A follow-up to yesterday’s post — The Blindspot is a new all-ages venue just getting off the ground located somewhere around 20th and St. Mary’s. Co-owned by Morgan Goldsberry and Cameron Leininger, the space has already hosted a “test run” show and has a hardcore show headlined by Zero Function slated for June 20.
Information about shows will be posted on their instagram stories ( @deadzeppelin and @whistletest ). Goldsberry says she’s been going to shows for nearly 12 years and looks at Blindspot as a way to give back to the DIY community. Like all local DIY shows, you’ll have to reach out to her or Leininger for the venue’s exact address. Watch for their flyers. I’ll also be hyping their indie shows when I’m aware of them, like the Pardoner show happening at Blindspot July 3.
It’s nice to see a new crop of promoters working with touring indie acts, promoters who are booking bands that they actually want to see.
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Speaking of shows, All Young Girls Are Machine Guns is headlining a show tonight at Pageturners Lounge with opener Indian Caves. It’s listed with a 7 p.m. start time and is free, though $10 donation is suggested.
It’s amazing how little is happening musicwise this week (these days). The biggest bit of news is that The Waiting Room is undergoing some sort of transformation, according to their weekly email blast. I’ve reached out to one of the club owner’s asking for details, but got no response, and since they virtually have no shows this week… well, we’ll just have to wait and see. What more could they do to the place?
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A few days ago, Reb Lowry of All Young Girls Are Machine Guns (AYGAMG) emailed saying she launched a Kickstarter campaign to help fund the pressing of a two-song 7-inch single. She’s trying to raise two grand. You can help her out here.
That is if you’re into “fashion statements,” as Neil Young described vinyl in an interview that is catching fire on social media. I’ve seen the quote a dozen times in a dozen different online publications, always taken out of context. Here’s the full quote, which isn’t nearly as negative as everyone thinks, from the source, The Frame, 89.3 KPCC:
“[There’s been] a little vinyl resurgence — you might point to that. But let’s face it: this is a convenience-oriented society and vinyl is not a convenient thing. It’s a niche and it’s a great niche and it’s a wonderful thing and I hope people continue to enjoy vinyl and it continues to grow because it’s a good thing. However, a lot of people that buy vinyl today don’t realize that they’re listening to CD masters on vinyl, and that’s because the record companies have figured out that people want vinyl. And they’re only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.”
If vinyl is a “niche” market, what would you call the market for the PonoPlayer, Young’s latest business venture that everyone is saying is a piece of shit? Among the critics, technology hardware reviewers Ars Technica, who called Pono “A tall, refreshing drink of snake oil.”
Among Ars‘ findings in their review: “As most audio-obsessed geeks will tell you, research and tests about high-res audio tend to make Neil Young and his Kool-Aid salesmen sound like fools. In many cases, higher-rate sampling can make audio sound worse. (Go down a real frequency rabbit hole here if you want.) Hell, Mr. Young must know by now that his older, degraded ears are less likely to pick up higher-range frequency audio than any of his potential customers.”
Harsh. Ars concluded: “No amount of testing (with PonoPlayer) made 192kHz/24-bit FLAC audio sound noticeably better than high-quality MP3s.” Plus, Pono doesn’t have a “hold” button? What?
Let the battle rage on. Apple owns this market and will until Spotify begins to produce its own (unnecessary) player, which I have to believe is just around the corner.
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Sam Martin has a new video out called “I Like to Hide” from his new album, A Notion In an Ocean. He shot, edited and directed the whole damn thing. Sam’s music reminds me of Harry Nilsson. I have no idea how Sam will take that comment, but it’s meant as a compliment. And if you don’t know who Nilsson is, Google him. You’re missing out.
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What else.
There might not be shit happening in Omaha this week (month) but there is in Lincoln. Tonight is the kick-off of Lincoln Exposed — three venues tons of Lincoln bands. Tonight’s sched:
Duffy’s Tavern
8:40-9:20 – Domestica
9:40-10:20 – Kerry Eddy and the Current Situation
10:40-11:20 – This Machine Kills Vibes
11:40-12:20 – Life is Cool
12:40-1:20 – Blue Sky Angel Parade
Zoo Bar
8-8:40 – Root Marm Chicken Farm Jug Band
9-9:40 – Omni Arms
10-10:40 – Powers
11-11:40 – Red Cites
12-12:40 – Universe Contest
The Bourbon
8:20-9 – Melon Company
9:20-10 – Floating Opera
10:20-11 – Emily Bass
11:20-12 – I Forgot To Love My Father
12:20-1 – The Dancing Dead
Check out the full festival calendar here: https://www.facebook.com/events/904564312896270/?ref_dashboard_filter=upcoming
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