by Tim McMahan,  Lazy-i.com

In the radio business, doing anything for 20 years is remarkable, but hosting a music-focused radio show for 20 years is almost unheard of. But that’s exactly what David Leibowitz has done. His radio show on 89.7 FM The River, New Day Rising, will celebrate its 20th anniversary with its Dec. 22 broadcast. 

The origin of the radio show is chronicled in the following column, published in The Reader and on this website 20 years ago. It features an interview with Leibowitz’s co-host, Eric Ziegler. Ziegler would end up leaving the show after only a few months, leaving Leibowitz to continue it for all these years. 

“I actually know what I’m doing after all this time!” Leibowitz said about New Day Rising, which airs from 2 to 4 p.m. Sundays on 89.7 FM in Omaha. “I understand what I want to present, and how to go about doing it.”

A glance at the show’s Dec. 9 playlist indicates he’s kept the program’s indie focus and continues to blend new indie releases with classic tracks.  But Leibowitz goes beyond the indie genre on his podcast, The Dark Stuff, available exclusively on YouTube. “The Dark Stuff just expands what I can cover,” he said. “Having the radio experience definitely affects how I operate on YouTube.”

For the special Dec. 22 New Day Rising broadcast, Leibowitz said he will be playing classics from the last 20 years, interview clips and “some other surprises.” Tune in. 

As I wrote in the following column, the hope was New Day Rising would encourage The River to incorporate more indie music into their regular play lists, but it never really happened. A glance at the station’s November playlist shows the same selection of alt/grunt rock staples, like Sum 41, Sick Puppies and Return to Dust alongside pop punk/emo bands and, yes, the occasional indie track from Father John Misty and St. Vincent. It’s disappointing, but does it really matter? People discover new music a lot differently than they did 20 years, thanks to satellite radio and streaming services. 

Still, radio continues to be more popular than podcasts and streaming services, according to this Forbes article from earlier this year that stated while younger people are shifting to on-demand options, 45% of their listening time remains dedicated to radio. And, of course, old people still love radio, but mainly because of shitty talk radio.

Anyway, on this Throwback Thursday, here again is the column announcing the launch of New Day Rising from Dec. 9, 2004: 

Dec. 9, 2004: New Day Rising: Indie Music Returns to Omaha’s Air Waves

It always seemed somewhat ironic that Omaha has become this so-called “center of the indie music world,” yet none of the music from that world can be heard on the radio waves within its borders. Important national touring indie bands come through town all the time and draw respectfully well without an ounce of radio support. The only way anyone finds out about these shows is through articles in The Reader, websites (lazy-i comes to mind), word of mouth and show posters and fliers.

All that will likely change Sunday, Dec. 19, at 11 p.m., when Omaha’s only college rock station, 89.7 FM The River, launches a new, locally produced two-hour radio show whose focus will be, believe it or not, indie music.

Omaha’s had indie radio shows before, most recently “Pirate Radio,” hosted at the same 11 to 1 a.m. Sunday night time slot on 93.3 KRCK — the grunt-rock station that became The Dam and now spins “legendary American country.” Hosted by Saddle Creek main man Robb Nansel and Good Life drummer Roger Lewis, Pirate Radio was a laid-back (some would say unstructured) two hours of indie rock, where you were bound to hear a couple songs by Cursive or Bright Eyes. My fondest memory of Pirate Radio was being a guest host and hearing callers requesting Korn, Metallica and Limp Bizkit songs throughout the entire two hours. Typical call: “Dude, something’s wrong with your station. Turn this shit off and play ‘Freak on a Leash!'”).

Now comes “New Day Rising” (For you younguns, that’s a tip o’ the hat to Husker Du), hosted by Eric Ziegler, manager of Homer’s Old Market store, and Dave Leibowitz, former head of Mafia Money Records out of Madison, Wisconsin, who just moved back to the Big O.

Ziegler says their show will plow similar ground as Pirate Radio, with a play list derived from the College Music Journal charts. CMJ has become the defacto bible of college radio stations all over the country, and indie music is at its very core. Just don’t use the “I” word around Ziegler. Call it “College music” or “Underground” or even “Alternative” (though that word was bastardized long ago by the likes of Creed and Matchbox 20, who are about “alternative” as Britney Spears).

Ziegler says the term “Indie” turns people off. It’s at once too broad (What is indie, anyway?) and too confining (Like “emo,” no one wants the term applied to their music), with baggage that conjures images of pasty scenester kids squeezed into youth medium-sized T-shirts, with dyed-black hair and thick, clunky glasses. 

Instead, the show’s play list will be all over the map, even beyond CMJ. “We’ll play anything from Bauhaus to The Replacements to My Life with the Thrill Kill Kult to The Smiths and Pavement.”

Isn’t that oldie indie? “The thing is to play newer music — the stuff the kids are into — and also keep listeners our age (i.e., in their 30s) intrigued. We want to throw in a couple gems to educate people. Half the kids today don’t know who Joy Division is, but will listen to all the bands that were influenced by them.”

The key, Ziegler said, is variety — underground metal next to underground hip-hop, a Shins song followed by the new one from Mastodon. Expect local music, too, but no Saddle Creek artists. “We might stay away from Bright Eyes and The Faint,” Ziegler said. “That stuff’s already on The River’s regular play list.” They’ll also avoid music heard on The River’s local-music show, Planet O.

Could the show’s success influence The River’s regular play list? Ziegler hopes so. “I would suffer through Slipknot to hear TV on the Radio.” But considering the success of the station’s current goon-rock format, any change seems unlikely. – Originally published in The Reader and Lazy-i.com Dec. 9, 2004. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2024 Tim McMahan. All rights reserved.

Column 308: River Rising

Omaha’s indie radio show moves to Sunday afternoons.

by Tim McMahan, Lazy-i.com

Is having one good radio station in a city the size of Omaha — a city purported to be one of the “best places to live in America” — too much to ask?

Apparently it is. But at least for 2-1/2 hours a week, we have New Day Rising on FM radio station KIWR, 89.7 The River. No, NDR is not a new program. It’s been around since December 2004. But if you’re like me, the last thing you’re doing Sunday nights at 9 p.m. is listening to the radio. Thankfully, the people who run The River decided to move NDR to the new time slot of 2:30 Sunday afternoons where it’s now being discovered by people who live “normal lives.”

The show’s promo calls it “The future of music. The best deep cuts and the best new tracks.” But it’s more than that. NDR is the only locally produced broadcast radio show whose purpose is to play, promote and talk about indie rock — or at least the style of indie rock preferred by the show’s producer, engineer and host, David Leibowitz.

“I’m not trying to out-indie indie music fans,” Leibowitz said between songs during last week’s show, broadcast from The River’s Council Bluffs studios on the campus of Iowa Western Community College. “People who are serious music fans and read all the blogs and Brooklyn Vegan and Pitchfork aren’t going to have never heard these songs before. This is for moderate, traditional music fans, some of the regular River listeners or someone who’s just casually tuning in.”

For the same reason I began writing about bands 20-odd years ago, Leibowitz began doing his radio show six years ago: To get free music. “I get too much of it, actually,” he said. “Parts of my house look like I’m a hoarder because of the piles of CDs.” But he added, “The show is my only connection to the local music community. I’m playing my role.”

That role involves proudly carrying the banner for College Music Journal-style rock. His playlist for last Sunday afternoon’s show included tracks by Middle Brother, Ponderosa, The New Pornographers, Say HI, Tapes ‘n’ Tapes, The Dears, Men Without Pants, Cold War Kids, P.J. Harvey, King Kahn and the Shrines, Sleigh Bells and Starry Saints. NDR is the first radio show in Omaha to air a track from the upcoming Mogwai album Hardcore Will Never Die. That alone makes it relevant.

But in addition to new music, Leibowitz sprinkles in classic tracks by the likes of Hüsker Dü, Grant Hart, Gang of Four, Radiohead, Buffalo Tom, Wilco and perennial sign-off band Sonic Youth. Like the old-time radio DJs who have long since left this earth, Leibowitz’s playlist reflects his personal taste. “I would say (the show) is in the traditional indie rock vein,” he said. “There’s a resemblance to ’80s college rock. I don’t want to play stuff that I absolutely don’t like. That’s just a fact. My taste doesn’t match up with Pitchfork, but I’m not concerned about it.”

You’re not likely to hear a Pet Shop Boys or New Order track on NDR. “I’m less inclined to play synthier music,” Leibowitz said. “My past is with Hüsker Dü and The Replacements, but I didn’t like The Cure in the ’80s and I do now. If New Order has a new record out, I would give it a spin, even though New Order doesn’t really fit into the format.”

Another “artificial constraint” is not playing songs you could hear on another radio station. “T. Rex would fit in, but you can hear it on Z-92,” he said.

Leibowitz freely admits that there’s a variety of indie-flavored Internet radio shows that are just a click away for most fans. What makes NDR unique is its local angle. Leibowitz plays songs by bands that are headed to Omaha to perform in the coming weeks or months, such as Best Coast, Now, Now and Mogwai, along with a handful of local indie bands that are ignored by The River’s local-only radio show, Planet O.

In addition to the all-stars on the Saddle Creek Records label, Leibowitz has played tracks by Little Brazil, Honey & Darling, It’s True and Thunder Power, among others. “I don’t play those bands just because they’re local, but because their music is of the same quality as the other music on the show,” Leibowitz said.

Sometimes those tracks even catch the attention of The River’s program director, Sophia John. “She acknowledges that there have been records that premiered on New Day Rising that have made it into regular rotation,” Liebowitz said. “It’s great to see these bands get heard by a wider audience.”

So how well is NDR doing in the all-important Arbitron ratings? Leibowitz said he’s “blissfully unaware, for the most part. We must be doing well since they keep moving us up to better time slots.”

Could NDR ever find a regular, daily slot on The River’s schedule? Unlikely. Indie music always has been a niche genre that’s lived in the cracks between commercial rock and the style of “alternative” screamo goon rock that makes up The River’s usual programming.

and that’s the way it’s always been, Leibowitz said. “There’s just more of them than us,” he said. “It’s the nature of being an indie music fan. It’s part of the psyche.”

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Polar Control Cent… Whoops! I mean POISON Control Center returns tonight to Slowdown Jr. with Bradley Unit (who, according to his Myspace page, is now a member of Talking Mountain). $7, 9 p.m.

Meanwhile, over at The Waiting Room, Blue Bird headlines a show. The 7-piece ensemble is led by Marta Fiedler and includes Carrie Butler (ex-Eagle Seagull) and Megan Morgan (Landing on the Moon) on backup vocals. Here’s a review of their debut performance last November. Also on the bill are The Boring Daylights (Sarah Benck’s new joint) and The Big Deep. $7, 9 p.m.

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Tomorrow: Omaha Website Deathmatch.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.

by Tim McMahan, Lazy-i.com

Welcome to 2011. I hope you had a good NYE. Mine was spent watching the wig drop on Bravo after a fine dinner at the Indian Oven. I couldn’t ask for anything more…

Moving on…

Dave Leibowitz, the host of New Day Rising on 89.7 The River — the only listenable two hours of local music radio programming — says that those two hours are about to expand. “Beginning Sunday, Jan. 9, New Day Rising will follow NPR’s All Songs Considered on The River,” Dave wrote. “All Songs Considered starts at 2 p.m., then New Day runs from 2:30-5 p.m. (on Sunday afternoons). This expands the show by 30 minutes.”

New Day Rising was launched on The River way back in 2005 as a 2-hour all-indie music show that ran Sunday nights at 11 p.m. The show eventually got moved forward to 9 p.m., and now will be on at the vastily more listenable 2:30 p.m., which will only make its following grow. Though its air times have changed, the quality of programming has always stayed the same. Check out the New Day Rising website for the latest playlist. You’ll find tracks by Superchunk, The Pains of Being Pure at Heart, Decemberists, Cursive and — like every week since week 1 — a closing song by Sonic Youth. In radio’s desert of shit — including the usual, dated goon-rock that makes up The River’s regular weekday playlist — New Day Rising is an oasis of modern sounds, modern music, curated by a music veteran with impeccable taste. Tune in.

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Speaking of modern sounds and NPR, English post-rock originators Wire announced that its new album, Red Barked Tree, is now available for streaming at NPR.com (right here). The new album comes out next Tuesday on the band’s own Pink Flag Records. It features the original lineup, minus guitarist Bruce Gilbert.

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Tonight at The Waiting Room, Omaha hip-hop artist Conchance headlines a show with Nik Fackler’s InDreama (debut reviewed here), along with No I’m the Pilot and Dapose (from The Faint). $7, 9 p.m. Fackler recently did an emotional Full Monty on the pages of Omahype, where he wrote about his constant struggle to maintain his creative vision — a vision that runs from film to music. There are those who say he’s stretching himself too thin, that he’s trying to do too much. Don’t listen to them, Nik. No artist should never have to choose one medium over another.

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A small handful have dropped their names into the hat for the drawing to win a copy of the highly coveted and collectible Lazy-i Best of 2010 Sampler CD!  You can enter, too, by sending an e-mail to tim@lazy-i.com with your name and mailing address. Tracks include songs by Perfume Genius, Arcade Fire, Ted Leo and the Pharmacists, The National, Tim Kasher, Hot Chip, Sally Seltmann, Belle and Sebastian, Titus Andronicus, The Mynabirds, Zeus, The Black Keys, Pete Yorn and more. Full track listing is here. Deadline is Jan. 18.

Bonus: Winners also get a 2011 Lazy-i Sticker!!! Enter today.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2010 Tim McMahan. All rights reserved.