Live Review: Disq, Goon at O’Leaver’s…

Category: Reviews — Tags: , — @ 1:44 pm November 25, 2019

Disq at O’Leaver’s, Nov. 23, 2019.

by Tim McMahan,

It was one of those mid-sized crowds at O’Leaver’s Saturday night. OK, maybe it was a bit smallish. No one was standing in front of the band or crowding along the railing, but there were still 30 or so folks in the house for sets by Disq and Goon.

Disq is a band that released a 2-song single on Saddle Creek Records earlier this year that caught a bit of national attention. A five piece — all quite young — their sound is sort of a combination of influences that range from early Teenage Fanclub to The Kinks and Blue-album-era Weezer. Still, uniquely their own thing, fronted by Isaac deBroux-Slone, with a voice and style that makes him the perfect indie frontman.

I’m a big fan of this band. I saw them in June at Slowdown Jr., and dug them just as much Saturday night. “Communication,” the A-side of the single, is one of my favorite songs of 2019 (and was well represented in their set).

Saddle Creek would be well advised to consider releasing Disq’s full-length, though I’m not sure where the band fits into the Creek roster these days, what with the plethora of singer/songwriters (most of them female) that has dominated their signings over the past couple years (Young Jesus, being an exception). But with its big, fun, guitar-fueled ruckus, Disq recalls the early days of Saddle Creek, and that’s a good thing.

Goon at O’Leaver’s, Nov. 23, 2019.

Goon followed Disq sometime after midnight, playing songs off their latest, Heaven is Humming (2019, Partisan). It’s a tight band with a great rhythm section (drummer Christian Koons is outstanding) playing indie songs that ranged from throttled-back mood pieces to ripping noise rockers.

Frontman Kenny Becker has a high, thin coo of a voice that too-often got lost in the mix — there were times when I wondered why they didn’t just make the song an instrumental, it was pumping along so well on its own. Becker’s voice is more pronounced on the recordings, and kind of reminded me of early R.E.M./mumble-Stipe — another tonal instrument layered within the crisp arrangement.

* * *

Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.

No Comments »

No comments yet.

RSS feed for comments on this post. TrackBack URL

Leave a comment