UNO hosts free concert w/Icky Blossoms, M34n Str33t, Lincoln Calling continues, blue light memories (in the column)…

Category: Blog,Column — Tags: , , — @ 12:51 pm October 9, 2014
Icky Blossoms is the featured performer at tonight's free concert at UNO's Caniglia Stadium.

Icky Blossoms is the featured performer at tonight’s free concert at UNO’s Caniglia Stadium.

by Tim McMahan, Lazy-i.com

I’ve got to hand it to my ol’ alma mater. They could have gotten anyone to play tonight’s Maverick Mayhem homecoming pep rally / block party at Al Caniglia Field — former home of Maverick Football, now home to Maverick Soccer. They wisely chose Icky Blossoms.

So here’s your chance to not only see the Icky’s for free and (probably) hear some of the new material off their forthcoming sophomore effort on Saddle Creek Records, but to also check out the remodeled stadium and even grab some dinner (according to the invite, local food trucks will be on the scene).

Also on the bill is hip-hop royalty M34n Str33t and DJ Kethro. Like I said, it’s all free and starts at 6 p.m.

I don’t remember the university doing this sort of thing when I went to UNO. Sure, there was a homecoming pep rally somewhere, but cool bands never played. All we ever got was those lame UNO “parties” at the ol’ Warehouse in Council Bluffs, now long burned down…

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Lincoln Calling continues tonight in… Lincoln. Check out the full lineup at lincolncalling.com (And hey, White Mystery plays at Duffy’s!).

I guess ol’ Pearl Jam is playing in Lincoln tonight. You think ol’ Eddie and the crew will hang around after the show and check out some LC action? Wouldn’t that be a kick in the head…

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In this week’s column, memories of life working at Kmart as yet another local discounter goes down victim of the Walmart-ization of America. You can read it in this week’s issue of The Reader or online right here.

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Over the Edge: As the blue light fades

by Tim McMahan

We headed out to Kmart Saturday after I read via The Reader‘s Facebook page that the store was closing.

First thing I noticed after bracing my way through the crowd headed the other direction with armloads of stuffed white poly bags was the gray tape stripe on the floor. It split in two directions, one toward Health & Beauty, the other toward Apparel.

Neon orange signs had been taped on shelves, on end-caps, on stacks of appliances piled on the floor. “Closing sale. 10 to 30 percent off lowest marked price!” It wasn’t much of a discount, but it was only the first week. That number would climb higher — 25 to 50 percent. 75 percent. Until nothing was left but broken toys.

I wasn’t there to pick up deals. I was there to see if I recognized anyone from the old days. Foolish. My co-workers were long gone. I worked at Kmart right out of high school. Back then, this store on 134th and Maple was located off 108th and Maple — 108th Emmett, to be precise.

Unlike today, when any tat-covered, blue-haired teenager with a pissed off look can get a job at almost any store, restaurant or fast-food joint, in the early ’80s, part-time jobs were scarce. I’d applied at all the usual places — Baker’s, Food City, even a telemarketing place on 90th Street. I never got a call back.

The only reason I got that Kmart job was because my dad, who owned a salvage store in Fremont, had done business with Mr. Speckman, the store manager. Even then, it took some convincing, but I got on, hauling manure and watering plants in the Garden Shop after being indoctrinated in the checkouts. When summer ended, I sold appliances and picked up extra hours in the warehouse.

I loved working at Kmart. And though it’s been more than 25 years, I still dream about it and remember some of the arcane numeric systems — the codes. For example, all employees were given a number used for in-store announcements. My number was 32, as in “Thirty-two to the registers please, 32.” Steve was 41. Matt was 51. Rob was 55. Janie was 2. The store manager was 300. Strangely, I don’t remember my old girlfriend’s number. There’s probably a reason for that.

Every product category also had a number. Hardware was Dept. 5. Home improvement was 61. Appliances was 6. School supplies was 25. Housewares, 41. Toys, 4. Glassware, 22. Some nights, instead of counting sheep, I run through these numbers in my head in an effort to nod off.

The work was mundane. Time was divided between the checkouts, stocking shelves, warehouse work or helping customers. If you had something to do, time went by fast. If you didn’t, it crawled. There were no smart phones to fill in the empty spaces. I don’t know how anything gets done at discount stores these days. I know if I’d had a smart phone back then, I never would have gotten anything done.

Eventually they trusted me enough to let me work overnight stocking shelves, where they literally locked you in — to protect both you and them from thieves. One night I was handed a can of lacquer thinner and a putty knife and was told to scrape the old red tape-stripe off the linoleum floor. That red stripe had to be gone by sun-up to make way for the new gray tape.

The first thing I did after they locked me in was carry a boom box from the appliances department to the courtesy counter, where I taped down the handle on the PA microphone (used to announce Blue Light Specials). By pointing the mic at the boom box, I became the store’s resident deejay. It would be the first and last time bands like Guadalcanal Diary, The Reivers and The Replacements would ring throughout a Kmart.

The beauty of any hourly job was knowing your day started when you punched the clock and ended when you punched the clock again. Every Friday after 5 p.m., we all walked to the cash cage in the back of the store and picked up an envelope. That’s right. Kmart paid its hourly employees in cash once a week. I guess they figured we would spend some of our hard-earned money before we left the store, and most of us did.

I worked part-time at Kmart for five years, which helped pay my way through UNO. My last wage was $5.10 an hour. I quit shortly after I got an internship at Union Pacific that led to a freelance job that led to a career. I remember picking up my last envelope and saying goodbye to my comrades, like a parolee leaving prison, knowing some of them were bound to end up lifers.

I left them all behind. I couldn’t tell you where ol’ 41 or 55 or 51 or 2 are today. Some of them, like me, moved onto other jobs and other lives. Some of them are dead. And some of them still work at Kmart somewhere, but not at this store, not today.

Eventually there will be no more Kmarts. Every store will be squeezed out of the market by Wal-mart and Cosco and Sam’s Club. And when the last Kmart closes, we’ll lose a piece of merchandising history that will fade away like the dimming glow of a Blue Light Special and the echoing call in the distance of  “Attention Kmart shoppers…

Over The Edge is a weekly column by Reader senior contributing writer Tim McMahan focused on culture, society, music, the media and the arts. Email Tim at tim.mcmahan@gmail.com.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.

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Maha Festival adds Icky Blossoms, Domestica; Laura Burhenn returns for Omaha Gives!; NPR streams Conor; Envy Corps tonight…

Category: Blog — Tags: , , , , — @ 1:00 pm May 12, 2014
Icky Blossoms playing a rainsoaked Maha Music Festival in 2012.

Icky Blossoms playing a rain-soaked Maha Music Festival in 2012.

by Tim McMahan, Lazy-i.com

Yesterday between tornadoes the fine folks at the Maha Music Festival announced the last two acts for their Aug. 26 concert:  Icky Blossoms and Domestica.

It’s a return engagement for Icky, who played the rain-laden Maha Music Festival in 2012. I think this will represent the first time an act has played the festival twice (Wrong. Turns out It’s True! and Mynabirds both have played Maha twice, and this will be the second year also for Envy Corp.).

Domestica is a Nebraska original, and a Nebraska legend. Two core members, Heidi Ore and Jon Taylor (wife and husband) were the duo behind one of the best bands to ever come out of Lincoln — Mercy Rule — more than two decades ago.

With yesterday’s announcement, Maha’s 2014 line-up is now complete: Death Cab for Cutie, The Head and the Heart, Local Natives, The Both (featuring Aimee Mann and Ted Leo), Doomtree, The Envy Corps, Radkey, Twinsmith, Matt Whipkey, M34n Str33t, Icky Blossoms and Domestica. That’s 12 bands for $50. Such a deal…

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Speaking of Maha, the non-profit joins a handful of other non-profits including Hear Nebraska, Opera Omaha and Omaha Girls Rock! for a special fund-raising concert at The Slowdown May 21 held in conjunction with Omaha Gives! Featured acts include Saddle Creek band Twinsmith and Mynabirds’ frontwoman Laura Burhenn, in town from her new home in Los Angeles. It should be a crazy way to close out what is sure to be a crazy day… of fundrasing. Details here.

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NPR First Listen is streaming Conor Oberst’s new album, Upside Down Mountain, it its entirety. The record comes out May 19 on Nonesuch. You can listen right here.

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Maha and 850/35 Festival band Envy Corp is headlining a show tonight at The Waiting Room. The full lineup includes Moon Honey, Soft Touches, and what I’m told is the final performance of Masses. It’ll be historic. $8, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.

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Icky Blossoms next level?; Hear Nebraska album release show (Universe Contest, Simon Joyner) tonight; Mike Jaworski, Steve Bartolomei Saturday…

Category: Blog — Tags: , , — @ 2:06 pm December 27, 2013

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by Tim McMahan, Lazy-i.com

Well, I tried to go to Icky Blossoms at The Waiting Room last night but there was a snafu with “the list.” It’s an occupational hazard — even though they told you you’re on the list, there’s always a chance someone forgot. As The New Yorker footnotes in its “Night Life” section: “Musicians and night-club proprietors live complicated lives; it’s advisable to check in advance to confirm engagements.

Usually it’s no big deal — I simply pay to get in, but not this time. The show was sold out. Yes, Icky Blossoms has broached that next level of local success — they’re too big for The Waiting Room. I have no idea how well their last CD sold, but it looks like Saddle Creek may have a new Faint on their hands (which is good because they no longer have the old Faint on their hands (except in their back catalog)). The real test will be how well Icky draws outside the holiday season. Could be they simply had a huge list last night of friends and family, albeit missing one person.

It’s possible we could have a replay tonight at The Waiting Room as Hear Nebraska celebrates the release of its Vol. 2 vinyl compilation. Tonight’s show features (in this order) Pleasure Adapter, Conchance, Simon Joyner and the Ghosts and headliner Universe Contest. $8, 9 p.m. Don’t forget to pick up a slab of vinyl while you’re there.

Also tonight, Pro-Magnum returns to fabulous O’Leaver’s with Weakwick. $5, 9:30 p.m.

Two shows Saturday night feature Nebraska ex-patriots.

Over at The Sydney, former Nebraskan now Philly guy Mike Jaworski (Virgin Islands, The Cops) returns to the stage. Sayeth Mr. Jaworski: “I’ll be playing solo with some members of the Sons Of joining me on a few songs. I’ll be playing mostly new songs I’ve been working on for a new project called Shocking Waves. I may throw in a song or two by The Cops and Virgin Islands for fun too. We’ll see…” Jaws opens and is followed by Lincoln’s Weldon Keys and then everyone’s favorite local rock stars, The Sons of The Sydney. $5, 9 p.m. Check out some Shocking Waves below:

Meanwhile former Omahan now New Yorker Steve Bartolomei (Mal Madrigal) and Co. plays down at Slowdown Jr. Saturday night. Steve talks about what he’s been up to in this exclusive Hear Nebraska interview.  Opening is Noah Sterba and Ben Brodin. $8, 9 p.m.

On Sunday down at Slowdown Jr. James Maakestad (Electric Chamber Orchestra, ex-Gus & Call) headlines with Millions of Boys and Anna McClellan. $7, 9 p.m.

Meanwhile John Klemmensen hosts another “Songwriter Death Battle” at The Waiting Room Sunday night. The evening features a plethora of local singer/songwriters each playing one song using Klemmensen’s acoustic guitar. $7, 9 p.m.

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Lazy-i Best of 2013

Lazy-i Best of 2013

A reminder to enter to win a copy of the Lazy-i Best of 2013 compilation CD. The collection includes songs by Arcade Fire, Eli Mardock, Foxygen, Yuppies, Tim Kasher, Speedy Ortiz, Low and a ton more.  The full track listing is here. Entering has never been easier: To enter either: 1. Send an email with your mailing address to tim.mcmahan@gmail.com, or 2) Write a comment on one of my Lazy-i related posts in Facebook, or 3, retweet a Lazy-i tweet. You also can enter by sending me a direct message in Facebook or Twitter. Hurry, contest deadline is midnight Jan. 6!

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

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Tie These Hands ‘Come On’ Aug. 6; a good walk spoiled (in the column); Icky Blossoms, Places We Slept, Dick Dale tonight…

Category: Blog,Column — Tags: , , — @ 12:54 pm July 11, 2013

by Tim McMahan, Lazy-i.com

Lincoln band Tie These Hands announced today that their 2011 Japan-only release, Come On (Kilk Records) will be self-released stateside Aug. 6. Check out the album’s title track, recorded live at the KZUM studios June 30, below.

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In the column, remembering local golf legend Tom Sieckmann and touring the city’s finest 9-hole muni’s. It’s in this week’s issue of The Reader, or read it online right here.

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The folks in Icky Blossoms have been on the Twitter talking up their new high-tech lighting rig they’ll be rolling out for the first time tonight at their O’Leaver’s debut. Three new IB songs could also be debuted tonight in what is sure to be a sweat-soaked, drunken nightmare of a show that you won’t want to miss.

Tonight’s show, btw, is an Eyeball Promotion (discussed here earlier), and also is the record release party for rock band Places We Slept. OWH‘s Kevin Coffey has some data on that band here. The only thing I know about them comes via their Bandcamp page, and the attached Vimeo video for “Sewage Bay Atlantic” (below). Rounding out the bill is Chicago band Outer Minds (HoZac Records, FDH). The stinky, sticky fun begins at 9:30 p.m. and will cost you $5 (as per usual).

“Sewage Bay Atlantic” – Places We Slept from Emma Penrose on Vimeo.

Also tonight, surf rock legend and Dick Dale returns, this time to The Waiting Room. Opening is Huge Fucking Waves. $20, 9 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

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Kanrocksas debacle a scary sign? Icky to open for Phoenix; McCarthy Trenching, Gordon tonight…

Category: Blog — Tags: , — @ 12:54 pm May 29, 2013

by Tim McMahan, Lazy-i.com

Word spread via the social media yesterday afternoon that the Kanrocksas festival — which was supposed to be celebrating a return after taking a year off — has been cancelled due to poor ticket sales.

Festival acts were to include Yeah Yeah Yeahs, Avett Brothers, Kendrick Lamar, Passion Pit and MGMT, among others. According to this Kansas City Star story, the fest drew 50k attendees in 2011 — with Flaming Lips as one of its key headliners — but still managed to lose “significant money” (I’ve heard in excess of $1 million). This year they decided to take a “Moneyball” approach. “We felt like we could buy four to five great bands for the price of one,” said festival organizer Bill Brandmeyer. “It was like a small-market philosophy to get the most of our money and offer something special.” Tix were priced at $99 one-day, $175 two-day.

That price point for a collection of mid-tier acts seemed rather steep, until you consider that Cheap Trick at Stir last weekend was fifty freakin’ bucks. Last night’s Bloc Party show was $25, and I have a feeling you can expect to pay at least that much for quality mid-tier acts (i.e., those that could draw Slowdown big-room or TWR crowds) moving forward.

So is Kanrocksas’ failure a reflection of the weakening interest in indie music? Maybe, but consider how massive festivals like Coachella and Lollapalooza sold out almost immediately (though there are still plenty of tickets available to Pitchfork Fest), and how quickly Maha moved its pre-sale tix. Kanrocksas’ fatal error may have been in that Moneyball strategy. They needed at one one huge act each night.

That said, I’m not convinced interest in indie isn’t waning with this Spotify generation that expects to get everything indie for free or at reduced prices. There are fewer touring indie shows coming through town these days, which may reflect apprehension by a certain local promoter to take high-dollar chances in a market that doesn’t even have a radio station that regular airs indie music.

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That said, Phoenix just got booked to play at the Music Hall Aug. 6, and guess who’s opening for them? None other than local electronic dance rock heroes Icky Blossoms. Tix go on sale Friday via Ticketmaster.

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Couple shows going on tonight…

At fabulous O’Leaver’s McCarthy Trenching headlines a show with NC band JKutchma & the Five Fifths, and Brad Hoshaw. $5, 9:30 p.m.

Meanwhile, Gordon (who seems like they’re playing gigs twice a week these days) is headlining at The Waiting Room tonight with Red Lion and Timecat. If you haven’t checked out Gordon, this may be the perfect chance as this one is FREE. Starts at 9.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2011 Tim McMahan. All rights reserved.

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Tell me when I’m wrong; Sick Birds Die Easy trailer, new Icky Blossoms vid online…

Category: Blog — Tags: , , — @ 1:51 pm March 6, 2013

by Tim McMahan, Lazy-i.com

With nothing indie musicwise to write about this week (though my column, which goes online tomorrow, is about the Women Who Rock exhibit) I thought I’d take this moment to point out another in a series of flaws and apologize in advance…

I keep finding instances where I either spelled someone’s name or project wrong in a past article or blog post and the person who I was writing about (who must have known I blew it) said nothing. First, sorry for the f-ups. It’s happening more often lately, moreso (I think) out of work stress than age. Second, tell me when I got it wrong, please.

One guy who I’ve been mentioning in the blog for years recently pointed out (very subtly, very nicely) that I consistently spell his last name wrong. In addition to being a cardinal sin in journalism, I’m more than familiar with this sort of mistake as people always spell my name as if I were the lost son of Ed McMahon (there’s no f-ing “o” in my name).

And then yesterday in Facebook I noticed that the trailer for Nik Fackler’s documentary, Sick Birds Die Easy, was finally uploaded to YouTube. I was trying to figure out when I first wrote about Nik’s new movie, so I did a search in Lazy-i and discovered that I referred to the film as Sick Birds Die Young. What a massive f-up. And it appeared that way in print, too. Nik must have saw the error, but being the charming lad that he is, said nothing to me about it. If it appears only online, I can at least try to fix it (that’s the miracle of the Internet). If it’s in print, well, I can’t do anything about that as The Reader typically doesn’t publish corrections.

Anyway… Here’s the trailer to Nik’s new film. Looks like a drug-filled adventure featuring some familiar faces from the Omaha music scene. And tell me if I’m wrong, but isn’t that the guy from the “What do you think this is, a Holiday Inn?” commercials?

Here’s a classic Holiday Inn spot featuring above-mentioned actor. That series of commercials was better than 90 percent of the sitcoms aired on network television over the past 10 years:

That’s not the only project Nik has been busy with. There’s this little ol’ band called Icky Blossoms that just happens to have dropped a new video this week for the song “VIllage,” directed by and featuring the folks in Church of Tomorrow. As George Takei would say, “Oh my….

One more thing…

As mentioned last week, the comments section of this website has been busted for who knows how long. It’s fixed, so you can now conveniently report my mistakes 24 hours a day…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.

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Oberst: More Desa, solo recordings on the way; Icky in Huffington; the Hug Culture (in the column); Springsteen tonight…

Category: Blog — Tags: , , , — @ 1:51 pm November 15, 2012

by Tim McMahan, Lazy-i.com

In an interview with the Philadelphia Inquirer released this morning, Conor Oberst talked about writing solo material, the future of Desaparecidos and Bright Eyes.

On Desa: “They haven’t announced it yet, but we are going to do some more shows and put out more music next year.” With Obama winning the election, I can imagine the edge of the Desa knife slightly dulled. Had Romney won, I could see a very fierce future for the band, because there’s nothing like having an asshole in office to spur a punk message. Either way, it’ll be good to get some new Desa. Now if they could just get me that 7-inch single that I ordered last summer; its ship date has been postposted until mid-November.

On his solo work: “My main thing is just to keep writing. I’ve been doing some songwriting that’s for my own record, I suppose. That’ll happen next year, under my own name.”

But Oberst reiterated that Bright Eyes ain’t over. “No. I love playing with Mike and Nate. Hopefully, we’ll do that sometime in the near future. . . . They both worked on a movie called ‘Writers’ that I wrote a song for that will be out next year.”

Read the whole interview here.

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There was a nice feature on Icky Blossoms posted this morning in The Huffington Post. Curious quote: “It can get tricky knowing which band a song belongs to,” Pressnal — who is in five bands — said. Five bands? Let’s see, Tilly, Icky, Flowers… and then… what?

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In this week’s column, how we’re living in a culture where people say hello with a hug, and how I just don’t fit in. Read it in this week’s issue of The Reader, or online right here.

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Based on the last time he came through town, I’m not surprised that tonight’s Bruce Springsteen concert isn’t sold out. That show, in March 2008, sucked. S U C K E D. The review is online here. The only saving grace to having gone to that concert was being able to see Clarence Clemons perform before he died. What would be awesome: Instead of seeing Springsteen at the Century Link echo chamber from a mile away play three hours of redundant, boring songs, seeing him play in a much smaller venue and be forced to do a one-hour set — now that I’d pay big dollars to see.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

Lazy-i

Video Roundup: Icky Blossoms, UUVVWWZ; Satchel Grande headed to SXSW; Kasher’s ‘other band’; Sock Hop tonight…

Category: Blog — Tags: , , — @ 1:59 pm November 8, 2012
A still from Icky Blossoms' new video for "Heat Lightning."

A still from Icky Blossoms’ new video for “Heat Lightning.”

by Tim McMahan, Lazy-i.com

Slow news Thursday, so here’s a peek in my e-mail box…

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“Heat Lightning” just happens to be my favorite song off Icky Blossoms’ self-titled Saddle Creek Records debut. And despite the fact that there’s no sex and/or destruction, this video for the song (exclusively at RollingStone.com) is my favorite vid from the band so far. Icky currently is out on the road with Tilly and the Wall, playing the Great American Music Hall tonight in San Francisco.

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I recently got into an awkward discussion about another Saddle Creek Records band — UUVVWWZ. A guy was complaining that the Lincoln band gets too much attention for an act that makes “art noise.” Needless to say, his complaints didn’t come as a surprise as the guy is really into Americana music and mainstream rock. Nothing wrong with that, but he doesn’t hear me complaining about how boring his band is, does he? Anyway, you either “get” UUVVWWZ or you don’t. I’ve dug their music since waaay back in 2008 when I first saw them perform at the long-gone Saddle Creek Bar. Based on this brand-spankin’ new Love Drunk video for the song “No Apart,” I figure they must be working on a new record. Hat’s off to Lincoln Mayor Chris Beutler for providing his office (and being a helluva drummer).

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Congrats to Satchel Grande, who were named in the first wave of acts invited to play at South By Southwest in 2013. Which reminds me, I gotta get my lodging figured out if I’m going back to Austin again next year.

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Matador just announced that Cat Power has cancelled her European tour for health reasons. I mention this only because I’d love to see Cat Power play at the Maha Music Festival next year. Wishful thinking I know, especially if she can’t stay on top of this health issue.

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Speaking of cancelled tours, according to his official fan site, Morrissey will announce his rescheduled U.S. Tour dates next Monday, including the Lincoln date.

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There’s another Tim Kasher interview that just went online at Phoenix New Times.  Golden quote:

So, you don’t have a metal album coming out any time soon?
We should, that’d be great. The other band name is Crucifix.

Ha ha! Awesome…

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Every month Reader music editor Chris Aponick busts my balls because I forget to mention the “Sock Hop” event he hosts at Loom. Well, tonight’s the night. In addition to playing sock hop hits of the ’50s, Noah Sterba and the Cocktails will be in the house. “Expect folk-tinged retro-pop nuggets perfect for any chilled house party or in this case, a relaxed Thursday night of music and dance.” At Loom, 9 p.m., free. More info here. Now get off my back, Aponick.

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Also tonight, Michigan-based indie-folk troubadour Small Houses, a.k.a. Jeremy Quentin, plays at Slowdown Jr. with Field Club and Great American Desert. 9 p.m., $7.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

Lazy-i

Lazy-i Interview: Nik Fackler’s delicate/hectic balance between film and music; Sun Airway, Filter Kings, Wallflowers tonight…

Category: Blog,Interviews — Tags: , , , , , — @ 12:49 pm October 25, 2012
Nik Fackler

Nik Fackler

by Tim McMahan, Lazy-i.com

As mentioned before, I typically point you to my weekly column in The Reader on Thursdays because the topics generally aren’t music related, but when I do write music-related column, like this week’s interview with Nik Fackler, I’ll go ahead and include it here (as well as point you to The Reader‘s website). So here you go:

Over the Edge: The Life and Times of Nik Fackler

The filmmaker and musician is about to take another turn.

by Tim McMahan

Who exactly is Nik Fackler?

He used to be known as a filmmaker who wrote and directed Lovely, Still, the independent feature film starring none other than Martin Landau, Ellen Burstyn and Elizabeth Banks. If you haven’t seen it, you’re not alone.

But after the film failed to garner national distribution, Fackler changed careers. These days, he’s a rock star (whatever that means in the post-music industry era). In fact, this column was targeted to support the debut vinyl release by his band InDreama, which takes place this Saturday at The Slowdown in what surely will be an orgy of weirdness and delight performed (and viewed) through sweaty Halloween masks. Fackler would have it no other way.

But InDreama is just one slice of this musician’s life. Our interview for this column took place less than 24 hours after Fackler returned from a two-week tour playing bass with nationally known indie pop band Tilly and the Wall. Fackler talked via cell phone while driving from band practice with InDreama and heading to another band practice for dance/grind/vibe rock band Icky Blossoms, where he plays guitar. For those of you keeping count, that’s three bands, simultaneously.

So I guess Fackler is committed to being a musician, right?

Well, no. While all this was going on, Fackler completed his second feature film, the documentary Sick Birds Die Easy, and submitted it for consideration to the Sundance Film Festival. He’s keeping his fingers crossed that the movie will have its world premier there in January.

And then… what?

“Right now I feel overwhelmed,” Fackler said. “I would hope that I can do music for awhile, and if none of it succeeds, I’ll always have filmmaking waiting for me. It’s mostly filmmaking and storytelling that’s calling me, but music is a much easier way to express yourself. It’s more fun and it’s cooler than filmmaking, even though I think I’m better at filmmaking…”

Such is his conundrum. It’s not that Fackler is confused as much as exasperated. He says making films is really more about the business of selling a project. “You have to make the most beautiful package possible — here’s a great script, great actors, great music — it has to be something they can’t say ‘no’ to.”

“They” are the money people who will finance it all. The plan was to ride the success of Lovely, Still to his next film project. “I didn’t touch a guitar for two and a half years during Lovely, Still,” he said. “I was ready to be a filmmaker. And then Lovely, Still wasn’t successful. I’m proud of it and hope over time more people get to see it, but it didn’t go anywhere. It came out in 2007 when every (film) distribution company was closing its doors. The film sat there and waited for the economy to pick up and was forgotten.”

Meanwhile, Fackler’s disillusionment about the filmmaking process only grew. “I got to the point where it was time to write a new script, and that time passed me by,” he said. “I felt constricted. I hoped Lovely, Still would blow up and I could make another film right away. When it didn’t, I had to start over. I knew it would take years to make another film, so I picked my guitar back up because I needed an immediate release of creativity. If I don’t have that, I feel like I’m being choked.”

InDreama, self-titled (Team Love, 2012)

InDreama, self-titled (Team Love, 2012)

Fackler became a wanderer. He didn’t have a job, he slept on couches, he traveled. “I fell off the grid,” he said. And all the while, he wrote songs and recorded them on his MacBook using GarageBand. After a year, he had completed 15 songs, which he played for Ashley Miler, a Kansas City music producer with a “far out psychedelic mind” who helped pull it all together into a cohesive package.

The final product is a very strange, very personal musical document of Fackler’s lost year that listeners will either “get” or won’t. He hopes it’s the former but is okay if it’s the latter. “If people like the music, that’s awesome. If not, I’m not paying attention.”

While all that was going on, Fackler finished his next script, tentatively titled We the Living, which he said combines mythology and religion with a science fiction aspect. But before he figures out how he’s going to make it, he has to go on tour with both InDreama and Icky Blossoms before (hopefully) heading to Sundance to screen and promote Sick Birds...

So who exactly is Nik Fackler?

To me, he’s the same 19-year-old mop of hair that I remember meeting at his parents’ diner back in 2005. Goofy, smiling, bleary eyed and happy. Now 28, he never seems to age, but he’ll tell you he has.

“It gets harder as you get older,” he said. “No one is expecting anything from me, but I’m expecting more from myself. As I get older, it gets weirder. I own a house and am in debt to banks and don’t have health insurance (and probably should). Should I be worried about this? I’ve got all sorts of lives to live beyond this one.

“I would love to say I have a direct vision to my path, but I don’t,” he said. “I’ve really let go as an artist. I jumped off the path and don’t see it anymore, and something inside me tells me that’s okay.”

* * *

Join Fackler on his pathless journey this Saturday at The Slowdown for the Freaks of the Night: Halloween Costume and Dance Party a.k.a. the InDreama record release show. Also on the bill is Icky Blossoms, Lincoln freak show performer Plack Blague and Places We Slept. Tickets for the 9 p.m. performance are $6.66 in advance or $8 day of show.

Over The Edge is a weekly column by Reader senior contributing writer Tim McMahan focused on culture, society, the media and the arts. Email Tim at tim.mcmahan@gmail.com.

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I’ve been listening to Philly dreampop band Sun Airway most of the morning. The publicist describes their music as “Touches of ELO and New Order brush up against hints of modern sounds like M83 and Radio Dept., carried by the subtle breeze of Bjork’s Homogenic,” which  pretty much sums it up. There’s definitely a heavy M83 dreamgaze thing going on. Pitchfork gave their last record, Soft Fall (Deep Ocean), a dazzling 7.3 rating. Check out their video for “Close,” below. Opening is Kite Pilot, who is on a bit of a local tour with four show slated in as many weeks. $12, 9 p.m.

 

Meanwhile, over at O’Leaver’s, those boot-scootin’ sumbitches The Filter Kings are headlining a show with Reno Divorce and Ground Tyrants. $5, 9:30 p.m. Don’t forget your cowboy hat!

Finally, down at The Slowdown, it’s the return of Jakob Dylan and The Wallflowers, with Trapper Schoepp and the Shades. $30, 8 p.m.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

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Live Review: Maha Music Festival rocks in the rain (and some sh**y photos)…

Category: Blog,Reviews — Tags: , , , — @ 1:02 pm August 13, 2012

by Tim McMahan, Lazy-i.com

There will be more details on Maha and its future in this week’s column. That said, here are some of my initial thoughts:

— Set up in Stinson Park involved construction of a massive second stage next to the Stinson’s permanent stage structure. I was told this was needed because of Garbage’s staging requirements. Though I’m sure it cost a fortune to erect this second “main” stage, the effect was to give the local bands a terrific second stage to play on. The set-up was hands down an improvement over last year’s second stage sitch (and much better than the Lewis & Clark Landing rinky-dink second stage from years 1 & 2). It just elevated the local bands to another more-professional level for folks who have no idea who they are. The only downside: It sounded like one of the amps/speakers was blown in the second stage’s left stack, causing some annoying crackling.

— Food options were adequate, though they could have used a second pizza vendor judging by the snaking line outside the pizza table throughout the day. Bottom line: Given a choice, most people will pick pizza every time.

— I didn’t show up until Josh Rouse. I would have liked to have seen Conduits and Eli Mardock but they were too early in the day, and I didn’t care about Frontier Ruckus or the other early-day bands. I continue to have zero interest in rural-flavored Americana/roots music. That applies to Delta Spirit, though I see them more as a throwback to leather pants ’70s freedom rock. Not my cup of tea, but I have to hand it to them for playing a good set.

— Favorite performances: Dum Dum Girls and Icky Blossoms. Lining up DDG was a coup for Maha — a fantastic band that plays modern rock music; a band that any festival would be lucky to have. Icky Blossoms will be remembered as having one of the most talked about performances of the festival — a full-on frontal dance attack played to a crowd itching to groove. Let’s see if they can make it translate outside of Omaha.

— A solid band with a national rep, Garbage still seems like an odd choice for this festival, though they were probably responsible for selling most of the tickets. In a bill that consisted mostly of indie bands, Garbage has been on Warners or Geffen up ’til their latest (and weakest) release, which came out this year on V2 (owned by Universal). Garbage is more of an alternative rock act than an indie band, and in some ways, a departure for Maha. Did it pay off? We’ll have to wait and see what the numbers say. In some ways, it only confused matters regarding what Maha is supposed to be about. Is it an indie music festival? An alternative rock festival? That said, they played a solid set that laid heavily on their radio-friendly, formulaic back catalog.

— The rain sucked. It’s hard to complain about it since we haven’t had much rain over the past summer. Throughout the last half of the day it rained just enough to annoy, eventually driving people to nearby tents only to stop after a few minutes before starting up again. But whaddyagonna do?

— I would say about a quarter or more of the crowd left before Desaparecidos began playing. Conor and Co. never sounded better as they pushed the festival’s midnight deadline. I could hear the roar of their guitars as I took off early, hightailing it back home on my bike while there was a break in the rain on the radar.

Now here’re some shitty photos taken with my iPhone. Looks like I’ll be getting that iPhone 5 when it comes along because these days my camera makes everything look like it’s covered in a London fog.

UUVVWWZ moments before they started their set.

UUVVWWZ moments before they started their set. The Lincoln band was the quirkiest, arty-est band of the day. Either you were into it or you weren’t. I for one can’t wait to hear their new album.

Dum Dum Girls at the Maha Music Festival 2012.

One of the highlight performance at this year’s festival was the Dum Dum Girls. Red hot!

Maha Festival 2012 crowd mid festival.

Maha Festival 2012 crowd mid-festival, taken from on top of the northwest hill with cars zooming by on Center Street behind me.

Myanbirds at Maha Festival 2012

Mynabirds at Maha Festival 2012.

Icky Blossoms at Maha Music Festival 2012

Icky Blossoms bask in a dance glow emitted from the Maha crowd.

Garbage at Maha Music Festival 2012

Garbage at Maha Music Festival 2012. Smudge on the far right is Shirley Manson. Honest.

No shots of Desaparecidos as everything looked like a blur in the night stage lighting. For whatever reason, no direct spotlights were used on either stage.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2012 Tim McMahan. All rights reserved.

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