OEA Summer Showcase tonight and tomorrow…

Category: Blog — @ 5:44 pm July 31, 2009

This weekend is easy: Just head to Benson for the Omaha Entertainment and Arts Awards Summer Showcase. There. You’re done. No more thinking necessary.

Performances are tonight and tomorrow beginning at 8 p.m. Wristbands are sold at the door of every performance spot. A one-time $10 charge will get you into all five venues all night long; or do as I do and spend an extra $5 and get access for both nights

I’m told that this two-day event is actually a fund raiser for the OEA organization, and that the real academy-targeted showcase — that will feature bands nominated for an award — will be held sometime this fall. So this one is really “just for fun,” an exposure-generator for 60 local bands whose music cuts across multiple genres.

As seems to be the case with most OEA events, the acts chosen to perform are mostly bands that regularly perform in Benson anyway, which makes this more of a “come-to-Benson” exposure-driven event. We’ll see if the crowd consists of out-of-Bensoners or the usual crowd (who, strangely, didn’t show up for the Lincoln Invasion festival just a few weeks ago).

My advice on how to best enjoy this festival: 1) Find a designated driver, 2) Get your wristbands in order, 3) Proceed to drink you face off while stumbling from venue to venue. Benson-based showcases are really just high-end drinking games involving music. The OEA folks would be advised to organize a taxi stand so game participants can get home safely after the party’s over.

Anyway, here is the schedule as posted on the OEA website. For those who need help deciding which bands to see, I’ve placed an asterisk (*) next to my recommendations — keep in mind that I haven’t seen or heard half of these bands.

Friday July 31

Barley Street Tavern

8:10 p.m. — Spiders For Love
*8:55 p.m. — Answer Team
9:40 p.m. — Travelling Mercies
10:35 p.m. — Matt and Ben
*11:20 p.m. — Boy Noises
12:35 a.m. — Black On High

The Sydney

8 p.m. — Jason Fergusen
8:45 p.m. — Little Black Stereo
9:30 p.m. — Akita Ken
*10:15 p.m. — The Filter Kings
*11 p.m. — Shiver Shiver
*11:50 p.m. — Thunder Power

P.S. Collective

8 p.m. — Pat Higgins Trio
*8:45 p.m. — Honey & Darling
*9:30 p.m. — Sarah Benck
10:15 p.m. — El Genius
11 p.m. — Funk Trek
11:50 p.m. — Rock Paper Dynamite

Burke’s Pub

8 p.m. — The Pilots
8:55 p.m. — Chris Massara
*9:40 p.m. — Dereck Higgins
*10:35 p.m. — Goodbye Sunday
11:15 p.m. — Vago
12:05 a.m. — DJ Spence

The Waiting Room

8:10 p.m. — Lunatik
8:55 p.m. — Mitch Getman
*9:40 p.m. — Anniversaire
10:35 p.m. — Ten Club
11:20 p.m. — The Cowboy Dave Band (ex-40-20)
*12:05 a.m. — Brad Hoshaw & The Seven Deadlies

Saturday, Aug. 1

Barley Street Tavern

8: 10 p.m. — Broken Truth
8:55 p.m. — Strictly Roots
9:40 p.m. — Raven Carousel
*10:35 p.m. — Sweet Pea
11:20 p.m. — Platte River Rain
12:05 a.m. — Vinyl Haze

Burke’s Pub

8:10 p.m. — 24 Hour Cardlock
8:55 p.m. — W.E.R.D.
*9:40 p.m. — Matt Whipkey
*10:35 p.m. — Black Squirrels
11:20 p.m. — Son Of 76 & The Watchman
*12:05 a.m. — Brent Crampton

The Sydney

8 p.m. — After The Fall
*8:45 p.m. — Kyle Harvey
*9:30 p.m. — The Show Is The Rainbow
10:15 p.m. — Surreal
*11 p.m. — Midwest Dilemma
*11:50 p.m. — Paria

The Waiting Room

8:10 p.m. — Kethro
8:55 p.m. — Flight Metaphor
9:40 p.m. — Poor Mans Opera
10:35 p.m. — Oxygen
*11:20 p.m. — Fortnight
*12:05 a.m. — It’s True

P.S. Collective

8 p.m. — Jess Winter Band
8:45 p.m. — ASO
9:30 p.m. — Edge Of Arbor
10:15 p.m. — Qubit
11:20 p.m. — The Last Few
*11:50 p.m. — The Big Al Band

Watch for updates via the Lazy-i Twitter feed (follow me), along with some shaky, grainy, out-of-focus iPhone photos.

–Got comments? Post ’em here.

Lazy-i

Column 231: Eyes Wide Shut; Dark Town House Band tonight…

Category: Blog — @ 5:33 pm July 30, 2009

Only the top half of this week’s column is new; the bottom half appeared here a week ago. No new updates on the Mousetrap reunion, though I’ve heard from two drummers who said if Craig and Patrick can’t find anyone to handle the drum parts, they’d be honored to step in — they grew up listening to all those Mousetrap albums. As for the top half, I just noticed that tickets for the Oct. 28 Monsters of Folk show at The Holland are nearly $50 and go on sale tomorrow. Wonder how fast it’ll sell out? I also noticed that the first three songs on the Monsters’ upcoming album are now on their Myspace page.

Column 231: Eyes Wide Shut
It’s Bright Eyes, not Oberst, who’s calling it quits.

They’re worried about Bright Eyes in Jakarta.

That’s Jakarta Indonesia for all of us geographic illiterates. Where last Tuesday in the Jakarta Post there was an item in their “Reverb” section about the demise of Bright Eyes. Jakarta. Indonesia.

It was just one of what seemed like 50 online publications that regurgitated a story written by Kevin Coffey of the Omaha World-Herald that was published now almost two weeks ago, where Saddle Creek Records head honcho Robb Nansel repeated what was in Rolling Stone almost a month ago — that Conor Oberst was retiring his Bright Eyes moniker once and for all after a final Bright Eyes release on Saddle Creek sometime in late 2010.

Maybe it was a slow news week, but what was essentially old news got picked up by Pitchfork — the New York Times (or more accurately, The TMZ) of the indie music world — before exploding across the Intergoogle on website after website until it ended up in Jakarta last Tuesday. And the whole time I just shook my head.

Bright Eyes’ demise was being treated as if Oberst himself was retiring from the music business, which is anything but the truth. Have people forgotten that Bright Eyes is really just a name for Oberst and whomever he wants to perform with on any given record? Sure, starting with Cassadaga Oberst declared that Bright Eyes’ core ensemble was a trio consisting of himself, Mike Mogis (who’s been along for the ride since the very beginning) and keyboardist/pal Nate Walcott. But the guy driving the bus — the one writing all the songs — was Oberst, and Oberst ain’t going away.

Does the retirement of the Bright Eyes name mean you’ll never hear “Padraic My Prince” or “Waste of Paint” or “I Must Belong Somewhere” performed live on stage by guy who wrote them? Maybe, but it would make absolutely no sense. Moreso than being Bright Eyes songs, those are Oberst songs, tied more closely to the person who wrote them than the name printed on the record sleeve in which they appeared.

If there’s a loser in this whole “death of Bright Eyes” story, it may be Saddle Creek, who released almost every Bright Eyes album. Conor Oberst’s other identities — The Mystic Valley Band, The Monsters of Folk — are being handled by other record labels. When Oberst said he “wants to lock the door, say goodbye” to Bright Eyes, did he really mean he wants to lock the door on Saddle Creek?

Nansel and business partner Jason Kulbel — who are still licking their wounds from the loss of The Faint last year — continue to control Bright Eyes back catalog, and then there’s the final album. After that, well, that’s the real question, because after the Monsters of Folk go their separate ways and the conclusion of the Bright Eyes Farewell Tour sometime in 2011, Conor Oberst will be left as Conor Oberst, releasing albums simply as Conor Oberst — albums that will sound strangely like Bright Eyes albums.

* * *

Just imagine how big that Bright Eyes reunion tour is going to be. Huge!

Speaking of reunions. A couple years ago at a show at The Slowdown I bumped into Craig Crawford, bass player for one of Omaha’s most important ’90s punk bands, Mousetrap. Craig had mentioned at the time that he’d been in touch with Mousetrap frontman Patrick Buchanan and that there had been talk about a possible band reunion.

This information was a bit surprising based on an interview I had conducted with Buchanan in March 2004 when his band at the time, After Dark, was coming through town for a show at The 49’r. Buchanan said he couldn’t even listen to Mousetrap records because they brought up “too many memories, most of them bad.” He concluded that interview with this: “You might think you made some good records, but you never know if you’re creating anything important. I guess we did. Maybe in 10 or 15 years I’ll be able to listen to them again.”

Now here was Crawford a few years later saying that a reunion was a possibility. I was skeptical. Two years passed and nothing happened and I thought that was the end of it.

Then last week I got a message via Facebook from Crawford that said, once again, a Mousetrap reunion was in the works.

“We are 90% committed at this point,” he said. “Patrick lives in Detroit now, and is planning on commuting into Chicago for practices. He wants to use a drummer from one of his old Chicago bands, and I have no problem with that. I have access to a warehouse and large-scale PA here, so that is good. I also want to document this when it happens. I’ve got cameras and all sorts of shit! This should be fun. Patrick is very excited about this, and I am as well. I would love to see if Scott (Miller, Mousetrap’s original drummer) would want to be involved, but I do not know how to get ahold of him.” Hey, anyone know Scott’s whereabouts these days?

Craig said this landmark show had yet to be booked, but I have to believe that just about any of the major clubs in town would be honored to host a Mousetrap reunion show. How well would it draw? That’s a good question. Among the Saddle Creek Records contingent and Omaha’s dynamic noise-punk scene, Mousetrap is the stuff of legends. But that’s not a terribly large crowd. For many (including myself) this would be a can’t-miss event — that is if this time it actually happens.

According to the Barley Street Tavern online calendar , The Dark Town House Band is scheduled to play on the Barley Street stage tonight. I’ve seen nothing promoting this show anywhere else. Expect an SRO crowd (if it’s true). $5, 9 p.m.

–Got comments? Post ’em here.

Lazy-i

Anvil! The Story of Anvil rocks; Dave Dondero, It’s True tonight…

Category: Blog — @ 5:47 pm July 29, 2009

As you know, I generally don’t review movies on Lazy-i unless they have a music tie-in, and Anvil! The Story of Anvil certainly does. The documentary, which is now playing at The Dundee, is one of the best music docs I’ve seen since Some Kind of Monster, the 2004 Metallica doc, and in many ways, it’s better. The movie tells the story of ’80s Canadian metal band Anvil as it continues to reach for the rock ‘n’ roll golden ring even though the band’s members are now in their 50s.

Brief interviews with members of G ‘n’ R, Slayer, Motörhead, Metallica and others lay the groundwork before the opening titles. We’re then introduced to the key members of the band — Steve “Lips” Kudlow and Robb Reiner — as they struggle with their daily jobs and their daily lives before heading off to a disastrous European tour. The film has been called a real-life version of Spinal Tap, and the incidents depicted in many ways resemble that film. The difference, of course, is that this is real.

It is virtually impossible not to feel something for these lovable schlubs who, through bad timing, bad luck and a series of bad managers, record labels and recording experiences, missed the boat that made all those ’80s hair metal bands millionaires. Now all they want is their chance with a major record label. You can’t help but shake your head as they walk into the iconic Capitol Records building in LA carrying a bagful of CDRs with them name written on them in Sharpie.

This film won the Audience Award at the 2008 Sundance Film Festival. Within two months, it became the highest-grossing rock documentary in U.K. history. It’s only now getting U.S. distro and has a rare 100 percent Top Critics rating at Rotten Tomatoes. The whole time I was watching it I was thinking that these guys’ lives will forever be changed by this documentary, that their days of playing to nobody in tiny bars is over (for now, anyway). Sure enough, when I got home and did some Googling, I discovered that Anvil is opening three stadium dates for AC/DC next month.

I don’t know how long The Dundee plans on screening Anvil, though they usually change films on Fridays, so make plans to see it tonight or tomorrow. It’s well worth your time.

* * *

Speaking of things worth your time, Dave Dondero is playing a gig tonight at The Barley Street with Micah Bruce. $5, 9 p.m. Also tonight, It’s True is playing at Slowdown Jr. with Theodore and Andrew Bryant. $7, 9 p.m.

–Got comments? Post ’em here.

Lazy-i

Yo La Tengo? Built to Spill? Nice; The Start, Birdlips tonight…

Category: Blog — @ 5:53 pm July 28, 2009

I was clicking through the One Percent Productions website today and noticed a couple awesome additions to their calendar. On top of the list is Yo La Tengo coming to Slowdown Oct. 9 — almost three years to the day that they played at Sokol Underground. That show, reviewed here, made my list as one of the best of ’06, partially because I’d been waiting 10 years for someone to book YLT in Omaha. This is a must-see show. Also, looks like our friends Tortoise is coming back to The Waiting Room Oct. 1. I didn’t think we’d see them again after their last appearance here back in June 2007 (see review) failed to sell out. And one of Omaha’s favorites, Built To Spill, has been booked to play at Slowdown Sept. 23. This was one of the first big national touring band to play Slowdown after it opened in the summer of 2007. This is winding up to be one of the stronger fall seasons for One Percent (and Slowdown).

OK, but what about tonight? Well, over at the Waiting Room, No Wave dance band The Start is playing with Normandie and Omaha expatriates Drake’s Hotel. $8, 9 p.m. Meanwhile, Slowdown Jr. is hosting Charlottesville/Washington D.C. indie duo Birdlips, with Brad Hoshaw and Midwest Dilemma.$7, 9 p.m.

–Got comments? Post ’em here.

Lazy-i

Live Review: Azure Ray/Cursive; Beat Seekers tonight…

Category: Blog — @ 5:49 pm July 27, 2009

A handful of people told me that they didn’t go to the free concert outside at Slowdown Friday night for fear of large crowds, parking congestion, etc. They had nothing to worry about. I showed up after Flowers Forever and parked on the street on the east side of the Slowdown complex. After strolling through the entrance between Slowdown and American Apparel you were met with a sort-of festival environment, with booths for food, merch and most of all, booze. There were maybe 500 people there when I arrived. Another 250 showed up in time for the Azure Ray reunion set.

The stage was tucked into the nook behind Slowdown and Film Streams — very nice. Not so nice was the sound system, at least during Azure Ray — the vocals were overblown (ironic when you consider who was doing the singing), and crackled and dropped out throughout the set. Very unfortunate. That said, the duo was in good voice, and it was nice to hear some of these old AR tunes again. Andy Lemaster, who played guitar in their band, continues to resemble a 17-year-old boy, which will only continue to stoke the speculation that he’s a vampire. See action photo.

By the time Cursive hit the stage, it looked like more than 1,000 people were there, though it never seemed crowded. My guess is you could have had double those numbers within the parking lot/compound and it still would have been comfortable, which raises the idea of Slowdown hosting two or three of these kinds of outdoor shows per summer, that is if the residents of the new “22” apartment complex don’t mind — hey, what did they expect when they moved into a building linked to Omaha’s indie-music ground zero?

Cursive came on just as it was getting dark. Behind them on two large screens was a video created especially for the event that juxtaposed footage from Mutual of Omaha’s Wild Kingdom with old movies (including a Dustin Hoffman chestnut). It worked pretty well; Cursive should consider bringing the video on the road with them. Their set was a selection of classics reaching as far back as Domestica to new stuff off Mama, I’m Swollen, and it all sounded great. I assume the sound system was selected with them in mind (and not Azure Ray). Tossed into the mix were covers of The Cure’s “The Lovecats” and Bowie’s “Modern Love.” Overall, it was a lot of fun. Let’s do it again a few more times next year.

* * *

Tonight there’s a rare Monday evening show at The Sydney featuring The Beat Seekers with Brannigans Law and The Moves. $5, 9 p.m.

–Got comments? Post ’em here.

Lazy-i

Cursive: The Lazy-i interview with Tim Kasher…

Category: Blog — @ 6:12 pm July 23, 2009

Just posted right here, the Lazy-i interview with Tim Kasher of Cursive. Tim talks about the meaning (or perceived meaning) behind the band’s latest album, Mama, I’m Swollen, and the realities of getting older alongslide the band’s fans. Read it here. The story, which appears in today’s issue of The Reader, is in support of tomorrow night’s free concert in The Slowdown’s parking lot featuring Cursive, a reunited Azure Ray and Flowers Forever. More details about the show tomorrow.

–Got comments? Post ’em here.

Lazy-i

Mousetrap to return; Pitchfork likes The RAA; Bowerbirds tonight…

Category: Blog — @ 5:48 pm July 22, 2009

A couple years ago at a show at The Slowdown I bumped into Craig Crawford, bass player for one of Omaha’s most important ’90s punk bands, mousetrap. Craig had mentioned at the time that he’d been in touch with mousetrap frontman Patrick Buchanan and that there had been talk about a possible band reunion.

This information was a bit surprising based on an interview I had conducted with Buchanan in March 2004 when his band at the time, After Dark, was coming through town for a show at The 49’r. Buchanan said he couldn’t even listen to mousetrap records because they brought up “too many memories, most of them bad.” He concluded that interview (which you can read in its entirety here) with this: “You might think you made some good records, but you never know if you’re creating anything important. I guess we did. Maybe in 10 or 15 years I’ll be able to listen to them again.”

Now here was Crawford a few years later saying that a reunion was a possibility. I was skeptical, but I still mentioned it in my year-end “predictions” article. Two years passed and nothing happened and I thought that was the end of it.

Then last week I got a message via Facebook from Craig that said, once again, a mousetrap reunion was in the works.

“We are 90% committed at this point,” he said. “Patrick lives in Detroit now, and is planning on commuting into Chicago for practices. He wants to use a drummer from one of his old Chicago bands, and I have no problem with that. I have access to a warehouse and large-scale PA here, so that is good. I also want to document this when it happens. I’ve got cameras and all sorts of shit! This should be fun. Patrick is very excited about this, and I am as well. I would love to see if Scott (Miller) would want to be involved, but I do not know how to get ahold of him.” Hey, anyone know Scott’s whereabouts these days?

Craig said this landmark show has yet to be booked, but I have to believe that just about any of the major clubs in town would be honored to host a mousetrap reunion show. How well would it draw? That’s a good question. Among the Saddle Creek Records contingent and Omaha’s dynamic noise-punk scene, mousetrap is the stuff of legends. But that’s not a terribly large crowd. For many (including myself) this would be a can’t-miss event. More to come…

* * *

Saddle Creek Records seems to have shaken its Pitchfork jinx with this recent review of The Rural Alberta Advantage’s Hometowns. It scored a massive 8.0, and these comments, “…Rural Alberta Advantage were known as the best unsigned band in Canada before Saddle Creek snapped them up and re-released this debut. And it’s a good thing they did; songs this good deserve to be heard by audiences as large as their sonic scope.” This is the highest-rated Pitchfork review for a Saddle Creek act in recent memory (or perhaps ever?). Keep in mind, this is a re-release. Let’s see how well The RAA scores with their first Creek-exclusive album.

* * *

Tonight at Slowdown Jr. Bowerbirds plays. They’re out on the road supporting their latest album, Upper Air, on Dead Oceans. They play pretty acoustic folk-rock with accordion and plenty of harmonies. Opening is Megafaun. $10, 9 p.m.

Did anyone notice that Amazing Baby is scheduled to play at Slowdown Sept. 27? They’ve yet to list the date on the 1% or Slowdown websites, however. Amazing Baby is one of the hotter (and better) new indie rock bands on the scene. Check ’em out.

* * *

By the way, Pt. 2 of my guest appearance on the Worlds of Wayne podcast (celebrating the show’s 100th episode) is now available for your listening pleasure at www.worldsofwayne.com.

* * *

Hey, where’s this week’s column? Column space this week was used for an extended interview with Tim Kasher in support of Friday night’s free Cursive show at the Slowdown parking lot. The interview will be online right here tomorrow.

–Got comments? Post ’em here.

Lazy-i

It happened last weekend; Our Fox, Gogol Bordello tonight…

Category: Blog — @ 2:00 pm July 21, 2009

I’m still catching up on last weekend. The most notable event was, of course, the first annual Speed! Nebraska / O’Leaver’s adult soapbox derby held at Seymour Smith Park. As predicted, there was plenty of bloody mayhem in the form of grisly crashes. The crowd was… unfortunate. When I showed up shortly after 11, only 20 or so people were there. That number would balloon to about 50 when I left at 1, and I was told by an organizer that another 100 or showed up later in the afternoon. This was the first time for this annual event, after all. I don’t think anyone expected a Horsemen’s Park-sized crowd. Six soapbox cars entered the fray, and from its first test run it was obvious that the three-wheeled death contraption driven by Jon Taylor of Domestica was going to win the whole thing, for among other reasons it was the only entry able to make it to the end of the course. It was also scary fast, like watching someone luge head-first staring at a spinning blade. Here’s an awesome picture someone took of Taylor and his ride prior to the race. Frightening.

Gary Dean Davis’ race car also was bad-ass (here’s my not-so-awesome photo), and would end up coming in second pace. O’Leaver’s El Camino took third-place honors.

But who cares about the race results? People go to the races for the crashes, and there were two doozies. Taylor lost control of his death mobile the third time down the track and went airborne before performing a tumbling exercise on the asphalt mat that scored him a perfect 10 along with a gashed elbow. Very exciting. After I left, Mike Tulis and his rolling piece of plywood crashed into a guardrail. The damage could still be seen on his face later that evening at O’Leaver’s. So yes, there was blood, but no permanent damage except maybe to the pride of the guy who raced the H1N1 pig mobile…

Later that evening the racers took a musical victory lap at O’Leaver’s. I caught the tail end of The Third Men’s set, along with all of Domestica’s, which sounded better than ever (see photo). At the end of the day, a few hundred bucks was raised for Special Olympics of Nebraska, which made everyone a winner.

Earlier in the evening I caught Neko Case’s sold-out performance at The Slowdown. It was a different crowd than the usual hipper-than-thou scenester/slacker club — mostly couples in the late 20s and 30s out for a date night. Case is an indie-music diva who appeals to a smarter, more refined audience than you’ll find at, say, a Sheryl Crow concert. She sounded terrific on Slowdown’s big stage, backed by five musicians including a back-up singer who was more of a stand-up comic, playing the role of EmCee in charge of keeping the laughs rolling between songs while Neko tuned her beefy Gibson SG. Neko got a few choice lines in as well, but it was mostly the side-kick that kept the audience engaged. While her music is uplifting, Neko’s lyrics are agonizingly depressing. Adding to the gloom, projected on a stage decorated with a giant crowned owl, were images that looked like were shot on Super 8 film of storm clouds and buildings being demolished and gloom. Depressing indeed. Still, Case was in her usual terrific voice, and the band was dead-on — one of the better shows so far this year.

* * *

There are a couple shows worth mentioning tonight. Down at Slowdown Jr., new local indie super group Our Fox opens for country-flavored Tennessee chick-punks Those Darlings and Tin Kite. $7, 9 p.m. Also tonight, eastern European carnival ride Gogol Bordello plays at Sokol Auditorium. $25, 7 p.m.

–Got comments? Post ’em here.

Lazy-i

Beef Curtains tonight; Speed! Soapbox Derby Day, Neko Case tomorrow…

Category: Blog — @ 7:11 pm July 17, 2009

One perfect weather weekend coming right up. And it ain’t bad musicwise, either.

Tonight at The Stir Cove at Harrah’s in beautiful Council Bluffs, The Beef Curtains return to the stage with a little help from Bear Country, The Filter Kings and Little Brazil. This one is absolutely free, folks, and starts at 6:30.

Also tonight, the return of Janglepop at The 49’r. It’s probably $5 and probably starts at 9:30.

Then tomorrow, Saturday, the event you’ve been hearing about for weeks (months?): The Speed! Nebraska / O’Leaver’s Adult Soapbox Derby at Seymour Smith Park, 72nd & Washington St. entrance. The racing action begins at 11 a.m. with teams fighting for the right to call themselves The King of the Slope! The event includes a beer garden (just what these guys DIDN’T need) along with plenty of grilled food and raffles, with the proceeds going to the Special Olympics of Nebraska. Afterward, O’Leaver’s is hosting a checkered-flag party featuring Domestica, The Third Men, Wagon Blasters, Filter Kings and The Sons of the Soapbox Derby. $5, 9:30 p.m. This could well prove to be the EVENT OF THE SUMMER. Don’t miss it.

Also tomorrow night, Neko Case plays at The Slowdown with Imaad Wasif. $22, 9 p.m. Meanwhile, over at The Waiting Room, it’s The Pendrakes with Landing on the Moon and The Ground Tyrants. $7, 9 p.m.

See you at the park.

–Got comments? Post ’em here.

Lazy-i

Live Review: The Rural Alberta Advantage; racing begins today…

Category: Blog — @ 5:54 pm July 16, 2009

Other than Nils Edenloff’s twangy croon, the first song on the new Rural Alberta Advantage album, Hometowns, sort of resembles a DCFC song — warm keyboards, bells, thumping percussion. But despite having performed that very song last night at The Slowdown, there wasn’t a single moment during their set that resembled how it sounds on their record, and that’s not necessarily a bad thing.

The RAA — a trio with Nils on lead vocals/guitar/keyboards, drummer Paul Banwatt and fetching female vocalist/percussionist/keyboardist Amy Cole (there is no bass) — more closely resembles the dusty Americana sound of Deer Tick. I’m not the only one who thought so. I got a text halfway through their set from someone on the other side of the crowded room (not a sell-out, incidentally, but a beefy 140), saying “way more Deer Tick than Great Lake Swimmers.” Yes it was. More Deer Tick than DCFC or Neutral Milk Hotel, who they also have been compared to.

The Deer Tick comparison left me wondering who I would pick between the two bands if I owned a label. Deer Tick seems to be riding a slightly higher wave, in part due to a longer history, NBC’s Brian Williams and SXSW. Despite that, I’d still pick The RAA if only for the fact that their music is more interesting to me. Their songs have better variety and better hooks, and I like Hometowns a lot more than DT’s Born on Flag Day, which has its moments but overall is forgettable.

Last night, the trio kept it simple, with Nils out front on acoustic guitar throughout most of the set while a giddy Cole pranced around stage with a maraca or leaned into a large drum at her feet. Their relatively short set was capped with a two-song encore that included one cover — Nils doing a solo acoustic version of “Eye of the Tiger.” Sweet.

I did catch most of Dave Dondero’s solo acoustic set — it’s always nice to hear where Conor got his famous bray. I missed UUVVWWZ entirely. It seemed odd that one of the bands celebrating its CD release would be slated to go on first at 9 p.m. sharp, instead of in the middle (the sweet spot for any show) or last. I’m not sure what that says about how the label — which owns the club — perceives UUVVWWZ compared to The RAA (or ol’ DD, for that matter).

* * *

A non-music aside…

This is a racing weekend. As I mentioned a couple days ago, the Speed! Nebraska/O’Leaver’s adult soapbox derby is this Saturday at 11 a.m. at Seymour Smith Park (6802 Harrison St.). You don’t want to miss the carnage. But that’s not the only racing going on. Starting tonight, Horsemen’s Park is hosting its annual 4-day track meet — live horse racing — with post times at 6 p.m. today and tomorrow and 2 p.m. Saturday and Sunday. If possible, I shall be at all four days of racing as I cannot get enough of the spectacle. I hate casinos, I don’t bet football and I’ve never been into cards. This is the only gambling that I do. And it’s only one weekend per year.

For those of you wondering if it’s worth your time, consider the following essay that I wrote for The Reader in 2004, an ill attempt at capturing The Sport of Kings. So angered was Horesmen’s Park by this article that they pulled their advertising from The Reader (Hats off to John Heaston for having the cajones to run it as is). Although five years have passed, the facts (for the most part) remain the same. Sit back an enjoy:

* * *

A Day at the Races (First published in The Reader, July 21, 2004)

There’s a scene in the 1989 Richard Dreyfuss horse racing classic Let It Ride where Dreyfuss’ character, Jay Trotter, is accosted by his pissed-off wife, Pam (played fetchingly by Teri Garr), inside the track’s Jockey’s Club. Trotter’s already had a good day, and it would only get better. Anyway, while sitting at a table with Trotter and a few other high rollers, Pam asks the essential question that cuts to the heart of horse racing: “Why can’t you people just watch the horses run around the track without betting on them?”

Everyone titters with rolled-eyed laughter, and afterward Trotter explains it simply, calmly, matter-of-factly: “Because, Pam, without betting there would be no horse racing.”

It really is as simple as that.

Look, I could write 800 words that try to capture the majesty of the so-called Sport of Kings with colorful, poetic descriptions of sweaty horses and tiny jockeys. I could make metaphors for how this “sport” is the ultimate test of man controlling nature against man. And while all of it may be true, it has nothing to do with why thousands of people showed up at Horsemen’s Park last weekend for the annual four-day track meet.

* * *

After two days of relative success betting on individual horses “across the board,” the final day was deemed “All Exotics Sunday.” I would bet only exactas and daily doubles. By this point, I was still on the plus side moneywise for the weekend (not including what I spent on beer and food).

On the way to the track we figured that, like the year before, no one would show up on Sunday. Wrong. Of the three days we attended (we skipped Friday because of the nightmarish 311 concert) this seemed like the largest crowd. We did our best to dodge the insane people as we pulled into the makeshift parking lot / mud field adjacent to the track. They were driving around the barriers and through taped-off mud holes desperately trying to find a place to park. They ran from their SUVs dragging their children behind them by their wrists — My God! Post time was in five minutes!

I’d done my research on the way to the track, busily underlining the names of horses in the day’s program. Even so, there was no way we were going to run to the betting window in this heat. But just as we parked, up came a shuttle bus and we rode in air-conditioned comfort to the front door of the main building, passing the huffing father and his crying 5-year-old as they rounded the far corner of the track, lost in a cloud of dust.

Too bad we made it in time. Like the previous days, my bet in the first race was a loser. Keeping with the exotics theme, I had bet the 3-5 exacta and a 3-1 daily double — a total of $5. My partner in crime bet the No. 10 horse — $2 to win — for no other reason than she liked the name: “What About David.” She won $7.40. My No. 3 horse came in second to last.

It didn’t matter. I figured I actually saved $1 by placing the exacta bet instead of the usual $2 across-the-board bet (total $6) that had been so successful the past couple days. Gambling means always looking at the positive side of losing.

The second race featured 1 and 1A horses — that’s two different horses that you can bet for the price of one — a real bargain. I boxed an exacta with the 3 horse, “Lost in a Rush,” which seemed like a sure thing. This time I got the lingo right at the betting window. The first time, the 60-year-old woman behind the window glared as I took five minutes explaining what I wanted to bet. “You mean Box the 3-5 in the first?” she asked through her smoker’s hack. “Honey, you need to learn how to say it right if you wanna bet exotics.”

After placing the bet, I was left with something like 50 minutes before post time and nothing to do. If you’re a hardcore gambler you can waste money betting on the televised races inside the main facility. If not, you’re left with either listening to the band (On the Fritz playing a cover of “Jesse’s Girl”), watching the horses get examined in the paddock, listening to drunks explain why they always bet horses with blinders, or sitting in the grandstand under the canopy to avoid the scorching, blistering sun.

I took a moment to soak it all in and examine the humanity that makes up the usual day at the races:

On the far end of the spectrum were the crazies. For example, the shaggy old guy with a full beard, cowboy hat, long-sleeved dress shirt and red suspenders that held up a pair of denim shorts that revealed red-and-white Cat in the Hat-style knee-highs tucked into a pair of cowboy boots. There was plenty of this type to go around.

There were groups of older Mexican guys groomed in western shirts, wrinkleless blue jeans, immaculate boots and straw hats, quietly talking to their senioritas.

There were the suburban, blond-dyed housewives with their hair pushed behind visors revealing cocoa tans and made-up faces. Alongside them, their matching husbands in bright, tacky golf clothes.

There were kids everywhere — since when is going to the track a family affair? Children ran around on the hot white rock, slapping each other with rolled-up racing programs and running absentmindedly into angry beer-soaked strangers. There’s nothing like seeing a young, goateed father in Nascar gear bully his way to a betting window with a stroller, cigarette in the one hand, telling his five year old to “Find your mother. I’m out of money. Go!

There were plenty of folks in their twilight years, taking a day off from the boats to enjoy some outdoor gambling. Saturday night’s race featured the excitement of an apparent heart attack or heat stroke. The poor guy was white as a ghost, staring blankly ahead in the stands after the day’s final race. Passing eyes shifted between the gasping man, the overhead odds board and the security people holding walkie-talkies and waving to the EMTs.

For every grinning, giddy first-time winner (“I can’t believe it! My ‘place’ ticket won!”) there was a bitter lifer, swearing “shit!” as he tore his losing tickets, tossing them like confetti into the summer breeze. Two minutes of sulking later, he was buried in the forms picking the next “winner.”

“Exotics Sunday” ended up being a bust, and after the second race I returned to picking single horses on hunch bets. Both “Fajita” in the Third and “Chuckie’s in Love” in the Fourth died before they hit the stretch, and I ended down $20 for the weekend. Not bad for three days of entertainment and a slice of Wal-Mart style Americana that can’t be found anywhere else in Nebraska… at least until that gambling initiative passes in November.

* * *

That gambling initiative, as we all know, didn’t pass.

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Lazy-i