The return of Love Drunk (and See Through Dresses); Ohmme, DIrt House tonight…

Category: Blog — Tags: , , — @ 1:12 pm May 22, 2019

A screen capture from the new See Through Dresses Love Drunk video.

by Tim McMahan, Lazy-i.com

A month or so ago Django Greenblatt-Seay announced he was bringing back his Love Drunk video series, but this time, like Frank Sinatra, he was going to do it his way. And by that he meant his focus would now only be on bands he knows and/or loves.

If you don’t know the history of Love Drunk, read a very brief history here or check out the channel on YouTube. 

Django’s first new project is a video for See Through Dresses and their song “Catacombs,” shot in its entirety in Django’s camper van. You’ll not only be impressed by the performance but also by the van’s surprising spaciousness. 

“Catacombs” is off STD’s 2017 album Horse of the Other World. Here’s hoping the band is also working on new material (and a new album). 

 

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If you’re wondering what I’ve been up to the last couple of days, well tomorrow I’ll be posting a 2,000-word Q&A with Cursive’s Tim Kasher in anticipation of the band’s Saturday night show at Winchester.  I’ve also been working on the annual Reader Top-20 bands list and a column that looks back on the 2008 list in a where-are-the-now sort of fashion.  More to come… 

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Chicago indie band Ohmme (Joyful Noise Recordings) headlines tonight at Reverb Lounge. These folks have worked with Jeff Tweedy and Chance the Rapper, but by themselves they’re classified in the art rock category. Tracks off their 2017 release Parts are playful, fun. Our own Dirt House (tonight, Annie Dilocker solo) opens at 8 p.m. $10. 

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.

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King Tuff, See Through Dresses, TFOA, HFM, #BFF tonight; Almost Music-fest, Matt Whipkey Saturday…

Category: Blog — Tags: , , , , — @ 1:46 pm February 1, 2019

Almost Music calls it quits with a huge rock show this Saturday.

by Tim McMahan, Lazy-i.com

Before we get to it, tickets went on sale today for both the March 21 Better Oblivion Community Center (Conor Oberst/Phoebe Bridgers) show at The Slowdown and the two-night stand by The Faint at The Waiting Room May 24 & 25. Better get on it before tix are gone…

Now, on with the weekend…

Sub Pop recording artist King Tuff plays tonight at Slowdown Jr. King Tuff a.k.a. Kyle Thomas was a member of Ty Segall’s band The Muggers. The Reader‘s Houstin Wiltsey has an interview/feature with King Tuff online right here, which you should really check out before the show. Australian psych-rock band Stonefield opens at 9 p.m. $17.

Also tonight See Through Dresses kicks off its latest tour with a show at The Sydney in Benson. This is a big one that also includes Those Far Out Arrows, Lincoln’s Her Flyaway Manner and the always awesome Tyrone Storm. Music starts at 10 p.m and it’s the usual $5. Get there early and check out the multi-artist art opening that benefits the amazing Youth Emergency Services. More info here. It’s all part of Benson First Friday (#BFF).

Speaking of BFF, if you’re in Benson for the festivities, swing by The Little Gallery (my wife’s place) and check out this month’s opening featuring the art of Bob Matthews. The Little Gallery is at 5901 Maple St. in the east bay of the Masonic Lodge building. Stop in and say hello. We’re there from 6 to 9 p.m. More info here.

Tomorrow (Saturday) is the Almost Music Going Out of Business Music Festival, a stupendous line-up of bands that starts at 4 p.m. Get in on the music and leave with some bargains as the store will have deeply discounted vinyl available. It’s free, though donations are welcomed; it’s BYOB; and Nite Owl is preparing a “special punch” for the occasion. And it’ll be a good chance to say goodbye to Brad and thank him for all he’s done. Here’s the set times:

Bad Actors (first show): 4:15-5:00
Eric in Outerspace: 5:15-6:00
Kyle Jessen: 6:00-6:45
Putter & Co.: 6:45-7:30
Little Ripple: 7:30-8:15
Pagan Athletes: 8:15-9:00
Wagon Blasters: 9:00-9:45
Houma: 9:45-10:30
Conny Franko: 10:30-11:15
BIB: 11:15-midnight

Also Saturday night Matt Whipkey headlines at Reverb Lounge. Will Matt roll out a few new (punk) songs during his set? You’ll have to go and see. Hot new band Garst opens at 9 p.m. $8.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.

Lazy-i

See Through Dresses, David Nance Band, Sucettes tonight; Criteria, Little Brazil, Sean Pratt/Sweats Saturday; Jake Bellows Sunday…

Category: Blog — Tags: , , — @ 12:15 pm December 28, 2018

Criteria at The Waiting Room, Dec. 30, 2017. The band returns to The Waiting Room this Saturday.

by Tim McMahan, Lazy-i.com

Another long weekend… of shows! All of them local acts, but great local acts. Here we go:

Tonight at Reverb Lounge it’s the return of See Through Dresses. It’s going on two years since Horse of the Other World came out on Tiny Engines. The band plans to unveil new material tonight. Come see what they’ve been up to. No Thanks opens at 9 p.m. $10.

Meanwhile across town tonight at fabulous O’Leaver’s y’all get another chance to see David Nance Group. Like I said a couple days ago, no two Nance sets are the same — expect some surprises. Joining them are Sucettes (Dave Goldberg and Co.) and CMB. $5, 10 p.m.

Tomorrow night (Saturday) Criteria returns to The Waiting Room. The band has been working on new material destined for a 2019 release (the scuttlebutt is it’ll be on 15 Passenger). Joining them is Little Brazil, whose 2018 release Send the Wolves (Max Trax Records) made it onto my list of favorite 2018 releases (which you’ll see in the January issue of The Reader or online here Monday). Bokr Tov opens at 9 p.m. $8.

Meanwhile, back over at O’Leaver’s Saturday night, Sean Pratt & the Sweats plays with And How and Stathi. $5, 10 p.m.

The marquee show Sunday night is Jake Bellows at Slowdown Jr. One assumes the Californian is back in town visiting family and figured ‘why not do a show while I’m here?‘ Why not indeed. Joining him is McCarthy Trenching. $8, 8 p.m.

And that’s all I got for the weekend. If I missed your show, put it in the comments section.

I’ll be posting the annual Music Year in Review article on New Year’s Eve, which includes the usual list of favorite releases, favorite live shows, etc. Then on New Year’s Day look for my annual Predictions story. Both of these also will be in the January issue of The Reader (but who knows when that’ll hit the racks?…).

Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

New Sam Martin, new David Nance; See Through Dresses at Daytrotter; Shovels and Rope tonight…

Category: Blog — Tags: , , , , — @ 12:39 pm March 15, 2018

See Through Dresses on Daytrotter TV.

by Tim McMahan, Lazy-i.com

Some new music news…

Sam Martin of Capgun Coup fame has a new solo album that came out just yesterday on Bandcamp called Slack City. It’s a full band recording and classic Martin low-fi garage goodness. No details who’s playing on this with Martin. Maybe it’s just Sam? Anyway, check it out here and below.

Meanwhile, David Nance has been busy creating a “loving interpretation of the classic 1972 Doug Sahm LP, but certainly not a note-for-note recreation.” I had to look up Doug Sahm. According to Wiki, the Texas songwriter co-founded the Texas Tornados with Augie Meyers, Freddy Fender and Flaco Jiménez. In 1965 he formed the Sir Douglas Quintet and had a top-20 hit in the U.S. with “She’s About a Mover.” Nance’s album is limited to 100 hand-numbered copies with paste-on covers and insert. Order it here. Very psychedelic!

See Through Dresses’ Daytrotter session went online a couple days ago. Recorded Feb. 15 in the Horseshack, you can now watch the performance as well as simply listen. Check it out.

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That Shovels & Rope show at The Waiting Room tonight is now officially SOLD OUT. Starts at 8, and no opener listed…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2018 Tim McMahan. All rights reserved.

Lazy-i

SERIAL (ex-Ritual Device), See Through Dresses, Staffers tonight; Criteria, Little Brazil Saturday; Happy (frozen) NYE…

Category: Blog — Tags: , , , , , , — @ 12:00 pm December 29, 2017

SERIAL at The Brothers Lounge, Dec. 23, 2016. They return for another go tonight at The Brothers.

by Tim McMahan, Lazy-i.com

Despite the fact that New Year’s Eve has been usurped into a night of firework-bombs that exceeds the 4th of July (driving my dogs under the couch shaking in fear) I was considering going out this year… until I saw the weather forecast that calls for ambient temperatures ranging between -15 and -20. No. NYE is always a bomb anyway; even was back when I was single. It’s definitely not a night to see original indie music. I mean, who wants to hear that at midnight?

Anyway, there’s plenty of other good stuff going on this weekend, starting tonight at The Brothers Lounge where SERIAL returns for their third annual holiday show.

SERIAL is Tim Moss (Ritual Device), John Wolf (Cellophane Ceiling, Bad Luck Charm), Lee Meyerpeter (Cactus Nerve Thang, Bad Luck Charm, Filter Kings, Ocean Black) and Jerry Hug (Ritual Device). Moss, Wolf and Hug also were the Men of Porn, but that’s another story

To give you an idea what you’re in for, here’s part of the review from last year’s show:

The first set included covers of songs by Nugent, the Stones, Tom Petty, Cheap Trick, one of my favorites by Pavement (“Two States) and Bowie’s “Rebel, Rebel.” As Wolf said, they were SERIAL, killing one classic at a time.

Moss’s wife, Clementine, took over the drum kit, allowing the bearded wonder to growl a couple numbers himself, including a punked-up version of Amy Winehouse’s “Rehab,” and a gruff cover of AC/DC’s “Dirty Deeds” that featured a young lady with dreads who crushed the guitar solo.

I only stuck around for the first set. Lord knows what happened after that. Opening the show is KC band Drop a Grand. $5, 9 p.m. (but I bet it doesn’t start til 10)…

Meanwhile tonight over at The Waiting Room it’s the triumphant return of See Through Dresses. The band has been touring all over the U.S. this year. No doubt you’ll be hearing a well-honed machine on stage. Joining them is Saddle Creek Records band Twinsmith and Oquoa. $8, 9 p.m.

But that’s not all…

The fine folks at Almost Music are hosting an in-store tonight with Staffers, Apoptosis (featuring Anna McClellan) and Sean Pratt & The Sweats. This one starts at 8 p.m. and is $5. You could probably hit up this show early than walk down the street to Brothers to catch SERIAL. Just sayin’…

Tomorrow night (Saturday) is The Waiting Room’s big holiday show featuring our old friends Criteria. Will Stephen Pedersen and the boys roll out some new Criteria material for family and friends? Find out. I do know we’ll be hearing a couple new one from opening band Little Brazil (along with the classics). Those brutes in Noah’s Ark Was a Spaceship opens the night at 9 p.m. $8. In the words of everyone’s favorite holiday movie icon: Now I have a machine gun. Ho-ho-ho.

There is actually one notable show going on New Year’s Eve, and it’s at fabulous O’Leaver’s. The sinister electro-dance sounds of Cult Play headlines with post-punk rockers No Thanks and Houma. Come for the rock, stay for the NYE madness. O’Leaver’s is a crazy drunken madhouse on any given Sunday; no doubt it’ll go next-level crazy-fuck when the clock strikes 12. You’ll have to tell me about it since there’s no way I’m going out in 21-below weather.

For those of you who do, have a great New Year’s Eve and I’ll see you in 2018.

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Lazy-i Best of 2017

I almost forget to remind you about the Lazy-i Best of 2017 Comp CD?

The collection includes my favorite indie tunes I’ve come across throughout last year as part of my tireless work as a music critic for Lazy-i. Among those represented: SLuna, Closeness, Slowdive, !!!, Digital Leather, Perfume Genius, Big Thief, Wilder Maker and lots more. The full track listing is here, or take a listen if you have Spotify.

So the big news is you, too, could win a copy of the CD. To enter, either: 1. Send an email with your mailing address to tim.mcmahan@gmail.com, or 2) Write a comment on one of my Lazy-i related posts in Facebook, or 3) Retweet a Lazy-i tweet. You also can enter by sending me a direct message in Facebook or Twitter. Hurry, contest deadline is midnight Jan. 5.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Sara Bertuldo (See Through Dresses) on racism and exploitation in art; Thick Paint, Anna McClellan tonight…

by Tim McMahan, Lazy-i.com

In my November column in The Reader, I wrote an essay titled “With the Best of Intentions: Yellow face, the N-word and a divided music community.” The column discussed accusations of racism made toward members of the Omaha music community. If you haven’t already, read the column now to understand the context of the rest of this post.

As an addendum at Lazy-i.com, I also posted a Q&A with Simon Joyner about the controversy, which you can read here.

After I posted links to both the column and the Q&A in Facebook, a number of people reacted, saying I didn’t capture both sides of the issue. Someone suggested I ask See Through Dresses front woman Sara Bertuldo for her thoughts on the matter, and Bertuldo indicated she’d be willing to do an interview or answer questions.

See Through Dresses was on tour at the time, so I suggested we do it via email (as I’d done with Joyner’s Q&A), and sent Sara the following questions to be published with her responses as a post in Lazy-i.

My questions:

— What was your reaction to: Joyner’s song, Noah Sterba’s song, Harouki Zombi?

— Do you think the artists in question have done anything wrong or were trying to intentionally hurt anyone through their actions?

— Is it OK for artists and musicians to broach these sorts of topics in their work? Why or why not?

— Were you satisfied with the apologies or explanations offered by these artists about their choices?

Sara sent her responses late last week in the form of the following essay:

The first reaction is anger.

Imagine someone says something bad about you. What you did. What you said. Or maybe what you wore. How would you feel? I’d feel pretty angry. Is it really bad? Was it something to feel ashamed about? Did you make a mistake? Can you apologize for it? Should you?

Now imagine someone says something else bad about you. Only this time it’s something undeniably true, like something about your identity. Or the color of your skin or shape of your eyes. Something you can literally do nothing to change. How does it feel? I know I was angry. 

When you react with anger, people say things like “don’t take it the wrong way” or “it’s a joke” to minimize it. What it feels like when that happens is that they minimize me and my experience.

Racism.

It’s a scary word to a lot of people.

My experience with racism is like a book I carry with me. That book is a heavy weight that sits on my chest. And every time I experience something like this, that book opens. It is filled with my memories of prejudice. Memories of being asked if I was Chinese or Japanese in elementary school, being told I “act white,” being fetishized, and learning my mother withheld our language from me to make me more American. She did this to help me fit in. She was treated poorly because of her accent when she immigrated to the U.S. in the 1970s. When she had children she promised herself that wouldn’t happen to them.

Racism.

Racism is a normal word to me.

I believe it is embedded in all of us and the only way we can fix it is by educating ourselves.

I’m really tired of absorbing everything and keeping silent. It makes me feel sick.

There was a time that I let things slide. I kept quiet because I wanted to preserve some sort of peace. Talking about it was way too real. And people say things that make you question how you feel. To make you quiet. But all these little things that have been said just add up. Every single thing I hear or read, it just eats at me.

Link: http://seethroughdressesband.com/post/161006916559/

I had written something before detailing my experience post-Harouki Zombi stuff. I personally left out names. I didn’t want people to feel attacked. I did not want them to feel the way I felt. I was so angry when this all started, but I tried to let go of that for a moment and write my story. I felt by offering a personal account on what it feels like to be a person of color I could help them see how upset I was. I thought my way for me to change someone’s views was through compassion and not anger.

But months later, it keeps coming up so here we are again.

So to Orenda, Noah, and Simon:

With all due respect, yes, you are all artists. And you are all white. You benefit from things I do not. You absolutely have the freedom to do whatever you wish in your art. But if you are so progressive minded, if you are as compassionate as your friends say you are, please treat our culture and words with reverence. Keep making art, but please do not exploit us. I don’t believe there was intent to cause harm. But the fact of the matter is, you did. I believe it’s more meaningful to take a step back and listen now. Listen to us.

I resent this whole ordeal. I am upset it’s taken so much time from me. I spent so much time thinking about it, crying about it. I’ve cancelled band practice over it, been depressed about it at work, and now I’m out on tour writing about it when I should be enjoying where I am.

And to the people that were so outwardly angry about it, I sympathize with that anger. I really do. People called them bored, childish, social just warriors… You know why marginalized people react that way sometimes? It’s because people don’t listen to us. And it happens again and again.

Here is one marginalized person’s opinion. Because we coexist in this community, I thought you should hear it. You can take it or leave it.

I find solace in my friends and family that support me. I can only work on the people I care about or people that want to be better and if you don’t want to learn from this, that is totally fine.

I’m sorry if that sounds angry, but if anger is all you see then you’re missing the point.
— Sara Bertuldo

Thanks, Sara, for the thoughtful comments on a very difficult subject.

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Tonight at Brothers Lounge it’s the return of Thick Paint. The band has been on the road for awhile and swings back into Omaha with Anna McClellan, who just leaked the first single, “Heart of Hearts,” from her forthcoming album Yes and No, due in February on Father/Daughter. Dilute also is on tonight’s bill. $5, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

David Nance, Noah Sterba album releases tonight; See Through Dresses album release Saturday…

Category: Blog — Tags: , , , — @ 12:52 pm July 14, 2017

See Through Dresses at Maha Music Festival in 2016. The band had an album release show Saturday night at The Waiting Room.

by Tim McMahan, Lazy-i.com

It’s a busy weekend of shows as far as local band releases are concerned.

It kicks off tonight with a duo release show at Reverb Lounge featuring David Nance and Noah Sterba.

David Nance, Negative Boogie (BaDaBing, 2017)

Nance’s new album, Negative Boogie, out today on Ba Da Bing Records, is among my favorites so far this year — a tight, gritty collection of blues rock songs straight out of the garage (or basement), straight to a studio and straight to your heart. The closest comparison I can come to Nance’s intensity is ’90s-era Jon Spencer Blues Explosion, though Nance’s music sounds nothing like it. Nance already has attracted national attention. After this record and subsequent touring, expect him to jump to the next level.

Noah Sterba, 13-Bar Blues (2017, Grapefruit)

Then there’s the release today of Noah Sterba’s 13-Bar Blues on Simon Joyner’s Grapefruit Records label. This is a re-working of his 12-Bar Blues cassette that came out in 2015 on Unread Records, weeding out the covers and adding a few new ones.

Sterba sits in the rarified company of Joyner and Oberst when it comes to turning a golden phrase; his lyrics are central to these bluesy folk-rock tunes. Who else could imaging building a house of out porkchops and eating his way out? The album concludes with a 16-plus-minute opus that features Sterba spitting out a manifesto of sorts over jangly garage blues chords.

Both Nance and Sterba and their bands perform tonight at Reverb Lounge. Joining them is the inimitable Sean Pratt & The Sweats. $7, 9 p.m.

Also tonight, alt country-folk band Clarence Tilton headlines The Waiting Room with Excellency and Sack of Lions. $8, 9 p.m.

See Through Dresses, Horses of the Other World (2017, Tiny Engines)

Then Saturday night is the album release show for See Through Dresses latest, Horse of the Other World (Tiny Engines), at The Waiting Room. The record is something of a breakthrough for a band who in the past too often sounded like a reincarnation of ’90s college rock a la Dinosaur Jr. They come to their own with this album, creating a sound that combines post-punk shimmer with classic dream-pop drone for an end-product reminiscent of Saturdays = Youth-era M83 or early New Order. Opening is Fullbloods and Bokr Tov. $8, 9 p.m.

Also Saturday night, LA four-piece Froth (Burger, Wichita, Lollipop) plays at Milk Run. On their new album, Outside (briefly) (2017, Wichita), they reinvent their sound in solid dream-pop fashion. So much so, the band goes on tour with Ride following this show. Sam Martin opens. $10, 9 p.m.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Live Review: David Nance, Matthew Sweet; new Whipkey, Twinsmith, See Through Dresses streams…

Category: Blog,Reviews — Tags: , , , , — @ 12:51 pm July 11, 2017

David Nance at The Sydney, July 7, 2017.

by Tim McMahan, Lazy-i.com

It’s been pointed out to me that David Nance didn’t just come out of nowhere. He’s been plugging away and putting out music since before 2013, including as a member of Simon Joyner’s band The Ghosts.

And while I knew this, my point was that it’s been within the last year or so that Nance’s profile has exploded. I point toward  Matador co-founder Gerard Cosloy who listed among his favorite recordings in 2016 Nance’s More Than Enough (Ba Da Bing Records). That captured some people’s attention, but Nance already had the ball rolling thanks to his live sets.

Last Friday night was another classic Nance performance, this time at The Sydney as part of Benson First Friday. Nance backed by a drummer, bass and someone making noises on a pedal, ripped through a solid set of songs, some of them off his remarkable new album Negative Boogie, which comes out this Friday on Ba Da Bing. The difference between this set and past Nance sets (for me) was the shorter songs. I’ve seen Nance play sets comprised of only two 20-minute noise ensembles. By contrast, Friday’s set was practically a pop concert.

His guitar work is already respected — ranging from big riffs to lead fills to walls of feedback — now his voice is taking center stage. The only comparison in my mind is early Jon Spencer, and Nance does have a similar stage appeal, albeit hidden behind that huge head of hair.

I managed to capture a couple songs on Facebook Live Friday night, which you can view below. The picture doesn’t come in focus ’til after the 30-second mark (wtf, Apple?!).

Yesterday Brooklyn Vegan premiered a track off Negative Boogie. BTW, if you missed the last Friday’s show, Nance will be playing a duo release show with Noah Sterba this coming Friday night at Reverb Lounge. Sean Pratt & The Sweats opens. Sterba’s new album, 13-Bar Blues, comes out Friday on Simon Joyner’s Grapefruit label.

Also on last Friday night’s bill was Oquoa, who had the center slot. This is one of the tightest collections of local all-stars Omaha has to offer. Now if I only knew what language frontman Max Holmquist was singing in. Max’s vocals make lyrics virtually indecipherable and are more of an additional instrument to the overall psychedelic/shoe-gaze sound.  It’s interesting, but I confess to be a lyrics dude who gets added enjoyment when he knows what the music’s about.

Speaking of undecipherable lyrics, opener FiFi NoNo provided a tense barrage of rhythmic noise, augmented by shriek/mumble/yell vocals. You either got it or you didn’t. I thought it was a weird trip.

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Matthew Sweet at The Waiting Room, July 8, 2017.

Saturday night’s Matthew Sweet show at The Waiting Room drew a respectable crowd — respectable both in size and in manner. It was nice not being the oldest dude in the room for a change. In fact, the majority of fans looked like they were in their 50s, no doubt followers of Mr. Sweet since his ’91 breakthrough album Girlfriend.

Well, those fans got what they paid for as Sweet performed the best songs from that album, including the title track and my personal favorite, “Winona.” The happy crowd sang along to all the hits, which Sweet and his band performed as if they’d been playing them for more than 20 years. My only criticism is that Sweet and his band don’t do much on stage except stand there and play, which can become somewhat boring, but the crowd didn’t mind as long as he kept playing those oldies.

* * *

Matt Whipkey dropped a couple new tracks from his upcoming album, Driver, via his Pledge page yesterday. Matt says he likes this new pre-sale platform. Check them out.

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Speaking of new music, Under the Radar yesterday began streaming the entire new Twinsmith album, Stay Cool, which comes out Friday on Saddle Creek Records. Check out the album here.

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And See Through Dresses today is having their new album, Horse of the Other World (Tiny Engines) streamed in its entirety at Brooklyn Vegan, right here. Says BV about the record: “Co-fronted by the ethereal Sara Bertuldo and the whispered baritone of Mathew Carroll, See Through Dresses work bits of Cocteau Twins, The Cure, and other reverby ’80s bands into Horse of the Other World.”

Me, on the other hand, was mostly reminded of M83. This is definitely a change of direction for STDs. The band celebrates the album’s release Saturday night at The Waiting Room.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Downtown Boys join Maha; new See Through Dresses; Robert Hinrichs video; Dressy Bessy tonight…

Category: Blog — Tags: , , , — @ 12:48 pm April 20, 2017

Downtown Boys have been added to the 2017 Maha Music Festival lineup.

by Tim McMahan, Lazy-i.com

Did anyone notice that the line-up for this year’s Maha Music Festival had a slight change?

Downtown Boys, who describes themselves in Wiki as a “bi bilingual political dance sax punk party from Providence,” has joined the line-up, replacing Surfer Blood. Downtown Boys has released material on Don Giovanni Records; they signed to Sub Pop this past February.

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See Through Dresses yesterday dropped the first single off their upcoming sophomore album Horse Of The Other World, titled “Violet.” Very dreamy! Check it.

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I don’t know who this Robert Hinrichs is other than he lives in Lincoln and he’s trying to give James Murphy a run for his money. His video for “Can U DigIt,” dropped today. The track is off Hinrichs’ latest album on Interrobang (2017, Tremulant).

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Tonight at fabulous O’Leaver’s it’s long awaited return of Denver band Dressy Bessy (Kindercord Records). Opening is Arc Flash, Uh Oh and Nathan Ma and The Rosettes (whew! that’s a big line-up). $7, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

Lazy-i

Speed! Nebraska celebrates 20 years; Her Flyaway Manner, See Through Dresses, OEAA showcase tonight; Felice Bros. Saturday; Pro-Magnum Sunday…

Category: Blog — Tags: , , , , , — @ 12:48 pm October 21, 2016
The Speed! Nebraska executive team, circa 2006. The label celebrates its 20 year anniversary Saturday night at The Brothers Lounge. Photo by Bill Sitzmann.

The Speed! Nebraska executive team, circa 2006. The label celebrates its 20 year anniversary Saturday night at The Brothers Lounge. Photo by Bill Sitzmann.

by Tim McMahan, Lazy-i.com

I dropped the ball. The immensely talented Andrew Spellmon reached out earlier in the week and asked if I would contribute my thoughts to a story he was working on for Hear Nebraska. His one and only question:

What is Speed! Nebraska’s legacy/impact on the local/national scene?

I immediately responded to Andrew saying I’d be happy to comment. The deadline was Wednesday night. And things being what they are in my life these days, I completely forgot to send him anything. It didn’t slow ol’ Spellmon down, however, and yesterday Hear Nebraska published a very lengthy, detailed story called “Racing at 45 RPM: SPEED! Nebraska reaches 20 year milestone.” You can read it right here.

The feature includes “stories and memories” from the artist and collaborators who have taken part in the Speed! Nebraska history, including Jon Taylor (Domestica, Mercy Rule), Dan Jenkins (Ideal Cleaners), Lee Meyerpeter (Filter Kings), George Peek (Solid Jackson), Mike Tulis (co-creator of Speed! and member of The Monroes), as well as people like Dan Schlissel, who created competing label -ismist and now runs Stand Up! Records, and Trey and Lallaya Lalley, who ran the Capitol Bar & Grill and now run The Brothers Lounge.

Stellmon didn’t need me at all. Go read the story right now because it’s good.

Ten years ago, when Speed! Nebraska was celebrating its 10-year anniversary, I penned this story for The Reader that highlighted the label’s origins. At the time,  Speed! was enjoying its high-water mark. Or as Jesse Render, the label’s “special project coordinator,” put it: “We’re like a family. You do whatever job needs to be done. This is kind of the Golden Age of Speed! Nebraska.”

So to answer Stellmon’s original question, I’d have to say Speed! Nebraska’s legacy is not only the 37 vinyl and CD releases that it put out over the course of 20 years, it’s also the people who made the music heard on that stellar catalog of rock ‘n’ roll. Most of them are still doing it, and doing it well. Certainly Speed! Nebraska record executive Gary Dean Davis is going strong, as is the rest of the executive team mentioned in that 2006 article.

In fact, you can see for yourself Saturday night at The Brothers Lounge when Gary’s band, Wagon Blasters, is joined by Mike Tulis’ band, Lupines, for a 20 year anniversary celebration that should be epic in its awesomeness.

What else is happening this weekend?

Tonight at fabulous O’Leaver’s another group is celebrating a 20th anniversary — Lincoln band Her Flyaway Manner. Watch as these fossils sling their guitars over their walkers and wheel chairs for a set that should go down in geriatric history. Joining them are Jump the Tiger and Wrong Pets (members of Little Brazil). $5, 9:30 p.m.

Also tonight, See Through Dresses headlines at Milk Run. Joining them are New York band Haybaby (Tiny Engines Records) and The Way Out. No price listed, show starts at 9 p.m.

And lest we forget, tonight is the annual OEAA nominee showcase in Benson featuring more than 40 bands playing at six venues. Your $10 wristband gets you in to all shows all night. More info here.

Tomorrow night (Saturday) is the aforementioned Speed! Nebraska 20th anniversary bash at The Brothers Lounge. Wagon Blasters vs. Lupines. $5, starts at 9 p.m.

Also Saturday night, The Felice brothers headline at The Waiting Room. They’re out supporting their latest, Life in the Dark (2016, Yep Rock). Shelby Earl opens. $15, 9 p.m.

Finally Sunday afternoon is the Benefit for Standing Rock at O’Leaver’s. The line-up includes Dark Diamond, DJ Machmuller, Noah Sterba and Pro Magnum. The benefit kicks off at 3:30 p.m. $5. Find out more about the benefit right here.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

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