Maha 2019 initial reaction; Live Review: Sasami, Ellis; Thick Paint Sunday…

Category: Reviews — Tags: , , , — @ 9:27 am April 19, 2019

Sasami at Reverb Lounge, April 19, 2019.

by Tim McMahan, Lazy-i.com

My initial reaction to Maha 2019: It’s the best line-up they’ve ever had: Lizzo, Courtney Barnett, Jenny Lewis, Snail Mail, and best of all, Thee Oh Sees — a band that has been avoiding Omaha for as long as I can remember. Now you’ll get to see them in all their glory.

There’s about a half-dozen more acts. You can see the full line-up here. Two-day GA festival tickets are $80 (Plus an $11 fee!). Like I said, best line-up ever, but quality rarely equates to quantity audience wise… If they wanted to outdo last year’s attendance, they’d need another Weezer, which they don’t got (thankfully).

More thoughts on the line-up next Monday.

* * *

Sasami at Reverb last night was a hoot. Rarely have I seen such a well-balanced trio, with every musician playing a crucial roll, and amazingly so. The drummer was mesmerizing, and the bass at times carried the melody, but at the center was Sasami Ashworth, who you could tell was having a great time playing for a room half-filled with young women, all of whom crowded the stage (while the old dudes stood in back).

I’m paraphrasing here, but she said something like, “I love this crowd. This is a million times better than last night’s crowd. Fuck Denver!” Then went on to say she has nothing against old white guys. “My Jewish manager is here and I love him, but fuck ya! Girls to the front!” Indeed.

There were more white-guy comments later in the set, and I suppose someone could have been offended but who cares? I was easily old enough to be the grandfather to most of the women dancing up by the stage, and you could argue I didn’t belong there, except for the fact that I’ve never thought twice about my age when it comes to music. Especially music as good as Sasami’s, which, with her soaring guitar riffs and soft, low voice (that at times struggled to be heard above the amp center stage) reminded me of Exile-era Liz Phair but powered by an amazing rhythm section.

Show highlights were scorching versions of “Free” and “At Hollywood” (where she substituted “Omaha” for “Hollywood” the first time through), both off her self-titled debut. While that record is great, it doesn’t come close to capturing her live energy (but few studio albums do).

Opening act Ellis was a good match as a tour mate, with a similar songwriting style and a voice that also was hard to hear over the band. She ended her set with a song called “The Fuzz” that started with just her and her electric guitar, and you could hear every word: “The sky was big and it was dark / A picnic table in the yard / I still remember how it felt / When the sky came crashing down.” And then the band came in and that was the end of that. I made a note to find the song after I got home to find out what happened next.

* * *

I’m happy I went out last night because there ain’t dick going on this weekend. Since when did Passover/Easter become such a dead holiday show-wise?

There is one gig you won’t want to miss and it’s Sunday night.

Local heroes Thick Paint celebrate the release of their debut full-length Sunday night at Reverb Lounge. This one’s a long time coming, and I guess it’s a self-release, though I know there were labels sniffing around last summer. Who needs labels in the digital age, right?

Opening the show is Portland band Ancient Pools. 8 p.m. and $7. Expect a crowd.

That’s all I got. If I missed your show, put in the comments section. Have a mighty fine holiday.

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2019 Tim McMahan. All rights reserved.

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