Bokr Tov, Thick Paint, Smoking Popes, Those Far Out Arrows tonight; the return of Bloodcow Saturday…

Category: Blog — Tags: , , , , — @ 1:34 pm November 30, 2018

Bloodcow at Reverb Lounge, March 7, 2015. The band returns to Lookout Lounge Saturday night.

by Tim McMahan, Lazy-i.com

Pretty hot Friday night line-up and one show on Saturday. Let’s get to it.

Tonight at Reverb Lounge Omaha act Bokr Tov celebrates the release of their new album Nothing Is Immune. The five-piece plays a laid-back style of indie folk that kind of reminds me of acts like Susto and Whitney. The album was produced by Nate Van Fleet and engineered by Matt Carroll, both of See Through Dresses. Opening is red hot local act Thick Paint and Bed Rest. $10, 9 p.m.

Also tonight, Lookout Lounge is hosting ’90s punk rockers Smoking Popes. The band blew up in ’95 with their debut, Born to Quit. Their new album, Into the Agony, was released in October on Asian Man Records. Opening is KC band Company Retreat, Omaha’s Wrong Pets and A Summer Better Than Yours. $15, 8:30 p.m.

Meanwhile, tonight over at fabulous O’Leaver’s, High Dive recording artist Those Far Out Arrows opens for KC garage/psych-rock act Momma’s Boy. Omaha’s Magu headlines. $5, 9 p.m.

Tomorrow night (Saturday) it’s back to Lookout Lounge for the return of Bloodcow. I thought these guys hung it up, but it turns out they’re only on hiatus and have dusted off their instruments for one night as a tip o’ the hat to headliner Super Moon who is calling it quits after this show. Trench and Night Push open at 8 p.m. $5.

Finally, if you miss tonight’s Bokr Tov show at Reverb, the band is opening Sunday night for Minneapolis singer/songwriter Nick Costa at Reverb. Minne Lusa opens this one at 8 p.m. $8.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Live Review: Young Jesus, Thick Paint, Ian Sweet, Jason Steady…

Category: Reviews — Tags: , , , — @ 12:49 pm October 29, 2018

Young Jesus at O’Leaver’s, Oct. 28, 2018.

by Tim McMahan, Lazy-i.com

On the surface, Saddle Creek Records’ addition of Young Jesus to its roster would appear to be a real thinking-outside-the-box moment for a label that’s prided itself on releasing some of the best singer/songwriter indie rock over the past 20 years.

Young Jesus’ new album, The Whole Thing Is Just There, has the auspicious honor of including the longest track ever released by a Saddle Creek band, “Gulf,” a tune that clocks in at just over 20 minutes. On first blush the entire record seems experimental bordering on art project. That said, The Whole Thing… also has the honor of being the highest-rated Saddle Creek release reviewed by Pitchfork, coming in at a staggering 8.1 rating. In Pitchfork terms, that’s genius level.

The Whole Thing… is about as far away from being a pop album as anything Saddle Creek has released since Beep Beep back in the ’00s. And on first listen, it can be a challenge, but I have to admit the record goes down better after seeing these guys live last night at O’Leaver’s. Following what sounded like an improvised jazz-rock instrumental, they launched into “Green,” the opening track off their Saddle Creek rerelease S/T, which, yes, sounds like an indie rock song.

The rest of the set included songs off the new album, including standout track “Deterritory” and set closer, “Gulf,” whose center section consisted of a free jazz improvisational noise collage that bent back into the opening chords and took all of its 20-plus minutes.

After the set. the house music was tracks off the Cap’n Jazz anthology Analphabetapolothology (Jade Tree, 1998) that someone aptly pointed out was appropriate considering the similarity between the bands’ sounds. While possible free-form at its core, there’s obvious structure to Young Jesus’ songs, a method to the madness that made me rethink the album (which I listened to again on the drive home). I don’t know if it will be a big seller for Saddle Creek, but it adds credibility to their vision of releasing music not necessarily for commercial sake, but because they love it.

Thick Paint at O’Leaver’s, Oct. 28, 2018.

I caught the last half of Thick Paint’s opening set and it was the usual amazing, intricate, tuneful rock that they’ve become known for. A different player on bass (usual bassist Sarah Bohling is on the road with David Nance, I believe) didn’t throw off their game a bit. Call it indie prog. The mystery continues as to who is going to put out this band’s next album.

Ian Sweet at O’Leaver’s, Oct. 28, 2018.

Last night’s show, which was originally scheduled to start at 6, didn’t get rolling until after 7 because the bands were late getting to town. As a result, headliner Ian Sweet didn’t go on until after 10. Playing as a three-piece, the set was harder and more abrasive than what I was expecting having heard her new album — i.e., it rocked, at least for the four songs I caught before I headed home.

Hey O’Leaver’s, I love these early Sunday shows. Keep them coming!

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Jason Steady and the Soft Ponies at Burrito Envy, Oct. 26, 2018.

I think I might be the only person I know that likes the food at Burrito Envy. I had three tacos, chips and salsa and a couple fine margaritas there Friday night before I caught a set by Jason Steady and the Soft Ponies.

All the way back to the Talking Mountain days, Steady’s style has been funny, friendly, good-time jangle rock with a slightly disconcerting message just below the surface, a message that’s hard to decipher when he and his ponies — a guy on a stripped-down drum kit and a backing vocalist/percussionist — are making you bounce in your seat to their sunny, good-time music, that included a couple country-esque indie pop ditties. Fun.

Steady is a natural showman, punctuating his set with between-song banter that makes you think he’d be the perfect host for a Pee-Wee’s Playhouse-style children’s program on Nick or PBS Kids. All he needs is some puppets, and anyone who knows Steady knows that’s well within his reach. Nothing would make my Saturday mornings better…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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New Kurt Vile (coming to Slowdown); Thick Paint, Loud Sun tonight…

Category: Blog — Tags: , , — @ 12:29 pm September 10, 2018

Thick Paint at Slowdown Jr., March 30, 2018. The band plays tonight Pageturners Lounge.

by Tim McMahan, Lazy-i.com

Not much to talk about regarding this past weekend (since I didn’t see any music; the weekend itself was great).

There’s a shit-ton of new music I’m wading through. On top of the list are records by Oh Pep!, Future Generations, Pile, Tragic Jack, Sextile, Ron Gallo, Mirah and Cut Worms, plus a lot of Spotify stuff. I’ll start dribbling out reviews over the coming days.

For now, how about a nearly 10-minute song, “Bassackwards,” from Kurt Vile’s upcoming new album, Bottle It In (2018, Matador), out Oct. 12? Vile and his band, The Violators, today announced a Slowdown date for his 2019 tour. Feb. 26, to be exact. By then we’ll all be recovering from winter (hopefully). BTW, The Sadies open. And tix go on sale Friday.

Pageturners continues its summer concert series tonight with Thick Paint (When are we going to get news of a new record from these fine folks?) and Minneapolis’ Loud Sun a.k.a. Andrew Jansen. This free show starts at 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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‘Twas the night before for Maha; Thick Paint, Trap PS, RAF, Satchel Grande (RAICES benefit) tonight…

Category: Blog — Tags: , , — @ 5:36 pm August 16, 2018

Aretha Franklin circa 1970.

by Tim McMahan, Lazy-i.com

I’m listening to Aretha’s Spirit in the Dark (1970, Atlantic) as I type this. She’s one of those artists you just assumed would always be around…

Anyway, this late afternoon update is to hype that this is the last day to buy tickets to the Maha Music Festival before the day-of-show price hikes. Get on it. I’ll write more about Maha tomorrow.

There’s a few hot shows tonight leading into the weekend.

Tonight at The Brothers Lounge Thick Paint headlines a show that features LA’s Traps PS. Their new album, Chants, comes out tomorrow. If that weren’t enough, The Jim Schroeder Sextet opens at 10 p.m. $5.

Also this evening, seminal Omaha hardcore punk band R.A.F. plays in the beer garden at fabulous O’Leaver’s starting at 6 p.m. What will the neighbors say? $5.

And finally The Waiting Room tonight is hosting a benefit wherein all money raised will go to support families being separated at the border by providing funds for legal support by way of RAICES. Satchel Grande headlines. 7 p.m. $15.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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The Faint in LA; Bill Hoover, thespian; Thick Paint, Media Jeweler, BiB tonight…

Category: Blog — Tags: , , , — @ 12:41 pm July 18, 2018

Thick Paint at Slowdown Jr., March 30, 2018. The band plays tonight at Brothers Lounge.

by Tim McMahan, Lazy-i.com

The Faint yesterday posted they’re playing the Cloak & Dagger show at LA’s State Theatre Nov. 10. DAF (Deutsch Amerikanische Freundschaft) — the so-called  “godfathers of techno,” the pioneers of EBM and the forefathers of electropunk — are the headliners.

Also on the bill are She Wants Revenge, HEALTH, Boy Harsher, Tamaryn, BOAN and Black Mare.

When was the last time The Faint played anywhere? Good to see that they’re still alive and kicking. Someone should organize a “warm up” show for them before they head west…

* * *

Speaking of old school musicians, Bill Hoover of The Darktown House Band and The Short Timers is perhaps better known these days as a fine artist/painter. I hope to some day be able to afford one of his masterpieces.

Well, tonight you can catch Bill as a thespian when he performs in a new play by his bro, Joe Hoover, called Amends. The show is directed by Nils Haaland and also features Joseph Patrick.

The play’s world premier is tonight at The B Side of Benson Theater, 6058 Maple St. (right next door to Virtuoso Pizza). Performances also will be held tomorrow and Friday at B Side. Showtime is 7 p.m. For more information.

* * *

Did you see Minus the Bear is calling it quits? Their Oct. 14 show at The Waiting Room is part of their Farewell Tour. More info at Stereogum.

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I’m listening to the last Thick Paint track released on their Bandcamp page. When are we going to get some new stuff from these folks — and even more importantly, who’s releasing it? You can ask the band yourself tonight when they headline at Brothers Lounge. Joining them is Santa Ana band Media Jeweler and Rogue Moon. $5, 9 p.m.

Also tonight, Pageturner Lounge continues its summer concert series with BiB and KC’s Mentira. 9 p.m. and the usual free!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Thick Paint, Nest Egg, David Nance, Druids tonight; Preoccupations’ New Material review…

Category: Blog,Reviews — Tags: , , , , — @ 12:54 pm May 2, 2018

by Tim McMahan, Lazy-i.com

A couple of shows tonight…

Over at The Brothers Lounge Thick Paint headlines a show with David Nance. In the center spot is Asheville, NC band Nest Egg. Via the trio’s Facebook page: “Nest Egg has already made a name for themselves with their amazing fog-heavy, zoned and honed live show. Warping minds and winning fans with their heady, atmospheric take on progressive, ethereal vibed-out rock music.” Their sound is kinetic and fun. Check out the track below. $5, 9 p.m.

There’s also a heavy rock show at fabulous O’Leaver’s tonight with Des Moines psych-metal trio Druids. Locals Bonghammer and The Long Awaited open. $5, 9 p.m.

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Q1 2018 record reviews continue. Read them all here at The Reader website.

Preoccupations, New Material (2018, Jagjaguwar)

Preoccupations, New Material (Jagjaguwar) — From the guys who used to be called Viet Cong. I listen to a lot of SiriusXM First Wave, which plays post-punk/New Wave music from the ‘80s and ‘90s, and some of these tracks could be dropped into rotation and no one would notice. Opener “Espionage,” for example, sounds like ‘80s Gary Numan synth rock crossed with Interpol. On the other hand, “Antidote” is Eno-esque modern and dissonant while “Solace” sounds like reimagined New Order. A favorite.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Live Review: Thick Paint, Mothers; Lucy Dacus, Adult Mom tonight…

Category: Reviews — Tags: , , , — @ 12:46 pm April 2, 2018

Thick Paint at Slowdown Jr., March 30, 2018.

by Tim McMahan, Lazy-i.com

I don’t remember Thick Paint’s  duo drummers in the past incarnation (at O’Leaver’s) or maybe I didn’t notice. I noticed Friday night at Slowdown Jr.

We could argue the pro’s and con’s of two drummers over a beer. My take is: Does the second drummer add anything to the sound that a single drummer couldn’t provide by just playing louder? The answer in this case is yes, most of the time. It certainly isn’t a gimmick, and they’re always fun to watch. Isn’t that the main appeal of two drummers?

I’d tell you those drummers’ names but Thick Paint doesn’t list personnel on its Facebook page except for frontman Graham Patrick Ulicny (and everyone knows bass player Sarah Bohling from Icky Blossoms). In addition to having a similar beard configuration as Jim James, Ulicny shares James’ voice. Actually, I tapped into my iPhone notes “Geddy Lee,” that’s how eccentrically high Ulicny’s voice is, and that’s not the only thing the band shares with Rush. There were times during the set that I could drop this band into the prog-rock bin thanks the chord choices and guitar lines, which actually reminded me more of Fripp-y ’80s-era King Crimson.

They’re at their best when they look past the intricacies of their guitar lines, lean back on those duo-drummers (and bass) and just swing, as they did on the last couple songs of their set.

Mothers at Slowdown Jr., March 20, 2018.

Headliner Mothers was a departure from the usual female-led indie band in their embracing of dark, arch melodies. Three songs into their set Friday night they played their poppiest number “It Hurts Until it Doesn’t,” off their last record. The rest of the night was dedicated to  mostly slower, ominous and powerful compositions that would make for great headphones listening (moreso than catching it live).

* * *

When I bought tickets to tonight’s Lucy Dacus show at Reverb I could swear that the booking only listed two bands — Dacus and Adult Mom (who I’m actually more interested in seeing). In fact there’s three bands on tonight’s bill, with And the Kids. So even though this starts at 8 p.m. it could go past 11, which will force me to cut the Dacus set short (Some of us have to work in the morning).

Dacus’ latest album, Historian, was released this year on the mighty Matador label and received a rollicking 8.1 rating from Pitchfork. Adult Mom’s 2017 release Soft Spots (Tiny Engines) made Rolling Stone‘s Rob Sheffield’s list of the best albums of that year.

Note that someone from 1% posted a “low ticket warning” on this show over the weekend, so if you’re interested, better get on it…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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15 Passenger’s Rare Coins; new Jason Steady; Neighbor Lady, Thick Paint, Flowers Forever tonight…

Category: Blog — Tags: , , , , , — @ 12:38 pm March 19, 2018

Dicey Riley at The Dubliner March 17, 2018.

by Tim McMahan, Lazy-i.com

The Dubliner was its usual steamy, sloppy way on St. Patrick’s. Dicey Riley brought the Irish tradition, and the Dubliner supplied the Guinness.

* * *

Label 15 Passenger, run by the fine folks from Cursive (Kasher/Maginn/Stevens) announced their first non-Cursive/Kasher release last week. It’s the first in a new split-LP series called “Rare Coins,” wherein one band provides the A-sde and a related band provides the B-side.

“The Rare Coins Series was conceived to offer an established artist the opportunity to share one of their favorite artists with the rest of the world by way of a limited release split 12”,” sayeth the website.

For the debut, David Bazan of Pedro the Lion fame is the A-side artist. Seattle musician Sean Lane is the B-side artist. Lane has played in Perfume Genius and Yppah, and is currently on tour with Bazan in his latest incarnation of Pedro The Lion.

The split LP comes out April 6 and will be available on gold vinyl, limited to 1,000. Pre-order it now here.  Check out one of the Bazan songs below.

 

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Jason Steady just dropped a new video for “I Think She’s Real.” The song is a remake of an old Feel Tight song, backed by a full band that includes Knife de la Garza on drums and Aaron Lee on bass. The band is headed out to the West Coast for a few dates in May.

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Big show (for a Monday) tonight at fabulous O’Leaver’s. Atlanta indie band Neighbor Lady is playing the center slot of a show headlined by Thick Paint and opened by Flowers Forever — stacked!

Neighbor Lady’s self-recorded debut LP, Maybe Later, was mixed by none other than Andy LeMaster of Now It’s Overhead (and Bright Eyes), and comes out in May on Friendship Forever Records. The band’s first video ever dropped just this morning. Check it below. Tonight’s show is $5, and starts at 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

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Sara Bertuldo (See Through Dresses) on racism and exploitation in art; Thick Paint, Anna McClellan tonight…

by Tim McMahan, Lazy-i.com

In my November column in The Reader, I wrote an essay titled “With the Best of Intentions: Yellow face, the N-word and a divided music community.” The column discussed accusations of racism made toward members of the Omaha music community. If you haven’t already, read the column now to understand the context of the rest of this post.

As an addendum at Lazy-i.com, I also posted a Q&A with Simon Joyner about the controversy, which you can read here.

After I posted links to both the column and the Q&A in Facebook, a number of people reacted, saying I didn’t capture both sides of the issue. Someone suggested I ask See Through Dresses front woman Sara Bertuldo for her thoughts on the matter, and Bertuldo indicated she’d be willing to do an interview or answer questions.

See Through Dresses was on tour at the time, so I suggested we do it via email (as I’d done with Joyner’s Q&A), and sent Sara the following questions to be published with her responses as a post in Lazy-i.

My questions:

— What was your reaction to: Joyner’s song, Noah Sterba’s song, Harouki Zombi?

— Do you think the artists in question have done anything wrong or were trying to intentionally hurt anyone through their actions?

— Is it OK for artists and musicians to broach these sorts of topics in their work? Why or why not?

— Were you satisfied with the apologies or explanations offered by these artists about their choices?

Sara sent her responses late last week in the form of the following essay:

The first reaction is anger.

Imagine someone says something bad about you. What you did. What you said. Or maybe what you wore. How would you feel? I’d feel pretty angry. Is it really bad? Was it something to feel ashamed about? Did you make a mistake? Can you apologize for it? Should you?

Now imagine someone says something else bad about you. Only this time it’s something undeniably true, like something about your identity. Or the color of your skin or shape of your eyes. Something you can literally do nothing to change. How does it feel? I know I was angry. 

When you react with anger, people say things like “don’t take it the wrong way” or “it’s a joke” to minimize it. What it feels like when that happens is that they minimize me and my experience.

Racism.

It’s a scary word to a lot of people.

My experience with racism is like a book I carry with me. That book is a heavy weight that sits on my chest. And every time I experience something like this, that book opens. It is filled with my memories of prejudice. Memories of being asked if I was Chinese or Japanese in elementary school, being told I “act white,” being fetishized, and learning my mother withheld our language from me to make me more American. She did this to help me fit in. She was treated poorly because of her accent when she immigrated to the U.S. in the 1970s. When she had children she promised herself that wouldn’t happen to them.

Racism.

Racism is a normal word to me.

I believe it is embedded in all of us and the only way we can fix it is by educating ourselves.

I’m really tired of absorbing everything and keeping silent. It makes me feel sick.

There was a time that I let things slide. I kept quiet because I wanted to preserve some sort of peace. Talking about it was way too real. And people say things that make you question how you feel. To make you quiet. But all these little things that have been said just add up. Every single thing I hear or read, it just eats at me.

Link: http://seethroughdressesband.com/post/161006916559/

I had written something before detailing my experience post-Harouki Zombi stuff. I personally left out names. I didn’t want people to feel attacked. I did not want them to feel the way I felt. I was so angry when this all started, but I tried to let go of that for a moment and write my story. I felt by offering a personal account on what it feels like to be a person of color I could help them see how upset I was. I thought my way for me to change someone’s views was through compassion and not anger.

But months later, it keeps coming up so here we are again.

So to Orenda, Noah, and Simon:

With all due respect, yes, you are all artists. And you are all white. You benefit from things I do not. You absolutely have the freedom to do whatever you wish in your art. But if you are so progressive minded, if you are as compassionate as your friends say you are, please treat our culture and words with reverence. Keep making art, but please do not exploit us. I don’t believe there was intent to cause harm. But the fact of the matter is, you did. I believe it’s more meaningful to take a step back and listen now. Listen to us.

I resent this whole ordeal. I am upset it’s taken so much time from me. I spent so much time thinking about it, crying about it. I’ve cancelled band practice over it, been depressed about it at work, and now I’m out on tour writing about it when I should be enjoying where I am.

And to the people that were so outwardly angry about it, I sympathize with that anger. I really do. People called them bored, childish, social just warriors… You know why marginalized people react that way sometimes? It’s because people don’t listen to us. And it happens again and again.

Here is one marginalized person’s opinion. Because we coexist in this community, I thought you should hear it. You can take it or leave it.

I find solace in my friends and family that support me. I can only work on the people I care about or people that want to be better and if you don’t want to learn from this, that is totally fine.

I’m sorry if that sounds angry, but if anger is all you see then you’re missing the point.
— Sara Bertuldo

Thanks, Sara, for the thoughtful comments on a very difficult subject.

* * *

Tonight at Brothers Lounge it’s the return of Thick Paint. The band has been on the road for awhile and swings back into Omaha with Anna McClellan, who just leaked the first single, “Heart of Hearts,” from her forthcoming album Yes and No, due in February on Father/Daughter. Dilute also is on tonight’s bill. $5, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Zola Jesus, Palm, Thick Paint, The Menzingers tonight…

Category: Blog — Tags: , , , — @ 12:53 pm October 11, 2017
Zola Jesus at Elysium, SXSW, March 14, 2012.

Zola Jesus at Elysium, SXSW, March 14, 2012. The band plays at The Waiting Room tonight.

by Tim McMahan, Lazy-i.com

I listened to the new Zola Jesus album, Okovi, all morning. Its description doesn’t match its content. I was expecting a very droll, very somber experience. In fact, the record is probably the poppiest, most upbeat thing Rosa Danilova and Co. have done. She reminds me of very early Sinead O’Connor vocally, compositionally; maybe Kate Bush as well. Read her Ten Questions here.

So I was on the fence between going to that show, which has an 8 p.m. start time with two openers (and a cost of $15) and Palm, who is playing right around the corner at Reverb.

Palm’s new album, Shadow Expert, is something of a departure from their 2015 release, Trading Basics, though no less mathy, disjointed, proggy. The songs have a similar jangled urgency but with better central melodies, more focused, more pop. That Palm show also has the benefit of solid openers. Our very own Thick Paint is on the bill — always a good time — along with Brooklyn trio Real Life Buildings.

And the Palm show is a bargain at $12, but that 9 p.m. start time on a school night… See you at Zola.

Also tonight, emo-punk band The Menzingers are playing at Sokol Underground — yes, Sokol Underground. Salt Creek and Centerpiece open. 8 p.m., $20.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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