Brad Hoshaw’s doing a Kickstarter; Jeremy Messersmith, BOY to highlight Day 2 of Lincoln Calling; Willie Nelson tonight…
by Tim McMahan, Lazy-i.com
A few days ago Brad Hoshaw launched a Kickstarter campaign to help fund the production of his new album with his band the Seven Deadlies. You can read the details here (including some sweet premiums). Seems like Kickstarters is for presales more than anything these days, a way to pre-pay for an album and get the money in the hands of the artists when they need it most. Kickstarter takes some of the risk out of making records. Some.
Hoshaw is an enigma to me and has been since I first saw him perform all those years ago. His band’s debut album is one of the best collections of songs to emerge from our fair city. The sad part is that it never caught the attention of anyone outside of Omaha. It should have. So who’s fault is that? Well, I guess it’s Hoshaw’s, right? Why didn’t he get this record in the ear holes of the industry people who make decisions in Nashville, New York, Los Angeles, Hollywood, etc.? It’s easier said than done, and virtually impossible without the right connections. Maybe he tried.
Making a good record has never been enough to break through to something bigger than playing well-attended Omaha shows, especially if your music is written to appeal to something broader than an indie music audience. At least there’s a path with indie. There’s a chance of getting reviews of your record in the handful of “important” indie websites, and if you’re lucky, in Paste or Pitchfork. And then on from there. There is no similar path for mainstream-targeted music, and Hoshaw’s songs certainly fall into that category.
At the very least, his music is picture-perfect for use in commercials, film or television. Who else thought “Carpenter” was the perfect song for a Sherwin-Williams commercial? But for that to happen, someone in charge first has to hear the song. I’m not sure how you do that. Hire an agent? Maybe, maybe…
Anyway, the first step is still to create the music, and this Kickstarter is where you come in. Check it out and give ol’ Brad a hand.
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Speaking of songwriters who deserve to be heard by a larger audience, Jeremy Messersmith is playing Day 2 of Lincoln Calling tonight at The Bourbon Theater. Messersmith — like Hoshaw — is a mastercraft songwriter who knows his way around an infectious hook and a clever lyric.
And Messersmith is breaking through. He recently signed with Glassnote Records, whose stable of acts includes Mumford & Sons, Phoenix, Chvches and The Temper Trap. Messersmith used to just give his music away via his website. I don’t think that’ll be happening with any new material, nor should it.
Messersmith opens for German duo BOY, whose music has been compared to Feist. Check it out below.
That Bourbon show is $15 and starts at 8 p.m. The rest of the Lincoln Calling line-up is at their website, here.
Meanwhile, back here in Omaha, there is virtually nothing interesting going on except for the Record Club at the Saddle Creek Shop, which tonight features Willie Nelson’s Red Headed Stranger. Hosting tonight’s installment is none other than Dan McCarthy of McCarthy Trenching, who will lead the discussion after the album’s play concludes. The needle drops at 7. More info here.
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Read Tim McMahan’s blog daily at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2013 Tim McMahan. All rights reserved.
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