Live Review: Umm, Oquoa; Charlie Burton, Muscle Cousins tonight; Leafblower, David Nance, Closeness, BIB Saturday…

Category: Blog,Reviews — Tags: , , , — @ 12:49 pm April 14, 2017

Umm at Reverb Lounge, April 13, 2017.

by Tim McMahan, Lazy-i.com

So now I get the name change. Umm, the new project by Stef Drootin and Chris Sensensey, sounds nothing like their other band, Big Harp. There was nary a twang to be had when the duo rolled out a set of new material last night at Reverb Lounge.

In fact, everything was different — the rock style, the blistering pace, the guitar/bass tones, even Senseney’s voice — now cool and easy — was a big contrast to the grave-pit vocals heard on Big Harp albums.

Whenever I listen to female/male husband/wife duos, I subconsciously compare them to other duos where the vocals are shared or harmonized between a male and female. Top of list is usually Yo La Tengo, Low, Sonic Youth, White Stripes and, of course, Fleetwood Mac, Sonny & Cher… okay, maybe I’m going too far back into the archives. The act that came to mind last night was someone no one likes but me — a vintage husband-wife duo that recorded on I.R.S. called Timbuk3, a one-hit wonder whose fantastic catalog was virtually ignored because of that hit song — which should be a warning to any band dying for a break-through single. Sometimes a the hit can ruin your career.

Anyway, the Timbuk3 comparison is purely on the periphery of what Umm is doing, and based solely on how Stef and Chris harmonize. Stef said those harmonies are the result of an Everly Bros. fetish. Whatever the inspiration, the end result was gorgeous, and provided the perfect counter-point to the duo’s fast, heavy but tuneful indie rock.

Played over laptop beats, each instrument shared the leads throughout the set. Whereas Senseney is one of the best guitarists I’ve ever heard shred a solo, Drootin’s bass work was just as prominent and oftentimes more brutal, providing a fuzz tone that peeled paint off Reverb’s rafters. There was one tune in the middle of the set where the duo shared an intricately played musical phrase as if performing a high-stakes trapeze act without a net. It was laugh-out-loud holy-shit good.

Underscoring the entire performance was the songwriting. These are some of the best pop songs I’ve heard in awhile, songs you immediately want to listen to again. I’m told the duo already recorded an album’s worth of music at ARC. This was only their fifth live performance, and it was red hot. Do I like this better than Big Harp? Yes, because in general I’m tired of twangy, rootsy, indie folk music, something Big Harp did as well as anyone. And while you could listen to Big Harp and respect it for what it was, Umm’s music and songs are something I’d reach for again and again.

Oquoa at Reverb Lounge, April 13, 2017.

BareBear, the new Rob Walters project, opened the night, but I missed it. Oquoa followed with one of their better sets. Keyboardist Patrick Newbery now dominates the solos even more so than frontman Max Holmquist’s guitar. Newbery’s synthwork is multi-layered and varies throughout like nothing heard before. Holmquist’s vocals are at times nearly operatic in tone… and enunciation — i.e., I sometimes wondered in what language he was singing.

Oquoa’s style has morphed into a psychedelic, shoe-gaze sound reminiscent of drummer Roger Lewis’ old band, Conduits. The four-piece isn’t afraid to take their music to space, pulling off repeated riffs and soundscapes that are nothing less than trippy.

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It’s a moderately busy weekend of shows coming up…

Omaha/Lincoln legend Charlie Burton is playing tonight and tomorrow night at Growler USA, 16274 Evans Plaza in West O. Burton’s latest combo is called Charlie Burton and Or What! The last time I interviewed Charlie was way back in 1998 when he called his act The Texas Twelve Steppers (read the article here). I suspect old fans will be flocking to this show. It starts at 9 p.m. and is free both nights. I recommend getting there early if you want a seat. The venue draws a crowd even without music, thanks to its massive beer selection.

Also tonight Muscle Cousins headlines at Reverb Lounge. It’s a new project founded by siblings Andy, Mari and Collin Matz. The Matz kids have been playing music in Omaha for years in bands like Capgun Coup, Manic Pixie Dream Girls and Saturn Moth. Opening is the epic-ly named Boner Killerz and psych-folk-rockers Those Far Out Arrows. $7, 9 p.m.

Tomorrow night’s big gig is the Leafblower EP release show at The Brothers Lounge (which I told you about here). Check it out at Bandcamp. Opening is JAZID and folk-psych-superstar David Nance. $5, 9 p.m.

Also tomorrow night, there’s a special dance performance by the tbd. dance collective at Kaneko downtown. “As a part of KANEKO’S ‘Passion & Obsession: From the Collection’ exhibition, tbd. dance collective will create an original performance exploring the idea of movement as an intangible collection, able to be viewed, but only truly stored in the mind.” Closeness, the new project by Orenda and Todd Fink, also perform. Tickets are $10, show starts at 8 p.m.

It’s a night of hardcore at the new Milk Run, 2578 Harney St. Headlining is KC band Blindside USA. Joining them is red-hot noise rock act BIB, Jocko, Jade Lacy and Daphne Calhoun. No price listed but you know it’s got to be at least $7, right? Show starts at 9. Remember, enter through the back door.

Finally, indie band Low Long Signal is playing Saturday night at fabulous O’Leaver’s. They’re opening for headliner The Ramparts. Human Teeth Parade also is on the bill. $5, 9:30 p.m.

And that’s all I got. If I missed your show, put it in the comments section. Have a great weekend.

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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2017 Tim McMahan. All rights reserved.

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