Disq at Slowdown Jr., June 2, 2019.
by Tim McMahan, Lazy-i.com
Weekend recap:
Friday night Doug Kabourek, a.k.a. Fizzle Like a Flood, re-emerged from a long performance hiatus to play a six-song solo-acoustic set at B-Side in Benson opening for Frederick Julius, a.k.a., Matt Geiler, who was celebrating the release of a new album.
Fizzle Like a Flood at Benson B-Side May May 31, 2019.
Kabourek’s six songs spanned his career, from new to old, capping it with “Believe in Being Barefooot” off his masterpiece, Golden Sand and the Grandstand. I bet Doug see from stage all the people in the audience who were singing along.
He’s one of those people (and I know lots of them in Omaha) who doesn’t realize how talented he his. It’s almost like a sickness around here — running into musicians and artists who create works of art and then move on to something else, leaving us wondering why they’re not doing it anymore (I assume the need to pay bills has something to do with it). Kabourek’s voice sounded the same as the first time I heard him perform nearly 20 years ago. So if he just wants to play opening slots, I’m all for it, as long as he keeps playing.
Frederick Julius at Benson B-Side May 31, 2019.
Geiler has put together a cracker-jack band that embodied the vision he’s created on his new album, Fixers and Elixers. The music is pure ’60s Beach Boys fun-in-the-sun pop, and what gave it wings was the harmony vocals provided by a couple guys (one being his brother?) who augmented Geiler’s embraceable voice with authenticity, and by that I mean they sounded like Beach Boys harmonies.
The songs ranged from those beachy numbers to more indie-fied pop melodies, many augmented by a doo-wap counter. Fun stuff and Geiler clearly was having a blast on stage — a natural performer whose quick wit was as abundant as his melodies, interspersing small bits and stories between every song. Often funny, there were times when I wish he’d just play a few songs in a row before doing the next schtick. That said, the crowd ate it up.
This was the first rock show I’ve seen at B-side, and the sound was very bright — lots of high end bouncing around the room, powered by a light-duty PA that left out the bottom of the mix. It’s a good stage that could be even better with a little investment in the sound system.
I felt lucky to be among the 20 or so people at Slowdown Jr. last night for the Omaha debut of Madison band Disq, one of the best live indie acts I’ve seen in a long time. The 5-piece powered by Isaac deBroux-Slone and Raina Bock released their first 7-inch as part of the Saddle Creek Document series and has since become one of indie’s “buzziest” bands, for good reason.
With three guitars, bass and drums, and everyone but the drummer providing vocals, they sounded like a modern-day combination of all your favorites from the ’90s — from Teenage Fanclub to Weezer to Pavement to No Knife. But one glance at this motley crew, most of whom look like they’re too young to be in a bar, and you realize they likely have never heard of any of those acts.
The highlight was a burning version of “Communication,” the A-side of that Saddle Creek single, though the B-side sounded just as good live. After looking on Spotify, I see their debut was released in 2016. They’ve come a long way in three short years.
Disq is putting finishing touches on a new full-length. After the show I asked one of the guitarists what label is putting it out, but he wouldn’t say. Whoever it is, they better be ready for the onslaught. At a time when electronic music seems to be powering everything, Disq could be rock ‘n’ roll’s last great hope.
Diane Coffee at Slowdown Jr. June 2, 2019.
You could see how headliner Diane Coffee got his reputation for being an over-the-top performer. He came on stage in a green bodysuit costume surrounded by a costumed band, all wearing white masks (which they quickly threw to the side), and ripped into the title track off his latest album, Internet Arms (Polyvinyl, 2019).
That album is more synth-driven then guitar-driven, but on stage last night the guitars had the upper hand, turning it into a rock show rather than dance show (which it could never be, anyway, with most of the patrons sitting down). The person next to me said, “He sounds like Steve Perry,” and afterward I couldn’t get the thought out of my mind. Not Journey, mind you, Steve Perry solo, especially on the more straight-forward pop numbers.
There were moments when Coffee strayed into manic, quick-verse territory that matched his million-mile-an-hour between-song stage patter. I have to hand it to him, despite the small, rather dead audience, he put it all out there. And his band was absolutely killer in all positions (incredible rhythm section, soaring lead guitars, and keyboards that would make Elton proud). There was even a drum solo… and a keytar solo.
The whole time I was thinking this guy belongs on Broadway. He’s got the glam Hedwig stance down to a science. Imagine how he’d come off in a packed room, which is what he deserves.
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Tonight at fabulous O’Leaver’s Thick Paint returns with Olympia band Oh, Rose and Oakland’s Painting with Statue. $5, 8 p.m.
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And thanks, everyone, for the birthday wishes!
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.
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