Live at O’Leaver’s goes live (finally); Jon Spencer Blues Explosion tonight…

Category: Blog — Tags: , , — @ 12:59 pm June 15, 2015
Live at O'Leaver's went live this morning.

Live at O’Leaver’s went live this morning.

by Tim McMahan,

This has been a long time coming.

This morning the music team at fabulous O’Leaver’s headed by Ian Aeillo announced the long-awaited launch of the Live at O’Leaver’s website, located (of course) at

This initial roll-out of this vast new music library, designed to house selected recordings of bands who performed on O’Leaver’s stage, includes 30 session recordings. Among them Matthew Sweet recorded July 30, 2014; Orenda Fink recorded March 24, 2015, and Digital Leather recorded May 30, 2014, and tons more, such as Domestica, Deleted Scenes, Twinsmith, Little Brazil, Gordon and must-check-out obscurities such as Iska Dhaaf that’ll blow your mind. All streaming, all sharable, all somewhat incredible.

It’s like being at these shows without having to smell like you’ve actually been there.

There’s a whole story behind this project that I was going to write about for a column… last summer. But the project was delayed while Ian perfected the tracks and the website. I’m not going into the weeds about how it works other than to say the bands are recorded live via a super-secret recording suite hidden in the basement catacombs of the club. We’re talking super-high-fi studio-quality recordings.

Actually, I don’t know how Aeillo does it, how he makes the recordings sound this good. I’ve been to a lot of the shows that are featured on the website, and though O’Leaver’s has a first-rate PA/sound system in the room, let’s face it, it’s still O’Leaver’s, where the in-person audio experience is honed and filtered through countless bottles of Rolling Rock. In person it never sounds like what you’re hearing on

I’m sure an astute publication (such as will go into the technical nitty-gritty of what’s behind the recording. Needless to say, the quality is so good that O’Leaver’s has set themselves up to be a sort-of live-stage version of Daytrotter, where touring bands can perform and get release-quality recordings of their live sets. All for free. That’s right, they can release the tracks themselves if they want. There’s some fees associated with getting an entire set mixed (discuss it with Ian), but for two or three songs, it’s completely free.

BTW, not all bands playing at O’Leaver’s are recorded. The decision to record is based on a pseudo-scientific formula that involves personnel availability and/or lucidity. We’re talking O’Leaver’s here, where anything can happen and usually does. Also, performances aren’t recorded unless bands give Ian or his staff permission.

Today’s launch is only the first wave of recordings. There will be 30 more bands released sometime in the coming weeks, followed by another 30 bands and another until the entire library is available online. Aeillo said he’s recorded 157 live sets, and has mixed more than 110 of those. This website will be the most complete archive of live recordings performed in the Omaha area available anywhere.

Check it out here, and spread the word via the website’s share tools. Here are a few of my favorite sessions:

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All right, show of hands: Who remembers when Jon Spencer Blues Explosion released the seminal album Orange? It was a huge album, way back in 1994, some might say groundbreaking. With the release of this record, JSBE became one of the coolest bands on the planet. Now 21 years later, JSBE comes to Omaha for one night at The Waiting Room. I’m kind of surprised this show hasn’t sold out. Opening is fellow blues/roots/punk band Daddy Long Legs (Norton Records). $15, 9 p.m. Don’t miss this chance to see legends in action…

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.


MC Payne and DJ Russell spin the hits at The Holland; Bye-bye Brendan (at O’Leaver’s); New Pornos, Pains Pure Heart, Charlie Siren tonight…

Album sleeve for the upcoming vinyl release of the American Hustle soundtrack.

Album sleeve for the upcoming vinyl release of the American Hustle soundtrack.

by Tim McMahan,

Went to Feature VI last night at the Holland Center, the fund-raiser for Film Streams featuring directors Alexander Payne and David O. Russell. I love all of DOR’s movies (and some of Payne’s). Among the highlights was Russell showing off a double-colored-vinyl release of the soundtrack to his last film, the sublime American Hustle, which isn’t available until Black Friday Record Store Day, Nov. 28.

The album will include some rare ELO material. According to Madison Gate Records and Legacy Recordings, who are issuing the vinyl, “American Hustle – Original Motion Picture Soundtrack premieres ‘Stream Of Stars,’ a previously-unreleased song from the legendary Jeff Lynne (Electric Light Orchestra, Traveling Wilburys) alongside ELO’s ‘Long Black Road,’ an ultra-rare track previously available only on the Japanese release of Zoom, ELO’s final studio album.”

Russell apparently was intimately involved in the production of the vinyl release “supplying hand-written excerpts from the script, unique imagery from the film and artwork to enhance the look and feel of the album’s gatefold and sleeve.”

It is indeed an impressive looking package, though someone has to teach these guys the proper way to treat vinyl. I cringed as Russell grabbed the colored vinyl from the sleeve and then began blowing/spitting on it and brushing it with his fingers. DJ Payne cued the tracks on a portable turntable, starting with a Duke Ellington number. Nice. But when he decided to change songs, he scraped the needle across the surface, dropping it over and over until he found the groove for an ELO song. Come on, man!

As Russell said with each Payne-induced scratch, “That’s part of the fun.” I don’t think a vinyl enthusiasts like, say, Dereck Higgins would agree…

Anyway, here’s the track listing for the record, below. I’ll be writing more about Feature VI in my column in The Reader Thursday, which is actually sort of a tribute to Film Streams…

American Hustle  Original Motion Picture Soundtrack

2LP Colored Vinyl

Side One
1. Jeep’s Blues | Duke Ellington
2. Dirty Work | Steely Dan *
3. A Horse With No Name | America
4. 10538 Overture | Electric Light Orchestra
5. I’ve Got Your Number | Jack Jones

Side Two
1. White Rabbit | Mayssa Karaa
2. I Feel Love | Donna Summer
3. Don’t Leave Me This Way | Harold Melvin & The Blue Notes
4. Delilah | Tom Jones

Side Three
1. Live And Let Die | Wings
2. How Can You Mend A Broken Heart | Bee Gees
3. Goodbye Yellow Brick Road | Elton John
4. Papa Was A Rollin Stone | The Temptations *

Side Four
1. I Saw The Light Todd Rundgren *
2. Long Black Road | Electric Light Orchestra
3. The Jean Genie | David Bowie *
4. Stream Of Stars | Jeff Lynne
5. The Coffee Song (Theyve Got An Awful Lot Of Coffee In Brazil) | Frank Sinatra *
6. Its De-Lovely Ella Fitzgerald *
7. Irving Montage | Danny Elfman

* Songs not on CD release

* * *

Yesterday we got word that Brendan Greene-Walsh, the long-serving booker and sound man at America’s favorite divebar / rockclub, O’Leaver’s, is hanging up the reins.

“...after over 10 years of booking shows, running sound and bartending my time at O’Leaver’s will come to a close at the end of November,” Brendan wrote. “I would like to thank you who receive these emails for all you do for music in the state of Nebraska. Whether it is posting events to calendars, writing features, reviews or interviews or simply going to shows, what you do to perpetuate culture is appreciated. The club will continue on booking great shows.

So why’s he leaving? Brendan said the club decided the position needed to be restructured to add marketing and PR responsibilities, as well as have someone who could be at the venue during shows. In case you didn’t know, Brendan already has a full-time job at UNO. So who will take over the reins? Whoever it is has some massive shoes to fill…

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Tonight at The Slowdown it’s the return of New Pornographers. Tonight’s line-up is stellar, featuring A.C. Newman, Neko Case and Dan Bejar. The Pains of Being Pure at Heart, who would be a hot-selling ticket all by themselves, is opening. $28, 8 p.m.

Also tonight, The Down Under continues its recent streak of shows with punk bands Charlie Siren, Let Yourself Go, Buggy Lewis and the Rabbit Grenades, and Wake the Neighbors. $5, 7 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


Live Review: Matthew Sweet, Tommy Keene; 2Q’14 reviews roundup (in the column); Brilliant Beast, Filter Kings tonight…

Category: Column,Reviews — Tags: , , , — @ 12:39 pm July 31, 2014
Matthew Sweet at fabulous O'Leaver's, July 30, 2014.

Matthew Sweet at fabulous O’Leaver’s, July 30, 2014.

by Tim McMahan,

It was nothing less than a dream come true for Matthew Sweet fans. There he was, literally steps in front of them, surrounded by a top-notch band playing all of his “greatest hits” one after the other in fine voice. As Sweet said, it was like playing a gig in someone’s living room.

Earlier in the day someone apparently hauled more PA equipment to bolster O’Leaver’s modest system. Speaker stacks were balanced on either side of the the club’s staging area. I was told 100 tickets were sold for this show, but the crowd was probably two-thirds that size — I’ve seen it more crowded in there at Digital Leather shows. With the tables taken out, there was plenty of room up and around the band. Sweet seemed to like the proximity to his fans. “I’m used to looking down on you.” Not last night.

Tommy Keene at O'Leaver's, July 30, 2014.

Tommy Keene at O’Leaver’s, July 30, 2014.

Before he kicked into his set, The Lupines warmed up the crowd with a fractured set of Nebraska-style garage rock that I’m sure startled some of the oldsters there to see Sweet. A badly shorting cable marred the set’s opening song, but after some fiddling around the crew got it fixed and the good times rolled.

Next up was surprise “special guest” Tommy Keene, an East Coast-based singer songwriter who Replacecments fans may remember for having played guitar with a touring Paul Westerberg in the late ’90s. I remember him from his handful of solo albums released on Matador earlier in that same decade. Keene was always a first-rate songwriter who despite a sizable push by Cosloy and Co. never took off as everyone had hoped.

With a 12-string and later an electric guitar, Keene played a selection of tunes from his career, closing out the set backed by the band that would back Sweet. And what a band it was. Consisting of two members of Velvet Crush, bassist Paul Chastain and drummer Ric Menck, they were joined by guitar-slinger Dennis Taylor who shared grinding leads with Sweet all evening.

Sweet was all business as he rolled through an hour-plus-long set that included just about every song any fan would want to hear, drawing heavily from his classic ’90s breakthrough album, Girlfriend. We’re talking “Winona,” “Evangeline,” the title track, and on and on, spanning through songs off Altered Beast and 100% Fun and beyond.

It really was a greatest hits show for Sweet fans who will not be disappointed if they make the trek to Lincoln to see him perform again tonight. That show, at the shiny new Vega, will be a completely different and no doubt more detached experience than the reach-out-and-touch-him intimacy of last night’s O’Leaver’s show. I wonder if anyone happened to record it…?

* * *

In this week’s column, the quarterly album reviews round-up (featuring an exciting new rating system!) including thoughts on new ones by Strand of Oaks, Courtney Barnett, Alvvays, Mark Kozelek, Digital Leather, Gold-Bears, Mitch Gettman, The Both, Bob Mould, Orenda Fink and more. It’s in this week’s issue of The Reader or online right here.

* * *

Tonight, it’s back to O’Leaver’s for Minneapolis indie band Brilliant Beast with up-and-coming Omaha band Post Verse. $5, 9:30 p.m.

Also tonight, Omaha’s favorite outlaws The Filter Kings open for Jason Boland and The Stragglers at The Waiting Room. 8 p.m. $15.

Tonight also is the public opening of 1912, the new bar and roof-top deck across the street from The Waiting Room. Drop by and grab a cold one and get a whole new view of Benson.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


Matthew Sweet Kickstarter winds down; The Brigadiers tonight…

Category: Blog — Tags: , , — @ 12:53 pm July 22, 2014

by Tim McMahan,

With the Matthew Sweet concert at O’Leaver’s just around the corner  (It’s July 30 and long sold out) I thought I’d point out Sweet’s Kickstarter campaign, which only has four days left.

Actually, I discovered the campaign via the Lloyd Cole Facebook feed — Cole prompted his followers to help Sweet out, and even offered to fly out and “play modular synth” on Sweet’s new album. Wouldn’t that be a kick in the head?

Anyway, Sweet, who is now an Omaha resident, is panhandling for cash to make a new solo album, and already has met his $32,000 goal — he currently stands at $43,185, including the $40 I chipped in to get a copy of his vinyl when it’s ready next April.

Check out his Kickstarter pitch below, which mentions his move to Omaha and his hope to “get all my friends out in Nebraska” to help make the record.

BTW, The Lupines will open for Sweet at the O’Leaver’s show.

* * *

Tonight at The Sydney The Brigadiers open for Zeeland, Michigan band The Fever Haze. $5, 9 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


Live Review: The Everymen; SIRENS tonight…

Category: Blog,Reviews — Tags: , , — @ 1:11 pm July 7, 2014
The Everymen at O'Leaver's, July 6, 2014.

The Everymen at O’Leaver’s, July 6, 2014.

by Tim McMahan,

O’Leaver’s on a hot Sunday afternoon in July is a surreal experience, like stepping onto the set of Robert Altman’s M*A*S*H. All the usual characters strolled around outside in the “beer garden” with cocktails sweating in the blazing heat while an O’Leaver manned a barbecue grill frying up large greasy kielbasa. Across the parking lot in the sand pit half-naked volleyball players slathered in sunblock slammed PBRs to the sounds of Van Halen’s “Panama.”

Meanwhile, inside the dark cool confines of The Club, The Everymen set up for the afternoon gig. The band featured none other than Catherine Herrick, the former PR wonk at Beggars Group (Matador, XL, etc.) familiar to anyone who’s had to interview, say, Cat Power or a member of Interpol over the past 10 years. I chatted with Catherine after the show, and that interview will be the basis for this week’s Over the Edge column in The Reader. You’ll have to wait for it..

In addition to Herrick, The Everymen consisted of five more members — two guitarists, bassist, drummer and saxophone player. That sax — along with the band leader’s love of all things New Jersey (and The Sopranos) — might give you some ideas what this band sounded, but you’d be wrong.

The Everymen combined elements of garage and indie with doo-wap, metal, even theater rock. Their style was all over the board. One minute you’d think you were listening to something penned by John Steinman (albeit, without keyboards), the next it sounded like an homage to The Scorpions, but with sax thrown on top of the riffs.

That sax player (who switched between bari and alto when he wasn’t adding vocals) defined (or at least shadowed) everything about The Everymen, along with Herrick, who has an intensity that reminded me of Heidi Ore of Mercy Rule/Domestica fame, and frontman/guitarist Mike V, who would have you believe this band is just a group of goombahs in town from the Jersey shore. And while they did have sonic similarities to a certain Jersey dude who also has a sax player in his band, no one would mistake this guttural rock with anything released by The Boss.

Highlight moments came toward the end of the 45+ minute set in the form of a growler I think was called “Motorbike,” and a fist-pumping anthem (again) I think was called “I Held On.” They could be campy (synchronized group arm gestures, finger-snapping), they could be heavy, but most of all they were fun. And labels like Matador or XL could use a little fun in their rosters.

* * *
Tonight at The Sydney it’s a four-artist bill headlined with New Orleans band SIRENS (Community Records). Opening is Mike Schlesinger, Anne McClellan and adamroberthauG. $5, 9 p.m. Not a bad way to kick off the week…

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


An O’Leaver’s 4th of July: Lupines, Dumb Beach, New Lungs; The Indie (Hoshaw/Big Deep), Sweatfest 2014 Saturday; Everymen Sunday…

Category: Blog — Tags: , , , , — @ 1:04 pm July 3, 2014
The lineup on the evening of the 4th at O'Leaver's. God Bless America.

The lineup on the evening of the 4th at O’Leaver’s. God Bless America.

by Tim McMahan,

You’d think with tomorrow being a holiday someone would have put together one helluvan indie rock show tonight, but no, nothing’s happening.

That’s okay because that’ll give you a chance to rest up for tomorrow night’s holiday extravaganza at fabulous O’Leaver’s. After you’ve finished wrapping up whatever’s left of your fingers post-cherrybomb, head on down to The Club for what promises to be one of the most drunkenly violent rock shows of the year.

The line-up: Jewel Beast (a band I know nothing about but whose name is awesome); Dumb Beach (the only band on this line-up whose name eclipses Jewel Beast); New Lungs (Danny Maxwell and company return with an audio-inflected knee in the groin) and headliner Lupines (supergroup extraordinaire, indie-rock Americans). I suspect everyone will be drunk and someone will light one of those scary Chinese lanterns/house-fire-starters in the parking lot (along with some snakes). I can’t wait. $5, 9:30 p.m.

We might as well talk about the rest of the weekend since it’s unlikely I’ll be updating this tomorrow, what with all the parades and stuff.

Saturday is, of course, The Indie 5k/10k foot race that starts at 8 a.m. in the heart of Benson (60th Ave. and Maple) and runs all the way to Ames Ave. and back (or at least the 10k does). This event is also a pseudo “Taste of Benson” event as runners will get a ton of free food and drinks (lots of drinks) courtesy of race sponsors. Because, you know the first thing I want after I finish a 10k race is an apple dumpling shot.

Anyway, during the race, Brad Hoshaw and the Seven Deadlies will be performing along with The Big Deep. The stage will be set up right there by the starting line from 8 a.m. to sometime around 11. Don’t be a pussy. Sign up for the race. Your $30 entrance fee goes to help improve Benson and Fontenelle parks.

That’s not the only thing happening in Benson on the 5th of July. Sweatfest will be going on at the Sweatshop Gallery. We’re talking 14 bands on two stages. I guess the whole thing is a fundraiser to acquire a new PA for the gallery’s performance space. The bill includes M34n Str33t, Coaxed, Worried Mothers, Skeleton Man and a host of other local punks. Show starts at 6 and is a mere $8. More info here.

That’s what I got. If I missed anything, put it in the comments section. Have a good 4th and don’t blow your hands off.

ADDENDUM: I forgot to mention that The Everymen (Earnest Jennings Records), featuring former Beggars Group (Matador, XL Records) Media rep Catherine Herrick, is playing at O’Leaver’s Sunday night as part of The Club’s Sunday Social program. Joining The Everymen is Lot Walks and No Thanks. This is an early 6 p.m. show, and the usual $5. See you there…

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.



The Photo Atlas, John Klemmesen, The Big Deep tonight; Scott Severin Saturday; Against Me, Cheap Girls Sunday; SXSW time…

Category: Blog — Tags: , — @ 3:00 pm March 7, 2014

by Tim McMahan,

sxsw2014logoIt’s the last weekend before the South By Southwest Music Festival in Austin, which partially explains why we have a number of good bands coming through town, many of whom are headed down south afterward.

For example, Denver’s The Photo Atlas, who is slated to perform at SXSW, is playing at fabulous O’Leaver’s tonight with local boys The Sharks and John Klemmensen and The Party. If you haven’t seen The Photo Atlas before, do yourself a favor — their live set is pure electro-dance-rock chaos. $5, 9:30 p.m.

Speaking of O’Leaver’s, did anyone see the write-up on The Club? Somehow while putting together her pithy descriptions the writer left out the part about all the staggering drunks hustling to get one last shot of Rumplemintz before passing out in a heap beneath the tiki bar, or that time someone threw a bass drum near at Whipkey… Ah, but that was way back in 2005. Things have changed a lot since then, haven’t they? O’Leaver’s, where your world could explode at any moment…

Also tonight (but not related to SXSW) The Big Deep is celebrating the release of their new album, Echoes on Little Blue, at The Waiting Room with Rock Paper Dynamite and Michael Wunder & the Uninspired. Your $10 cover also pays for a download of the new record. Show starts at 9.

Also tonight, Saturn Moth plays at The Barley Street Tavern with MPDG (Manic Pixie Dream Girls), Carl Miller and John Wilwerding. No idea on the cover, show starts at 9.

Saturday night singer songwriter Scott Severin waves goodbye to Omaha during a farewell performance from the Barley Street stage. Don’t worry, Scott’s only going down the road to Lincoln. Helping send him off is Mark Irwin and Two Shakes. No idea on the cover, show starts at 9.

Then on Sunday it’s a mammoth show at The Slowdown featuring Against Me, Laura Stevenson and The Cans, Cheap Girls and Saintseneca. All four bands are playing showcases at SXSW next week but you can see them here for a mere $15. NOTE: This is an early show — 7:30 start time.

Of course I’ll miss that fantastic Slowdown show as I’ll already be in Austin, attending the SXSW Interactive Conference prior to the Music Conference. I still haven’t figured out which bands I’m going to see on which nights. But like the last time I went to SXSW, expect to see plenty o’ tweets and photo updates on Lazy-i. Full coverage will appear in The Reader (They’re supplying my badge!) and/or at, which also will include reports from fellow music critic Chris Aponick.

Let the games begin… Have a good weekend.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


Live Review: The Lupines; another quiet week ahead…

Category: Blog,Reviews — Tags: , , — @ 1:55 pm January 27, 2014
The Lupines at O'Leaver's, Jan. 24, 2014.

The Lupines at O’Leaver’s, Jan. 24, 2014.

by Tim McMahan,

I realized while listening to The Lupines Friday night at O’Leaver’s along with about 40 others that I was watching a local “super group” of sorts. John Ziegler proudly carried the banner for local garage rock for years first in the controversially named Zyklon Bees then as Brimstone Howl. New drummer Calvin Retzlaff also was a member of Brimstone. Guitarist Mike Friedman is arguably one of the best guitarists in Omaha, featured prominently in Simon Joyner projects and most recently joining Little Brazil. and Mike Tulis has been a fixture in the Nebraska music scene for more than a decade, going back to Full Blown through a handful of classic Speed! Nebraska bands.

So yeah, taken as a whole, The Lupines are definitely a super group, or better yet, a super garage band. Needless to say they played like the rock veterans that they are on songs that epitomize the style of music that Brimstone was known for — hard, chopping rock songs that balanced Ziegler’s vocals with Friedman’s blazing solos while a tight rhythm section held it all together. It was exactly what you’d expect from a super garage band. What more can I say other than it was a fun night of music and you should go out of your way to find a copy of the new EP, titled Over the Moon and released on the mighty Speed! Nebraska label.

One last thing: There is some exciting things going on at fabulous O’Leaver’s which you may or may not know about and which I don’t know if I can talk about publicly. It’s not a huge deal, just a new opportunity for bands coming through the club. I’ll see what I can say and let you know.

* * *

It’s another quiet week show-wise. In fact, I don’t see anything until Friday, when the ball starts rolling again. And with this cold weather, maybe it’s for the best….?

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.


Cursive to record live album at TWR in December, Cat Power scheduled; cryptic O’Leaver’s message……

Category: Blog — Tags: , , — @ 2:02 pm November 5, 2013

by Tim McMahan,

Weird Black Friday graphic attached to the cryptic message concerning O'Leaver's...

Weird Black Friday graphic attached to the cryptic message concerning O’Leaver’s…

Not much time for an update, just a couple things to pass along…

If you’re not already getting the One Percent Productions email blast you really should. This week’s “ramblings” included info on Cursive’s three week hometown residency at The Waiting Room in December as part of a new live recording project. The band will perform on the first three Thursdays of the month – December 5, 12 and 19 – with two special guests opening each night.  “Each Thursday’s setlist will be a mix of fan favorites and a number of deeper cuts from Cursive’s extensive back catalog of seven full-length albums,” said 1%. Tickets for each individual show are $12 and a pass for all three is $30.

In addition, One Percent announced that Cat Power is slated to play at The Slowdown Nov. 22 with Nico Taylor. Tickets go on sale Thursday and are $22.50 Adv/$25 DOS.

Sign up for the One Percent Productions email blast right from their homepage.

Finally, over lunch I received a cryptic e-mail from a sender who identifies him/herself as “Black Friday” with one sentence: “There will be a special performance on Black Friday (November 29) this year at O’Leavers Pub.” More to come?

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.


Missing Pleasure Adapter and the Nebraska churn; a quiet post-holiday weekend…

Category: Blog — Tags: , , , — @ 9:53 am July 5, 2013

by Tim McMahan,

chimesO’Leaver’s needs those chimes they use at large theatrical stage productions, the tri-tone bells that indicate intermission is almost over, stub out your cigarette, finish your drink and get back to your seat because the next act is about to begin.

Wednesday night I was outside talking shit with a couple friends, just enjoying the night after a nice set of embraceable punk from touring band Toys That Kill. We got carried away arguing about R.E.M. when I figured out the next band had begun their set. It can be hard to discern between live music and the club’s super-loud house music that plays between sets. “Well, have to catch Pleasure Adapter,” I said, cutting it short. He concurred and we made our way into the club only to discover a couple people rolling on the “stage” floor fiddling with something technical.

That’s when frontman Jeff Ankenbauer announced he’d had it, the set was over. He had a baby waiting for him at home and didn’t have time to deal with what appeared to be a blown amp. It couldn’t have been 10 minutes into their set, but that was it, I’d missed it. I’ve seen Pleasure Adapter before so it wasn’t a huge loss, but there had been a lot of people there to see them Wednesday night who hadn’t. As I was leaving, I ran into one of those people, a local veteran from a number of touring bands, and asked what he thought. “Kind of punk to end the set that way,” he said. “Then again, maybe not.”

O’Leaver’s is turning into thee place for bands to debut. Two new bands will be debuting there in August consisting of members who crawled from the wreckage of fallen bands (including The Stay Awake and Conduits). As my musician friend suggested, bands need to be able to “sell out” or at least “pack” O’Leaver’s before heading to The Waiting Room or Slowdown. The nice thing about O’Leaver’s is that it doesn’t matter if anyone shows up, he said, the guys that run the club don’t care. Maybe that’s true.

There seems to be a lot of “churn” going on musicwise in Omaha, a changing of the guard. Bands like Pleasure Adapter, Coaxed, Gordon, The Dad, Worried Mothers, See Through Dresses, Twinsmith are establishing a new beach head alongside first-tier next wavers like Universe Contest, Digital Leather, So-So Sailors, Solid Goldberg and Eli Mardock and current flavors from Saddle Creek like Icky Blossoms, Big Harp and Mynabirds. These bands, along with a few that I haven’t mentioned either because I haven’t seen them or simply forgot to, are redefining Nebraska music while the old ghosts — Oberst/Desa, Kasher/Cursive, The Faint — carry on a tradition they started, like a pack of tenured professors with the hard part behind them.  Meanwhile, we wait for the next break-out indie band to catch fire outside of Nebraska. And we wait, and we wait, and it may never happen…

* *

It’s another quiet weekend show-wise, especially from a touring band perspective.

If the weather holds out, I might ride up to The Waiting Room tonight to see John Klemmensen and the Party open for Tara Vaughan. Also on the bill are Tenderness Wilderness and Michael Wunder. $7, 9 p.m.

It’s Benson First Friday, by the way.

Over at The Barley Street, Underwater Dream Machine  (Who I’m told has an amazing set of new music) plays with Island Alumni. $5, 9 p.m.

Meanwhile, over at fabulous O’Leaver’s, Saturn Moth plays with Small Houses. $5, 9:30 p.m.

Saturday night at Barley Street Blue Bird plays with The Ground Tyrants and Sam Vicari. Ten O’Clock Scholars headlines. $5, 9 p.m.

And that’s about it. Let me know if I missed anything in the comments section…

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.