Ted Stevens Unknown Project at Reverb Lounge, Jan. 15, 2015.

by Tim McMahan, Lazy-i.com

Big draw Saturday night for Ted Stevens Unknown Project at Reverb Lounge in Benson, though almost no one was there when I dropped in at 9 p.m. As much as I like Ted and his crew, I wanted to see Miniature Horse a.k.a. Rachel Tomlinson Dick, who I’d seen a few months ago at an afternoon concert at Almost Music and couldn’t believe my ears.

Miniature Horse at Reverb Lounge, Jan. 17, 2015.

Namewise, why Miniature Horse instead of RTD? Who knows. She didn’t say from stage what the name meant. Miniature horses are cute little creatures that have been known to take a chunk out of the back of a child’s head or crush a passerby’s kneecap whether provoked or not. No one knows what goes through the creatures’ minds other than somber bitterness and/or barely contained rage over being born a diminutive reflection of their more regal brethren. It’s only a matter of time before that rage boils over into a reflex motion that requires surgery and long-term rehabilitation to an unfortunate passerby.

I don’t think that’s what RTD had in mind when she came up with the name, though there is a “beauty and the beast” style to her one-woman show, brought to you by her amazing voice (one of the best singers in town) and her effects pedals that alter her guitar’s tone from quiet reflection to Neil Young feedback blaze with a tap of her toe. Consider her our own version of Polly Jean Harvey circa her 4-Track Demos phase. An intricate finger-picking style had a couple of the guys next to me (there were only guys in the crowd early in the evening) staring in awe. One of them wondered what her songs would sound like with a full band, and I wondered, too, but would be afraid the added instruments could clutter up the solitary majesty. Maybe a simple trio, though RTD is doing fine by her lonesome, standing like her namesake on an empty stage.

McCarthy Trenching at Reverb Lounge, Jan. 17, 2015.

Next up was the string-band version of McCarthy Trenching. Dan McCarthy is known as a piano man by a lot of people who have only seen his early-evening weekly gigs at Pageturners, but he’s just as comfortable with a guitar hanging ’round his neck, backed by talented upright bass player James Maakestad. McCarthy rolled through a set that included familiar chestnuts (the one about kicking a ball through the Cathedral uprights; another about being a self-employed, self-hating lout) as well as new songs (including one that perfectly captures my seething road rage).

McCarthy balances a forlorn loneliness with humor and a knack for capturing every-day details lyrically I haven’t heard since John Darnielle, though musically Trenching songs in no way resemble Mountain Goats songs. When played on piano, they more closely resemble Randy Newman tunes, and I would recommend McCarthy Trenching albums to anyone who loves Newman’s solo piano songs.

McCarthy said he wants to enter the studio again. We’re all waiting, Dan.

By the time Ted Stevens and his all-star band rolled onto the Reverb stage the lounge was a jam-packed calamity of fans and fellow musicians come to pay homage to the guy behind Lullaby for the Working Class and Mayday, and who, by the way, also plays and writes for Cursive. Backing Stevens as the Unknown Project is Lincoln Dickison (Putrescine, Monroes) on electric guitar, Ian Aeillo (Eli Mardock, Eagle*Seagull) on bass and David Ozinga (UUVVWWWZ) on drums.

Stevens’ songwriting is like no one else’s around here. It’s linear, without the usual chorus and verse structure, more like a stream of conscious telling of his life backed by an indie version of Crazy Horse. The closest resemblance to Stevens’ music (to me) is American Music Club/Mark Eitzel, which has a similar foreboding sense of chaotic ennui. There is a darkness to his music, a sense of stark anxiety like we’re getting a look inside what drives Stevens’ life, a sense of uneasiness accented by a voice that sounds like a hand outstretched to something just out of reach. Gorgeous stuff

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

Bloodcow plays tonight at O’Leaver’s…

by Tim McMahan, Lazy-i.com

I’m back. And just in time for the weekend. Only two shows are showing up high on my radar.

Tonight at fabulous O’Leaver’s it’s the return of Bloodcow. One assumes from the design of the flyer that that band will be playing tuneage off their upcoming album Crystals & Lasers. It’ll be a night of metal-infused carnage with sledgehammer openers Nightbird (Omaha-flavored stoner rock) and Pro-Magnum (Omaha-flavored punk). This will be loud. $5, 9:30 p.m.

Also tonight, Kait Berreckman Band plays at The Barley Street Tavern with Weatherwise, The Ronnys and John Larsen. $5, 9 p.m.

Meanwhile, John Klemmensen and the Party opens for The L1MBS at Reverb Lounge, along with John Larsen (Wait…isn’t he playing at the Barley Street?). $7, 9 p.m.

Tomorrow night (Saturday) the main event is Ted Stevens Unknown Project at Reverb Lounge. As most of you know, Ted is the guitarist of Omaha indie rock godfathers Cursive and one helluva singer/songwriter. You will not be disappointed. Opening is the always entertaining McCarthy Trenching and the mysterious Miniature Horse (Rachel Tomlinson Dick). $7, 9 p.m.

Also Saturday night, The Broke Loose plays at The Sydney with Anthems and a TBA band. $5, 9 p.m.

That’s what I got for this weekend. If I missed your show, put it in the comments area. Have a good one.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

I’m not so worried about snow in May. It’s happened before. In fact this will all be a faded memory by next week. Now if it snows in June, as Jon Spencer would say, now I got worry.

Ted Stevens Unknown Project, Impossible World (self release, 2013)

One benefit of May Day every year is the expectation that Ted Stevens will either play a gig somewhere or release some new material, and this year was no exception. Ted released the first song from his new project, Ted Stevens Unknown Project (Ted, I just got off the phone with the grammar police. They want to know if there should there be an apostrophe after “Stevens” in your band name. I told them there’s no apostrophe in Alan Parsons Project, and then I told them to mind their own business). Check out the track, “Possible Worlds,” below, and then buy it from Ted’s Bandcamp page. PS: It’s one of my favorite Stevens composition since his Lullaby days…

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Addendum to the above: Michael Todd, who edits HearNebraska.org, pointed out that I posted the wrong song from Ted! His May Day-day release was actually “Make Longer Nights” (below), and available for purchase here. Thanks Michael!

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Tonight at The Sydney in Benson, Omaha ex-pat Jake Bellows returns to headline a show that also features John Klemmensen and the Party (watch for a new EP by these folks soon) and Mike Saklar Trio (No Blood Orphan). Things should get rolling around 9 p.m. No idea on the cover, but it’ll probably be somewhere in the $5 range. Come on in from the cold and have a beer and some fine music.

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In this week’s column, a peek into my dog-earer library featuring Ellison, Sedaris, Coupland, HST and Christgau. You can read it in this week’s issue of The Reader or online right here.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.