Noah’s Ark Was a Spaceship at The Waiting Room, April 20, 2013.

by Tim McMahan, Lazy-i.com

Every band should play one cover song during their set because the song they choose opens a hidden door into what they’re about. At least that’s the conventional wisdom. In the case of Noah’s Ark Was a Spaceship, that wisdom does not necessarily apply.

Halfway through their well-attended (200?) album release show Saturday night at The Waiting Room, the band decided to play “the best song we didn’t write,” and tore into Neil Young’s “Hey, Hey, My My (Into the Black).” Fantastic rendition including blazing between-verse guitar solos by frontman Andrew Gustafson. Great song, but who would have guessed that this is the cover they’d pick? I would have guessed something by Sonic Youth or Dinosaur Jr. or even the Pixies, but an old Freedom Rock chestnut from Rust Never Sleeps? Surprising indeed, and somewhat amazing, as was the rest of their set.

Tell me if I’m wrong (my memory, it fades) but I remember Noah’s being an instrumental-only band when they first came on the scene all those many years ago. Now I can’t imagine them without vocals — lead guitarist/vocalist Gustafson has a fantastic voice — imagine J. Mascis without the croak-groan and you’re kinda getting there. He bends his notes in a similar appealing fashion that pulls everything together for this power trio. If you haven’t checked out You Need You you need to.

Back When at The Waiting Room, April 20, 2013.

I found out weeks ago that the opening slot for Noah’s would be Back When’s last-ever gig, but somehow it slipped my feeble mind. Why they’re hanging it up, I cannot say, though one (well-connected) person in the audience told me that the band felt they’d simply moved on to other things, other projects, other lives.

The irony for me is that Saturday night’s show was really the first time that I “got” what Back When was going for, and it came about three songs before the end, during an epic sonic punch-out where each member was locked into every break, every moment, as if channeling some dark, Gothic metal secret shared only by an elite circle of musicians who can hear the rhythmic language that floats beneath the surface of the chaos. Theirs was a pounding, pummeling sound, experimental on a number of levels as well as cinematic in sheer layered scope (pushed in that direction by recent videos). And of course, it could be very dark indeed. You would never mistake it for pop music.

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The line outside of Homer’s yesterday prior to the 10 a.m. opening time. Photo by John Shartrand.

Mike Fratt, who runs Homer’s Records, said Saturday’s Record Store Day was one for the record books. “Historic sales for us as well as every other retailer around the country I’ve talked to,” he said. “Loads of fun and exhausting, too. Crowds/customers were awesome, and we are very thankful for their support.”

The nitty-gritty: Homer’s sold 273 of the 313 titles they got in — double-digits sales quantities on 32 titles. “We still have quantity left on about 80 RSD items, 1’s or 2’s,” Fratt said. “We ordered some items in heavy quantities hoping we would have 3 to 6 left so there would be stock through the year, but many of those totally sold out; Mumford, White Stripes, Notorious BIG, etc.”

I didn’t get to the store until Saturday afternoon, but still managed to find the two main things I was looking for: Pulp Vs. Soulwax 12-inch and  Big Star’s Nothing Can Hurt Me. Both releases are remarkable.

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The Maha Music Festival announced its “local stage” last night, and it’s got something for everyone: Criteria will provide another in its series of amazing “occasional” performances, pop band Rock Paper Dynamite, a reunion of Lincoln indie band The Millions, the arresting chamber pop of Hers, and the winner of the OEA talent contest. And the band I guess could be considered the “local stage headliner”: Digital Leather. Yeah, the night could get weird (in a good way) if DL does its usual set closer “Studs in Love.” But something tells me there will be an Ed Sullivan-type dictum thrown out by the Maha organizers to prevent DL from playing their more racier material. Will Shawn Foree pull a Jim Morrison? We’ll have to wait and see.

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Last week I was whining about the lack of touring indie shows. This week, we’re loaded, beginning with tonight’s Johnny Marr show at The Waiting Room. Lots of buzz about this one. Tickets are still available for $25. Opening is Alamar. Show starts at 8.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Record Store Day is Saturday. This Saturday. All the usual local shops will be participating (except, of course, for The Antiquarium, which no longer exists). Mike Fratt, who runs Homer’s, said his shop is going “all in” this year.

“We ordered about 45 percent more product compared to last year so we have a lot of product,” he said. “Well into the tens of thousands of dollars worth. We have 20 to 40 of a number of items, so we are really well stocked.”

Some things are heavily allocated, like offerings from Dave Matthews, Moby/Mark Lanegan, Sigur Ros, “so we have only a few of these,” he said. Some items were region specific, meaning primarily for the Southeast, and those items were pressed in very small quantities. Homer’s might not have those.

“Of the 350 or so titles, we probably have 325ish,” Fratt said. “As for the rest of the store, we are stocked in new vinyl and CDs at a level we have not been in almost 10 years.” He said the staff is struggling trying to find places to put all of it. While you’re in the store, check out the new custom-built vinyl browsers.

The store opens at 10 a.m., and rock band Pretty & Nice will perform for those of you who are standing in line at 9. Fratt says they’ll be doling out coffee and donuts for you greedy bastards who get there before the shotgun start.

If you’re into this, it’s worth your time to check out recordstoreday.com and see what’s going to be offered. The releases that caught my attention include a Big Star double 12-inch, Brian Eno releases, new stuff by Bowie, a Husker Du 7-inch, that Moby/Mark Lanegan release, and whatever’s being released by Pulp. Sounds like numbers will be tight on all those items, which means I’ll probably be SOL as there’s no way I’ll be down there by 10 a.m.

I told Fratt that this has to be exciting for he and his staff, like Christmas in April. “Yes, bigger than Christmas,” he said. Ho Ho Ho…

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In this week’s column, Pt. 3 of The Project series, wherein I discuss a homeowner’s trepidation about letting go of his past. It’s in this week’s issue of The Reader and online right here.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.