by Tim McMahan, Lazy-i.com
You’ve probably heard by now: Eagle*Seagull is getting back together, at least for one night.
Sayeth Ian Aeillo yesterday via FB: “Eli and I are getting back together to perform as Eagle Seagull again; October 9th at the club (which is fabulous O’Leaver’s, of course). Ten year anniversary of our album. So So Sailors headlining.” Little Brazil also is on the bill.
Aeillo said the lineup for Eagle*Seagull would be him, Eli and his brother Luther Mardock, Eli’s wife Carrie Mardock and Eric Nyffeler.
So just one show? “One show only,” Aeillo said. “And no plans for any new record because Eli and I might kill each other if we were to make another ES album.” Fair enough.
In recognition of this announcement and for Throwback Thursday, here’s an interview with Eagle*Seagull from nearly 10 years ago, written in conjunction with the release of that debut album.
Eagle*Seagull: Flippin’ the Bird
Lazy-i, Nov. 17, 2005
Indie band Eagle*Seagull doesn’t take kindly to being called “Lincoln’s version of The Arcade Fire,” even if it’s meant as a compliment.
“Comparisons like that make you sound less original, like you’re trying to catch a wave or something,” said the band’s guitarist Austin Skiles while two brethren band members — frontman Eli Mardock and drummer Britt Hayes — sipped tasty beverages next to him at Caffeine Dreams.
Skiles is right, of course. No band wants to be compared to another band, especially if that band is the hottest thing currently happening in the indie world. It’s sort of like being called “This year’s Interpol,” another band, incidentally, that Eagle*Seagull also resembles, along with classic acts Talking Heads and David Bowie.
Originally called The Good Looks when first formed in October 2004, the band changed its name to Eagle*Seagull in January while recording their debut CD at producer Ian Aeillo’s bedroom studio. “Ian made these noises that sounded like an evil seagull,” Mardock said. Too much alcohol transformed that description into Eagle*Seagull (The asterisk, apparently, is meaningless).
“We’ve been told that eagles and seagulls also are natural enemies,” Mardock added for irony’s sake or to give the name a little more weight than merely being a drunken misunderstanding.
Before the band completed its nine months (off and on) in Aeillo’s bedroom, they already found a label — Nashville’s Paper Garden Records. Never heard of it? Probably because Eagle*Seagull’s debut is catalog number 001. Upon seeing the band perform in Lincoln, former Nebraskan Bryan Vaughan made up his mind to launch the label with their debut. Vaughan, a former intern at both Sub Pop and Saddle Creek Records, now lives in Nashville where he attends Belmont University.
He made a smart choice. Eagle*Seagull’s debut, released Oct. 11, is one of the year’s best locally produced CDs, capturing the band’s sweeping, urgent, yet jittery energy. The ensemble is rounded out by Eli’s brother, Luther Mardock, on guitar and vocals, J.J. Idt on guitar and banjo, Mike Overfield on bass, and newcomer Carrie Butler on violin and keyboards.
So far, Skiles said, the CD has received good notices. “It’s done well for an album recorded for as little money as possible,” he said. “We’ve had a pretty good reception for a bunch of dorks writing songs.” — Lazy-i, Nov. 17, 20015.
By the way, Aeillo confirmed that Mike Overfield, J.J. Idt and Austin Skiles won’t be participating in this reunion.
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.
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