(More than) Ten Questions with Jeffrey Lewis (at Reverb on Tuesday w/David Nance)…

Category: Interviews — Tags: , , — @ 1:43 pm November 14, 2016
Jeffrey Lewis & Los Bolts play Reverb Lounge Tuesday, Nov. 15.

Jeffrey Lewis & Los Bolts play Reverb Lounge Tuesday, Nov. 15.

by Tim McMahan, Lazy-i.com

(Note: Pt. 1 of this interview actually appeared last Wednesday as a comment to the disasterous 2016 Presidential election. Take a look).

I first discovered Manhattan folk/punk singer/songwriter Jeffrey Lewis’ music back in 2013 when Lewis opened for Quasi at Slowdown Jr. I knew virtually nothing about him then, and a half-hour later, upon completing his set, I became a fan.

At the time, Lewis was out supporting the vinyl re-release of his Rough Trade debut LP, The Last Time I Did Acid I Went Insane, a set that captures his earliest urban folk storytelling in all its glory. A few years after that came out, Lewis caught a broader audience’s attention with 12 Crass Songs (2007, Rough Trade), wherein our hero covered 12 songs by ’70s English punk band Crass.

Lewis’ latest, Manhattan (2015, Rough Trade), collects 11 clever, tuneful story songs, this time backed by his band Los Bolts. His style has been described as anti-folk, maybe because any of these songs could be reimagined by a hyper-kinetic straight-four hardcore band. In fact, Lewis’ style has more in common with the latter-day Lou Reed (album opener “Scowling Crackhead Ian” would sound right at home alongside anything on Reed’s New York album). while “Avenue A, Shanghai, Hollywood” sung by Mim Pahl and indie band life lesson “Support Tours” would make Mountain Goats’ John Darnielle smile. Other songwriters that come to mind include Wall of Voodoo’s Stan Ridgway and fellow story-teller Mark Kozelek, though Lewis’ music is never as dour.

For me, Lewis and his music epitomize the same raw, matter-of-fact narrative style and humor of some of my favorite underground comic book writers/artists, like R. Crumb, Daniel Clowes and Harvey Pekar. Not surprising, Lewis augments his music career with his own comic book series, Fuff, a copy of which you’ll likely have a chance to examine (and buy) when Lewis and Los Bolts play Reverb Lounge Tuesday, Nov. 15.

Usually I give touring musicians the Ten Questions treatment, but I couldn’t pass up an offer to do a phoner a couple weeks ago with Lewis from his Manhattan home.

Are you still touring your latest album, Manhattan, which came out a year ago?

Jeffrey Lewis, Manhattan (2015, Rough Trade)

Jeffrey Lewis, Manhattan (2015, Rough Trade)

Jeffrey Lewis: Part of the reason for that is because I do everything myself. I’m the one who has to book all the gigs. Right now I’m sort of deeply embroiled in mailing out all of the posters for the different shows. I just mailed a bunch of posters out to Olympia, Washington, today and I’ve got to mail out posters to Denver tomorrow. The constant checklist of things that need to be done kind of means that I can’t really do these tours back to back because it’s just too much work to do all at once by myself. I kind of need things to be spaced out just because there’s only so many hours in a day.

Do you get any help at all from the label? I ask because I don’t know what a label provides anymore. I guess they put out your record. In the old days, a label could help with tour support, they could help you book the tour, they could help you with promotion. It seems like labels don’t have the resources for anymore.

It certainly seems to be the case. I don’t know. I feel like in some ways I entered the music business at the right time, although some people might think it was the exact wrong time. My first album on Rough Trade came out in 2001. My entire experience touring and dealing with record labels has been in the internet age. I’ve been on Rough Trade 15 years and I’ve been touring and doing all this stuff and making my living at this for that whole time period, I never existed in the music industry during a time when there was a thought that it could be a different way.

I never existed in the music industry during the time when independent bands and alternative music was riding a certain financial wave through the late ’80s and through the ’90s; there was so much more money in it in terms of album sales, in terms of what you would expect even a small-level independent album to sell and the amount of support that was available, tour support and promotion and everything else.

I feel like a lot of artists went through a real crashing of expectations or a real readjustment of what they were expecting to do or what they were expecting to make. I never had that. For me from the get-go it was like, if I was going to do anything I basically learned pretty quickly that I was going to have to do it for myself and figure out ways to make it work.

Of course I do credit Rough Trade tremendously with really helping me out by being interested in me in the first place and continuing to be interested in me all these years later. I can’t imagine there’s very many artists on the label that could possibly make less money for the label than me. They put out the Strokes, they put out Belle and Sebastian, they put out some pretty major players in the Indie music realm.

It’s almost crazy to me that they’re still interested in putting out a Jeffrey Lewis album every couple of years. To me that’s just really cool. I’m happy about that element of the relationship. I’m happy to be associated with them and I’m glad that they’re so far still happy to be associated with me.

Tell me about your backing band, Los Bolts. Who’s in it?

It’s definitely been a challenge to keep one band together for a long period of time. Since I have been doing this about 15 years, I’ve probably had maybe six different drummers and maybe four different bass players or something like that.

Jeffrey Lewis and Los Bolts on this tour is the same band that I’ve been with for about a year now, which is Brent Cole on drums. He was in the Moldy Peaches and Dufus, which are two New York bands that I did a lot of touring with over the years. I’ve known Brent for a long time and I’ve toured with him before though not as a member of my own band.

On bass is Mem Pahl, and she’s very young. She just turned 22. It’s kind of an interesting contrast where Brent and I are both 40 and we’ve been doing this essentially since the late ‘90s, although only doing it professionally since 2001 or so. Mem is really just like of a younger generation and brings the music that she wants to play in the car, and the perspective that she has on the music scene is really interesting and it’s made a really cool dynamic.

We’ve done a lot of touring together in this particular trio format of the past year. Mem was actually playing bass with me for almost a year prior to that, too. I’m sort of almost going into two years with Mem on bass. She was only 20 when she started with me.

It’s kind of interesting to have these different dynamics over the years and how the different combinations of people that I’m with kind of create different chemistries. It’s like any relationship, when you start dating somebody and over time it just gets deeper and the layers of experience kind of make it richer. It’s sad if some musician ends up not being able to continue touring because maybe somebody got married or had a kid or they move away from New York City. There’s a million reasons why somebody wouldn’t be able to stay in my band forever. Every time that chemistry breaks up and I have to sort of start trying to develop a new relationship it’s a bit sad to have to start from scratch.

My favorite song on the record is “Have a Baby.” I assume it’s about people who lose interest in things that they love after they have a family. Is that kind of what you were going for and were you experiencing that with your friends when you wrote that song?

Yeah. I like that a song a lot. It was really a fun song to put together because I feel like it’s structurally different than other stuff that I’ve done. The sentiment of it in some ways cancels itself out because it can be seen from two different perspectives I guess depending on which side of the argument somebody is looking at it from. I didn’t really realize that when I wrote it I guess.

I feel like if you were the person who was having a baby you could look at that song as a sort of unpleasant sarcastic comment on how maybe now that you’re having a baby you’re not going to be able to do anything interesting anymore. The other side of it which was sort of more of the side that I started writing the song with in mind, I was just thinking of all of the frivolous things that life is filled with, all of the details that we pay attention to, that occupy our time. Some event can come along that makes them seem very petty — things that you sort of put aside when something more important arrives. Proliferation of details that seem important when you’re engaged in it, but some life changing event can happen that can make them actually look sort of insane, in their detailed specificity, or the necessity that they seem to have when you’re absorbed in them.

I did realize while making the song that it kind of, it had to be two different perspectives that it could be seen by, each of which is kind of unpleasant for, it could kind of sort of be insulting for both sides of the equation I guess.

Well when I first heard it I thought of your original intention until I read a review of the record where the reviewer said the opposite. I hadn’t thought about it and I said ‘Oh, that must be what he was going for.’ Obviously that wasn’t what you were going for.

Yeah, and of course it’s always a mistake for the artist to say, ‘Well it’s supposed to be taken like this.’ A lot of times people hear something and if they like it then it’s really not a good thing for me to explain ‘Oh no, you’re wrong, you like it but you’re not thinking of it the right way.’ Whatever way people want to think of it is their own business and I think me putting my two cents in to say that you’re supposed to think of it one way or the other is really only to the detriment of the art. It should just be out there for people to make of it what they will.

Speaking of art, I love your artwork. First of all why don’t you sell your artwork online anywhere and how important is making your comics in your life?

The comics are an important component of my financial existence, but are very tied in with the music. Most of the freelance art jobs that I get are through people knowing me through music. The Mountain Goats comic book press kit thing that I drew a few years back or the artwork that I’ve done for the band the Cribs or other projects like that where somebody knew me through music or a band that I toured with or played gigs with.

Fuff No. 2 by Jeffrey Lewis.

Fuff No. 2 by Jeffrey Lewis.

These ended up being really good freelance art jobs for me but I wouldn’t have gotten them if it wasn’t for the fact that they knew me first through music and then when they needed an artist or they needed a comic book artist or an illustrator. I just happened to be there or I was somebody that they had already met. It’s not like I’m going around to magazines and dropping off a portfolio.

In addition to that, a lot of people who buy my comic books are buying them through my website, which is kind of like my music. People might come to my website because they’ve heard an album and then they’re like ‘Oh, these comic books are here also, maybe I’ll buy some of those.’ Then I have the comic books at the merchandise table at my concerts. I perform, there’s like illustrated songs that I perform at the gigs, too. The comics and the music are sort of very much tied together in a way that isn’t really two different careers, they sort of rely on each other and I can’t really totally separate them out as two different careers even though they’re sort of two very different disciplines.

As far as selling original art, I don’t know. I don’t know how much to price it. I’ve never thought of my art as something to sell. I just draw stuff so that I can turn it into comic books really. I’ve just never really entered that realm of like somebody who sells original art. It’s just kind of alien to me.

That’s another like just sort of hassle in trying to do all the stuff myself. Right now I’m trying to calculate well how many comics do I need for this tour, how many boxes should I mail to the west coast. How many can I fit in my car actually, how many CDs, how many records. How much room is the drum case going to take up so how many t-shirts can we take with us. You don’t want to run out of merchandise when you’re out on the road because it’s a major part of the financing of a tour. But it is hard to know how much to take.

I think you need to hire an intern.

I did actually, I did hire an intern a couple of years ago. I had a couple of people that would come over like once a week and I was paying them an hourly wage to help me do the website stuff. The people that order stuff from my website, we sort of had one day where we’d all work together packing up orders and bring them to the Post Office and dealing with that. I don’t know, somehow everybody just always ended up being too busy.

I was sort of up to paying people 15 bucks an hour which seems like a pretty good rate to just sit around with me and listen to records and pack comic books into envelopes. Even at that rate, it was like I had all these different people that just kept not being available and I kept ending up doing it myself. Now as of the past six months I’ve pretty much just been back to doing it all myself.

I do think I do need more help in general. But everybody does. If you were Donald Trump somebody would do your laundry for you and scrub your floor. For the rest of us there’s work to be done and someone’s got to do it and that’s us.

You could literally draw things when you’re not driving (on tour) and sell them at shows.

Well I mean it’s also I guess for me it’s a problem because I’m not, what’s his name David Shrigley, and I’m not Daniel Johnston in the sense that the art that I make is very time consuming. I feel like for something to actually be a Jeffrey Lewis drawing it might take me like a day to do. I could of course do some kind of quick doodle but then I would kind of feel bad charging money for that and somebody, you know, I don’t know, that’s part of the problem with me selling the original art is I’m like it’s just too valuable to me. I put too much time into it to think of like, well I can’t just sell this for 20 bucks.

It took me two days to do. That means I’ve got to charge 500 bucks for it. But then it’s like well who the hell’s going to pay 500 bucks for it. So it just stays here in my closet.

Those sketches you did for your box sets are just fantastic.

That was a very fun insane project that was a huge amount of work. Those are basically are like how fast can I crank out 500 drawings without thinking about it at all. I don’t know if I would do that again but it seemed like a good idea at the time.

Are you working on new material now? Are we going to hear any new stuff on this when you play in Omaha?

Yeah, I’m always trying to work out some new stuff. I actually just played a show in New York City last night that was 100% all new songs. I was just reading all the lyrics off of lyric sheets for the entire night. I feel like I usually have to write a lot of songs before I end up with any that I feel strong enough to really hold on to. Part of that process is trying out some new material after just letting it having a chance to take shape over the course of different performances and just sort of feeling what it feels like to play stuff in front of people. That’s part of the writing process for me.

I’ll definitely be trying some new stuff. I’m one of those people that feels like just because I wrote a song doesn’t mean that it’s really worth people hearing. Right now I have a pile of maybe about 25 new songs but of those there’s maybe might be four or five that I actually consider contenders that I might start doing something with.

I do want to ask you one last question which is, which I ask everybody as part of that is what stories have you heard about Omaha, Nebraska.

What stories have I heard about it? In some ways in song writing circles it’s kind of legendary for being the home of Simon Joyner. Simon Joyner was an important influence on me in the ‘90s when I was just starting to get into Indie music and songs and songwriting. Of course Bright Eyes is a pretty major figure in the alternative music and Indie songwriting. For like an Indie songwriter or an Indie rock band that concentrates on songwriting, I think Omaha has a sort of legend or a sort of a atmosphere to it.

It’s also an interesting part of the country for me to play. I don’t get to play there that often. I mean considering how many times I’ve played Chicago or San Francisco or something I’ve probably played Omaha only like maybe three times or something like that. It’s kind of cool to have a chance to get back there.

Jeffrey Lewis and Los Bolts play with David Nance Tuesday, Nov. 15, at Reverb Lounge, 6121 Military Ave. Tickets are $8, showtime is 9 p.m. For more information, go to onepercentproductions.com.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Lazy-i

Ten Questions with Murder by Death (at Waiting Room Nov. 9)…

Category: Blog,Interviews — Tags: , , — @ 2:17 pm November 7, 2016
Murder By Death plays The Waiting Room Nov. 9. Photo by Greg Whitaker.

Murder By Death plays The Waiting Room Nov. 9. Photo by Greg Whitaker.

by Tim McMahan, Lazy-i.com

Research for this article was my first introduction to Murder by Death, though the band has been kicking around since 2000. My wife and I listened to Bitter Drink, Bitter Moon (2012, Bloodshot) all yesterday afternoon, enraptured by the album’s gorgeous cinematic style — consider it spaghetti western outlaw folk. I was reminded of Decemberists and Johnny Cash as well as Silver Jews, Morphine and Elvis Perkins, though the Louisville-based 5-piece has a unique sound all its own.

Their latest album, Big Dark Love, came out in 2014 on Bloodshot, which tells me they’ve got to be due to release something new. Maybe we’ll get a peek at the new stuff when they play at The Waiting Room Wednesday night.

I asked Murder by Death to take our Ten Questions survey. Guitarist/vocalist Adam Turla took the plunge.

1. What is your favorite album?

Adam Turla: Bowie’s Ziggy Stardust

2. What is your least favorite song?

Pretty much anything Top 40.

3. What do you enjoy most about being in a band?

Writing, being creative.

4. What do you hate about being in a band?

The “hurry up and wait” aspect of touring. Never getting enough sleep, then hurrying to the venue, where you sit around waiting to play.

5. What is your favorite substance (legal or illegal)?

Bourbon or Gin. But really, probably, good crusty bread.

6. In what city or town do you love to perform?

Anywhere where folks care!

7. What city or town did you have your worst gig (and why)?

Hmmmm. We had a crazy one outside of Charleston, SC, where the club was falling apart and the cops came. It got pretty bananas.

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

Yes, have done so for 13 years (some better than others!). Took a couple years, but we didn’t make much, and lived modestly. We also stayed on the road constantly during that time to keep down expenses and stay busy.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I love food, I want to open a restaurant — it involves a lot of creativity beyond the food, from building renovation to decoration, spatial creativity and an awareness of people. I would hate to be a politician.

10. What are the stories you’ve heard about Omaha, Nebraska?

We have probably played in Omaha over a dozen times, maybe more. My best personal story was when we were driving from Omaha to Denver, and a snowstorm shut down all the highways. We had to stop in Kearney, NE, but all the hotels were booked up, so we had to stay at the National Guard Center, where we helped set up cots and hand out pizza. Then we watched Total Recall in our van, had a few beers, and went to sleep. Next morning our trailer hit some black ice, smashed into the guardrail and the walls of the trailer ripped right off. Managed to find a trailer shop a few miles down the road, bought a new one, and still made the show in Denver.

Murder by Death plays with Laura Stevenson Wednesday, Nov. 9, at The Waiting Room, 6212 Maple St. Showtime is 9 p.m. Tickets are $15 Adv./$17 DOS. For more information, go to onepercentproductions.com.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Lazy-i

Ten Questions with Bleached (Reverb Oct. 30); Oberst on Kimmel; new Burhenn; Crushed Out tonight…

Category: Blog,Interviews — Tags: , , , — @ 1:30 pm October 27, 2016
Bleached open for Beach Slang this Sunday, Oct. 30, at The Waiting Room.

Bleached open for Beach Slang this Sunday, Oct. 30, at Reverb.

by Tim McMahan, Lazy-i.com

Life can be rough in LA, just ask the members of Bleached. Around the time guitarist/bassist Jessie Clavin was evicted from her house, her sister and bandmate, singer/guitarist Jennifer Clavin ended a torrid, unhealthy romance. The frontwoman struggled and escaped the pressures with drinking and partying, sometimes to excess, feeling like she was losing herself altogether.

The product of that tailspin was Welcome the Worms (2016, Dead Oceans), a 10-song LP created with drummer Micayla Grace (ex-Leopold & His Fiction) and producer Joe Chiccarelli (Morrissey, The Strokes). It’s a snarly, raw pop rock that sounds like Weezer meets Dog Party backed by a California sunrise.

We caught up to Bleached’s Jennifer Clavin and gave her the Ten Questions treatment:

1. What is your favorite album?

Jennifer Clavin: That’s an insanely difficult question… Three Imaginary Boys by The Cure.

2. What is your least favorite song?

“Tears of a Clown” by Smokey Robinson. The thought of a clown crying is so disturbing and depressing.

3. What do you enjoy most about being in a band?

Playing a different show to new fans every night. I kinda get like a high off of it.  At first I get nervous and then it all goes away and I feel really excited and empowered playing our songs and seeing people dance and sing along. It’s really cool.

4. What do you hate about being in a band?

Not getting enough sleep. We just flew over 24 hours to get to Australia and I’m just sleeping when I can.

5. What is your favorite substance (legal or illegal)?

It used to be alcohol but I’m sober now so my new drug of choice is Chai Tea with steamed soy milk and also La Croix soda water flavor orange.

6. In what city or town do you love to perform?

Los Angeles! It’s our home town and the shows are always so crazy. Also I can’t forget our last show in Gothenburg Sweden because it was next level wild. The whole room was singing along to our song “Wednesday Night Melody.”

7. What city or town did you have your worst gig (and why)?

That’s hard to answer because even when there is a malfunction like someone’s guitar strap breaks or an amp stops working it’s all part of the show. But my least favorite would be this show we played in a town outside of Detroit and mainly because it was a really awkward room  with fake trees everywhere and I couldn’t hear my vocals at all. Not enough vocals in my monitors always majorly stresses me out.

8. How do you pay your bills?

Playing music. I keep my bills to a minimum but all the touring helps pay them.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Fashion design. I always thought that was going to be my lifetime career. I still plan on it.
As for the profession I would hate, being a security guard in a prison.

10. What are the stories you’ve heard about Omaha, Nebraska?

I haven’t heard many stories. However, I have one of my own. The first time I ever went there with my old band Mika Miko we found a random lake to go swimming in. The second I jumped in I broke my toe and had a broken toe on the rest of that tour. :/

Bleached play with Beach Slang and Hunny Sunday, Oct. 30, at Reverb Lounge. Tickets are $16. Showtime is 8 p.m. For more information, go to onepercentproductions.com.

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Looking fashionably disheveled, Conor Oberst was on Jimmy Kimmel Live last night doing a couple numbers from his new album, Ruminations. Joining him on stage for the appropriately stripped-down performance was Miwi La Lupa. Someone said the new record is Oberst’s Blood on the Tracks, but in this performance I was reminded more of Randy Newman than anyone else. See for yourself.

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Laura Burhenn of The Mynabirds yesterday debuted a new song on NPR’s All Songs Considered. From the NPR website:

The Mynabirds singer wrote this song as a reaction to what she described as her confronting the ‘yawning black void’ of her future. But rather than fearing the darkness, she took comfort in it. She says ‘Apples & Oranges’ is about not knowing anything and being OK with it. Mike Mogis, known for his work with Conor Oberst, helped produce Burhenn’s new single.” Pretty stuff. Check it out below.

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Tonight at fabulous O’Leaver’s, Crushed Out — the husband-and-wife team of Frankie Sunswept on guitar and Moselle Spiller on drums — headlines a show that also includes The Sub-Vectors, Bruiser Queen and Huge Fucking Waves. $5, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Lazy-i

Ten Questions with Dan Andriano (Alk Trio); Lung (Foxy Shazam), Interrupters tonight…

Category: Interviews — Tags: , — @ 12:52 pm October 18, 2016
Dan Andriano in the Emergency Room plays O'Leaver's tomorrow night, Oct. 19.

Dan Andriano in the Emergency Room plays O’Leaver’s tomorrow night, Oct. 19.

by Tim McMahan, Lazy-i.com

Dan Andriano is probably best known for his role as vocalist/bassist for seminal ’90s pop-punk band Alkaline Trio, for which he’s still very much a member. The official name of his solo project is Dan Andriano in the Emergency Room, a moniker in which he released his most recent album, Party Adjacent (2015, Asian Man).

Produced by Jeff Rosenstock and influence by the likes of Elvis Costello and Paul Westerberg, Party Adjacent is more more mainstream and radio-friendly than the harder stuff heard on Alk Trio releases, and that’s just the way Dan wants it.

I caught up with Dan to get his take on the ol’ Ten Questions survey. Here ya go:

1. What is your favorite album?

Dan Andriano: The Queen Is Dead by The Smiths

2. What is your least favorite song?

“She’ll Be Comin Round The Mountain”

3. What do you enjoy most about being in a band?

Traveling, making up and playing songs, winding up in bizarre situations.

4. What do you hate about being in a band?

I don’t really hate anything about it… but it’s a little disappointing when you book a tour, get all excited to see some far off part of the world. And then, once you get there, not having enough time to actually see it.

5. What is your favorite substance (legal or illegal)?

Hard to say… what was the bad terminator in T2 made out of?

6. In what city or town do you love to perform?

Pretty much anywhere that’ll have me! Chicago is home so that’s really nice…

7. What city or town did you have your worst gig (and why)? 

8. Are you able to support yourself through your music? If so, how long did it take to get there; if not, how do you pay your bills?

I feel very fortunate to say yes… For now, anyway. I got a head start on touring with a band when I was still in high school, and I think I was quitting my last job when I was 22.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I think I’d like to be a chef… but I’m not sure I could handle the stress.  And, I could never be one of those guys that has to put on a HazMat suit and go in a clean up a house after a super hoarder has died…

10. What are the stories you’ve heard about Omaha, Nebraska?

I can’t say I’ve heard any! But I’ve been to Omaha and it rules… people are always super nice, and really appreciative of bands coming through. There’s been such a great underground music scene there for decades, it’s really great to roll through and try and channel some of that energy… See you there!

Dan Andriano in the Emergency Room plays with Dan P (of MU330), Derek Grant (of Alkaline Trio) and Ted Stevens (of Cursive) Wednesday, Oct. 19, at O’Leaver’s, 1322 So. Saddle Creek Rd. Tickets are $10 Adv/$12 DOS. Showtime is 9 p.m. For more information, go to liveatoleavers.com

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That one above is tomorrow night. Tonight at fabulous O’Leaver’s Lung headlines. The duo consists of Daisy Caplan of Foxy Shazam and electric cellist/vocalist Kate Wakefield. Bonghammer and Trench open. $5, 9 p.m.

Also tonight, LA ska/punk band The Interrupters headlines at Lookout Lounge with Bad Cop / Bad Cop and Mad Dog & the 20/20s. $14, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

 

Lazy-i

Oberst drop day; Chemicals tonight; Ex-Cult, Mitch Gettmann Saturday; Ten Questions with Of Montreal (Waiting Room Sunday)…

Category: Blog,Interviews — Tags: , , , , — @ 12:47 pm October 14, 2016
Of Montreal at The Waiting Room, Nov. 2, 2013. The band plays at The Waiting Room Sunday night.

Of Montreal at The Waiting Room, Nov. 2, 2013. The band plays at The Waiting Room Sunday night.

by Tim McMahan, Lazy-i.com

It’s drop day for Conor Oberst’s solo album, Ruminations. In the old days, drop day meant when you could go out and buy a copy of the record. These days drop day means you can now listen to the new album on Spotify and the other streaming services.

Reviews of Oberst’s new album also have been dropping all week. The one everyone cares about — Pitchfork — went online Wednesday. Saddle Creek beat critic Ian Cohen gave the record a respectable 7.5 rating, saying it is “stunning for how utterly alone he sounds.

Rolling Stone gave the album 3.5 stars. AV Club, B+. NME: 4 out of 5. All Music: 3 stars. Drowned in Sound: 9 out of 10. The Album of the Year composite score is 69. As a whole, the reviews have been positive, pointing out that it’s a stripped-down, personal record, which it is. I do like the record, but it’s not likely to be something I’ll be reaching for very often. These are very sing-songy efforts, which I guess means they sound like the chords came first and he merely sang lyrics over them in the most comfortable, obvious way. You will not be surprised by the musical direction of any song.

But that said, some of these songs will resonate more over time, especially combined with his overall songbook.  He now has the acoustic solo album out of his system. What will he do next?

* * *

Let’s look at the weekend. The only major show is Sunday. We’ll get to that.

Tonight Chemicals opens for CJ Mills at Reverb Lounge. If you haven’t caught a Chemicals set, you’re missing out. $7, 9 p.m.

Also tonight, Blue Bird headlines at fabulous O’Leaver’s with St. Paul band Communist Daughter and Satellite Junction. $7, 9 p.m.

Tomorrow night (Saturday) California garage rock veterans Ex-Cult (Goner, In the Red, Lollipop Records) headlines at Milk Run. Joining them are No Thanks and one one other TBA superstar. $10, 9 p.m.

Meanwhile, at O’Leaver’s, Lodgings headlines Saturday night with Sean Pratt and Brazen Throat. $5, 9:30 p.m.

Also Saturday night, singer/songwriter Mitch Gettmann headlines at the Down Under Lounge, 3530 Leavenworth. Mike Saklar’s Sunless Trio also is on the bill, along with Disquieting Muses. No price listed, 9 p.m.

And Satchel Grande celebrates its 10 year anniversary at The Slowdown Saturday night. Rothsteen opens. $8, 9 p.m.

Then comes Sunday and this show at The Waiting Room:

Of Montreal plays at The Waiting Room Oct. 16.

Of Montreal plays at The Waiting Room Oct. 16.

Of Montreal has made Omaha a regular tour stop for well over a decade. If you’ve kept track of the band you know their early-days home-made theatrics have evolved into grandiose, eye-popping extravaganzas that can compete with Flaming Lips for over-the-top stage dominance. We’re talking lights, costumes, props and numerous stage extras (actors?) living out the songs in weird, wonderful ways. It’s a spectacular spectacle that David Bowie surely would have approved of.

The band returns supporting its latest album, Innocence Reaches (2016, Polyvinyl), that finds Kevin Barnes and Co. mining EDM territory but with quaint electronics and beats reminiscent of Pet Shop Boys. The thread that runs through it and all Of Montreal records is Barnes’ quirky melodies and trademark vocal croon that sounds like an alien computer singing lullabies to its robot children.

We caught up with Barnes and asked him to take our Ten Questions survey.

1. What is your favorite album?

Kevin Barnes: Lamentations by Moses Sumney

2. What is your least favorite song?
 


The National Anthem

3. What do you enjoy most about being in a band? 



Being wild and free.

4. What do you hate about being in a band? 



Practicing

5. What is your favorite substance (legal or illegal)? 



Glass

6. In what city or town do you love to perform? 



Santa Fe

7. What city or town did you have your worst gig (and why)? 



Eureka, California, It was Cinco de Mayo many years ago at a sports bar, no one knew who we were and everyone seemed  intensely stupid and openly hostile. One person spent most of our show standing in front of our bass player and giving her the middle finger.


8. How do you pay your bills? 



With money

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do? 



I’d like to become a sports writer and cover boxing matches for a newspaper. I’d hate to be the judge at any kind of food eating competition.

10. What are the stories you’ve heard about Omaha, Nebraska?



I’ve heard that it smells of manure and that it’s rich in precious jewels.

Of Montreal performs with Teen Sunday, Oct. 16, at The Waiting Room, 6212 Maple St. Showtime is 9 p.m.; tickets are $20. For more information, go to onepercentproductions.com

That’s all I got for this weekend. If I missed your show, put it in the comments section. Have a good one.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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Lincoln Calling weekend; BFF; Farnam Fest Saturday (Head of Femur); 10 Qs with Cymbals Eat Guitars (@ Reverb Sunday)…

Category: Blog,Interviews — Tags: , , , — @ 11:26 am October 7, 2016
Ceremony at The Sweatshop Gallery, July 11, 2015. The band plays Lincoln Calling Saturday night.

Ceremony at The Sweatshop Gallery, July 11, 2015. The band plays Lincoln Calling Saturday night.

by Tim McMahan, Lazy-i.com

It’s a Lincoln Calling weekend. You know the drill. Schedule and ticket info is at lincolncalling.com. If you’re planning on hitting the fest tonight and Saturday, you still save money with a $49 Festival Pass vs. the $29 day pass option. Just sayin’….

The hot bands to see tonight at LC: Everything at the Bourbon Theater (Eric in Outerspace, A Giant Dog, Twin Peaks and Real Estate); Eros & the Eschaton, Oquoa, White Mystery and Cloud Nothings at Duffy’s backlot; Bib at The Bay.

Saturday night Duffy’s Backlot is the place to be — the whole line-up is red hot: No Thanks, Once a Pawn, Better Friend, Bien Fang, See Through Dresses, Screaming Females and, in my humble opinion, the best band of the festival, Ceremony. That said, you also have High Up and The Mynabirds at Bourbon; and Domestica, White Mystery and Anna McClellan at The Bay.

If you’re staying in Omaha this weekend, you’ve got options as well.

Flock opens at the Little Gallery tonight.

FLOCK opens at the Little Gallery tonight.

In Benson, it’s Benson First Friday, the 1st Annual Omaha Food Truck Rodeo and the Grand Opening of the new Little Gallery, which just happens to be the gallery operated by my wife, Teresa. The debut show is FLOCK by the folks at Min Day (the people who designed the new Blue Barn Theater, among other things). Read about it here. We’ll have free beer and wine and Halloween candy while the gallery is open from 6 to 9 p.m. The new Little Gallery is located in the ground floor of the Benson Masonic Lodge building right off Maple St. at 5901 Maple St. See you there.

Saturday night Omaha has a festival of its own — Farnam Fest. Located in the heart of the Blackstone District, the block party will include food (including Blackstone Meatball!), booze (Scriptown, bitches, along with Farnam House and Infusion) and music by Head of Femur, Those Far Out Arrows, Twinsmith, Conny Franko (M34N STR33T), AF Jungle Cat and The Diplomats of Solid Sound featuring the Diplomettes. Music starts at 4 p.m. and runs until 10:15, followed by Benson Soul Society Vs. Obvious Funk. Oh yeah, and it’s free.

The weekend closes out Sunday at Reverb…

Cymbals Eat Guitars plays Reverb Sunday night.

Cymbals Eat Guitars plays Reverb Sunday night.

Staten Island band Cymbals Eat Guitars got its name from a Lou Reed quote about Velvet Underground’s sound, which is kinda ironic considering their new album, the sublime Pretty Years (2016, Barsuk), sounds nothing like VU.

Instead, the record, one of the best of the year so far, is like Jane’s Addiction mixed with Archers of Loaf and your favorite modern post-punk band. The Jane’s comparisons comes by way of frontman Joseph D’Agostino’s throaty growl that sounds like a possessed, angry Perry Farrell. The record was produced by indie wunderkind John Congleton (Suuns, Swans, Tim Kasher), who gives it a raw power not heard on their previous albums.

I sent the Ten Questions survey to the band, and bassist Matt Whipple took the bait.

What is your favorite album?

Cymbals Eat Guitars: Bowie’s Low or Springsteen Born in the USA

2. What is your least favorite song?

“Nobody’s Gonna Break My Stride” or whatever it’s called.

3. What do you enjoy most about being in a band?

The four of us in a room playing.

4. What do you hate about being in a band?

Making more money than I know what to do with.

5. What is your favorite substance (legal or illegal)?

Advil

6. In what city or town do you love to perform?

NYC

7. What city or town did you have your worst gig (and why)?

Paris is kind of a nightmare to drive a huge van around for gig logistics. Let’s go with Paris.

8. How do you pay your bills?

Day jobs.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Interior design; stand-up comedy.

10. What are the stories you’ve heard about Omaha, Nebraska?

Probably something about Saddle Creek or Warren Buffett? Not much to be honest, despite having toured extensively with Cursive and See Through Dresses.

Cymbals Eat Guitars plays with Field Mouse and Wildhoney Sunday, Oct. 9, at Reverb Lounge. Tickets are $12; showtime is 9 p.m. For more information, go to onepercentproductions.com

Also Sunday night — or Sunday afternoon to be more precise — Anna McClellan headlines the weekly Sunday Social at fabulous O’Leaver’s. Also on the bill are Little Ripple and Chris Engles. This one starts at 5 p.m. and runs until 8, and will cost you $5 (and includes a taco bar!).

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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Live Review: Flowers Forever; Ten Questions with Jackie Greene; Weathered, Super Ghost tonight…

Category: Blog,Interviews,Reviews — Tags: , , , — @ 11:42 am September 26, 2016
Flowers Forever at O'Leaversfest, Sept. 23, 2016.

Flowers Forever at O’Leaversfest, Sept. 23, 2016.

by Tim McMahan, Lazy-i.com

Another O’Leaversfest has come and gone. Alas, I was only able to take part in Day 1, last Friday night, and only for the closing band. If the rest of the weekend was as well attended as Day 1, organizers may want to consider adding a camping option for the festival — let all those out-of-towners pitch their tents in the volleyball courts.

On warm evenings like Friday, it’s become more and more common for the majority of the crowd to be out in the new beer garden, and that was certainly the case, all basking in the glow of Tyrone Storm’s deft DJ skills. So crowded and hectic was it that I escaped to the old front beer garden, where only a few people sat around and smoked and waited for the band to play. Old-school O’Leaver’s… for the beautiful people…

Flowers Forever drew everyone back inside. In the old days, Flowers Forever was Derek Pressnall and whoever joined him on stage (but with a couple regulars). Friday was the same thing, with original member Craig Dee on drums. Third original member. Chris Senseney, was not in the house (or at least I didn’t see him). The other five slots were filled with a few familiar faces, including Annie Dilocker on keyboards and Sarah Bohling of Icky Blossoms on bass.

The set kicked off with an rousing version of “American Dream” off the 2008 debut (and as far as I know, the only Flowers Forever album released) and barrelled through a number of other songs off the album including “Black Pope” and “Strange Fruit.” I’d forgotten how much I liked the record when it came out. To me it always felt like an outsider coming into the cloistered Nebraska scene and creating his own, new thing from the bits and pieces that resonated with him. The outsider being Pressnall, the bits and pieces being the more upbeat moments from Bright Eyes’ early 2000s offerings.

Of the unknown players on stage, a standout was the lead guitarist, a young guy who absolutely shredded throughout the set. The next day Craig Dee told me the guy was Cubby Phillips, who, upon further research, I discovered is a jazz dude who won the Outstanding Soloist Award at the 2013 Great Planes Jazz Festival. Head-spinning skills, he has. (Update: Dereck Higgins just pointed out that he’s the guitarist in Chemicals).

I never found out what inspired this Flowers Forever “reunion,” though I must say the music has aged well. I’m told this wasn’t just a one-shot, and I’d certainly pay to see them again, though reunion bands have a way of fading if they don’t augment their past with something new. Pressnall now has Icky Blossoms as a creative outlet these days, and for him, maybe that’s enough…

* * *

Jackie Greene plays at Slowdown Jr. Tuesday, Sept. 27.

Jackie Greene plays at Slowdown Jr. Tuesday, Sept. 27.

Roots / American singer-songwriter Jackie Greene is known as a musician’s musician, having played with a ton of people over the years, including as a member of the last iteration of Black Crowes and with Joan Osborne in Trigger Hippy. His latest album, Back to Birth (2015, Yep Roc), was produced by Los Lobos member Steve Berlin, and will appeal to Black Crowes fans or anyone who enjoys dense, guitar-infused American Trad rock.

I sent Greene the ol’ Ten Questions and this is what he had to say:

1. What is your favorite album?

Exile On Main Street

2. What is your least favorite song?

“Lovin Cup”

3. What do you enjoy most about being in a band?

Spooning the merch girl.

4. What do you hate about being in a band?

Spooning the bass player.

5. What is your favorite substance (legal or illegal)?

Chipotle-flavored anything.

6. In what city or town do you love to perform?

Osaka, Japan.  A distant second would be Perth.

7. What city or town did you have your worst gig (and why)?

Somewhere in rural South Dakota.  It was winter and the gear froze.

8. How do you pay your bills?

Online, generally.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Someday, I’d like to open my own typewriter repair shop.  We’d only service post-war American-made machines. We’d have limited hours. I probably wouldn’t like to do anything involving a nail salon.

10. What are the stories you’ve heard about Omaha, Nebraska?

I have a friend from Omaha.  I’ve heard lots of stories.  Most of them good.

Jackie Greene plays with The Cordovas Tuesday, Sept. 27, at Slowdown Jr.,  729 No. 14th St. Tickets are $18 Adv./$20 DOS. Showtime is 8 p.m. For more information, go to theslowdown.com

* * *

It’s a night of emo rock at Milk Run this evening. Headlining is Omaha’s own Super Ghost, whereas the traveling band is Minnesota act Weathered. Altura and Medlock open. 9 p.m. $5.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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Ten Questions with Mild High Club (9/21 at Reverb); Show Me the Body, Conny Franko tonight…

Category: Blog,Interviews — Tags: , — @ 12:41 pm September 20, 2016
Mild High Club plays Reverb Lounge tomorrow night (9/21). Photo by Jamie Wdziekonski.

Mild High Club plays Reverb Lounge tomorrow night (9/21). Photo by Jamie Wdziekonski.

by Tim McMahan, Lazy-i.com

Talk about your bands whose name perfectly suits their sound, Mild High Club takes the cake. We’re talking smooth, jazzy, indie-fied Yacht Rock from a band with roots in both Chicago and Los Angeles. Skiptracing, their new album on Stones Throw Records, would fit in heavy rotation with any run-of-the-mill ’70s AM rock radio.

The band says the album’s story arc is that of a “private investigator attempting to trace the steps of the sound and the spirit of American music.” One assumes it’s a story that takes place in LA, dressed in polyester, behind the wheel of a tan Chevy Nova, and airing right after The Rockford Files.

I sent Mild High Club the Ten Questions survey. The band’s founder, Alexander Brettin, took the bait:

1. What is your favorite album?

Alexander Brettin: I can’t narrow it down to one currently it’s The Nightfly by Don Fagen.

2. What is your least favorite song?

“Happy” by Farrell.

3. What do you enjoy most about being in a band?

Kicking out the jams, learning, seeing the world, freedom.

4. What do you hate about being in a band?

Witting in the passenger seat of the van gives me anxiety.

5. What is your favorite substance (legal or illegal)? favorite substance?

Jazz harmonies

6. In what city or town do you love to perform?

Omaha, baby

7. What city or town did you have your worst gig (and why)?

Pasadena – didn’t have the full band, struggled through a living room set.

8. How do you pay your bills?

With cash

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

Would attempt working as a budtender; would hate to be a garbage man.

10. What are the stories you’ve heard about Omaha, Nebraska?

Actually, I’ve never heard a story about Omaha!

Mild High Club plays with Fullbloods and Ojai Wednesday, Sept. 21 at Reverb Lounge, Tickets are $10 Adv/$12 DOS. Show starts at 9 p.m. For more information, go to onepercentproductions.com.

* * *

Speaking of Reverb Lounge, the club is hosting a rock show tonight with post-punk/hip-hop band Show Me The Body (Universal). Opening is our own post-core hip-hop artist, Conny Franko (M34N STR33T), and Jocko. $8, 9 p.m.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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Ten Questions with Gringo Star (at O’Leaver’s tonight); Maha review online (finally); Better Friend at Femme Fest…

Category: Blog,Interviews,Reviews — Tags: , , , , — @ 12:08 pm September 6, 2016
Gringo Star plays at O'Leaver's tonight...

Gringo Star plays at O’Leaver’s tonight…

by Tim McMahan, Lazy-i.com

Atlanta 4-piece Gringo Star is keeping alive the sound their grand-parents adored — ’50s and ’60 rock ‘n’ roll.

“Our grandad started out in radio in the ’40s and ’50s in Columbus, GA.,” said Nick Furgiueles, who started Gringo Star with his brother, Peter, in 2007. “He was a huge promoter of R&B back when it was still super segregated, and he was playing black music and putting on shows with Little Stevie Wonder, James Brown, Sam Cooke & the Soul Stirrers, a lot of Gospel shows. So we grew up hearing all these stories, listening to all this music. Our grandfather was inducted into the Georgia Music Hall of Fame posthumously. And my grandma — all her photo albums are like Jackie Wilson shirtless backstage, hanging out.”

The sounds of those AM gems reverberate in Gringo Star’s modern take on classic rock infused in surf, garage, doo-wap and psychedelic. The band’s been playing around with indie brethren like The Black Angels, Wavves and Best Coast for years, then at SXSW they caught the attention of Nevado Music execs who put out their new album, The Sides and In Between, just last week. Hear the band play it live tonight at O’Leaver’s.

I sent the Gringos the ol’ Ten Questions survey and Nick was kind enough to fill it out.

1. What is your favorite album?

Nick Furgiueles: David Bowie- Ziggy Stardust

2. What is your least favorite song?

Everything by Fleetwood Mac

3. What do you enjoy most about being in a band?

Doing interviews

4. What do you hate about being in a band?

Doing interviews

5. What is your favorite substance (legal or illegal)?

The jalapeño.

6. In what city or town do you love to perform?

Bacup, England

7. What city or town did you have your worst gig (and why)?

Savannah, GA, we recently played a daytime show that was outside and it was no cooler than 108.  And the stage was in the sun.

8. How do you pay your bills?

Usually I write a check.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I always wanted to be a professional baseball player, but I’d hate to be a police man, having to constantly ticket and leech off the public to maintain the war machine.

10. What are the stories you’ve heard about Omaha, Nebraska?

In 1879 the trial of Standing Bear v. Crook was held at Fort Omaha. During the trial General Crook testified on behalf of Standing Bear, leading the court to recognize American Indians as persons. This was the first time this occurred in a U.S. Federal Court.

Gringo Star joins Hussies and Eklectica tonight at O’Leaver’s, 1322 So. Saddle Creek Rd. Entry is $8, show starts at 9 p.m. For more information, go to liveatoleavers.com.

* * *

Hey, remember that festival that took place a few weeks ago called Maha? Well, I went to it and wrote this long-ish review for everyone’s favorite arts and music alternative monthly, The Reader. And now that review is finally online. No, this isn’t Throwback Thursday, and yet here I am, asking you to step into the Wayback Machine and read my thoughts and ruminations about Nebraska’s premiere one-day indie music festival. Of course if you prefer the analog version, you can pick up the latest issue of The Reader, which is on news racks ’round town.

* * *

Better Friend at The Sydney during Benson First Friday Femme Fest, Sept. 2, 2015.

Better Friend at The Sydney during Benson First Friday Femme Fest, Sept. 2, 2015.

Speaking of festivals, I swung by Benson First Friday Femme Fest last week for a drop in on Lincoln band Better Friend at The Sydney (seein’ as they came highly recommended by a certain executive at Hear Nebraska). Fronted by vocalist Meghan Munyon the band cranked out a rough but lively set of dark rock they describe as punk on their Facebook page, though I think leans more toward mid ’90s-era emo (as opposed to, say, ’80s-era emo — there is a distinction (at least in my book)). Munyon is a howler in a sort of Thalia Zedek vein, and when one of her guitarists adds a layer of scream/screech vocals, the emo turns to screamo. The crowd of around 30 seemed into it, and there’s  a lot of buzz about these folks, though I think we’re just seeing where they’re starting off. Where they go next, well, now that could be very intriguing…

As for Femme Fest, there’s little doubt that the annual event (in its second year) has surely become “a thing” that will continue for years to come.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

 

 

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Ten Questions with PLEASURES (@ O’Leaver’s Saturday); Conny Franko, Ocean Black tonight; Lupines, Narco States Saturday…

Category: Blog,Interviews — Tags: , , , — @ 12:13 pm August 5, 2016
PLEASURES plays at O'Leaver's Saturday night...

PLEASURES plays at O’Leaver’s Saturday night…

by Tim McMahan, Lazy-i.com

A lot of weird stuff happens in Florida. There was that time a Florida strip club offered free flu shots. Or the time the guy sprinkled his fiancee’s ashes at a LensCrafters causing the Sarasota Police to evacuate the mall. Or the time the guy tried to pay for a beer with an alligator. Or the time the guy died after getting stuck in his girlfriend’s cat door. All true (I found them on Buzzfeed).

But one of the stranger things out of Florida “in a good way” is PLEASURES. The Sarasota four-piece describes their sound as “sex music for robots” and “psychedelic/synthwave fagcore.” Cool blog Creative Loafing called them “demented surgeons on a quest to create some kind of new sonic Frankenstein” when they awarded them “Best Sci-Fi Psychedelia” in the annual Best of the Bay awards.

I’d describe them as “psych-fueled late-night dream-rock” and “the perfect soundtrack for any John Carpenter hero-epic,” especially songs off their new album Fucked Up Dreams Come True, like “Man Is a God in Ruins,” which just sounds cool and weird. But there’s a lot of weird stuff that happens in Florida.

We gave PLEASURES singer/guitarist Katherine Kelly the Ten Questions treatment. Here’s her answers.

1. What is your favorite album?

Katherine Kelly: 13 Songs by Fugazi

2. What is your least favorite song?

Pachebel’s Canon

3. What do you enjoy most about being in a band?

Touring.

4. What do you hate about being in a band?

Dealing with people’s perceptions of people who are in bands.

5. What is your favorite substance (legal or illegal)?

My girlfriend’s hair.

6. In what city or town do you love to perform?

Raleigh/Charlotte NC; great scene!

7. What city or town did you have your worst gig (and why)?

Toss up between NY and Los Angeles. Because ehh who cares?

8. How do you pay your bills?

Serving tables, painting and contracting work, and the band.

9. What one profession other than music would you like to attempt; what one profession would you absolutely hate to do?

I’d like to be a novelist or an elder care companion. I’d hate to manage a restaurant.

10. What are the stories you’ve heard about Omaha, Nebraska?

1, Conor Oberst is a hologram. 2, They like their breakfast burritos “Omaha style” – cream cheese on the tortilla.

PLEASURES plays with Universe Contest and ben Eisenberger Saturday, Aug. 6, at O’Leaver’s, 1322 So. Saddle Creek Rd. Showtime is 9:30 p.m., entry fee is $5. For more information, go to liveatoleavers.com.

* * *

I guess it’s about time to say it: Looks like it’s going to be another O’Leaver’s weekend.

I’ve mentioned PLEASURES at fabulous O’Leaver’s tomorrow night. Tonight (Friday), O’Leaver’s brings the sludge when Ocean Black opens for Elkhorn’s doom rock duo Black Velvet. Hand Painted Police Car kicks things off at 9:30. This one’s just $5.

Also tonight at Slowdown, Conny Franko (a.k.a. Conchance of M34n Str33t a.k.a. Brenton Gomez) celebrates the release of his debut album La Maga, a recording inspired by the heroine in Julio Cortazar’s novel Hopscotch. Also on the bill are Stylo Tha Don, Ichiban Hashface, Cool Drug Music and Dojorok. $10, 9 p.m.

Saturday night, The Brothers is hosting Minneapolis psych/garage rock band Narco States. Opening is Lupines and Huge Fucking Waves. $5, 9 p.m. (but they never start that early at The Brothers).

Other than that PLEASURES show at O’Leaver’s Saturday, that’s it for the balance of the weekend. If I missed your show, put it in the comments section.

Have a great one…

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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