by Tim McMahan, Lazy-i.com
Thanks to all of you who opened your wallets and gave to Hear Nebraska during this year’s Omaha Gives event. I’m told more than 300 people contributed gifts totaling more than $13,000, plus the organization won an addition $3,000 for having the most unique donors for its size category.
Of course you’ll have a chance to donate to Hear Nebraska again June 3 when Reverb Lounge hosts a very special rock show. Details at the bottom of this blog entry. Seriously, mark your calendars…
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So who/what is Laibach? According to Wikipedia:
Laibach (Slovene pronunciation: [ˈlájbax]) is a Slovenian avant-garde music group associated with industrial, martial and neo-classical musical styles. Laibach was formed on 1 June 1980 in Trbovlje, Slovenia, at the time SFR Yugoslavia. The band represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name “Laibach” is the German name for Slovenia’s capital city, Ljubljana.
The band is on the road touring their most recent album, Spectre (Mute, 2014), which Pitchfork gave a lowly 4.9, saying, “The stiffly prefabricated industrial-dance grooves that Laibach habitually fall back on don’t quite cut it any more, and without a monolithic state to serve as the object of their satire, they’re reduced to mocking political fatuity. The result is sometimes all but indistinguishable from what they’re mocking.”
But what does Pitchfork know? I haven’t heard the record, but I know that Laibach is renowned for its live shows, which are nothing less than arena quality. The fact that they’re coming through Omaha and to Slowdown is something of a miracle.
This is a recent live review, from Quietus, April, 2, 2015:
Their current show is dark, dense, thrilling, hilarious, a spectacle in a way precious few of the theatrical arena performances of our day so much as approach.
Chiefly, this set is heavy-duty ’80s electrop – damn fine heavy-duty ’80s-style electrop, at that – with the ludicrously charismatic Milan Fras’s vocals not so much guttural as dredged from the drains, and his (equally ludicrously beautiful) foil, Mina Spiler, cast as the perfect Teutonic, operatic ice-queen soprano. They assemble amid the sound of howling wind and slow percussive menace, as Riefenstahl searchlights rise from the stage and a skeletal constructivist tower weaves itself from lines of light across the backdrop screen.
One more comment from Wiki: The popular German musical group Rammstein has acknowledged influence by both the aesthetic approach and material of Laibach. When members of Laibach were asked by an interviewer about Rammstein “stealing” from them, they responded that “Laibach does not believe in originality… “
This show comes the day after Judas Priest launched this year’s Stir Concert Series. Laibach has little if anything in common the JP’s Spinal Tap pop metal, but I have to believe it would appeal to some of those who threw the devil horns last night in Council Bluffs. Maybe not. $25, 8 p.m.
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Here’s that reminder I was telling you about. June 3. Be there.
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.