Lizzo, Marijuana Deathsquads and Darren Keen (a.k.a. Touch People) tonight…

Category: Blog — Tags: , , — @ 12:57 pm March 18, 2014
Lizzo plays at The Waiting Room tonight...

Lizzo plays at The Waiting Room tonight…

by Tim McMahan, Lazy-i.com

The notable news about tonight’s line-up at The Waiting Room is that the opener is named Darren Keen. Not Touch People; not The Show Is the Rainbow, just Darren Keen.

“I am just releasing all my solo music as ‘Darren Keen’ now, and have a whole new set of really future, footwork influenced dance music,” Keen wrote, adding that he also recently completed a remix for The Faint. He had other news, too, but I can’t tell you what it is, yet.

So go to The Waiting Room tonight and welcome Darren Keen to the stage. He’s opening for Minneapolis indie hip-hop artist Lizzo a.k.a. Melissa Jefferson. the founding member of hip-hop groups The Chalice, Grrrl Prty and The Clerb. Also on the bill is fellow Twin Cities band Marijuana Deathsquads, who are on the road supporting their latest, Oh My Sexy Lord, released last year by Memphis Industries. $10, 9 p.m.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.

Lazy-i

Live Review: Baths, Houses, Last Gold Tooth, Touch People; Ed Sharpe tonight…

Category: Blog,Reviews — Tags: , , , , , — @ 12:53 pm June 4, 2013
Baths at The Waiting Room, June 2, 2013.

Baths at The Waiting Room, June 2, 2013.

by Tim McMahan, Lazy-i.com

It was a three-day weekend for me, thanks to my birthday (and thanks again to all you Facebook peeps who sent good wishes). Monday off meant I was free to attend Sunday night’s shows at the good ol’ Waiting Room

We grew up thinking of a future where musicians will be able to create any sound using their computers. We landed there Sunday night — three bands whose sound was mostly driven by computers and synths, which meant lots of people on stage bouncing around, looking down at their gear and furiously twisting knobs and stabbing buttons.

Opener D33j created electronic soundscapes behind his work panels. He looked like a DJ, but I didn’t see any turntables or hear any specific samples. Instead, he created his own sounds / beats / melodies adding vocals mostly as just another layer of sound. Very trance-y.

He was followed by Houses, a more “traditional” band in that they actually had a lead guitar player who can shred with the best of them. I described Houses’ record last week as sounding like a more upbeat version of The National (thanks in part to Dexter Tortoriello’s vocals). But that comparison was lost Sunday night as Houses brought a much denser dreamscape sound augmented (in a New Order sort of way) by that amazing guitar. Despite modern beats and sounds, Houses owes a lot to late-era Cure (Disintegration, for example).

Headliner Baths gets grouped with the chillwave outfits, where it doesn’t really fit. Will Wiesenfield is the mad genius creating all the sounds from two panel racks, with the help of one other guy who “played” alongside at his own rack of electronic gear, occassionaly threatening to play guitar (but he if he did, I didn’t hear it in the din). Wisenfield’s “music” is an intricate proggy blend that reminded me of early, trippy Peter Gabriel mixed with the chaos of other electronic outfits like Grimes. When he isn’t shrieking in falsetto, Wisenfield’s voice bears an eerie resemblance to Adam Goren (Who remembers Atom and His Package?).

I wasn’t a follower of Baths (as most people who I spoke to at the show beforehand were) and found Wisenfield’s sounds take some… adjustment. In addition to having the deepest, loudest low-end I’ve heard at The Waiting Room since the last Faint show, Wisenfeild’s melodies were abrasive and tricky but worked their way into my psyche. What starts as awkward and ugly becomes big and beautiful by the end.

It was surprising how entertaining a guy standing (or sitting) behind a laptop, keyboard and pedal rack could be. I could ask you if this is the future of rock and roll, but it’s already here. And while artists like Baths and Houses and D33j can recreate almost any sound you can imagine, they can’t equal the energy of a traditional rock band, nor would they want to try. There’s an intentional soullessness to it all, a weird hollow trancelike quality, which I’m guessing is so appealing to their biggest fans.

And then there was Friday night.

Last Good Tooth at O'Leaver's, May 31, 2013.

Last Good Tooth at O’Leaver’s, May 31, 2013.

Opening band Last Good Tooth might have the worst name in the music business but they’re still a darn good band. I said their lastest album was in the M. Ward vein, and that’s pretty much what the four -piece (including a tasty fiddle) brought to O’Leaver’s in one of the oddest, diverse line-ups I’ve seen at a show in a long time.

LGT was followed by Malaikat dan Singa, whose rhythmic, violent style bordered on confrontational performance art, except that the lead guy could play a mean bass clarinet.

Finally, it was the return of Touch People a.k.a. Darren Keen. Keen’s current sound mixes his own electronic creations (rhythms, noises, clicks, beats), with his electronically augmented voice (on helium). I’ve seen Touch People before and got lost in the noise due to sounds coming at me too fast, too disconnected, too dissonent. Keen’s finding his sweet spot with these new songs that not only have a more cohesive central rhythm/melody, but incorporate Keen’s abbrasively honest real-world views (which I just happen to agree with). Keen would have been right at home at TWR Sunday night.

* * *

Pseudo indie (but not really) popsters Edward Sharpe and the Magnetic Zeros headline at Stir Cove tonight. The show starts at 7:30 and will run you a cool $42 (with fees).

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

Lazy-i

Live Review: White Lung, Digital Leather; Interview: Touch People (at TWR Saturday); PUJOL tonight…

Category: Blog — Tags: , , , — @ 1:10 pm April 5, 2013
White Lung at Slowdown Jr. April 2, 2103.

White Lung at Slowdown Jr. April 2, 2103.

by Tim McMahan, Lazy-i.com

So the move is over, my interweb is running and I’m back.

Briefly catching up on a few things: I had heard nary a note of White Lung prior to Tuesday night’s show at Slowdown Jr. The band had that very day driven from Winnipeg to make the show — a questionable tour schedule to say the least — but you wouldn’t have known it by the metal-infused punk they laid down during their relatively short set. Impressive power behind lead vocalist Mish Way — huge rhythm section, intricate layered guitar that bordered on dark metal. Nice stuff indeed.

Digital Leather at Slowdown Jr., April 2, 2013.

Digital Leather at Slowdown Jr., April 2, 2013.

Opening band Digital Leather did their usual superb set, though they sounded more restrained than when they play their home field of O’Leaver’s, which is understandable. I still don’t know the future of this line-up, which includes Todd Fink of The Faint. Will Todd record with DL? Time will tell. It’s good to hear those synth parts on these songs again, and Fink fits right in with the band’s overall style.

On hand, about 100 people. Not bad.

* * *

Touch People a.k.a. Darren Keen celebrates the release of his new album, Brain Massage, at The Waiting Room Saturday night with openers m34n str33t, Killer Blow and the inimitable Solid Goldberg. Leading up to the show, I asked Darren a few questions about his new project (which you can check out here) and new direction. This is what he had to say:

I still don’t understand why you pulled the plug on TSITR. Is it because you no longer want to play that music or no longer have to react when people ask you to play that music? Now you can say ‘TSITR is dead. I’m Touch People’ and can shut them up, but you’re still Darren Keen and it’s still your music.

I pulled the plug on TSITR for a lot of reasons, but the easiest way to sum it up is…I had lost all of my momentum, and I was going to have to start all over making all new fans anyway, and I just wasn’t interested in doing that again with TSITR. A lot of TSITR’s energy was tied up in this false “I’m the best” pride, and having to once again go through the process of trying to appeal to a bunch of college kids makes me feel the exact opposite. I was faced with dragging a comedy hip-hop project back through the trenches, which would suck, where as, with Touch People, it’s a more real, honest, musical endeavor, so I don’t mind doing it.

It’s hard to explain. I guess I just didn’t feel like moving backwards with TSITR after 10 years of kicking ass.

Did you start Touch People to provide a clear line of demarcation in terms of your musical style? Why couldn’t you simply do this kind of music as TSITR?

I never make music to “provide” anything for the audience. I started Touch People because I was interested in studying minimalism, and I was really itching to start thinking more like a “composer” and less like a “rapper”.

What freedom does Touch People provide you as an artist?

As an artist, and as a human, I am free to do or say anything I want. The band doesn’t really provide me with any additional freedoms, except sometimes I get to shout into vocoders in front of large groups of people.

Explain the process of making Brain Massage. How would you describe the style of music? What does it mean?

Brain Massage was awesome to make. It was literally the only album I’ve ever made, where I thought about the sound and process before hand, and everything went just as I planned from creation to studio to mastering to live show.

I would describe it as minimalist composer influenced electronic music. I tell people that it has a lot of really fast notes, and odd time signatures. I use four guitar amps, a bass amp, and two vocoders, all controlled by an Akai Apc 40 and Ableton Live.

Brain Massage is lyrically not very diverse…most of the songs are about the human brain, and about feeding your brain with knowledge. The anti-intellectualism movement in America is disgusting to me, and when I hear someone talking about “biblical truth” or “intelligent design” I just want to puke my fucking guts out and stuff their mouth full of my pubic hair. People need to wake up, we aren’t dumb, illiterate cro mags wondering around the desert anymore. Science is not a conspiracy, teachers aren’t poisoning your children’s minds. We live in a real, scientific world, and that tribal mumbo jumbo is a dead scene.

What role did/does drugs/grass play in creating your music?

I have really cut back on my drug use, and either way, I never compose while on drugs, unless you consider weed a drug. I am always stoned. I don’t think it has anything to do with my process though. My talents and creativity are my own.

Are you satisfied or bitter about your career? Has it turned out as you expected or hoped?

I’m neither. I’m not bitter, although, when I was in TSITR I sometimes was. It has more or less turned out as I expected, but I HAD hoped that I would have gone further by now. I would love to be able to quit my jobs and just focus on my craft, but that’s just not a reality for me right now. Sometimes I see some of these bands that are packing out shows locally, and I realize that I have nothing in common with them. The things they think are “cool,” I think are lame, and visa versa. It’s not a right / wrong thing, it’s just a very deep divide in how we handle our bands and our business.

Please be careful not to take me out of context here, I do not want to be thought of as “shit talking” but for example, take Icky Blossoms or Universe Contest…both bands full of my friends. They are very good at what they do, which is making very fun, wild music that makes kids want to dance and make out. Its not “selling out” when they do it, because they are honestly into that sort of art / presence and that’s why they are so successful. If I were to do what they do, it would be terrible and I would be a poseur, because to me, music ISN’T this surface level, fun party time thing. Music is the ultimate healer, music is the way that I communicate myself the most clearly, and my whole life is wrapped up in it, thus my whole life is sort of my true art. I guess it’s another reason I quit TSITR…it just didn’t go deep enough for me. Does that make sense? Again, those bands are fine, and I don’t think of them as “selling out” (although they do sell out most of their shows), I feel like I personally WOULD be selling out by doing that, and like I said the first time when you interviewed me, I want to have my own path, where my success is my own.

What are your plans for getting Brain Massage heard? What are your hopes for this recording?

I am releasing the album March 29. I am playing that night in Lincoln at the Bourbon, and playing a release show in Omaha on April 6 at The Waiting Room. It’ll be up on Bandcamp and SoundCloud. I am just going to start touring a ton like I did with TSITR, and try to get out there at a very grassroots, local level. That’s all I know how to do. I’d love to find a label that was interested in my art, but I don’t really care or need that in my life at this point.

My hopes for this recording is that people will give it a listen, and that they will be inspired by it somehow.

* * *

So that’s one hot show for the weekend.

Another is tonight at fabulous O’Leaver’s, where Saddle Creek band PUJOL will make its first-ever stage appearance in Omaha (unless one of their gigs slipped under my radar). Openers are local band The Seen. This one if just $5 and will very likely be a capacity show, so get there early. Starts at 9:30.

Benson First Friday also is happening tonight. Details here. Of note for the kinky set is this here show at Sweat Shop Gallery. Find out more.

Finally tonight is Lincoln band Kill County’s album release show at The Sydney, brought to you by Hear Nebraska. Outlaw Con Bandana opens along with Electric Chamber Music (ex-Gus & Call). $5, 9 p.m. More info here.

Tomorrow night is the aforementioned Touch People show at TWR.

Also tomorrow night (Saturday) Water Liars play at O’Leaver’s with Twinsmith and Field Club. $5, 9:30 p.m.

That’s all for now…

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

Lazy-i

Global Intergalactic World Premier: Touch People’s ‘Amazing Place’; Tim Kasher, Widowspeak, Mardock tonight…

Category: Blog — Tags: , , , , — @ 12:57 pm March 20, 2013

by Tim McMahan, Lazy-i.com

The act of “leaking” an early track from a upcoming album release is all the rage these days. Everyone from Rolling Stone to NPR to Huffington Post has hosted a leaked track by some famous rock star. Why should Lazy-i.com be any different?

When Touch People (a.k.a. Darren Keen) gave me a sneak peek of his new album, Brain Massage, he also asked if Lazy-i would leak a track. I said “sure,” and picked the album opener, “Amazing Place.” It is, after all, a perfect snapshot of Keen’s new approach to digital soundscaping, as conceptual as it is audibly intriguing. It’s also my favorite track on the album. Check it out below.

Sayeth Keen about Touch People: “I have finally stepped up as both a composer and a producer, while carrying the trademark high energy, unpretentious (and often humorous) dance party antics of my previous projects. Touch People is often compared to Philip Glass, Battles (with whom I’ve played), and Dan Deacon. Combining elements of minimalist composition, prog rock, and dance music, with honest, humorous lyrics.”

So what inspired his new sound? That’s among the questions I have out with Keen, which hopefully he’ll answer for us in the near future. What I do know is that Touch People will be celebrating the release of Brain Massage April 6 at The Waiting Room with m34n str33t (a new project by Adam Haug and Conchance) and the currently touring Killer Blow. Mark it on your calendars.

* * *

Speaking of events, there are a couple doozies going on tonight.

It’s night one of Tim Kasher’s two-night stay at O’Leaver’s (the bar he owns with the rest of the Cursive guys and Chris Mach). Opening is Hers. Surprisingly, $10 tickets are still available. The fun begins at 9:30.

As sort of a preview, here’s another look at Kasher’s Knitting Factory gig last week, this time by Brooklyn Exposed (right here). It’s a bit less complementary than that CMJ review I posted a couple days ago. This makes the KF crowd sound rowdy. Give me a break. Those Brooklyn hipsters wouldn’t last two minutes in O’Leaver’s…

Also tonight, NYC folkies Widowspeak (Captured Tracks Records) headlines a show at Slowdown Jr. with Eli Mardock and I Am the Navigator. $8, 9 p.m.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

 

Lazy-i

Dave Sink memorial vid online, OEAAs; new Sam Martin/Sean Pratt EP; Touch People DJ sets…

Category: Blog — Tags: , , , , — @ 1:02 pm February 18, 2013

by Tim McMahan, Lazy-i.com

What’s that? You skipped the Omaha Entertainment and Arts Awards ceremony last night at The Hilton? Well, you’re not alone. The only regret is missing the Dave Sink tribute as part of his Lifetime Achievement honor. Well, don’t fret because the tribute video shown at the awards show is online right here at YouTube:

As for the rest of the show, here’s this year’s top music “winners”:

Album of the year: Icky Blossoms, self-titled
Artist of the Year: Icky Blossoms
New artist: Universe Contest
Rock: Snake Island
Hard rock: Bloodcow
Alternative/indie: Cursive
Singer-songwriter/folk: All Young Girls Are Machine Guns
DJ/electronic: BASStoven
Country/Americana: Matt Cox

* * *

Sam Martin & Sean Pratt, Kids, Beat Your Vegetables (self-release, 2013)

Sam Martin & Sean Pratt, Kids, Beat Your Vegetables (self-release, 2013)

Capgun Coup’s Sam Martin and Sean Pratt just put out a 5-song EP on Bandcamp called Kids, Beat Your Vegetables. It’s two Martin songs and two Pratt songs and the duo covering the ’20s standard “Tonight You Belong to Me.”  My favorite track is “Big O’le Child,” which betrays my aged taste for melody rather than dissonance. It’s a real foot-stomper. You can listen to the whole thing below, but head on over to their Bandcamp page and buy the download for a mere $5. You’ll feel better for it.

* * *

Speaking of online music, Touch People is putting DJ sets online at his Soundcloud channel. I’m currently listening to this one:

More to come…

* * *

Looks like we’re in for a blizzard this week… batten down the hatches.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

Lazy-i

Live Review: Mynabirds, Jake Bellows & Co., Under Water Dream Machine, Touch People, OEAAs…

Category: Blog,Reviews — Tags: , , , — @ 12:53 pm June 11, 2012
The Mynabirds at The Slowdown, June 8, 2012.

The Mynabirds at The Slowdown, June 8, 2012.

by Tim McMahan, Lazy-i.com

So maybe you were right giving me shit about my warnings of Mynabirds’ CD release show selling out. It didn’t, though there were at least 400 people there for Friday night’s show. OK, maybe I was hyping. So what. If you were there, you probably had a good time.

Laura Burhenn came out with her signature dead fox head gear, stood on her box and belted out about an hour’s worth of new and old material. I thought I’d hear at least a little political diatribe to coincide with her album’s perceived political themes (more on that later), but instead Burhenn stayed focused on the music, and wishing Slowdown a happy 5th birthday.

And I have to admit, her new record is beginning to grow on me, which is good since I apparently am the only one in America who wasn’t bowled over by it on first listen. The upbeat numbers (like “Body of Work”) are  fun, but it’s the slower, tonal pieces, such as “Mightier Than the Sword,” that are the real show stoppers.

Whereas most of the her backing band are competent-though-faceless musicians, Burhenn is blessed with an amazing drummer. I have no idea who she is, but her big, dynamic, throaty sound stands out above everything (but Burhenn’s vocals, of course).

My only disappointment was with her set structure — it was as if Burhenn figured out the set list about five minutes before the show. Or maybe I’m just hypercritical about these things, but a good set list is like a great DJ set — it rises and falls, each song blending naturally into the other like perfect transitions in a seamless story taking you for a ride that culminates in a big finish. It’s about dynamics. Burhenn instead merely plays the songs, one after another with little interest in transition. Even the set ender and prerequisite leave-the-stage-followed-by-the-encore moment was more awkward than usual.

Jake Bellows & Co. at The Slowdown, June 8, 2012.

Jake Bellows & Co. at The Slowdown, June 8, 2012.

I caught the last half of Jake Bellows and his unnamed band (I call them “Jake Bellows and the Dying Embers”… think about it). Where Jake solo is interesting, it also can be boring. With a band backing him, Jake’s songs are given new life, new dynamics, new muscle. I understand that this particular collaboration of musicians may never play together again, which is a pity. That shouldn’t stop Bellows from surrounding himself with players for future shows.

Under Water Dream Machine at The Sydney, as part of the OEAA Summer Showcase, June 9, 2012.

Under Water Dream Machine at The Sydney, as part of the OEAA Summer Showcase, June 9, 2012.

Saturday night was Day 2 of the Omaha Arts and Entertainment Awards Summer Showcase in Benson, and yes it was fun but scheduling issues also made for disappointments. The first act I saw was 20 minutes late to start. The second act was more than a half-hour late. That meant missing a band that I otherwise would have caught. But I guess those things are to be expected when you’re juggling five venues and around 30 bands.

Touch People at The Barley Street, OEA Summer Showcase, June 9, 2012.

Touch People at The Barley Street, OEA Summer Showcase, June 9, 2012.

Highlights of the evening were Under Water Dream Machine at The Sydney and, of course, Touch People at The Barley Street Tavern. UWDM was backed by two musicians, giving his songs the backing meat they need to work on stage. Bret Vovk has a perfect stage voice on songs that feel like upbeat Simon and Garfunkel pop folk. Keep an eye on him. Touch People a.k.a. Darren Keen’s frenetic electronic music is both throbbing and jittery, chaotic and groovy, with the added attraction of Keen’s unique brand of humor. It’s impossible to not be entertained.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

Lazy-i

Live Review: Conduits, Icky Blossoms, InDreama, Touch People; Nik Freitas tonight…

Category: Blog,Reviews — Tags: , , , — @ 1:02 pm April 18, 2011
Conduits at The Slowdown, April 15, 2011.

Conduits at The Slowdown, April 15, 2011.

by Tim McMahan, Lazy-i.com

When it comes to the four-band record release show at Slowdown Friday night, instead of dwelling on the one unfortunate negative, let’s instead dwell on the positives. Positives like the big crowd (+200?), the impeccable sound quality and, most of all, the performances.

Touch People at Slowdown 4/15/11.

Touch People at Slowdown 4/15/11.

Touch People started off the evening at the stroke of 9, playing to an empty floor in Slowdown’s big room. On stage, a costumed Darren Keen played a small stack of technology veiled two ways — one, behind a curtain that hid him from view, and two, behind a mask and hood, though everyone knew that only one person in the Nebraska music scene bears his stature. Just as unmistakable is Keen’s sound. Even though this project stands at a distance from his main gig — The Show Is the Rainbow — there were distinctive Keen-isms that dotted a sonic landscape littered with enormously loud bass lines, jittering break beats and trippy synth tones. Touch People is the most experimental of Keen’s projects, and as a result, the most challenging to the listener. The music isn’t so much an attempt to get people dancing as to get them to step into whatever dimension Keen is occupying over the course of the 40-minute set. The music was as entrancing as it was disjointed and, at times, disturbing, which I have believe is just the way Keen wanted it.

InDreama at Slowdown, 4/15/11.

InDreama at Slowdown, 4/15/11.

It only got trippier with InDreama, In this, their third live performance and perhaps their most ambitious, frontman Nik Fackler and company navigated through a mine field of technical problems to take yet another step forward in crafting their sound and vision. And what a weird vision it’s turning out to be. Fackler is at his best when he’s crafting songs with specific melodies and ideas, such as the track from the single, “Reprogram,” (which he opened with) and the set’s closing two numbers. In between were shades of Jim Morrison and Jim Carroll. Fackler has said that his goal is to create a new persona on stage. At this point, that persona is still only half realized, though no less entertaining.

Icky Blossoms at Slowdown 4/15/11.

Icky Blossoms at Slowdown 4/15/11.

By the time Icky Blossoms hit the stage at around 11, the crowd had arrived. The floor in front was mostly filled and jumping. Of all of Derek Pressnall’s projects including Tilly and the Wall, this one is the most satisfying and the one with the most promise. I got the feeling that there was nothing stopping the band from hitting the road tomorrow and getting any out-of-town crowd to become fans. Yes, the music is that good — a modern take on straight-up dance rock with an ’80s flair. Of the four bands, Icky Blossoms is easily the most commercially embraceable of the bunch. They’re also the most fun.

Conduits closed the night with grand aplomb — just an absolute wall of sound — thick slabs of droning feedback, subtle synth tones, and throbbing, tribal rhythms a la Slowdive, MBV and all the other shoe-gaze masters that obviously influenced their style and that we all know and love. The beauty of Conduits is its sonic dynamics. The Achilles heel may be its lack of rhythmic variety — one mid-tempo song after another. Frontwoman Jenna Morrison couldn’t be more statuesque in beauty and style. She has amazing tone that cuts through the dense layers of sound. But somewhere in the morass she’s become merely another instrument. I could not understand a word she was singing (how much is the soundman’s fault, I do not know). It’s an advantage Icky Bossoms had over all four bands — you could understand just about every word Pressnall was singing, and that made his songs that much more interesting (and easy to sing along to). With Conduits, all you get is beautiful, beautiful drone. When you think of a band like Low, you can hear every heart-breaking word that comes out of Alan Sparhawk and Mimi Parker’s mouths. Those words are what help make their music that much more memorable. I know there are words underneath Conduits’ music as well, I just need to find out what they are.

And now that one negative I mentioned earlier — one thing was missing that is crucial to the success of any record release show — the records themselves. I don’t know if there was some sort of production problem that kept the delivery from happening, but there was no product on hand to sell. Instead, the band was selling “pre-orders” of the single, with a promise that a member of the band would hand deliver the record when it arrived (you also received a free download). How many people took them up on the offer, I do not know. I do know that they had 200 or so people on hand that wanted to buy a copy and who went home empty handed, myself included. Maybe they should have another record release show, but this time in Lincoln (and with records to sell).

* * *

Things are running a bit long here today. I can’t expect y’all to sit through 3,000 words of copy. So come back tomorrow for my take on Record Store Day and my first “DJ” gig, as well as a look at last night’s Decemberists’ show, which was “all that” and more.

* * *

Nik Freitas is kind of a big thing around these parts. But despite that, he’s the opening act tonight at The Waiting Room for a band that I’ve never heard of — The Submarines. The $12 show starts at 9, so you better get there early.

Also tonight, Dim Light plays with Slow Skate at O’Leaver’s. $5, 9:30 p.m. And Pharmacy Spirits makes a trip from Lincoln to play at Slowdown Jr. tonight with Cat Island, Dangerous Ponies and Shipbuilding Co. $5, 9 p.m.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.

Lazy-i

Column 318: The Fantastic Four (Conduits, InDreama, Icky Blossoms, Touch People); Dark Dark Dark, Omaha Invasion tonight…

Category: Blog,Column,Interviews — Tags: , , , — @ 12:56 pm April 14, 2011

Conduits

Conduits

Column 318: Four bands, two slices of vinyl, one distinctive sound.

by Tim McMahan, Lazy-i.com

The dim, squalid confines of The Underwood Bar are a fine place to drink yourself into oblivion while playing a game of pool or pinball. They’re not such a fine place to conduct an interview, especially with four bands simultaneously. But that’s where Conduits drummer Roger Lewis decided would be the best place for what would turn into chaos.

Crammed between the pool table and glowing digital jukebox in the back of the bar sat Lewis and Conduits band mate Jenna Morrison; InDreama frontman Nik Fackler with his bandmate — legendary bass player Dereck Higgins; Icky Blossoms mastermind Derek Pressnall, and the hardest working guy in local music, Darren Keen, the genius behind Touch People. If you go to The Slowdown this Friday night you will hear all of these musicians and their band mates perform together on one bill, maybe for the one and only time (though there’s talk of repeating the line-up sometime in Lincoln).

Darren Keen a.k.a. Touch People

Darren Keen a.k.a. Touch People

The occasion for this grand collective is the release of a duo 7-inch split — one song from each band on two vinyl records. Morrison said J.J. Idt, who plays in both Conduits and Icky Blossoms, came up with the idea, and then “one link led to another.”

It sounded like a great story, but somewhere before Lewis bought me a second Rolling Rock and after one of the fat, bearded locals plugged the jukebox and began belting out lines to Vanilla Fudge’s “You Keep Me Hanging On,” I realized that it was all going to get lost in the noise and confusion of trying to reign in six people talking from six different angles.

And that the project’s real story centered around the music, anyway. The recordings break down like this:

“Misery Train” by Conduits is a perfect slice of the band’s trademark dream-pop sound, dim and faraway, with Morrison’s angelic voice burning through the mist like a distant beacon, safe and familiar and strangely comforting in its ghostly beauty.

Icky Blossoms’ “Perfect Vision” is a pop gem, a mid-tempo hand-clapping slacker anthem that’s a combination of Jesus and Mary Chain and Love & Rockets, with Pressnall standing right in the middle of it all, singing presumably with eyes half closed lines like “Nothing to do but get high in the afternoon.”

InDreama

InDreama

Opening with icy synth tones, InDreama’s “Reprogram” evolves into proggy electronic drunk-funk. As much an art piece as a rock song, the track defines Fackler as a Midwestern version of Beck, unafraid to reach out and try something different for difference’s sake, but never losing sight of the melody.

Finally, there’s Touch People’s “Sound Expression,” a cacophony of electronic noises and break beats tethered to an uneven foundation of shifting chords and tones, with Keen’s voice emerging strangely through the floor boards with lines like “Sometimes a sound is just a sound.”

Side-by-side, each song is starkly different, and yet somehow there’s a sonic thread — a dreamy vibe — that binds all four together into a cohesive whole. These four bands stand at the vanguard of a new direction of Nebraska music, a clear departure from the singer-songwriter fare that so brazenly defined the scene over the past decade.

In fact, all the bands are second-generation outgrowths of former projects. Icky Blossoms was born out of Pressnall’s Flowers Forever (which was a side project of Tilly and the Wall); InDreama is a bastard child of Fackler’s The Family Radio; Conduits includes veterans of Eagle Seagull and Son Ambulance, while Touch People is a third concurrently functioning incarnation of Darren Keen, who’s better known for his persona as The Show Is the Rainbow.

Derek Pressnall

Derek Pressnall of Icky Blossoms

The duo splits are an introduction to all four bands, which despite their obvious differences make sense collectively. Consider these singles as a crossroads where all four meet before spinning off once again in their own directions. We can expect to hear full lengths or other recordings by all four at some point later this year. But for now, they’re all together, at least for one night.

“This scene is more accepting of general weirdness,” said Keen, who despite frequently playing in both Lincoln and Omaha has always been viewed by some as an outsider. “Omaha and Nebraska music has evolved from its labels. Now it’s like any other cool city. Seattle, for example, is more than just grunge.”

“We’re in a period in Omaha music where there are so many kick-ass bands out there,” Lewis said. “It’s a kick-ass-band overload!”

Fackler, who is more well known as the writer and director of indie film Lovely, Still, said seeing Conduits perform “genuinely inspired me. I got that feeling again to put a band together.”

“We all are just friends,” Pressnall added, “and while this hasn’t exactly been thought out, we’ve all been very inspired by each other. When I see these bands, I just want to go home and push myself creatively.”

From there, the conversations rose to a fever pitch and I started to lose my balance. Like a wise Jedi master or an all-knowing Buddha or what he really is — the veteran of some of the area’s most important legacy bands —  Dereck Higgins simply looked at me, smiled and summed it all up perfectly. “Can you feel it?” he asked quietly between three conversations. “Can you see how all of us are connected? There’s something going on here.”

Conduits, Icky Blossoms, InDreama and Touch People play Friday, April 15, at The Slowdown. Tickets are $7, show starts at 9 p.m.

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Minneapolis chamber-folk band Dark Dark Dark is at Slowdown Jr., tonight with Honey & Darling. Check out Chris Aponick’s interview with the band if The Reader (here). $8, 9 p.m.

Also, tonight is the first of two nights of the Omaha Invasion Festival in Lincoln. $6 per night or $10 for a 2-day pass. Here’s tonight’s sched:

Thursday – April 14th – Duffy’s Tavern

08:40 – 09:20PM – Kyle Harvey

09:40 – 10:20PM – Lonely Estates

10:40 – 11:20PM – Down With The Ship

11:40 – 12:20AM – All Young Girls Are Machine Guns

12:40 – 01:20AM – Midwest Dilemma

Thursday – April 14th – Bourbon Theatre (Rye Room)

08:20 – 09:00PM – Underwater Dream Machine (Bret Vovk)

09:20 – 10:00PM – Vago

10:20 – 11:00PM – Dim Light

11:20 – 12:00AM – Conchance

12:20 – 01:00AM – Matt Cox

Also, according to Saddle Creek, Bright Eyes is on Leno tonight. Set the DVR for stun…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.


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Fall tours going on, Kasher’s Cold Love; Tapes ‘n’ Tapes, Touch People, AYGAMG tonight…

Category: Blog — Tags: , , , , — @ 1:49 pm August 19, 2010

by Tim McMahan, Lazy-i.com

My mailbox is becoming crowded with fall tour information. You can check out the Merge tour schedules on the webboard here. There are only two Omaha dates — The Love Language opening for Local Natives Sept. 30 at The Waiting Room, and She & Him at The Anchor Inn Aug. 28. Arcade Fire has no Midwest dates.

HitFix has an interesting list of “10 Indie Rock Tours to Get Excited About.” No. 1 is Conor and the Felice Brothers.*yawn* The most intriguing is No. 3, Sufjan Stevens. How’s those states albums coming along, bro? The closest he’s coming to Omaha is KC’s Uptown Theater Oct. 17.

Tim Kasher also announced some tour dates — four to be exact, nowhere near here (though since he lives here now, you never know where he might pop up with a guitar) — along with releasing his first track from The Game of Monogamy for streaming, called “Cold Love” (listen to it here). It sounds like a Good Life song, right down to the mopey lyrics, which Kasher told SPIN,  are “mostly, [about] really boring sex, couples who have run out of steam in their relationships, whose sex life is reduced to going through the motions,” and that laments a “vanilla existence.” Yikes. Ever wonder what would have happened to Kasher’s career if he’d gotten married and had three kids and lived in a big house in Dundee? Thankfully, it sounds like he’s miserable, which, of course, means more music for the rest of us (what would he possibly sing about if he were happy?).

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Two shows tonight:

Tapes ‘n’ Tapes are playing at The Waiting Room tonight. Just as interesting are the openers. Broken Spindles — Joel Petersen of The Faint’s “side project.” And Touch People, a new electronic project that has a new vinyl-only record out on The Faint’s blank.wav label, which you’ll likely be hearing tracks from tonight. $12, 9 p.m.

Meanwhile, down at Slowdown Jr., Midwest Dilemma is headlining a show with Kyle Harvey that’s also a CD release show for ukelele singer/songwriter phenom Rebecca Lowry’s project All Young Girls Are Machine Guns, whose debut, Secret Attic Recordings, is being released by Harvey’s Slo-Fi Records. Backing Lowry on stage is drummer Scott Zimmerman and upright-bass player Travis Sing. $5, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2010 Tim McMahan. All rights reserved.

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