by Tim McMahan, Lazy-i.com
Well, another Record Store Day has come and gone and we’re all a little lighter in the wallet for it.
I purchased the majority of my booty down at Homer’s, which by early afternoon was still basking in the afterglow of the mob scene that it withstood earlier that day. Did I buy everything I wanted from the 2016 RSD collection? No, no. But I got what I needed. BTW, that Feelies recording is particularly sublime.
I hit Drastic Plastic next, then after my trip downtown I checked out the mysterious Hi-Fi House that was celebrating RSD with an open house of its own. Located at the old Joseph’s College of Beauty building at 3724 Farnam St., the facility is first class all the way — a huge open, carpeted space with comfortable furniture arranged in circles throughout, centered around stereo equipment set-ups, like what I was told was an $80,000 system (shown above).
Behind the big room are a couple smaller ones. Inside the first is the Hi-Fi House’s album collection, or what I was told was merely a portion of the collection (which is spread out in locations around the country). A glance at the titles indicated that the music touches all genres. Some of it looked unplayed and was still sealed. There also were some interesting music-related items lying around, like a Patti Smith edition of a Pono Music Player — something I’ve never seen in real life.
Tucked further back in the building was the remnants of the Bomb Shelter Radio studio, which had been housed at Milk Run. One assumes the broadcasts will continue at Hi-Fi House. But I can’t tell you for sure as I still can’t get anyone from the organization to do an on-the-record interview. Hi-Fi House might be open but it’s still hush-hush, for now.
There was 20 or 30 people on hand at Hi-Fi House when Chemicals began its set. Of all the bands I’ve seen Dereck Higgins perform in since Digital Sex broke up, Chemicals was the most impressive. I don’t know much about jazz — or improvisational jazz for that matter — but I can still recognize great music played with fire and funk, and Chemicals was all of that. Higgins said during the set that the band was still in its development phase, but you couldn’t tell by Saturday’s performance.
The band includes guitarist Jacob Cubby Phillips and keyboardist Jake Reisdorff. Horns were provided by trumpeter Blake DeForest and the always amazing James Cuato on saxophone (and keyboards). But keeping it all together was gritty drummer John Evans crashing the beats with style and finesse, and of course Higgins himself at the center, one of Omaha’s greatest bassists holding it all together.
At first I wasn’t expecting much thanks to the long, unstructured noise collage that kicked things off, and then Evans cut through the clutter with a defined beat and Higgins dropped his bass line and we were on our way. This is modern, progressive rock jazz in the same vein as Kamasi Washington, progressive but tuneful and exciting, and well played. I’m sure there was a lot of improvisation going on, but there was no mistaking each song’s foundation and arrangement — this wasn’t random noodling. Can a recording be far behind? (Hey Hi-Fi House, why not put it out on vinyl?).
After Chemicals I strolled down to Almost Music and caught Hand Painted Police Car rip the paint off the walls while a crowd thumbed through the bins.
Then it was off cross-town to the new Recycled Sounds, sort of hidden on 76th St. across from Buffalo Wild Wings but tucked in behind a strip mall. It’s easy to miss, but you won’t want to miss it. Recycled moved from its old location in Lincoln and will become a regular stop for used vinyl (along with Almost Music). The releases are very well organized — by band by alpha — and there’s a ton of it. It’s where I found that Lloyd Cole 12-inch 4-song 45.
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Tonight at Reverb Lounge a handful of Omaha performers are getting together to celebrate the genius of Rick Moranis. Among them are Kait Berreckman, Michael Campbell, Castor, Vago, Doug Kabourek (who is the living embodiment of ’80s-era Rick Moranis) and Stephanie Krysl. Expect classic SCTV skits in the bar and the best of the best from past Canada Day events on The Reverb stage. $7, 8 p.m. Tell them Louis Tully a.k.a. The Keymaster sent you…
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2016 Tim McMahan. All rights reserved.
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