by Tim McMahan, Lazy-i.com

Chicago by way of Boston’s Squirrel Flower a.k.a. Ella Williams has been writing and recording indie folk music since 2015, but broke through the waves with 2020’s I Was Born Swimming (Polyvinyl) that Paste Magazine called a record “you’ll want to sink into, like a warm bath or maybe a 4 p.m. ocean that’s been baking in the hot sun all day.”

She followed it up with Planet (i) (Polyvinyl, 2021), of which Allmusic said, “Themes of personal, meteorological, and environmental disaster scud like silver clouds over the album’s panoramic arrangements in a tenuous, but pleasingly textural way.” In fact, the record’s one-sheet called it “a love letter to disaster in every form imaginable. Tornadoes, flooding, gaslighting assholes, cars on fire—these songs fully embrace a planet in ruin.”

Sound depressing? Yeah, it can be. But most of Planet (i) is acoustic-riff indie rock that fits alongside acts like Cassandra Jenkins or Tomberlin at their quieter moments. It’s a pretty record that feels like a long, contemplative road trip, dusty and afternoon-sun lit, lost along an empty Highway 30.

Expect to hear tracks off this one when she rolls into Reverb Saturday night, as well as songs off her just release follow-up EP, Planet (Polyvinyl), which consists of outtakes from the Planet (i) sessions and a cover of Bjork’s “Unravel.”

We caught up with Williams and asked her the Ten Questions. Here’s her rather minimal responses:

What is your favorite album?

Squirrel Flower’s Ella Williams: Nebraska by Springsteen 😉

What is your least favorite song?

Happy Birthday

What do you enjoy most about being in a band?

Playing music with them 

What do you hate about being in a band?

Literally nothing !

What is your favorite substance (legal or illegal)?

Bagel with cream cheese

In what city or town do you love to perform?

Chicago! Where I live right now. 

What city or town did you have your worst gig (and why)?

I’ve never had a bad gig but one time I played in Sioux City, Iowa, and we got caught in the craziest rain storm ever. Full rivers flowing on the street while we were loading out.

Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

I have very low living costs and teach and work catering/restaurant gigs from time to time. It took a long time to get to the point of only needing a bit of side work here and there.

What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I worked as a carpenter’s assistant for a bit, which I really loved. Would like to go into carpentry maybe. I would hate to be in finance or be a coder. 

What are the stories you’ve heard about Omaha, Nebraska?

Mainly just nice tales from my friend Paige, who grew up on a goat farm outside of Omaha! Can’t wait to play in Omaha. 

Squirrel Flower plays with Tenci Saturday, March 19, at Reverb Lounge. Tickets are $15, showtime is 8 p.m. This is a No Vax No Entry show, so bring proof of vaccination or a negative COVID-19 test.

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Omaha band And How released a new track off a forthcoming album with no set release date (that I know of). Produced/recorded by Ian Aeillo, who gave me the tip, the song was recorded at the old Enamel Studios (and I’m sure there’s a good story behind that). When we’ll hear more tracks from these sessions is a mystery, as I’m told frontman Ryan Menchaca has his hands full with this project and touring with Thick Paint. Fingers crossed that both bands play at this year’s Petfest…

Speaking of which, tonight And How plays with Thick Paint and Masonjixx (headliner) at Reverb Lounge. $15, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

And so, the weekend. 

Two shows on the radar tonight…

Omaha indie ensemble And How headlines a very crowded bill tonight at The Sydney in Benson. The band always puts on a great show and is one of Omaha’s hottest bands on the verge of… something. Joining them is Lawrence (by way of Ashville, NC) four-piece folk-gaze band Blanky, whose latest, No Summertime, was recorded at Lakehouse in Ashbury Park and released last fall. Omaha hip-hop artist Dex Arbor opens at 9 p.m. No price listed for this show but it’s probably around $10. 

Also tonight, Omaha alt-country phenoms Clarence Tilton headlines at Slowdown Jr. with Farewell Transmission and Watson & Co. 8 p.m., $10.

Tomorrow it’s the big Memorial Park concert extravaganza featuring Elvis Costello and Wyclef Jean. Cover band The Firm kicks it off at 6 p.m. followed by Wyclef then Elvis, with fireworks at 10 p.m. In addition, KPAO public television will be showing local band videos between sets on the the big screens. The city recommends wearing masks, even outside.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2021 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Petfest is, hands down, the best collection of Nebraska bands to perform on one bill this year. And it takes place this Saturday at Petshop in Benson.

The event is a fundraiser for Benson First Friday (BFF), and features art as well as music (and beer). If you’re worried about the Delta variant, Petfest is hosted outdoors and has a mask requirement.

I went last year during the height of the the COVID-19 pandemic and saw their safety protocols firsthand, so I have no concerns about attending again this year. That said, you do what you do. The only thing that would make this gig safer is if they required proof of vaccination for entry (come on, Omaha venues, let’s make it happen).

The event takes place in the parking lot behind the Petfest building at 2725 No. 62nd St. Last year bands performed both outside and on the edge of the indoor space (the garage), essentially playing outside as well. Tickets are $20 today, $25 tomorrow.

The schedule:

Outside Stage:
2:00-2:20 – Anna McClellan
2:50-3:10 – Lightning Stills
3:40-4:00 – Those Far Out Arrows
4:30-4:50 – McCarthy Trenching
5:20-5:40 – Thick Paint
6:10-6:30 – Her Flyaway Manner
7:00-7:25 – Oqoua
8:05-8:35 – And How
9:15-9:45 – All Young Girls Are Machine Guns

Inside Stage:
2:25-2:45 – Magu
3:15-3:35 – Mike Schlesinger
4:05-4:25 – Miwi La Lupa
4:55-5:15 – Teetah
5:45-6:05 – CHEW
6:35-6:55 – Moon Pussy
7:30-8:00 – Benny Leather
8:40-9:10 – Ghost Foot
9:50-10:20 – Leafblower
10:45-11:15 – Universe Contest
11:30-Whenever – Crab Vs Kobra

More info at the event’s Facebook page.

Petshop actually gets things rolling tonight with a super-hot bill to be held partially outside (in the same space as Petfest). Atlanta experimental artist Salsa Chest (Joyful Noise/Gray Area Cassettes), whose latest was produced by Thick Paint’s Graham Ulicny, is on the bill with Thick Paint, Double Consciousness and headliner Mesonjixx. 8:30, $7.

AND

If you miss Those Far Out Arrows at Petfest during the day Saturday, you can also catch them at Reverb Lounge Saturday night, where they’re playing with The Darma Rose and Bad Bad Men — the supergroup featuring legendary punker John Wolf fronting a power trio rounded out by drummer Chris Siebken and bass player Jerry Hug. $8. 9 p.m.

One last show of note this weekend – Lincoln singer/songwriter Andrea von Kampen (Fantasy Records) has an album release show Saturday night at The Slowdown with Molly Parden. 8 p.m. $20.

And that’s all I got. If I missed your show, put it in the comments section. See you at Petfest.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2021 Tim McMahan. All rights reserved.

The weekend weather took an autumn turn that required bundling up for Saturday’s outdoor show at The Slowdown, the last gig of the three-week outdoor festival co-sponsored by the Maha Festival organizers.

The event had a sort of festival feel, thanks to the enormous outdoor stage planted against the south end of the Slowdown parking lot. As advertised, concert-goers were allowed to pick one of many holding cells to social distance in, some of which were separated by metal fencing. When we arrived at around 6 p.m. a number of the sections were occupied but plenty remained open including the spray-painted two-person section where we flopped down our lawn chairs.

Everyone in the crowd of around 75 or so was wearing a mask at this ultra-safe event. Even with my hood up on my light jacket, a small north breeze blew right through me, making things a bit chilly. Certainly it must have been cold up there on stage, or so And How frontman Ryan Menchaca said at the start of their set.

Despite the massive stage and huge sound system, Saturday’s And How set sounded a bit disjointed compared to their set at Petfest a month or so ago. At that one, held on the crushed rock lot behind Pet Shop in Benson, the band huddled under a small tent (fully masked) with sound powered by a tiny PA. No doubt the close proximity and low-powered system helped make the band sound more cohesive than the spread-out stage and mammoth, booming system used Saturday that was augmented by the proximity of concrete buildings surrounding the stage.

Nonetheless, the band gave another good performance, which closed with a new song that was the best of their set. There’s talk of a new album coming out in the near future and possible touring, but I guess COVID will have something to say about that…

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Last week Tom Ware, one of Omaha’s most respected sound engineers and producers, announced via Facebook that after 30 years of running Ware House Productions recording studios he’ll be closing the doors and retiring. He pointed to ongoing heath issues combined with the impact of COVID-19 as some of the factors that drove his decision.

“I am grateful for the opportunity to have worked with so many talented people from all over the world. While I might miss the fun aspect of the studio, I am eager to relieve myself of the pressure of running my own companies,” he said in the post.

Ware’s production and engineering credits are impressive. A glance at his AllMusic credits includes work with such acts as Lady Gaga (Ware was nominated for a Grammy for his engineer work on 2011’s Born This Way) and a long list of local acts including Digital Sex, For Against, Mousetrap, Mulberry Lane, Tom May, Stephen Sheehan and Mimi Schneider.

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Read Tim McMahan’s blog daily (if there’s news) at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

It’s another Bandcamp Friday wherein the online music store passes along its profits to the artist, meaning your buck goes further to support your favorite bands in These Days of Covid.

So are you looking for something to buy on Bandcamp today? Look no further than Good Music to Avert the Collapse of American Democracy, Volume 2, a 77-track compilation made up entirely of previously unreleased recordings from some of the most important names in music today. The album features never-before-heard new songs, covers, remixes, live versions and unreleased demos, and will be available for 24 hours today only, exclusively via Bandcamp.

Among the indie artists represented are Bright Eyes, Jenny Lewis, Perfume Genius, Arcade Fire, Bob Mould Band, Faye Webster, Charly Bliss, Guided By Voices and tons more. Cost is $20.20 (or more) and 100% of the net proceeds from the album’s sales will go to Voting Rights Lab, a nonpartisan 501(c)(3) organization that brings state advocacy, policy, and legislative expertise to secure, protect, and defend the voting rights of all Americans.

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The first Friday of the month has snuck up on us and with it comes Benson First Friday (#BFF). There are a few art openings happening in Benson, not the least of which is the one at The Little Gallery, 5901 Maple St. “Ramble,” by Lori Elliott-Bartle, features paintings and handmade prints inspired by the prairie. The opening runs from 6 to 9 p.m. tonight. Slap on a mask and come on by.

Also opening tonight in Benson — or I should say Grand Opening — is the new improved Reverb Lounge. You read about the improvements here, now check them out yourself. Lowercase Tres will DJ from 8 to midnight. It’s free but you have to wear a mask! If you want to see a live band on the new Reverb stage, Norfolk band The Begats plays Reverb tomorrow night (Saturday) at 9 for $5.

Also happening this weekend…

The Slowdown concludes its outdoor concert series hosted in partnership with the Maha Festival folks tomorrow night. Cover band Pet Rock was originally scheduled to play tonight but cancelled due to someone in the band getting COVID. Saturday’s show is the prime jewel in this concert series, featuring Masonjixx, And How, Cameron Logsdon, Angi Sada, Those Far Out Arrows and J. Crum, all for just $18.

The same rules apply as before — you’ll be cordoned off into a cattle-fenced 10 x 10 area where you’ll have to stay unless getting drinks. Masks are a must, except when in your veal-fattening pen. Bring a lawn chair unless you want to sit on the concrete. Smaller 2- and 3-person spaces also will be available. Read all the rules here. The show starts at 3 p.m. in the afternoon.

Also going on tonight and tomorrow is the virtual version of Lincoln Calling. The all-streamed event is free but they’re looking for your support. Find out more including the schedule at lincolncalling.com.

And that’s all I got. If I misses something, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily (if there’s news) at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

Like being stranded in the desert and drinking an ice-cold ladel of water — that’s what it was like to finally see live rock music again.

The opportunity came at Petfest last Saturday — the first live music I’ve experienced since COVID-19 began kicking our collective asses this past March. I can’t tell you how much I’ve missed rock shows. Watching a live band really underscores why live-streamed performances are a poor — but necessary — substitute for the real thing.

And while I know our COVID numbers around here are pretty bad, with the right precautions in place I don’t understand why there isn’t at least a few live outdoor indie shows happening somewhere. But I’ll get to that in a minute.

Just prior to organizers pulling the online ticket sales yesterday morning, there were only four of the 50 available tickets left for purchase, so if it wasn’t a sell-out it was close to it. After I posted my Lazy-i update Friday, organizers decided to nix the inside stage and host the entire event with two outdoor stages. Genius sound engineer Ian Aeillo cleverly pulled the in-door “stage” to the edge of the Petshop overhead doors, adding to the overall safety of the festival.

Before entering the snow-fence-bordered compound behind Petshop in Benson you had to be masked and have a temperature check. Once inside, there was plenty of room to roam, with a bar set up on one side next to the ProBlac tent and a merch tent.

I arrived at around 6 p.m., just in time to see And How’s entire set. A seven-piece ensemble that includes a two-piece brass section (trumpet and trombone) along with the usual keys, guitars, drums, I’d been told by a number of music folks how great they were, and they weren’t kidding. Fronted by vocalist/guitarist Ryan Menchaca, their sound is textured and melodic, floating and soaring like a plastic bag doing a ballet in an updraft between two skyscrapers. Some might say it borders on yacht rock, but these days, that’s a compliment, especially in an indie scene that’s infatuated with it.

Menchaca’s vocals, a perfect mid-range coo, wasn’t the least bit hampered by the mask he wore — in fact, the entire band wore masks throughout the performance, except of course for the brass players who dropped their shields when jams required. If there was a flaw it was in the enunciation — I’m not sure what these songs are about, but if their floating psych-rock sound is any indication, the topics are peace, love and understanding.

Mechaca said the band has only recorded one song, which is linked below. Methinks now would be a good time for them to get into a studio (perhaps Aeillo’s studio?) and get the rest of their set recorded for a debut album.

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And How was followed by Those Far Out Arrows playing in the garage stage (appropriately). The time off due to COVID has only strengthened the four-piece psych-rock outfit, who never sounded more lean and mean. While playing what you could consider traditional garage/psych rock, it feels like they’re headed toward different places these days. I would get caught up in a song’s warm vibe and hope it would go on for another five minutes instead of capping at the three-minute mark, like any good rock song — not jamming as much as a trance-like rhythm and tone.

The masked crowd was having fun hanging with friends, probably for the first time in a long time. Groups of two or three stayed distanced from others (for the most part). I never felt like the space was crowded or dangerous. I guess we’ll find out in a couple weeks should anyone get sick.

The Petshop folks did everything right as far as I could see, and the fact that they essentially sold out this small show at $30+fees per ticket tells me there’s an appetite for more small, safe, socially distanced, outdoor rock shows. I’m surprised there hasn’t been more like this one, but no doubt it takes a lot of organizing. That said, with summer winding down, the opportunities to do more of this before fall and winter comes — and we’re all stuck back indoors — is only going to become more limited. Let’s get it while we can.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Still digging out?

Not much else happening. Lots of shows got cancelled this weekend. I can’t wait until all this winter stuff ends.

As far as I know tonight’s show at Pet Shop Gallery is still on. Minneapolis band Author is on the bill along with Nashville band Mountains Like Wax and Omaha’s And How. No price listed. 9 p.m. start time.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.