Saddle Creek Records update: Ada Lea joins the roster; new Stef Chura; Treadles gets Document(ed)…

Category: Blog — Tags: , , , — @ 12:45 pm May 14, 2019

Ada Lea is the latest artist signed to Saddle Creek Records.

by Tim McMahan, Lazy-i.com

It’s a quiet Tuesday so might as well catch up on some Saddle Creek Records news…

The label announced May 8 that it signed Montreal singer/songwriter and visual artist Ada Lea. A follower of Sylvia Plath and Nina Simone, Lea’s Saddle Creek debut, What We Say in Private (I added the capitol letters), “began with a need to document the ending of an important romantic relationship. Following a tormented period of staying up all night (sometimes days at a time), frantically painting or writing songs as a means of coping, she journalled for 180 days in the hope of finding herself again.”

Yikes. The first single, “The Party,” has already dropped. The rest of the album comes out July 19.

There’s not a lot online about Ada Lea. No Bandcamp; one song in Spotify. Methinks the Saddle Creek digital team scraped the usual sites of any tracks she might have lying around. There is one live set on YouTube from May 2018.

Here’s the single:

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Seems like we’ve been waiting for the new Stef Chura album for a 100 years. Titled Midnight, it’s slated to drop June 7. It wa produced by Will Toledo of Car Seat Headrest.

To keep you psyched, Stef dropped a new video for single “They’ll Never,” below. This one’s a kicker in the Angel Olsen vein. Chura could have a second career as a country crooner if this one doesn’t work out (but I think it will).

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And I forgot to mention that New Orleans band Treadles is the subject of the eighth installment of Saddle Creek’s Document singles series. Their 7-inch, “Cold” b/w “Iron,” comes out May 24.

This is an interesting statement that came with the press release for the Treadles single:

In the beginning, Saddle Creek was simply a way for us to highlight the music and art community in our hometown of Omaha, NE. Over the years, we have grown and our roster expanded to include artists from all over the world, but we never lost our love for the spirit in which the label was founded. While the scope of the label may have evolved over time, we know there are great music scenes all around the world that are in the same place we were in the beginning: a group of creators coexisting and collaborating within an artistic community that they know is special, but hasn’t quite gotten the spotlight it deserves.

I bring it up only because someone recently asked me if I consider Saddle Creek to be an Omaha label. I do. In fact, I would venture to guess that one of their biggest selling albums so far this year is the new release by The Faint, an Omaha band whose core members are scattered throughout the country, but still… an Omaha band (if you ask me).

Despite having offices in Los Angeles, Saddle Creek will always be considered an Omaha label, just like it continues to be referenced in reviews as “Conor Oberst’s label” even though Conor moved onto other labels years ago. It was Saddle Creek where Conor got his start and where he’ll forever be identified with…

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.

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