Live Review: Sweatfest, Bloodcow; New Krill; Super Ghost, Tie These Hands, Good Living Valentine tonight…
by Tim McMahan, Lazy-i.com
Sweatfest was indeed sweaty. And messy. I didn’t get there until 6 p.m. Saturday evening where I found Gordon playing outside behind the Sweatshop Gallery in the white-rock parking lot that had been cordoned off with bright orange plastic fencing.
Sweatfest had three stages — one outside, one in the gallery and one in the performance garage — with sets scheduled to overlap. Gordon continues to be one of my favorite local bands, frontman Aaron Parker channeled Jim Morrison and/or Nick Cave on music that is brutal and beautiful and full of dread.
As 7 p.m. rolled around, I escaped the fest momentarily to catch the Bloodcow CD release show at Barley Street Tavern. Interestingly, the Barley doesn’t open ’til 7 p.m. on Saturdays — when the band was scheduled to be on stage. I found them a half-hour earlier standing by the back door with their gear, trying to contact someone who could let them in. By a quarter to, the Bloodcow “party bus” arrived, disembarking holiday revelers onto the sidewalk dressed in colorful Hawaiian shirts and leis.
The doors opened a little after 7 and the band loaded in, but there was no soundguy on the premises. Keep in mind, Bloodcow had a schedule to keep. After their Barley show they were headed to O’Leaver’s for an early gig and then to T’z Lounge in CB for their third show of the night. Band members huddled around the darkened soundboard with their phone flashlights ablaze looking for some way to turn on the equipment, to no avail.
It looked like the first stop of their tour would end in disaster until someone found the power switch. With one microphone working and no stage lights, the band lit into a short set at around 7:45 while their fans threw devil horns from the dance floor. As always, Bloodcow snatched triumph from defeat. Before the set ended, a soundguy showed up and turned on the stage lights, though the band sounded just as good in the dark.
By the time I got back to Sweatfest at around 9, the Sweatshop parking lot looked like a post-apocalyptic beach movie with a few hundred sweaty, stinky people wandering around in the dark as the violent power of Dumb Beach’s music blared through the open overhead garage door.
While I was gone someone showed up with the spaghetti and poured it onto a couple old mattresses set out in the parking lot as a makeshift wrestling ring. A masked female wrestler stomped on the wet noodles as if crushing grapes for wine. With an emcee calling the action, opponents (half of them women) were doused with cooking oil and set ablaze (just kidding). Once greased down, they went at it. Best two out of three falls — whoever pushed the opponent out of the “ring” was the winner. Gross, sloppy, decadent fun. By the end of the rounds, limp spaghetti hung from the overhead power lines.
By all accounts, Sweatfest was a success; I’m told bands played into the wee hours. The fest reminded me of the fun, small-venue gigs that take place on the east side of Austin during SXSW, backyard summer shows where people bring their own booze, kick back and enjoy the music. Here’s to Sweatfest 2016.
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As FYI, here’s the new video by Krill. Someone needs to book these guys here.
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Tonight at Pageturners its Super Ghost and Lincoln band Tie These Hands. The free show starts at 9 p.m. What a way to start off your week…
Also tonight, the Good Living Tour continues in Valentine, NE, with The Kris Lager Band, All Young Girls Are Machine Guns and Oketo at Bull Market Beer & Grill. Free and 7 p.m. and all ages.
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.
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