Live Review: Orenda Fink, Domestica; Kasher track part of Polyvinyl singles club; Cully joins Beach Slang…

Category: Blog,Reviews — Tags: , , , , , , — @ 1:50 pm December 13, 2016
Orenda Fink at The Waiting Room, Dec. 9, 2016.

Orenda Fink at The Waiting Room, Dec. 9, 2016.

by Tim McMahan, Lazy-i.com

Nice crowd at last Friday night’s Mobilize Omaha event at The Waiting Room. Booths were set up throughout the club where local non-profit agencies told their stories and asked for volunteers. These are strange times we live in; uncertain times. No doubt non-profits will play a more important role if (or, more likely, when) the government turns its back on those in need.

Orenda Fink, who was the night’s final scheduled performer, talked about how important Planned Parenthood is not only for reproductive health services, but also as a provider of basic women’s health services. The agency is constantly under attack; and those attacks will only increase as our country turns a darker shade of red in the coming weeks. If you have the cash, by all means, give what you can to Planned Parenthood, who will likely see its funding cut-off as the new administration takes over the White House. Strange, sad times indeed.

It’s easy to forget that Orenda, who’s involved in a number of projects (High Up (who you can see Thursday night at Slowdown Jr.) and Closeness (with Todd Fink) immediately come to mind) is a one of the city’s hallmark solo performers. She proved that again Friday. Standing alone on stage with her electric guitar Orenda belted out a set of that included early solo material, Azure Ray songs, and a few covers including tunes by Harry Nilsson (“Everybody’s Talkin'”) and David Bowie (an aching version of “Lazarus”).

Domestica at The Waiting Room, Dec. 9, 2016.

Domestica at The Waiting Room, Dec. 9, 2016.

Like I said, Orenda was the last scheduled performer, to be followed by a “special guest.” Turns out that special guest was Lincoln power-punk trio Domestica. Heidi, Jon and Pawl took their places and proceeded to blow the crowd away.

Unfortunately, unaware that they would cap off an evening of mostly somber indie/folk music, my other half didn’t bring earplugs (whereas I never leave home without them). She pulled the hood of her winter coat over her head in a vain effort to block the thunderous power of Doemstica in full flight, but to avail, and we ended up leaving after their first anthem. Next time, Heidi and Co…

* * *

These updates at Lazy-i may be a bit unpredictable for the next few weeks as I slog through a busy holiday season, which also happens to be a frantic year-end time at work. I’ll post whenever there’s a crack of light in my schedule.

A couple news bits:

Polyvinyl Records is launching another “Singles” series, wherein subscribers can receive a year’s worth of 7-inches mailed directly to their doors by the likes of Beach Slang, Japanese Breakfast, Modern Baseball, Twin Peaks, Joyce Manor, Jay Som, Diet Cig, Mothers, Owen, Ra Ra Riot, Sonny & The Sunsets and Saddle Creek Records artist Tim Kasher of Cursive and The Good Life fame.

All the singles were recorded on a 4-track Tascam cassette recorder to capture that classic, made-in-the-bedroom feeling. Subscribe here at the Polyvinyl site for a mere $120. You get some nice chochkes with your purchase.

BTW, I’ve been asking Saddle Creek to try doing one of these “singles-of-the-month” deals for years. I’d be the first in line. Come on, guys.

Speaking of Kasher and Cursive, Cully Symington, former Cursive drummer, has joined Beach Slang, according to SPIN. Cully has pulled drumming duties for a variety of bands including Afghan Whigs and Okkervil River.

Sounds like Beach Slang has been through the ringer this year, according to the SPIN article.

So who’s playing drums with Cursive when they inevitably get back together for another album? My vote is for Clint Schnase…

* * *

Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.

Share | Email | Bookmark

1 Comment »

  • Everybodys Talkin’ was written by Fred Neil in 1966, Nillson’s cover was the hit in 1969.

    Comment by Jack — December 13, 2016 @ 3:13 pm

RSS feed for comments on this post. TrackBack URL

Leave a comment

Lazy-i