Lana Del Rey headed to The Orpheum Nov. 13; Criteria to join Cursive on the road…

Category: Blog — Tags: , , , — @ 12:37 pm October 10, 2019

Lana Del Rey is slated to play at The Orpheum Nov. 13.

by Tim McMahan,

Well, it’s just been dead news-wise the past few days, with no shows going on. It must be fall. This happens every year, right? Actually, I’m not sure that’s true. I’m also not sure Omaha isn’t becoming flyover country again like it was in the ‘80s and early ‘90s.

I say that and then yesterday the internet exploded with news that Lana Del Rey is doing a show at The Orpheum, Wednesday, Nov. 13. I’ve been listening to her new album, Norman Fucking Rockwell!, quite a bit lately, and I was a fan of her debut, Born to Die, or specifically of the song “Video Games.” A little of Lana goes a long way, especially when she pulls out her baby-doll voice — a combination of Marilyn Monroe and Betty Boop — as she did too often in those early records.

But Lana left her inner Marilyn at home when recording the new album, which is her most mature and satisfying to date. Del Rey’s music has always played like the soundtrack to ’70s So-Cal cinema, an audio version of Tarantino’s latest complete with characters drawn from a make-believe version of El Lay, one with endless sunsets and endless broken relationships played out on Venice Beach or the Hollywood Hills, circa 1975. Pretty stuff, if a tad formulaic.

I enjoy having her music in the background if only for the flat tone of her voice and the low-key arrangements that make it easy to ignore. That said, it’s perfect for a seated-audience Orpheum performance. In fact, I initially had Del Rey in mind as the obvious “get” for a Maha Festival, but her style seems better suited for a theater than the grassy knoll at Stinson Park.

Anyway, tickets don’t go on sale until tomorrow (Friday) at 10 a.m., and based on some of her past gigs, I won’t be surprised if the price point starts above $100. I couldn’t find the show listed on the Ticket Omaha website. Yet, strangely, there are a number of websites already selling tickets, such as, which has tickets ranging in price from $222 to $652. How is that possible?

You’d expect it to sell out quickly, but who knows how well it’ll do in Omaha. There are still tickets available to her theater show in San Diego Friday night. Here’s hoping that Craig Dee, with all his music-industry connections, can finagle a Lana Del Rey after show at O’Leaver’s. Now that would be something…

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This just in, Criteria will be joining Cursive on their upcoming January tour. That’s right, Criteria. Rumor has it the band has a new record already in the can, and there have been even more rumors as to who will be releasing it, but nothing “on the record.” Also on the bill is indie superstars Cloud Nothings — that’s an impressive line-up.

There’s no Omaha date on the tour, but I wouldn’t be surprised if we get a sneak peek of Criteria’s set in the form of a warm-up gig prior to them hitting the road…

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Cursive will ‘Get Fixed’ via 15 Passenger Oct. 11…

Category: Blog — Tags: , , — @ 1:03 pm October 1, 2019


by Tim McMahan,

Cursive, Get Fixed (2019, 15 Passenger)

Omaha indie band Cursive today announced that its next album, Get Fixed,  will be released on their 15 Passenger Records label Oct. 11.

Anyone who’s been paying attention to Cursive the last few weeks knew something was up as they kept releasing new songs via YouTube on a weekly basis, performing four new songs live at O’Leaversfest a couple weekends ago.

From the 15 Passenger website:

“While the album was largely born out of the same sessions as Vitriola with founding drummer Clint Schnase, ‘Stranded Satellite’ and ‘Black Hole Town’ were recorded this year and feature touring drummer Pat Oakes.

“‘We’re quite proud of the work we’ve done on both Vitriola and Get Fixed,’ explains singer/guitarist Tim Kasher in a letter describing the genesis of the new album. ‘In certain ways, they may forever be considered companion pieces, but Get Fixed feels as though it’s been emancipated from the Vitriola session: the extra care and attention it received has helped it develop an identity very much its own. These songs of anger, frustration, helplessness and loss feel more poignant to us now than even a year ago — we’re thrilled to finally introduce them to our world.'”

Pre-orders are being taken right here at the 15 Passenger Bandcamp website.

Cursive will head back out on the road mid-month for a run of dates supporting Against Me! as well as two headline shows in Philadelphia and Brooklyn. In November, the band will embark on a month-long headline tour throughout the southeast and southwest with Cloud Nothings supporting.

Check out the latest single from the album, “Stranded Satellite”:

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Live Review: Cursive at O’Leaversfest 2019…

Category: Reviews — Tags: , — @ 1:19 pm September 23, 2019

Cursive at O’Leaver’s, September 21, 2019.

by Tim McMahan,

Combine a sellout crowd with summer downpour and O’Leaver’s turns into a sauna. Saturday night — the second night of O’Leaversfest — was no exception. The room felt like a steam bath, and there was no escaping unless you wanted to get soaked.

O’Leaver’s was never designed to be a live music venue, let alone one that hosts 100+ sized sellout crowds. That said, if you were quick and clever, you could squeeze through the press of bodies to the club’s upper area near the band and get a much better view than, say, from the floor near the bar, where the only thing visible was people’s butts.

Despite the heat and the crush-mob crowd, it was a helluva show. The sound was remarkably good, and Kasher’s voice never sounded better. Credit the club’s small size, as every instrument could be heard including Megan Siebe’s cello, which in the past has gotten lost in the mix. Not Saturday night, though to be truthful, I was only 20 feet from where she sat. The only audio flaw was a few minutes of squealing feedback during the second song, which sounded like it was coming through the monitors more so the mains. The sound guy figured it out quick enough.

Those who have been to packed O’Leaver’s shows know that the line between where the band plays and where the crowd starts is essentially nonexistent. With no stage, they’re playing standing (or sitting) right in front of you.

The trouble with this started shortly after Cursive began playing. The crowd quickly lost its shit and began mosh-style shoving and pushing. Frontman Tim Kasher, who’s starting to look like a young Charlie Manson with his long hair, wasn’t having it. Between songs he warned the crowd that if someone ran into Megan, who was seated playing cello next to him, he and the rest of the band were going to kick their asses. I have absolutely no doubt this would happen. A couple songs later, Kasher got into an argument between songs with some dude standing in front of the band — I’m not sure what it was about, but the guy took off and Kasher called him back. The arguing went on for a few minutes more off microphone. It was a weird deal. Finally, guitarist Ted Stevens asked everyone to calm down and the band ripped into the next song.

The night’s song selection was played chronologically, starting with a song off with something from The Storms of Early Summer and going into Domestica, The Ugly Organ and so on up through a couple songs off Vitriola, their latest album. It was a greatest hits set list that featured probably the best version of “From the Hips” I’ve ever heard, with Kasher walking right out into the middle of the crowd and singing surrounded by the throngs who sang along throughout most of the set.

Four new songs capped the performance, including two I’ve never heard before — “I Am Goddamn” and “Stranded,” — as well the two tracks released as singles the past couple weeks — “Black Hole Town” and “Barricades.” The new material at times featured the entire band playing a handful of notes together, pounding like a stumbling monster, thick and foreboding. It would give way to a vocal hook or gorgeous keyboard line, with Siebe and keyboardist Patrick Newbery used to full effect. (The only players I’ve yet to mention are at the core — bassist Matt Maginn and drummer Pat Oakes — who were spot-on solid all night).

Cursive always has been a somewhat dark band, but this new music, some of it pointedly political, represents a shift from anxiety to fear, perhaps a reflection of our times where the monster is running amok before our very eyes and there’s nothing anyone can (or will) do about it.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


O’Leaversfest weekend (Meat Wave, Pro-Magnum, Cursive, No Thanks, TFOA, Oquoa); WHY? tonight; Lincoln Calling continues…

Category: Blog — Tags: , , , , — @ 12:34 pm September 20, 2019

Cursive at O’Leaver’s, Dec. 20, 2013. The band returns for O’Leaversfest Saturday.

by Tim McMahan,

It’s the festival we’ve all been waiting for — O’Leaversfest! Three nights of headline-grabbing talent on O’Leaver’s pseudo-stage. Let’s run through all three days.

Day 1 – Tonight (Friday) – Chicago-based indie act Meat Wave headlines. The band has spent many a night opening for Cursive on that band’s recent tour. Opening tonight is our very own Pro-Magnum and Eric in Outerspace. There’s also a street/skate clothing pop-up store happening somewhere in the O’Leaver’s compound. $8. 10 p.m.

Day 2 – Saturday – The bosses will be in the house as Cursive headlines a show that, by the time you read this, is likely to be sold out (find out here). Every O’Leaver’s Cursive show is strangely unique, and no doubt this one will follow suit. Hot up-and-comers No Thanks open along with The Natural States. $10, 10 p.m.

Day 3 – Sunday – It’s a BBQ at The Club with an early 4 p.m. start time. Headlining is everyone’s favorite Omaha garage act Those Far Out Arrows. STATHI and Oquoa open (and is this a goodbye performance by a certain special drummer?). BBQ by Thunderbird Wines (no kidding). $7.

Now, let’s hope the weather cooperates!

Of course there’s another festival happening this weekend… in Lincoln.

The standout acts at tonight’s Lincoln Calling include See Through Dresses, Her Flyaway Manner, Bright Calm Blue, Universe Contest, Histrionic, The Mezcal Brothers and Josh Hoyer and Soul Colossal. It’s a bounty of local talent.

The standouts Saturday at LC include Miwi La Lupa, Diplomats of Solid Sound, Meat Wave, Bogusman, Charly Bliss, Pleasures, Charlie Burton & Or What, The Millions, and Dereck Higgins.

Check out the full schedule and ticket info at

A non-festival show of note is happening tonight at The Waiting Room where Cincinnati indie act WHY? headlines. Their latest, AOKOHIO, was released on Joyful Noise Recordings. Brooklyn’s Barrie opens at 8 p.m. $18.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Lincoln Calling starts tonight (Soccer Mommy, Samia, Fanclub); another new Cursive single…

Category: Blog — Tags: , , , , — @ 12:39 pm September 19, 2019

Lincoln Calling starts tonight…

by Tim McMahan,

It’s frickin’ year 16 for Lincoln Calling, can you believe it?

The annual festival officially kicked off yesterday, but the main spate of shows begins tonight. The festival boasts 80+ bands in eight venues over four days. You can see the entire schedule at This year’s line-up is heavy on the hip-hop/pop/DJ culture, with only a smattering of indie rock compared to last year’s stellar line-up.

From an indie perspective, all the fun tonight is at The Bourbon Theater, where headliner Soccer Mommy plays at 11:30. Fronted by Nashville native Sophie Allison, the crew released its debut, Clean, last year, which placed it front and center among a cloud of indie singer-songwriters like Saddle Creek’s Hop Along, Stef Chura, Big Thief, etc.

Interestingly, today Allison released a new song and 7-inch single, “Lucy,” via Loma Vista Recordings. Check it below, and expect to hear it tonight at the Bourbon. After this gig, she’ll be out on tour opening dates for Vampire Weekend and Wilco. Not bad.

The Bourbon gig kicks off at 7 p.m. with Fanclub, a kickly little indie-pop trio from Austin. They’re followed by Boston singer/songwriter Squirrel Flower, who sounds like the second coming of Mitski on her 2018 album Contact Sports (2000 Pigs Records). That’s followed by Samia, a New York singer/songwriter who’s been compared to Phoebe Bridgers (though she sounds more upbeat, imho). Samia is signed to Grand Jury Music. It all leads up to Soccer Mommy at 11:30.

Of course there also are bands at Duffy’s, Zoo Bar, Bodega’s and 1867 Bar, but I’d be hanging at the Bourbon if I was headed to Lincoln tonight.

So how much does it cost? Single day passes are $25. Three-day all-access passes are $50. VIP packages are $125. Full info at

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Today Cursive dropped yet another new single in YouTube, “Black Hole Town.” According to the page, the song will be released tomorrow on 15 Passenger Records. One assumes, digitally. This comes on the heels of the single “Barricades,” which was released Sept. 13. I’m not sure if these songs are part of a 7-inch release, maybe an EP or other upcoming record? Time will tell. Or I guess I can just ask them when they play O’Leaversfest Saturday night.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


New Cursive single; new Saddle Creek hip-hop single, Album of the Month features Mynabirds; Kristin Hersh Electric Trio tonight…

Category: Blog — Tags: , , , , — @ 12:50 pm September 12, 2019

Kristin Hersh Electric Trio plays tonight at Slowdown Jr.

by Tim McMahan,

Some tidbits that have been hanging out in my in-box:

Cursive released a new single today, the song “Barricades.” This isn’t on their most recent album, Vitriola. Rather, it apparently is just a straight-up single released just in time for their late summer/fall tour (that brings them to O’Leaver’s a week from Saturday, Sept. 21 (O’Leaversfest)). Check it below.

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Saddle Creek not only announced the next single in their Document series, but the label is now launching an Album of the Month.

First, the single — it’s by Richmond, Virginia, artist McKinley Dixon, entitled “Anansi, Anansi” b/w “Wit These.” I think this is the first hip-hop release by Saddle Creek (that I can remember). Check out the track below and order the single here.

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Also new from Saddle Creek is the launch of an Album of the Month feature, which “will spotlight one album each month from the SC catalog, extend exclusive offers on these albums, and hopefully help you find a favorite album you just might not have discovered yet.”

The kick-off album is The Mynabirds’s 2012 LP Generals. Saddle Creek is offering an exclusive Generals bundle as well as sale prices on the standard vinyl, CD and digital formats.

To celebrate, the original touring band for the album is getting back together for a small tour that includes a night at Reverb Lounge Sept. 25.

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Rest in Peace Daniel Johnston, who passed away yesterday after suffering a fatal heart attack. He was 58. Way back in 2008 Johnston played with Reagan and the Ray Guns as his backing band at The Slowdown, a band included Reagan Roeder, Kyle Harvey, Mike Friedman and drummer Scott “Zip” Zimmerman. It was a rather unique performance that ended with the audience serenading an absent Johnston with a sing-along rendition of “Devil Town.” Here’s hoping he’s singing it up in Angel Town…

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Tonight at Slowdown Jr., Kristin Hersh Electric Trio headlines. Hersh’s latest album is 2018’s Possible Dust Clouds (Fire Records). Joining the band is opener Fred Abong (Throwing Muses, Belly). $18, 8 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Help Janet Weiss (Sleater-Kinney); New Benny Leather; New Oquoa drops Sept. 22; Cursive makes PunkNews list…

Category: Blog — Tags: , , , , — @ 12:42 pm August 27, 2019

by Tim McMahan,

Here are a few news bits on a quiet Tuesday…

Janet Weiss, the former drummer to Sleater-Kinney as well as a handful of other notable bands, was in a car accident in Portland Aug. 10. The damage was two broken legs and a broken collarbone. Docs say she’ll be OK, but she’ll be in a wheelchair for three months while mending. Her sister, Julie, set up a gofundme page to help raise money to cover medical expenses and other costs while she’s on the mend. You can donate right here.

I know Weiss isn’t a local, but I’ve loved all the projects she’s been involved in, not the least of which includes Bright Eyes.

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A hot new track by a hot new act has been brought to my attention. The act is named Benny Leather and includes members from Omaha and Belgium. Your guess is as good as mine who that Omaha member is (actually, it probably isn’t, since I know but I ain’t telling). Look for the full album release Oct. 25, and then all will be revealed…

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Oquoa, Timesquares (2019, self-release)

Omaha indie band Oquoa will release its new album, Timesquares, Sept. 22. The album what produced by the band and engineered by Matt Carroll of See Through Dresses. The band will tour with Cursive throughout September. BTW, the album release show Sept. 22 will be at O’Leaver’s as part of O’Leaversfest Day 3 BBQ.

And I’m told that show will be a “going away party” for one of the band members who is moving to Seattle…

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Speaking of Cursive… published their list of the top 100 albums of 2000-2009, and making the cut was Cursive’s The Ugly Organ. Released by Saddle Creek Records in 2003, the album came in at No. 14. “I can’t think of an album aside from The Ugly Organ that actually gets self reflexive and explores the effect that emo songs have on the people they’re written about, let alone their effect on the person writing them,” said PunkNews. “It’s that self-reflection, which runs through the entire album, that makes The Ugly Organ a standout in Cursive’s already strong catalogue.”

In case you were wondering, The Lawrence Arms’ Oh! Calcutta was No. 1.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Live Review: Cursive at Winchester Bar & Grill; awakebutstillinbed, Pity Party tonight…

Category: Reviews — Tags: , , , — @ 12:37 pm May 29, 2019

by Tim McMahan,

O’Leaver’s has become (over the course of, what, a decade?) one of the best places to see live music in Omaha. It’s a stop for national touring indie bands and a welcome stage for the best local original live acts in Omaha. It’s “The Club,” a comfortable place to hang, a great place to drink.

But there’s a problem with O’Leaver’s when it comes to live music. On nights when the band is really packing them in, you’re probably not going to be able to see a damn thing. Because O’Leaver’s doesn’t have a real stage. Bands play on a cleared off space in the back of the room. So when there’s a crowd standing in front of the band, the only thing you’re likely to see is the back of a lot of unwashed heads of hair.

There are a few strategic places in the club that offer a glimpse of the band, if you’ve staked out your spot while they were humping in their gear between sets. If not, you better be standing right on top of the band. That’s the way it’s always been at O’Leaver’s, and because of the physical limitations of the room, that’s the way it’ll always be — there’s no way to build an elevated stage — the ceiling’s too low.

When we first walked into a sold-out and packed Winchester Bar & Grill Saturday night, the venue was reminiscent of O’Leaver’s in a number of ways. It’s a comfortable hole-in-the-wall hang-out that’s probably looked the way it does for a few decades. Like O’Leaver’s, there’s volleyball courts, this time located outside the back of the bar, which opens into an inviting patio with picnic benches and a small bar of its own, no doubt a smoker’s paradise. Unlike O’Leaver’s (for now) Winchester has a kitchen which makes a mighty fine cheeseburger.

But the thing that’s most similar to O’Leaver’s was the sight-line problems. Having been there for lunch when only a few folks were noshing sandwiches sitting in the booths, I thought Winchester had a leg up on O’Leaver’s because it has a fixed stage back in the corner. But as I quickly realized Saturday night, that stage wasn’t elevated enough. The band could be heard but, alas, could not be seen.

When Cursive was on stage I wasn’t even sure the entire band was up there. I could hear Megan Siebe’s cello but couldn’t see it. Where was drummer Pat Oakes? There were moments when frontman Tim Kasher’s head appeared between the spaces of bodies, and bassist Matt Maginn and guitarist Ted Stevens were playing so far off to the sides at times they could be seen, too. But see the whole band at once? Not Saturday night, not unless you got there early and were standing right in front of them.

It’s a problem easy to remedy — just raise the stage a foot, or two. Unlike O’Leaver’s, there’s plenty of head space. No doubt it’s not a problem on karaoke nights or when there’s a cover band playing, but if they ever have another sold-out show like Saturday hight, they’re in trouble.

The venue’s PA/sound system was serviceable. The room’s acoustics are what they are — i.e., this is no Waiting Room/Reverb set-up, but it was all they needed Saturday night. Of note — I could hear the cello throughout the set. I remember back in the old Gretta days when she might as well have been playing a cardboard cello for as much as it could be heard over the rest of the band.

Kasher sounded right at home, because he was at home — he’s an owner of Winchester as part of a consortium of partners that include Stevens and Maginn and host of Omaha rock glitterati. He looked relaxed and having fun, or maybe it was due to the fact it was the last night of a long tour.

The band opened with “Sierra” and played through a set of old favorites (“The Radiator Hums,” “Dorothy at Forty” “From the Hips” among the highlights) as well as songs off Vitriola, their latest release, including rousing versions of “It’s Gonna Hurt” and “Free to Be or Not to Be You and Me.” The crowd hooted and hollered after every song.

It was a sort of break-in performance for Winchester at least from a big show perspective, and despite the challenges of actually seeing the band, was a good time. As great as the music was, the best part for me was hanging out on the patio and catching up with old friends over beers (one drawback — no Rolling Rock. How is that even possible?).

During a recent interview with Kasher, Tim said he’d love to see Winchester evolve into another viable tour stop for original live music, just like O’Leaver’s. I’d love to see that happen, too. The club’s size (capacity has to be around 300?) makes it a great alternative to O’leaver’s when Craig D. has an opportunity to book a band with a larger following. They just need to jack up that stage a couple feet higher…

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Awakebutstillinbed (ABSIB) is singer/guitarist Shannon Taylor and her band playing indie rock that glides between emo and folk but, in the end, is emo. She can scream with the best of them. Reminds me of the ’00s. From San Jose. On Tiny Engines Records. Opening act Pity Party is Oakland emo. Living Conditions is Omaha screamo. All three play tonight at Reverb Lounge. $10, 8 p.m.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


Live Review: The Faint, Choir Boy at The Waiting Room; T.S.O.L. tonight…

Category: Reviews — Tags: , , , — @ 12:42 pm May 28, 2019

The Faint at The Waiting Room, May 24, 2019.

by Tim McMahan,

We got to The Waiting Room at around 9:15 Friday night, halfway through Choir Boy’s set. The person sitting next to me said it doesn’t sound like that voice should be coming out of the lead guy’s body. I said he sounds like Rick Astley. And their music also sounded like it came from the same decade that produced Astley — the era of Simply Red and Spandau Ballet and Simple Minds and Paul Young. MTV music. Choir Boy sounded like the soundtrack to a John Hughes film, but not necessarily one of his better ones.

I was reminded how much I heard this stuff in the early ’80s when I’d just graduated from high school and was going to places like The Depot and The Warehouse in Council Bluffs/Carter Lake, places where people listened and danced to this style of music, met people, went home with people. It was a time long, long before the internet and texting, when you actually had to walk up to someone and talk to them and ask them to dance. I wasn’t very good at that. But I had fun anyway, partially because of music like this.

I’m surprised an act like Choir Boy, a Team Love band playing ’80s-style New Romantic synth-pop, has a following among today’s youngsters. Or maybe they don’t. After all, The Faint’s biggest hits came out about 20 years ago, and Friday night’s audience reflected this — an older crowd for sure.

Todd and the boys came on just after 10 and ripped right into their set with their usual fervor.

I was reminded of another Faint concert at The Waiting Room about a decade ago in what was one of the venue’s “break in” concerts. Back then The Waiting Room was sort of two rooms — a stage room (where the stage is now) separated by pseudo walls that created a sort of separate room where the bar is located. The partial enclosures made the stage room louder, or so it seemed. That show was a sell out, and I spent it standing on a ledge that ran along the load-in ramp that lifted me above the throng. I watched the humanity down below bounce like butter on a hot skillet and felt every deep-bass throb in my bones.

And while Friday’s performance was as good as that one 10 years ago, the energy wasn’t as intense as those early Faint shows. We watched from behind the crowd along that soundboard wall that backs into the bar area. One super-tall guy, he must have been seven feet tall, stood in the center of the crowd and threw his arms in the air like an alien life form. He was the most animated of the mob that indeed bounced when they recognized a hit (“Worked Up So Sexual,” “Your Retro Career Melted,” etc.).

The set list for shows leading up to this one included maybe one song from the new album. But the band played at least three off the new one Friday night, including leading off their encore with “Child Asleep” — for my money, one of the best songs they’ve ever written. In fact, Egowerk sits right up there with The Faint’s best and the new songs blended in well with the rest of the set.

You have to ask yourself if they even need to produce new music with their rep as one of indie’s best full-tilt party bands. Egowerk isn’t what brought the crowd Friday night. And yet, how satisfying would it be for the band to just keep on playing the same songs over and over? Egowerk adds some new life into an already lively body of work. It’s not an evolution, but it continues their journey in the same dance-punk direction.

Anyway, the moment that everyone waits for always happens during the encore — “Glass Danse” — when the whole crowd erupts, and Friday night was no exception. The floor became a trampoline, just like in the good ol’ days. I have no doubt that a large portion of Friday night’s crowd came back for Saturday night’s encore.

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Because this is running long (and because I don’t haven’t finished writing it yet) I’ll publish the Cursive (and Winchester) review tomorrow.

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Tonight, Alternative Tentacles/Enigma recording artist T.S.O.L. plays at Lookout Lounge. They headline a night of punk that includes R.A.F., Hand Painted Police Car and The Scabby Ghouls. $15, 8 p.m. Wear your Docs.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.


The Faint weekend (w/Closeness and Choir Boy); Cursive Saturday (Sold Out); Sebadoh, Flower Sunday…

Category: Blog — Tags: , , , , — @ 7:27 am May 24, 2019

The Faint at the 2017 Maha Music Festival, Aug. 19, 2017. The band is playing at The Waiting Room tonight and tomorrow night.

by Tim McMahan,

Holy smokes, it’s an indie rock weekend!

It starts tonight at The Waiting Room where The Faint begin a two-night tour of duty. The band is on the road supporting Egowerk, the new release and a return to Saddle Creek Records.

Expect a mostly retrospective set, if the set list from the May 18 show in Seattle is any indication, where they played only one song off the new album? That can’t be right, can it? I guess we’ll find out tonight and tomorrow night.

I’m assuming Closeness will open the show for what will likely be the last time they play in Omaha for a long while due to Todd and Orenda Fink moving out west a few months ago. DAIS Recording artist Choir Boy has the center slot. What I’ve heard off their last album Passive with Desire, sounds like laid-back, synth-driven Bryan Ferry.

Saturday night’s Faint show, also at The Waiting Room, has the same line-up. Tickets are still available for both shows for $25. Start time is 8 p.m.

Also happening tonight, Chase the Ghost plays at fabulous O’Leaver’s with La Te Da and Jeremy Mercy. No price shown, but probably $5 and it probably starts at 10 p.m.

That brings us to Saturday and Cursive at Winchester Bar & Grill. You read my interview with Tim Kasher yesterday (and if you didn’t, go do it now). Here’s the set list from their May 20 show in Richmond. Seems like I remember hearing capacity at Winchester is north of 200. The venue is about twice the size of O’Leaver’s, but it’s still pretty small for a gig like this. Especially with openers mewithoutYou and The Appleseed Cast. This is the last gig on this tour, so expect fireworks.

Believe it or not, $22 tickets are still available. THIS ONE”S sold out. Don’t sleep on this one. Start time is 8 p.m.

O’Leaver’s will be limping along Saturday night with Wichita power-pop band Kill Vargas, Seymour and Garst. $5, 8 p.m.

Finally, Sunday night Sebadoh returns to Reverb Lounge. Who remembers when the band played the room’s grand opening? It was a comedy of errors that the band suffered through with good humor. In addition to a battery of sound issues, frontman Lou Barlow was suffering a painful toothache. Still, it was a pretty good set.

Opening is NYC punk band Flower (Simple Machines Records). Their bio: “Flower is a post-punk noise/pop band from NYC formed in 1986 featuring later members of Versus, French, and Cell. Flower was a staple of the NYC underground scene carved out by Sonic Youth, Live Skull, Swans, etc, utilizing the noise element of the aforementioned artists to deepen the textures of more classically oriented pop/rock songs. They continue to perform and record today.

$25, 8 p.m. Tickets are still available.

That’s all I got. If I missed your show, put it in the comments section. Have a great weekend and I’ll see you at the clubs.

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Read Tim McMahan’s blog daily at — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.