Simon Joyner, Solid Goldberg, The F***ing Party tonight; Omaha Girls Rock! Saturday…

Category: Blog — @ 1:01 pm August 3, 2012
Simon Joyner (the one in the hat) and his band. Photo by Zach Hollowell.

Simon Joyner (the one in the hat) and his band. Photo by Zach Hollowell.

by Tim McMahan, Lazy-i.com

It’s another Benson First Friday tonight so expect plenty of foot traffic and crappy parking up and down Maple Street.

Actually, parking as a whole has become a bit of an issue in Benson. Just a bit. You can still find somewhere to park on any given weekend night, but you may have to walk a few blocks further than you’re used to. Last show I went to at The Waiting Room forced me to park about four blocks due south of TWR, a few blocks south into the shadows past the Barley Street. I survived it. Something tells me there’s a few hidden parking lots around town center that I’m missing.

Does anyone know of any near The Sydney, where tonight Simon Joyner and his band celebrate the release of Ghosts. The album’s actual street date is Aug. 14, but you’ll be able to pick up a copy of the vinyl (complete with download key) at tonight’s show for $20 (which also gets you into the show for free). Also on the bill, Sun Settings and Lightning Bug, and the amazing Solid Goldberg, who I’m told will hit the stage at around 9:45. If you haven’t seen Dave Goldberg’s latest project, you’re missing out on a life changing experience that can only be eclipsed by Joyner’s band. The first band starts at 9. $5. Go!

Also tonight, Underwater Dream Machine and Low Horse are playing at The Barley Street Tavern. $5, 9 p.m.

Across town at O’Leaver’s it’s a recreation of the 1980 “Miracle on Ice” USA hockey victory over the Soviets as performed by The Fucking Party with Catalyst and Servus. Bring your ice skates. $5, 9:30 p.m.

Tomorrow night’s big show is the second annual Omaha Girls Rock! Showcase at The Slowdown. This year’s line-up: Beyond City Limits, Black Rock, Gummy Bear Gals, Jumping Giggles, Lightning Bolts, One & Only, Shooting Stars, The Black Diamonds, The Fire Eyes, and Urban Scrunchies. The show starts promptly at 6 p.m. in the big room and will set you back $5, all of which will go to the 2013 Omaha Girls Rock Camp (Come one, folks, you can afford to put another $20 in the hat for this cause). Here’s a review from last year’s show, which was a blast.

Finally Sunday night, British alt band Animal Kingdom (Warners) plays at The Waiting Room with Royal Teeth (Dangerbird Records). $8, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

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Simon Joyner and Woody Allen? (in the column); Little Brazil, Millions of Boys tonight…

Category: Blog — Tags: , — @ 1:07 pm August 2, 2012
Simon Joyner (in hat) and his band. Photo by Zach Hollowell

Simon Joyner (in hat) and his band. Photo by Zach Hollowell

by Tim McMahan, Lazy-i.com

Simon Joyner said way too much to get into one article, so the overflow went into this week’s Over the Edge column. The headline: The Woody Allen of Indie Folk. It has to do with a comment Joyner made about record labels and his music and the fans’ role in supporting art over the long haul. The column is in this week’s issue of The Reader, or you can read it online right here. Joyner and his band celebrate the release of their latest album, Ghosts (Sing, Eunuchs! 2012) tomorrow night (Friday, Aug. 3) at The Sydney.

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The weekend starts early tonight at fabulous O’Leaver’s for what will no doubt be a raucous display of public inebriation combined with dollops of rock music and sexiness. That’s right, Little Brazil returns to the house that Frederick Pabst built (or maybe it was Joseph Schlitz?). The party starts at 9:30 with Underwater Dream Machine, followed by Millions of Boys. $5. Free parking. Go.

Also tonight, The Bishops and All Young Girls Are Machine Guns are at The Sydney. $5, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

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Lazy-i Interview: Simon Joyner reflects on life and death on a stunning new double album; Oberst talks new Desa; Star Slinger tonight…

Category: Blog,Interviews — Tags: , , , — @ 1:00 pm August 1, 2012
Simon Joyner (the one in the hat) and his band.

Simon Joyner (the one in the hat) and his band. Photo by Zach Hollowell.

Simon Joyner: The Ghosts in the LP

by Tim McMahan, Lazy-i.com

Also published in The Reader, Aug. 2, 2012.

Singer songwriter Simon Joyner would very much prefer that you listened to his new double album, Ghosts, as it was intended to be heard: Played on a record player.

Unlike other artists who over the past few years have made their recordings available on vinyl as a sort of kitschy gimmick or nod to a hipster scene that prefers analog over digital, Joyner wrote Ghosts, which comes out Aug. 14 on Sing! Eunuchs!, as four sides contained in a one gatefold sleeve, its dark themes ebbing and flowing from the dissonant chaos of Side One to depths of guilt, confusion and regret on Side Two to the grim, bleak darkness of Side Three to a deceptive pop relief on Side Four. The time it takes to get up and turn the record over gives listeners a brief respite between waves of desolation.

“There’s a lot of death on this record,” Joyner said. “Our guitarist, Mike Friedman, said that it was so heavy that he listened to the first record and then took a couple hours off before he listened to the second one.”

Simon Joyner, Ghosts (Sing, Eunuchs! 2012)

Simon Joyner, Ghosts (Sing, Eunuchs! 2012)

It’s hard to imagine listening to a digital version of Ghosts on an iPhone in shuffle mode while jogging, and stumbling across a song like the piano-and-guitar dirge “Swift River, Run” with its lines: “I’ve seen the levee burst / Seen fences devoured by the sun / Should the giant redwood burn / The ash will darken everyone.” Taken out of context sandwiched between, say, KC and the Sunshine Band and a Twin Shadows track, the slow, dismall song could seem almost comical. Taken in its proper place with the rest of the album, and it’s sobering darkness before the dawn.

Is it too much to ask a generation of distracted iPod-slinging youth to listen to and experience all four sides of Ghosts in their entirety? “I don’t think so,” Joyner said Saturday over the phone.

“I really don’t appreciate what that convenient form of listening has done to the album as an album. It’s kind of ruined it in a lot of ways,” he said. “There’s been some damage done to the album as a work of art in the new media, but I think there will always be serious appreciators of music who want the whole experience and not just convenient and quick entertainment. But it’s always been comparatively few.”

Joyner said he created the song arc on Ghosts in an attempt to make the listeners feel like they’ve “been through something and come out on the other side, whatever it may be.”

“Especially with a double record, the middle can get really deep into it. The songs work in a way where you’re kind of getting through the mess of what’s being worked on thematically.”

Side One opens with “Vertigo,” a violent, psychedelic, psychotic blues song that’s a crash of noise and fear. “(The song) announces some of the (album’s) themes: Escape and entrapment,” Joyner said. “Musically speaking, it sets the tone as far as the jagged, dissonant qualities of a band doing jagged, dissonant songs. It lets people know that this is going to be something different.”

“Different,” as in a change from Joyner’s usual style, though there’s nothing “usual” about a Simon Joyner album. Joyner began playing intelligent, personal coffee-shop-style folk back in early ‘90s, releasing his first cassette of songs, Umbilical Chords, when he was just 17. Since then, he’s recorded a dozen albums that range from the static folk of his landmark 1994 release The Cowardly Traveller Pays His Toll to the droll, bleak Heaven’s Gate (1995) to the afternoon balladry of ’99’s The Lousy Dance to the midnight acid blues of ’06’s Skeleton Blues to the somber beauty of ’09’s Out Into the Snow. Though the albums vary in their own ways, the common thread always has been — and continues to be — Joyner’s personal lyrics that provide dark and sometimes uncomfortable glimpses into the way he views life and death and all the stuff in between.

Ghosts continues those themes, but with more death than usual. It’s not so much a collection of eulogies as much as elegies to his own life and the lives of friends now gone. Side Two highlight, “Cotes Du Rhone,” for example, is about singer songwriter Vic Chesnutt, an old friend and musical influence who took his own life on Christmas Day 2009.

“I wrote (the song) in a Vic way, describing things in sort of a goofy, poetic way that I associate with him,” Joyner said. “I tried to write a Vic Chesnutt song about Vic Chesnutt’s death.”

The rock incantation “If It’s Alright With You (It’s Alright with Me),” which bridges Sides Two and Three, also is a tribute to Joyner’s friends who have passed. One verse, for example, repeats “If it’s alright with Jessica / It’s alright with me.” Joyner said he’d read a book about the Viet Nam War with a section about soldiers marching through the jungle chanting a similar recitation for their fallen comrades.

“It was a way of preparing themselves for death, trying to strengthen themselves for what’s going to happen,” Joyner said. “It got me thinking of the people I had lost over the last couple years and how it was weighing on me, and this idea of cataloging them as a way of respecting the dead. The more you deal with and interact with the difficult things in life, the better you will be in actually confronting these things. It’s not always a celebration.”

If it sounds depressing — and it certainly can be — there are plenty of breaks in the clouds, like the Side Four gem “If I Left Tomorrow,” which could be mistaken for a pop song. “It’s hopeful in its own way lyrically,” Joyner said. “It’s saying even though this thing is probably going to end, it’s not just wasted time, we didn’t compromise anything.

“Sometimes a tornado will take a house and will leave a staircase, that’s a hopeful thing,” Joyner said, referencing a line from the song. “There are disasters and rough stuff we go through, but there’s usually some exit, something provided that allows you to make it through another day. And whether it’s in a relationship or just whatever various things that life presents, that’s where the hope comes through.”

Simon Joyner and his band will celebrate the release of Ghosts with Solid Goldberg, Lightning Bug and Sun Settings Friday, Aug. 3, at The Sydney, 5918 Maple St. Showtime is 9 p.m. Admission is $5, or purchase the album for $20 at the venue and admission is free. For more information, call 402.932-9262 or visit thesydneybenson.com.

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There’s a second part to this interview with Simon Joyner that appears in print as this week’s column in The Reader. It talks about record labels and Kickstarter and that sort of thing. I’ll link you to it tomorrow.

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Conor Oberst picked The Huffington Post to debut and explain the new Desaparecidos single “MariKKKopa,” which you can read and hear right here. It’s a darn good punk song laser focused at Sheriff Joe Arpaio of Maricopa County, Ariz. Once again, Conor proves he’s not afraid to name names to give his message some teeth. The single and its b-side “Backsell” (streamed at Alt Press) features (as the article says) “Oberst adopting the voice of anti-undocumented immigrant groups.”

Also from the article:

As far as paying for public services for these new Americans — although I believe their participation in the economy would do so — I’d recommend cutting our military budget in half. We’d have more than enough money for all the basic public services we all require. I’ll never understand how we allow public health and education to suffer here at home while we spend endless amounts of money overseas fattening the purse of defense contractors.”

Tell it like it is, Mr. Oberst. Something tells me he’ll have even more to say when he takes the stage at The Maha Music Festival next Saturday night at Stinson Park.

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Tonight at The Waiting Room it’s Manchester UK producer/DJ Star Slinger with LOL Boys and Touch People (Darren Keen, ex-The Show Is the Rainbow). $12, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

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