes two bonus tracks via digital of “What’s New for Fall” and “Give Me the Pen” (which was also available as a limited 7-inch that has quickly sold out).

No word on a reunion, though the time is definitely ripe.

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Speaking of former members of Desa, Landon Hedges’ project, Little Brazil, is poised to release a new album any day now. I have no details, other than having seen a photo of the test pressing on Facebook. Where’s the love, guys?

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Mesa Buoy, the project from Nebraska legendary guitarist Jim Schroeder, will see the formal release of his 2020 debut album on vinyl March 25. Schroeder has surrounded himself with a supergroup of sorts for this release, including Kevin Donahue, Colin Duckworth, Patrick Newberry, Michael Overfield, Megan Siebe, Jay Kreimer and David Nance. I’m told a release show is in the making… stay tuned.

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This morning tickets went on sale for this year’s 80/35 Festival in downtown Des Moines. The line-up includes a lot of folks who have played Omaha over the years, including Maha festival alumnus Father John Misty, Japanese Breakfast and Guided by Voices (all three on the festival’s first night, July 8) and Charli XCX and Future Islands on Saturday, July 9. There’s a lot of new acts on the undercards, which you can check out at www.80-35.com. More bands to be announced later, I guess. $95 for a two-day GA ticket. This isn’t a bad line-up, but it’s not enough to get me to Des Moines.

We’re all waiting with baited breath to hear who’s playing at Maha this year…

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All right, what’s going on this weekend…

Well tonight at The Sydney in Benson it’s a three-band bill headlined by Nashville act Thelma and the Sleaze. The band is “an all-female, queer, southern-rock and roll band” according to Spotify. Their last album, Fuck Marry Kill, was released in 2019 on The Way of Whom Records, and is a grinder. Joining them are veritable Sydney house band Universe Contest, and the one and only Solid Goldberg. $12, 9 p.m. This is a No Vax No Entry gig, so bring your evidence.

Also tonight, Crash Test Dummies are headlining at The Waiting Room with Mo Kenney. Ugh. $35. 8 p.m.

Tomorrow night Stronghold brings the heavy to Reverb Lounge with Mere Shadows and Hand Painted Police Car. $8, 9 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Aaaaaand…. we’re back. Again.

If you believe all the hype, the pandemic is over and it’s smooth sailing from here on out. Right, we’ve all heard that one before. Even if it’s just a reprieve, I’ll take it.

Tour announcements have been hitting my email box hot and heavy. Unfortunately, the NOmaha trend continues, with so many acts bypassing our friendly (and numerous) stages. I guess we should be thankful for anything we get these days. Can’t say I blame the promoters for being gun-shy toward booking indie shows. Times have, indeed, changed. But while indie music is more popular than ever outside of our fair city, the jury’s out as to whether it’ll continue to draw crowds like it it did leading up to the pandemic.

And then there’s the question of how many concertgoers were lost after two years of COVID. Folks who went to shows before the pandemic have seen their lives change — older, new commitments, new family members, the list goes on and on. A changing of the guard is about to happen at Omaha’s music venues, a new audience will either augment or replace the old one. No doubt I’ll be seeing a lot of new faces at the clubs, and will miss seeing a lot of the old ones.

Moving on.

Atlanta singer/songwriter Faye Webster became one of indie’s frontrunners with the release of 2019’s Atlanta Millionaires Club on Secretly Canadian. She’s got a laid-back, swinging, rural style layered with plenty of pedal steel and her twanging, nasal vocals that remind me of Natalie Prass.

Faye and her band are hitting up The Slowdown Saturday night in support of her latest, I Know I’m Funny haha (again on Secretly Canadian). I believe this show was originally slated for the small room and was moved to the big stage weeks ago.

Opening for Webster is Richmond, VA’s Kate Bollinger, whose records are pressed by Ghostly International, and who has a more straight-forward indie rock sound in the Belle & Sebastian vein. $18, 8 p.m. This is a No Vax No Entry show, so bring your evidence. You may also want to have your mask at the ready. I think Douglas County dropped the mandate, but Slowdown might have different ideas.

THIS SHOW HAS BEEN CANCELLED!

Also Saturday night, Eric in Outerspace is headlining at The Sydney in Benson. Joining them are Sweet Streak along with Emma Lyness and the Legumes. There’s almost no details on this show. I suggest showing up around 10 and expect a $10 cover, more or less.

Hey, before all that happens, Nebraska’s own singing leather bondage geek, Plack Blague, is playing at Reverb tonight (Friday) with Gore-TXT. You want weird? You got it. $12, 9 p.m.

Finally, Sunday night Pageturners is hosting shows again, this time with Specter Poetics (Jack McLaughlin), Bellhead and David Schock. This free show starts at 8 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Hmm.. well. Love to tell you there was something going on indie music-wise this weekend, but I’d be lying. It’s really a dead weekend. I blame a combination of COVID impacting tours and Super Bowl Sunday.

The good news is that reported COVID cases in Douglas County are severely trending down. And we’ve got a hot show next weekend with Faye Webster with Kate Bollinger at The Slowdown.

And in other good news, The Sydney is coming through with some good stuff on their calendar. Saturday night is Benson Soul Society, next Saturday is Eric in Outerspace, and they just announced a BIB show on St. Patrick’s Day.

And 1% is bringing March in like a lion with Bonnie Prince Billy, Parquet Courts, Pears and Minnie Lussa all booked in the first two weeks.

So, maybe just take it easy this weekend. Things will get better.

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Brooklyn post-punk mainstays SAVAK have announced their fifth album, Human Error / Human Delight, which will be released on April 15 via Ernest Jenning Record Co. We all know that SAVAK’s line-up includes Omaha expat Mike Jaworski (a.k.a. Jaws), with Sohrab Habibion and Matt Schulz on drums. SAVAK’s playing four days at SXSW this year, but no Omaha dates as of yet… Here’s the first single.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Based on the analytics, the most-read new content on Lazy-i is live reviews (while vintage interviews from the last decade probably attracts the most readers). Live reviews give people a glimpse of what happened during a night at a club — if they were there, too, they can compare mental notes; if they weren’t there, they can catch up on what they missed. It also gives a band’s followers or those just getting familiar with a band a sort of score card. If written with enough detail, live reviews can have a gossipy feel to them — fun!

Live reviews also are the easiest content to write. All I have to do is sit down and recall the evening, glancing at whatever notes I jotted down on my iPhone or pictures taken from the floor. So it pains me to no end that I missed Friday night’s sold-out Cursive show at The Waiting Room. Joel from 1% was kind enough to place me on the list and I was all set to go.

But at around 8 p.m. I began to get cold feet. A number of people from my office have their entire families down with COVID. About half the people I know have had it, and the numbers — though finally on the decline — are still in the hazardous range, with hospitalizations at an all-time high. I sat on my couch Friday night with my uncomfortable N95 mask on and asked myself if I wanted to be in a sold-out room wearing this for three hours, struggling to drink a beer, likely packed up front of a huge crowd or standing all the way back by the bar, and it just didn’t add up.

This was the first time since COVID began that I skipped a concert I had planned to attend, and it was a bummer, but with everything going on, I can’t afford to get COVID and don’t want to.

So, thanks to Joel for the list and apologies for not going. The numbers are improving every day and there will be more shows, including more Cursive shows, to attend. But dang, I really miss seeing Vitreous Humor. That opportunity will likely never happen again in Omaha…

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Speaking of COVID, my column in this month’s issue of The Reader is focused on COVID conspiracies and other lies that are ruining our lives. Read it here.

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Speaking of shows and COVID, tonight’s Black Angels show at The Slowdown has been postponed.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

There’s no argument about it, tonight’s Cursive show at The Waiting Room is the biggest indie show to happen since last summer’s Maha Festival. It’s also the only indie show going on this weekend.

And it’s a loaded show. Eric in Outerspace kicks things off at 8 p.m. By themselves I’d be recommending this show. But in the center slot is legendary Lawrence, Kansas, band Vitreous Humor (who I wrote about here – catch up!). Fans of ‘90s post punk take note; this is a once-and-done sort of performance.

Finally, Cursive takes the stage (probably at 10). The band has been on tour with Thursday, Jeremy Enigk and The Appleseed Cast, slated to play Denver tomorrow, so Tim Kasher and Co. edged this show in before the next leg. With no new music (their last release was 2019’s Get Fixed) expect a night of greatest hits, kicked off with “The Martyr,” if their show Tuesday night at Gabe’s in Iowa City is any indication (Here’s that setlist via setlist.fm).

OK, so the show is $20 and as of this writing is not sold out and I have yet to see any “low ticket warnings” from One Percent Productions. Doesn’t mean it won’t sell out before you get there, so you might want to eat the additional $5.69 fees and get your ticket online. This just SOLD OUT.

Nothing on the 1% site or the Facebook event page indicates that this is a No Vax No Entry show, however, Douglas County continues to be under a mask mandate, so mask up. If I go, I’ll be the guy in the blue N95 and the parka skulking near the stage trying to get a photo.

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Since you’ll be in Benson anyway tonight, you might as well take advantage of Benson First Friday, wherein shops and restaurants along Maple Street will be displaying local art. Here’s the rundown.

As part of BFF, The Sydney is hosting a show with Nowhere and Teeth. 10 p.m., no price listed, but probably $10.

Also tonight, Slowdown Jr. has Infinite Video, Topher Booth and Ebba Rose. $10, 8 p.m.

And lest I forget, it’s Bandcamp Friday, which means you can purchase digital downloads of all our favorite indie music today and Bandcamp (and most of the labels) will waive their cut of the proceeds – which means the artists get the whole pie. Look, you’ll need to take advantage of this now that you’ve dropped Spotify because of the Joe Rogan scandal.

As for the rest of the weekend, tomorrow night punk-rock cover band The Damones is playing at The Waiting Room. $10, 8 p.m.

And that’s it. If I missed your show, put it in the comments section. Mask up and have a great weekend. Here’s hoping The Covid spike is nearly behind us.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

It’s hard to think about it with Douglas County boasting a COVID-19 positive-test rate of 36%, but summer is coming and this ever-lasting pandemic will eventually be behind us. The folks who put on the Maha Music Festival believe that, enough so that yesterday they announced their 14th annual festival will take place July 29 and July 30 at Stinson Park in Aksarben Village.

It’s a return to two days — or one night and one day, as the Friday night fest will run from 5 to 11 p.m. The Saturday show will go from 2 p.m. to midnight. It’s still too early to say if this will be a limited engagement as it was last year. That depends on the COVID numbers (I would assume). I thought last year’s limited 6,400 sell out with Japanese Breakfast, Thundercat and Khruangbin was a sweet spot capacity for that location.

No word on bands/acts — that’ll come in March. Also, this will be a music-only event. Maha took over Big Omaha a few years ago and hasn’t hosted another Big Omaha event since COVID arrived. More info to come, like ticket prices and such.

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The other big announcement this morning is that Bright Eyes has booked two nights at The Admiral (the newly refurbished Sokol Auditorium) July 2 and 3. The concerts aren’t so much in support of their last album, 2020’s Down in the Weeds. Where the World Once Was, as much as the reissue of nine Bright Eyes albums, in chronological order, in groups of three, beginning this spring. But that’s not all.

There will also be nine companion EPs released. From the event Facebook post: “Or as Oberst puts it, ‘the supplemental reading’ for the primary reissues: One six-track EP per reissued album, each featuring five reworked songs from that album. ‘My thing was they had to sound different from the originals, we had to mess with them in a substantial way.’ Plus one cover that felt ‘of the era’ in which that particular albums was made – a song that meant something to the band at the time. To help the EPs come alive in the fullest way, Bright Eyes called in lots of old friends, like Phoebe Bridgers, M. Ward, and Welch and Rawlings, as well as new ones like Katie Crutchfield of Waxahatchee. It was the band’s way of reframing, rediscovering, and renewing the past. It was also a hilarious amount of work. ‘I thought it was a cool concept,’ Oberst says. ‘Then I realized its nine records, six songs a piece, so that’s like 54 different songs you have to record!’“

The project is not listed on the Dead Oceans website (Dead Ocean released Bright Eyes’ last album), but there’s a Dead Oceans logo at the end of the rerelease promo running on the Bright Eyes Twitter page, so…

As for the Bright Eyes concerts, no openers listed, tickets range from $40 to $75 though they’re not available yet.

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In other concert news, The Slowdown announced today they’ve booked Guided By Voices for July 9.

Speaking of The Slowdown, Toronto indie trio Wild Rivers headlines in the big room there tonight. The band has a new album coming out Friday called Sidelines on Nettwerk, produced by Peter Katis (The National, Interpol, Sharon van Etten). Stylistically, this fits right in with acts like Oh Pep, Waxahatchee and the Haim sisters — very well-produced summer-night indie pop. LA singer/songwriter Corey Harper opens at 8 p.m. $23.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2021 Tim McMahan. All rights reserved.