by Tim McMahan, Lazy-i.com

It was probably a good thing that Belle & Sebastian didn’t play at The Admiral after all, judging by the audience size Saturday night at The Slowdown. It was a good-sized crowd, but far from a sellout, and a crowd that would have looked absolutely tiny on the massive Admiral floor.

The smaller crowd made for a more intimate setting for the band to roll out a nice selection of old chestnuts and new tunes off their just-released album, A Bit of Previous (2022, Matador). Stuart Murdoch handled almost all the vocal chores throughout the night, seated behind a keyboard when he wasn’t grooving with a microphone. Sarah Martin, who usually shares vocals (when she’s not playing violin) was absent due to an “unspeakable illness,” which was implied to be COVID-19, and while the violin parts were picked up by someone else, her vocals weren’t, and they were missed. No doubt her absence impacted the set list.

Despite all that, the 9-person band sounded great while videos similar to the mod stylish album artwork played behind them on a big screen. Set highlights included new songs “Unnecessary Drama” (their catchiest song in years) and “Young and Stupid,” and old faves “She’s Losing It” and “The Boy with the Arab Strap,” which got the mostly older crowd singing along. The three-song encore (really two-and-a-half songs) closed with a rousing version of “Judy and the Dream of Horses.”

It was a fun night, but I’m still waiting for my first show at the new Admiral (former Sokol Aud). The next show slated for Admiral is The Band Camino on Sunday night, and the next indie show is CHVRCHES June 15. Will the venue be ready?

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Before we get to the weekend, a handful of notable new releases came out today or this past week. If you’re buying, you may want to wait until next Friday for your purchase as it’ll be Bandcamp Friday (June 3)…

Dead Letters, the new project by Koly Walter, Brian Byrd (Well Aimed Arrows) and Mark Johnson, dropped the first song from their upcoming debut LP, Songs from Center, which is slated for a vinyl release Aug. 15. Check out the track below and preorder the vinyl here.

PROBLEMS, the new project from Darren Keen (The Show Is the Rainbow), has a new full-length album out today called This Is Working Out, released on the world-famous Orange Milk Records label. Darren takes the infectious style of electronic music to new levels. Mesmerizing. Buy the cassette here.

And Bright Eyes today released the first wave of their reissues series on Dead Oceans, A Collection of Songs Written and Recorded 1995-1997, Letting Off the Happiness and Fevers and Mirrors. Each comes with a “companion” recording of five reworked songs, of note is a cover of Simon Joyner’s “Double Joe,” and Lullaby for the Working Class’ “Hypnotist (Song for Daniel. H).”

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Let’s get to the weekend…

Tonight at The Sydney in Benson Specter Poetics (an electronic project by Jack McLaughlin) is playing along with a mystery band called Sack Religious (I asked Zach who they were and all he could tell me was he thinks they’re from Canada — I think he’s holding back because it’s his birthday). This is listed as starting at 11:30, and no price info, so you’re on your own.

Tomorrow night (Saturday) is the big Belle & Sebastian show at The Slowdown (originally slated for the new Admiral, but had to be moved because they’re still working on construction). The set list from last night’s show at the Riviera in Chicago indicates this will be the usual mix of old faves along with songs from their new album, A Bit of Previous (Matador). As of this writing, tickets were still available for $35. Our very own Steady Wells opens the show at 8 p.m.

Also Saturday night, Brooklyn band The Antlers is headlining at The Waiting Room. Their latest full-length is Green to Gold, released last year on Anti-. John Ross of Wild Pink opens the show at 8 p.m. $20.

And finally, over at The Reverb Lounge it’s a Songwriting Death Battle in memory of John Klemmensen, Omaha’s bigger than life troubadour who passed late last month. Each act will perform a song or two. Tickets are $8 and all proceeds with go to John’s family. Starts at 8 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great long weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Once upon a time in Omaha in the early ‘90s there was a band called Mousetrap that played a unique kind of acidic post-punk fronted by a sinister-looking dude named Patrick Buchanan. The trio put out a handful of albums on local imprint One-Hour Records (R.I.P. Dave Sink) and on nationally distributed indie-punk label Grass Records. National tours followed. Their music would end up influencing a bunch of kids who would eventually make up the first wave of Saddle Creek Records acts, bands like Bright Eyes, Cursive and The Faint.

After a few years, Mousetrap did as most bands do — they went their separate ways, reuniting on special occasions (but it’s been awhile since that happened).

Now Mousetrap frontman Patrick Buchanan is back, performing under the name House of Transgressor, with a new album called Love Is the Law, Love Under Will. The self-released album, a bluesy collection of keyboard-driven gothic tracks that haunt like a stroll down a dark, rain-soaked New Orleans alley in a weird ‘80s horror movie.

Based on the Bandcamp notes, the album was written, recorded, performed and produced entirely by Buchanan. Mousetrap fans or anyone with a taste for dark-ambient / darkwave music would be wise to check it out.

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Tonight at The Waiting Room it’s the return of Built to Spill.

Based on the setlist for their recent show in Kalamazoo, they’ll be playing a mix of oldies and newies, including faves “Carry the Zero” “The Plan,” “Conventional Wisdom,” “Big Dipper,” as well as some covers. No doubt they’ll be playing songs from their forthcoming album, When the Wind Forgets Your Name, due out on Sub Pop Sept. 9. Opening is Portland band Sunbathe and Boise’s Distant Family. 8 p.m., $25.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

From an indie music perspective, there literally is nothing going this weekend.

The 1% calendar is loaded with grunty metal acts (even Slowdown has a chest-beater metal show). The Sydney has DJs all weekend. All this amidst rising cries that, despite the addition of so many new music venues (none of which have opened yet) and the retreat of COVID (for now), when it comes to national indie tours, we still live in NOmaha. Fact check: This is not new. It’s been this way for awhile. We’re just noticing it more because we’re getting back out there post-pandemic.

Look, I’m fine with it. The weather is going to be godawful cold, anyway. We have Built to Spill next Thursday, Belle & Sebastian next Saturday. But it really sucks that there aren’t even any local indie shows going on this weekend, either. And The Brothers is gone, so… WTF we supposed to do?

Anyway, it’ll give me more time to watch the new video by Little Brazil for the title track off their upcoming album, Just Leave. This one has a rogue’s gallery of talent involved including director Bill Sitzmann, videographer Django-Greenblatt-Seay, not to mention Tony Bonacci, Scott Drickey, Jon Tvrdik and Jon Ochsner. Heck, these guys should be working on a feature film project instead of a music video. When you’re Little Brazil and Max Track Records, you can attract the big guns, which is exactly what they’ve done here.

The Sydney has never looked better, but now you’ll see why I’ve never used their bathroom. Little Brazil’s album release show for Just Leave is June 4 at The Waiting Room with Uh Oh and Las Cruxes (Hey, that’s on a weekend!). Sucks that I’m going to be out of town, as this will be one of the biggest music scene events of the year…

Have a great weekend!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Busy Tuesday.

There’s a goth dance party going on tonight. Detroit electroclash / electro-punk band ADULT. brings their synth-style techno to the Reverb. The duo of Adam Miller and Nicola Kuperus have had their last few albums released by Dais Records, including the most recent, 2022’s Becoming Undone. Opening are two EDM up-and-comers — LA-based masked man Kontravoid and fellow Angelinos Spike Hellis. This is a show that should have been held in a converted Meatpacking District warehouse circa 1988. Bring your (leather) dancing shows. 8 p.m., $17.

Meanwhile, just a stone’s throw away at The Waiting Room, Southern Culture on the Skids returns. The Chapel Hill twangin’ trio has been at it for over 30 years. Their latest, At Home with Southern Culture on the Skids, was released last year on Kudzu Records. Opening is Denver’s Dressy Bessy a.k.a. Tammy Ealom, whose latest album, 2019’s Fast Faster Disaster was released by Yep Roc. You get both for $20. Starts at 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Well, looks like supply chain or labor shortage or who knows what else is continuing to hamper the work being done at The Admiral — the venue formerly known as Sokol Auditorium (read about the project here). The Admiral today posted on social media that the May 28 Belle & Sebastian concert, which I’d hoped would be my introduction to the new venue, has been moved to The Slowdown.

No doubt the only people more bummed by the move than me are One Percent and Mammoth Productions, who run the venue. It begs the question what other shows will be moved in the coming weeks/months? The next big “indie” show slated for the Admiral is CHVRCHES June 15, just a couple weeks beyond that B&S date, and then Neko Case June 23, and then Bright Eyes Weekend July 2-3.

But… just this morning it was announced that Sunny Day Real Estate and Appleseed Cast have been scheduled perform at The Admiral Sept. 14…

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Local indie band Uh Oh last week dropped a new video for the track “Copperhead” from their LP Good Morning. Check it:

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We’re getting closer to the release of the next Little Brazil masterpiece, Just Leave, out June 3 on Max Trax Records. Pre-order here. The band dropped the title track via Bandcamp. Check it:

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Well I was all set to tell you that “it looks like another O’Leaver’s weekend,” and then I get word that Saturday night’s Lightning Stills/Wagon Blasters show has been postponed! No word on the rescheduled date but hopefully it’ll be sometime in June, says Mr. Craig. Fingers crossed.

That really messed up my weekend, but whaddya gonna do? Here’s what we have left:

Saturday night, Chicago indie band Chnnll headlines at Reverb. Frontman Chris Davidson worked with producer Joey Waronker (R.E.M., Beck) on his 2020 debut full-length that included some help from Death Cab’s Zac Rae. Bach Mai and Bad Self Portraits open at 8 p.m. $12.

Sunday night night, London-based singer/songwriter Nilüfer Yanya headlines at Slowdown Jr. Her latest album, Painless (2022, ATO), received Pitchfork’s “Best New Music” designation (along with an 8.4 rating). Opening the show is a sort of recent addition to the Saddle Creek Records roster, Ada Lea, who’s on the road supporting her latest, One Hand on the Steering Wheel the Other Sewing a Garden. Also on the bill is Chicago’s Tasha. $25, 8 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

I went in with the worst expectations for last night’s Spirit of the Beehive show at Slowdown Jr. based on their critically acclaimed most recent album, released by Saddle Creek Records. Instead, I was knocked on my ass by a band that’s poised to take it to the next level.

Live, SofB’s sound is more conventional, more sleek and, frankly, more rocking. The guitar-fueled five-piece shared lead vocals among three members, but was mostly held down by “frontman” guitarist Zack Schwartz whose vocal style vacillates between Frank Black and David Gilmore. Just as vital to the sound is fellow lead vocalist Rivka Ravede, who owned on bass; and power-angry-psycho vocalist synth dude Corey Wichlin.

Without the clutter and droopy/weirdo effects heard on the recordings, the band is white-knuckle tight on rock songs that have the spirit and energy of early Pixies or Sonic Youth. Fans of the wonky samples and noise effects littered throughout the last album take heart — the band grouped the cluttered noise between songs, playing the prerecorded tracks while they busily tuned instruments or changed gear.

Driving home from the gig, I listened again to Entertainment, Death thinking I might have misjudged the record, but no. It’s just as acidic and distressingly ugly as I thought it was. Give me a live recording of this band over their records any day. The only time last night that they slipped into art-prog territory was late in the set, closing with fan favorite “I Suck the Devil’s Cock” followed by a fantastic version of “Fell Asleep with a Vision” from 2018’s Hypnic Jerks album (Tiny Engines).

Opening was local super-group Healer fronted by sound engineer/musician Dan Brennan (Ladyfinger), who performed seated behind an iPad and notebook, making me wonder why more bands don’t play sitting down. Their heavy set was punctuated by a sweet tribute to recently passed-away local musician John Klemmensen.

“John covered a Ladyfinger song at The Sydney. He actually did fucking better than us,” Brennan said. “God bless you, John. You’re up there somewhere,” he added before the band ripped into the cover of Ladyfinger’s “Dark Horse,” that was a set standout along with the song that followed it, a ripper in many parts.

Solid crowd of (guesstimate) around 75.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Spirit of the Beehive is one of Saddle Creek Records’ most lauded recent signings. The band’s last studio album, Entertainment, Death, released in April 2021, was a Pitchfork “Best New Music” selection. The review in Exclaim! sums it up better than I could after having gotten through it a couple times: “Spirit of the Beehive’s unsettling compositions are not for casual listening. On Entertainment, Death every fragmented idea is thoughtfully ripped apart and stitched back together with the gusto of a delirious genius.”

This is complicated music that takes great effort to listen to (endure), and is designed as such. I would describe it with the same word I’d use to describe Black Midi’s music — challenging. BTW, it was announced yesterday that Black Midi will be playing Slowdown Oct. 8 in the big room. Quite a get. It’ll be interesting to see how well that show draws.

It’s the utter complexity of their compositions that makes the notion of these bands’ live performances intriguing. Beehive live could be either startling in its creativity, or irritating after long-term exposure. The fans say there is a method to their madness, whereas the uninitiated may only hear noodling and forced “art.” I suspect I fall somewhere in the middle. Regardless, it’s great to see Saddle Creek taking risks.

Opening is Healer, local supergroup helmed by former Slowdown sound engineer Dan Brennan with two members of Noah’s Ark Was a Spaceship — Andrew Gustafson on guitar and John Svatos on bass — and two members of UUVVWWZ — David Ozinga on drums and Jim Schroeder on bass VI and Rhodes (or at least that was the line-up the last time I saw them). I would pay $18 just to hear Healer, which is the ticket price for tonight’s show. This is a small-room show and starts at 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Pro-tip: Force yourself to see those touring indie bands playing on weeknights, because those tours rarely come through Omaha on weekends. Our weekend stages are dominated by local acts, and this weekend is no exception

In fact, it’s all happening tonight, starting at The Sydney in Benson, where it’s BFF (that’s Benson First Friday for the uninitiated, which features art shows throughout the district). Headlining tonight is Solid Goldberg, the one man rock project of Omaha musician Dave Goldberg. SG has become one of those “see it to believe it” rock events, a multi-media spectacle. Also tonight at The Sydney, indie rock band Living Conditions, rockers Garst and DJ WaffLEZ. $10, 10 p.m.

Just down the street, Reverb Lounge is hosting a punk show headlined by Field Day (ex-Dag Nasty) with Cordial Spew, Hand Painted Police Car and Mere Shadows. $20, 9 p.m.

Over at the Down Under Lounge on Leavenworth, NYC’s Brook Pridemore headlines with Chicago’s Kelroy and Omaha punk band Las Cruxes. 9 p.m. $7.

There are no shows on my radar for the rest of the weekend.

Also, today is Bandcamp Friday, which means if you’ve been thinking about buying downloads of any of your favorite albums, today is the day to do it as Bandcamp waives all fees and passes its share onto the bands. Some record labels are following suit.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2022 Tim McMahan. All rights reserved.