by Tim McMahan, Lazy-i.com
Someone asked me if Saturday night’s Simon Joyner and the Ghosts show at Reverb was a “top-5 Joyner set.” I’m not sure what that’s supposed to mean. Every Joyner set is different and interesting in its own way. How you compare them, I don’t know.
Over the years I’ve gotten as much out of Joyner’s various solo acoustic sets as I have his wonky-bordering-on-experimental band sets performed at Sokol Underground and O’Leaver’s as I did his more “polished” sets, like when he opened for Bright Eyes at The Rose Theater way back when. The beauty and wonder of Joyner performances is that you never know what you’re going to get, though over the past few years, Simon and the Ghosts have become more predictable, more musically confident and (perhaps) less experimental. His music also feels more upbeat, more rocking, especially the handful of new songs from his forthcoming record, Grass, Branch, and Bone, out on Woodsist next year. I’m looking forward that album as much or more than any of his past efforts.
Ghosts bassist Alec Erickson was AWOL Saturday night. Megan Siebe, who usually handles organ and violin, filled in, though pedal-steel/keyboardist Mike Friedman also handled bass chores on a few numbers. I won’t say it was a top-5 show, but it was in the upper third of the 50 or so Joyner shows I’ve witnessed over the years.
The Sucettes, who opened Saturday night, is the most “realized” Dave Goldberg-fueled band since his Carsinogents days. The lineup is Goldberg switching between keyboards and drums, Jeremiah McIntyre on bass and vocals, Genie Molkentine on vocals, drums and keyboards, Todd VonStup on guitar and CJ Olson on guitar. The band’s music sounds like an extension of what Goldberg and McIntyre were doing in Box Elders, though the arrangements are more filled out. This is a fun band to watch, centered on Goldberg, who is the preeminent stage performer — you can’t keep your eyes off him. Joyner joined Sucettes for their set closer, a scorching cover of the Minutemen’s “Jesus and Tequila.”
In the center slot was Skeleton Man, a droning psychedelic band fronted by Kevin Donahue (Ghosts drummer) on guitar/vocals that also featured fellow Ghost Megan Siebe, who might be the hardest working musician in Omaha these days. Now when someone asks me what “drug music” sounds like, I can point to this band, whose trippy drone felt like Pink Floyd on acid (Is there any other kind of Pink Floyd?). They only played four songs, but their set closer rolled on for 20 minutes of rhythmic noise, capped by Donahue’s undecipherable vocals/wailing.
This was the largest crowd I’ve seen at Reverb, and with the collection of local musicians in the audience, it felt like a coming out party for the club. The room’s sound gets better with every visit. It’s only been open for a few months and it already is getting a rep for being one of the city’s best music venues.
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No shows tonight, but it’s going to be a busy week. It always is during the holidays. You may want to get tickets to tomorrow night’s Desa show in advance…
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2014 Tim McMahan. All rights reserved.
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