Poliça at The Waiting Room, April 23, 2013. The band returns to TWR tonight.

by Tim McMahan, Lazy-i.com

The last time: “Pixie-ish Channy Leaneagh looked like a young Mia Farrow (back when Farrow was married to Sinatra, circa Rosemary’s Baby) doing a jerky genie ballet, her tiny hands casting quirky spells on the mesmerized crowd, with a voice like a Twin Cities’ version of Bjork of Sinead.”

Poliça return to The Waiting Room tonight. Their latest album, United Crushers (Mom + Pop, 2016), is enjoying a 72/100 score at Album of the Year, though Pitchfork gave it a tepid 6.6 rating. LA band Clara-Nova opens. $15, 9 p.m.

Also tonight, Noah Sterba band plays a live gig at fabulous O’Leavers. Mike Schlesinger opens. The fun starts at 9.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Poliça at The Waiting Room, April 23, 2013.

by Tim McMahan, Lazy-i.com

Pixie-ish Channy Leaneagh looked like a young Mia Farrow (back when Farrow was married to Sinatra, circa Rosemary’s Baby) doing a jerky genie ballet, her tiny hands casting quirky spells on the mesmerized crowd, with a voice like a Twin Cities’ version of Bjork of Sinead. Behind her a band that consisted of two drummers and a bass player named Chris Bierden, who carried the burden of melody on his back.

As such, Poliça, who played at The Waiting Room Tuesday night to a medium-sized crowd (125?), relied more on rhythm than melody. Leaneagh also added her own sounds via a small electronics panel that housed synth samples and effects, but it was her voice at the center of it all, a cooing tone at times layered by technology. The set held a gorgeous, sexy vibe, like a deep-night strut laced with shot-gun echo, with Leaneagh leading the way through the pitch-black tunnel, holding your hand.

My only gripe — the delay in her vocals made it impossible to understand what she was singing, which likely wasn’t a problem for those already familiar with Poliça’s songs. I’m only now discovering them, so the set held a bit more mystery.

Night Moves at The Waiting Room, April 23, 2013.

Opening act Night Moves had a Beach House thing going on, especially from vocalist John Pelant, but musically it would be hard to confuse the two bands. Beach House’s music is more ethereal compared to Night Moves’ more rooted psych rock sound. The band was at its best when Pelant was given room to lean back on his guitar and open up late verses with floating solos. Laid-back indie at it’s finest.

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Kevin Coffey has a feature in today’s Omaha World-Herald that partially outlines the financial structure of the Maha Music Festival. The only thing missing is the dollar signs, though Kev did get them to cough up that year one cost $250k. The money involved is, indeed, substantial. We’re lucky to have these four talented entrepreneurs willing to take the risk. Watch for the big stage announcement this Sunday night.

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In this week’s column, with all the bad shit going down these days, should we just avoid the news? And who else gets bummed out by NPR? The story is in this week’s issue of The Reader or read it online right here.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

Poliça plays tonight at The Waiting Room.

by Tim McMahan, Lazy-i.com

Another late-in-the-day post. Hey whaddayagonnado?

Despite the late hour I’m tossing this one online to remind you that Poliça is playing at The Waiting Room tonight with Night Moves. Poliça is Channy Leaneagh and Ryan Olson, previously of the band Gayngs. Their debut album, Give You the Ghost (Totally Gross National Product) got a massive 7.6 on the Pitchfork meter (Check out four songs from the album from the SoundCloud link, below). It’s gorgeous, and seeing them on an Omaha stage is well worth your $14. Show starts at 9.

[soundcloud url=”http://api.soundcloud.com/playlists/1878378″ params=”” width=” 100%” height=”450″ iframe=”true” /]

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In other (old) news, Hear Nebraska today announced that it’s teaming up with Omaha Performing Arts and NET News to produce a “Austin City Limits-style” concert June 7 at the Holland Performing Arts Center’s 1200 Club. The performers: Saddle Creek Records’ Big Harp, Lincoln’s Kill County and the red hot Digital Leather. The show will be filmed by NET for four separate TV shows to air statewide (and possibly nationwide). It’s quite a coup for Hear Nebraska and helps galvanize it’s ever-growing rep as the state’s central music hub. Tix are $25 Adv/$30 DOS (info here).

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That greedy bastard Matt Whipkey has been riding my ass for two days to remind you that there’s only 24 hours left to get in on his Penny Park Kickstarter deal. Whipkey’s already blown way past his $4k goal (He was at $5,126 as of this writing). He says that initial $4k goal was only designed to cover half his vinyl costs. Vinyl’s expensive, folks. Especially gatefold double-vinyl. He says his Kickstarter is the best way for you to reserve your copy of his loving ode to one of his favorite teenage memories (Who else got loaded on cheap champagne at the Grove on New Year’s Eve? Ah, the memories)….

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Last but not least, tonight is the kick off the Big Al’s Free Music Festival 2013 — five nights of free music at The Hideout Lounge (320 So. 72nd St.). More info here.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.