Live Review: Giant’s Arrow, Wagon Blasters, Domestica; VMAs; White Mystery, The Blind Shake tonight…
by Tim McMahan, Lazy-i.com
Fun night of music at O’Leaver’s this past Saturday.
The consensus (even voiced from stage) was that Lincoln band Giant’s Arrow carries on the tradition of mid-’90s emo bands like Boys Life and Caulfield bands like Christie Front Drive. Their style is angular indie bordering on prog, soaring, complicated rhythms, and scream/yell vocals that lack a central melody, with ferocious guitar licks that are jittery and spastic. There also were moments of melodic lucidity. I jotted down At the Drive-in and early Husker Du. At times they reminded me of local boys The Stay Awake or even Fromanhole, though without the those bands’ precision.
The performance brought on a discussion (again) of what “emo” means and how the term evolved from its original label used to describe Rites of Spring-style punk bands. Giant’s Arrow’s sound is one-generation removed, to the pleading/angular style of emo that would later evolve into the poppier punk style of Promise Ring. At least that’s my take on it.
That said, I liked them. The four piece flailed around stage so much I thought they were going to slam their guitars into each other. Lots of kicking and jumping and wagging of heads in time with the music’s energy. They don’t play songs as much as proggy rock constructions.
It’s a distinction that separates Giant’s Arrow from the other bands on the bill Saturday night. Wagon Blasters and Domestica write and perform rock songs. Gary Dean Davis may not “sing,” but there’s no denying the musicality of a Wagon Blasters’ tune. Tractor punk indeed. There is not now, nor has there ever been a band that does what Gary Dean Davis bands do.
The same can be said about Domestica. Heidi, Jon and Pawl create punk anthems about everyday life that feel like rooting for the home team. Taylor’s guitar work remains somehow both raw and pristine, brutal riffs hone to a razor’s edge.
The whole evening felt like it could have taken place sometime in 1995. But then again, isn’t all great rock music timeless?
BTW, O’Leaver’s improved its sound system again. Sound engineer Ian Aeillo said they upped the wattage so the sound is cleaner not so much louder. I don’t know how much more that room can take. They’ve also added a booth in the back so that Ian or whoever is running sound can now look down over you as he twiddles dem knobs… as it should be.
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I watched the VMAs last night. What? What’s wrong with that? Alright, it does sound a bit creepy that a guy my age would watch a program clearly targeted toward teen-aged girls, but hey, as a music critic, you have to keep up with the trends.
There was a time — a loooong time ago — when MTV broadcast culturally cutting-edge content. That time has long passed. Last night’s VMAs showcased R&B, hip-hop and pop music. Notice I didn’t mention rock? That’s because today’s pop music has nothing to do with rock music, which is one of the distinctions about the VMAs of today and the VMAs from 25 or so years ago. Rock music used to have a place in popular music culture. That’s really no longer the case. Rock ‘n’ roll isn’t dead, just sort of hiding in plain sight…
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Speaking of rock music, there’s a big rock show going on tonight at fabulous O’Leaver’s.
White Mystery is playing a set as well as screening their new film That Was Awesome. Opening is The Blind Shake and a DJ set from the uber talented Dave Goldberg. $5, 9:30 p.m. What a way to kick off your week!
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2015 Tim McMahan. All rights reserved.
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