McCarthy Trenching at Reverb Lounge, Jan. 17, 2015. The band celebrates the release of their latest album tonight at O’Leaver’s.

by Tim McMahan, Lazy-i.com

Crazy frickin’ weekend for shows and stuff.

Let’s get the big one out of the way first: McCarthy Trenching celebrates the release of their new album, More Like It (Sower, 2015) tonight at fabulous O’Leaver’s. You’ve already read about the record here, now check out the band. I’m told a few folks may join Dan and his partner in crime James Maakestad on stage. Find out who. I can tell you for sure that Sower labelmates Bud Heavy and the High Lifes will be opening the extravaganza. $5, 9:30 p.m.

Also tonight, it’s another Benson First Friday. Of note is the first annual “little show @the little gallery,” the gallery Teresa and I run at 5917 Maple Street, right across the street from The Sydney. All works, created by local artists, are 6” x 6” or smaller and retail for $100 or less. Think about giving the gift of locally produced art this holiday season! If you get there early, you might even be able to buy a piece by yours truly — one of my old-time-style classic cassette covers, which comes with a recorded cassette of my faves from 2015 (featuring lots of local and national acts). The reception runs from 6 to 9 p.m. Booze provided.

Tomorrow night is the grand opening of Milk Run, 1907 Leavenworth, the new all-ages music venue run by the guys behind Perpetual Nerves Productions, Chris Aponick and Sam Martin. You read about the club here (and if you haven’t, go read now). The bands honored with opening what is bound to be a legendary venue are American Cream (featuring STNNNG’s Nathan Nelson), David Nance Band, Robust Worlds and Church of Gravitron. Show starts at 9. Entrance in the back of the building, where there’s also some parking. $5, BYOB.

Also tomorrow night, a show that seems to be flying under the radar (or at least I haven’t seen a word about it yet) — Toronto punks Dilly Dally headline at Reverb Lounge. Their new album, Sore (Partisan, 2015) got a massive 8.0 rating from Pitchfork. Frontwoman Katie Monks sounds like the second coming of Courtney Love on songs that Hole would have killed to have written.

Dilly Dally, Sore (Partisan, 2015)

The album’s artwork is kind of gross, so much so that I asked Monks to explain it to me. Here’s what she said, via email:

“The album cover relates to our music in many different ways, but I would rather not spell it out. That would spoil the fun. Listen to the record and if you still don’t get it, feel free to enjoy the image based on the fact that’s pretty badass lol.”

It’s badass alright. No Thanks opens. $10 9 p.m.

Also tomorrow night (Saturday), Londoners Holly Golightly and the Brokeoffs (Transdreamer Records) headline at O’Leaver’s. Opening is Simon Joyner and the Ghosts and Those Far Out Arrows. $7, 9:30 p.m.

Then along comes Sunday…

Folk rocker Laura Stevenson and her band headline at Slowdown Jr. She’s on the road supporting her just-released album Cocksure (Don Giovanni, 2015). Opening is a slew of acts: The Ridgways, No Getter and Crypt Kid. 8 p.m., $10 Adv./$12 DOS.

Also Sunday night, O’Leaver’s is rolling out another night of the hard stuff with Tallahassee band Ex-Breathers, Gnarwhal Peace of Shit and FLAK. $7, 9 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Future home of new all-ages music venue and art gallery Milk Run, right next door to Shucks Fish House on 1907 Leavenworth St.

by Tim McMahan, Lazy-i.com

The dynamic duo behind concert promotion company Perpetual Nerves — Chris Aponick and Sam Parker — are opening their own music venue and art gallery near downtown Omaha.

Milk Run is located at 1907 Leavenworth St., right next door to Shucks Fish House & Oyster Bar in the same turn-of-the-last-century building. The concert room will be rather cozy, about the same size as The Sweatshop Gallery; while the art gallery space is much more open. The two rooms are connected via a fenced-in patio in the back of the buildings, which also will act as the venue’s main entrance located right off a parking lot shared with Shucks.

Here’s what the duo had to say about the new music venue:

Why are you opening an all-ages club?

Chris Aponick: We wanted a spot that we could run with consistent standard, a space that put music in the forefront of its mission and one that would be an ideal spot for smaller scale bands. We wanted a room that makes a crowd of 30 to 50 people feel like an event instead of a bummer. It’s an incubator for bands that are on the way up or bands that are looking to reconnect with the immediacy found in house shows or DIY spots. We want bands to have a good experience playing in Omaha, so that they make Omaha a regular stop as their fanbase grows. We want a place that is approachable for everyone that wants to see a band. We don’t want the term “all ages” to mean just for those under 30. We also want to provide a reliable venue for others bringing bands to town.

How did you settle on the location?

Aponick: Shuck’s crab legs led me to the spot. I hit up their Monday happy hour with my friend (and now our neighbor Greg Sechser of Howlin’ Hounds coffee shop) and I peeked in at the two bays. I inquired about them the next day and they were perfect for what Sam & I had discussed for an ideal all-ages space.

What kind of shows will you be booking?

Aponick: Our shows will continue to be more of what has already been booked under the Perpetual Nerves banner, though we’re hoping to dabble in a little bit more variety. The goal is to get bands we and others like into town. We want to bring stuff to Omaha that would not play in town without our involvement. We’re still hoping to do shows with venues like O’Leaver’s Pub, Lookout Lounge, Slowdown and the Waiting Room Lounge when those rooms are good fits. We also want others to use our space, too. It’s available for shows that others put together.

How will you curate and operate the art gallery?

Sam Parker: We intend to have a monthly rotation of various artists in the gallery. Particularly trying to focus on musicians who are also artists in the visual arts aspect as well. Ideally, they would display their artwork, make a playlist of songs that influences their work and that list would be played during the showings. Gives the viewer a more in-depth feel to the artist.

Who’s involved other than Chris and Sam?

Aponick: Sara Bertuldo and Matthew Carroll of See Through Dresses are responsible for sound. The equipment, the ongoing management & hopefully upgrading of the system and running live sound will all be spearheaded by these two. Sara Bertuldo will be the main sound engineer for shows. Mike Zimmerman (DWNR, Chalant) will also be helping with projects both aural and visual. We hope to include others in what we hope is a collaborative space for shows, performance, art and more.

When is your first show and who are the bands performing?

Aponick: American Cream, David Nance, Robust Worlds, and Church of Gravitron — it’s a show organized by Church of Gravitron’s Justin O’Connor. It’s November 7 and it’s only $5. Even Lazy-i readers have $5.

How do you guys line up your bands? Who do you work with?

Aponick: People email booking@perpetualnerves.com or booking@perpetualnerves.com. (We) email some band or booking agents and pray for a positive reply. Some bands have been pointed in our direction by local friends, which is always appreciated. Booking Pile really jump-started things. Pile is everything.

How do you keep up with new bands that are awesome? You pretty much hit the nail on the head with all your PN shows.

Aponick: Mike Kronberger, who designed the PN logo, turned me on to Exploding In Sound Records. That’s been a big one. I love getting recommendations on things to check out. Others have just been from listening and making gut calls on stuff that ends up in the inbox. Some of it, like All Dogs, is just obvious on a first listen that they’re something special.

Is there a club that you’re trying to emulate or that will influence your club? i.e., “We’re trying to do what the Cog Factory did.” or “We really like how they do things at Jackpot down in KC”, etc.

Aponick: Mostly we just wanted to keep going with the positive momentum that was flowing at the Sweatshop Gallery between Craig Dee’s Eyeball Promotions shows and our shows there. We felt the best route was to give ourselves a home base that we curated and organized.

Why did you call it Milk Run? What’s the origin of that name?

Aponick: It’s called Milk Run, as a playful nod to the area’s gay history. A milk run was an innocuous excuse to get out of the house and go downtown in the ’80s and ’90s for gay men. We want people to be open and be themselves in our space. By embracing a part of the area that was once secretive, we’re saying that your identity is welcome here.

Are you concerned that the name could alienate some people and/or parents?

Aponick: If it’s alienating for any other reason than homophobia, I’d be surprised, but willing to discuss those feelings.

What’s your definition of success when it comes to the club? What are you trying to accomplish?

Aponick: Paying our rent and paying touring and local bands well. We want to make sure touring bands have the ability to leave Omaha with a good experience and a good payday. We want to make Omaha a spot worth stopping for more bands. And we want to add to the idea that Omaha is a vibrant, artistically progressive city.

Do you think you could fill a niche that all the other venues aren’t filling? What’s that niche?

Parker: Let’s leave that for the people to decide. Our goal is strong in bringing touring acts that people as well as ourselves, want to see. But, at the same time, highly focusing on the great local scene that’s constantly growing and forever evolving. Bigger show. Little show. Doesn’t matter, hit us up. Our venue is yours.

Keep track of the Milk Run concert and art show schedule at the venue’s Facebook page.

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Despite the tragic murder that took place Halloween night at Slowdown Jr., tonight’s Here We Go Magic show is still happening, according to Slowdown booker Joe Teplitsky.

For those who live out of town (or in a cave), details about the crime are reported here by the Omaha World-Herald. The shooters reportedly are still at large.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.